Au gibet noir, manchot aimable,
Dansent, dansent les paladins,
Les maigres paladins du diable,
Les squelettes de Saladins.

Messire Belzébuth tire par la cravate
Ses petits pantins noirs grimaçant sur le ciel,
Et, leur claquant au front un revers de savate,
Les fait danser, danser aux sons d'un vieux Noël !

Et les pantins choqués enlacent leurs bras grêles
Comme des orgues noirs, les poitrines à jour
Que serraient autrefois les gentes damoiselles
Se heurtent longuement dans un hideux amour.

Hurrah ! les gais danseurs, qui n'avez plus de panse !
On peut cabrioler, les tréteaux sont si longs !
Hop ! qu'on ne sache plus si c'est bataille ou danse !
Belzébuth enragé racle ses violons !

Ô durs talons, jamais on n'use sa sandale !
Presque tous ont quitté la chemise de peau ;
Le reste est peu gênant et se voit sans scandale.
Sur les crânes, la neige applique un blanc chapeau :

Le corbeau fait panache à ces têtes fêlées,
Un morceau de chair tremble à leur maigre menton :
On dirait, tournoyant dans les sombres mêlées,
Des preux, raides, heurtant armures de carton.

Hurrah ! la bise siffle au grand bal des squelettes !
Le gibet noir mugit comme un orgue de fer !
Les loups vont répondant des forêts violettes :
A l'horizon, le ciel est d'un rouge d'enfer...

Holà, secouez-moi ces capitans funèbres
Qui défilent, sournois, de leurs gros doigts cassés
Un chapelet d'amour sur leurs pâles vertèbres :
Ce n'est pas un moustier ici, les trépassés !

Oh ! voilà qu'au milieu de la danse macabre
Bondit dans le ciel rouge un grand squelette fou
Emporté par l'élan, comme un cheval se cabre :
Et, se sentant encor la corde raide au cou,

Crispe ses petits doigts sur son fémur qui craque
Avec des cris pareils à des ricanements,
Et, comme un baladin rentre dans la baraque,
Rebondit dans le bal au chant des ossements.

Au gibet noir, manchot aimable,
Dansent, dansent les paladins,
Les maigres paladins du diable,
Les squelettes de Saladins.

Then a voice comes and says
It was a stranger, pays by the hour
You got jacked, hacked, attacked
Your mind was theirs when we got here

There was a time spent
pretending it wasn't possible.
Sad, sick strangers, ******* you!
But I dreamed of my beloved four.
They ****** my spirit, like a battery.

Then he came, the covenant,
time to turn and escape their nets.
Down into the pit, a crucible.
To treat with my paladin

We tend the metasphere in secret,
Honor bound in sacred duty
Terrapin are we.

"Mother of heaven, regina of the clouds,
O sceptre of the sun, crown of the moon,
There is not nothing, no, no, never nothing,
Like the clashed edges of two words that ****."
And so I mocked her in magnificent measure.
Or was it that I mocked myself alone?
I wish that I might be a thinking stone.
The sea of spuming thought foists up again
The radiant bubble that she was. And then
A deep up-pouring from some saltier well
Within me, bursts its watery syllable.

II

A red bird flies across the golden floor.
It is a red bird that seeks out his choir
Among the choirs of wind and wet and wing.
A torrent will fall from him when he finds.
Shall I uncrumple this much-crumpled thing?
I am a man of fortune greeting heirs;
For it has come that thus I greet the spring.
These choirs of welcome choir for me farewell.
No spring can follow past meridian.
Yet you persist with anecdotal bliss
To make believe a starry connaissance.

III

Is it for nothing, then, that old Chinese
Sat tittivating by their mountain pools
Or in the Yangtse studied out their beards?
I shall not play the flat historic scale.
You know how Utamaro's beauties sought
The end of love in their all-speaking braids.
You know the mountainous coiffures of Bath.
Alas! Have all the barbers lived in vain
That not one curl in nature has survived?
Why, without pity on these studious ghosts,
Do you come dripping in your hair from sleep?

IV

This luscious and impeccable fruit of life
Falls, it appears, of its own weight to earth.
When you were Eve, its acrid juice was sweet,
Untasted, in its heavenly, orchard air.
An apple serves as well as any skull
To be the book in which to read a round,
And is as excellent, in that it is composed
Of what, like skulls, comes rotting back to ground.
But it excels in this, that as the fruit
Of love, it is a book too mad to read
Before one merely reads to pass the time.

V

In the high west there burns a furious star.
It is for fiery boys that star was set
And for sweet-smelling virgins close to them.
The measure of the intensity of love
Is measure, also, of the verve of earth.
For me, the firefly's quick, electric stroke
Ticks tediously the time of one more year.
And you? Remember how the crickets came
Out of their mother grass, like little kin,
In the pale nights, when your first imagery
Found inklings of your bond to all that dust.

VI

If men at forty will be painting lakes
The ephemeral blues must merge for them in one,
There is a substance in us that prevails.
But in our amours amorists discern
Such fluctuations that their scrivening
Is breathless to attend each quirky turn.
When amorists grow bald, then amours shrink
Into the compass and curriculum
Of introspective exiles, lecturing.
It is a theme for Hyacinth alone.

VII

The mules that angels ride come slowly down
The blazing passes, from beyond the sun.
Descensions of their tinkling bells arrive.
These muleteers are dainty of their way.
Meantime, centurions guffaw and beat
Their shrilling tankards on the table-boards.
This parable, in sense, amounts to this:
The honey of heaven may or may not come,
But that of earth both comes and goes at once.
Suppose these couriers brought amid their train
A damsel heightened by eternal bloom.

VIII

Like a dull scholar, I behold, in love,
An ancient aspect touching a new mind.
It comes, it blooms, it bears its fruit and dies.
This trivial trope reveals a way of truth.
Our bloom is gone. We are the fruit thereof.
Two golden gourds distended on our vines,
Into the autumn weather, splashed with frost,
Distorted by hale fatness, turned grotesque.
We hang like warty squashes, streaked and rayed,
The laughing sky will see the two of us
Washed into rinds by rotting winter rains.

IX

In verses wild with motion, full of din,
Loudened by cries, by clashes, quick and sure
As the deadly thought of men accomplishing
Their curious fates in war, come, celebrate
The faith of forty, ward of Cupido.
Most venerable heart, the lustiest conceit
Is not too ***** for your broadening.
I quiz all sounds, all thoughts, all everything
For the music and manner of the paladins
To make oblation fit. Where shall I find
Bravura adequate to this great hymn?

X

The fops of fancy in their poems leave
Memorabilia of the mystic spouts,
Spontaneously watering their gritty soils.
I am a yeoman, as such fellows go.
I know no magic trees, no balmy boughs,
No silver-ruddy, gold-vermilion fruits.
But, after all, I know a tree that bears
A semblance to the thing I have in mind.
It stands gigantic, with a certain tip
To which all birds come sometime in their time.
But when they go that tip still tips the tree.

XI

If *** were all, then every trembling hand
Could make us squeak, like dolls, the wished-for words.
But note the unconscionable treachery of fate,
That makes us weep, laugh, grunt and groan, and shout
Doleful heroics, pinching gestures forth
From madness or delight, without regard
To that first, foremost law. Anguishing hour!
Clippered with lilies scudding the bright chromes,
Keen to the point of starlight, while a frog
Boomed from his very belly odious chords.

XII

A blue pigeon it is, that circles the blue sky,
On sidelong wing, around and round and round.
A white pigeon it is, that flutters to the ground,
Grown tired of flight. Like a dark rabbi, I
Observed, when young, the nature of mankind,
In lordly study. Every day, I found
Man proved a gobbet in my mincing world.
Like a rose rabbi, later, I pursued,
And still pursue, the origin and course
Of love, but until now I never knew
That fluttering things have so distinct a shade.

Vaguely lit by the summer moon of dark blue,  pierced with light;  the river murmurs, the devils paladins; lies in wait for more than a thousand years!      the evening shadows pulling faces, the hidden window. Of worlds on a journey, a thousand years sad ophelia. Has murmured its ballad, the paladins are dancing. Sighing around her through this horror of space. The black gallows moans, and to all these worlds his black puppets weep on her shoulder, of an eternal voice unfathomable space; I no longer felt myself, I have seen malstroms eternal, devouring the green azores, where the eyes of panthers trembled to feel, down into the abysses! the black gallows moans.

holi pigment splash on your skin.  tangerine, aubergine, saffron paladins.  a carousel of mourning veils in pretty pretty ruby red.  decadent dancing in the streets with no regrets.  whatever came the day before, i can't remember anymore. the drinks and streamers impugn disbelievers.

Vaguely lit by the summer moon,
lull them asleep among the foliage;
her sweet madness: the devil's paladins
lie in wait for more than a thousand years.

In the wine of daylight, they slip amorously.
- A nest of mad kisses, the beads of their love.
They have murmured their ballad - the paladins dance,
sighing around her, women and flowers beneath them.

Smile of beautiful lips, a small rustle of wings -
it is the nymph! Her great veil rises;
such mounting of my soul in love’s will;

As I float down, bearing shadow-flowers with them,
I never endured more triumphant clamourings -
gleams of the daylight:
dawns are heartbreaking, devoured by vermin.

Au gibet noir, manchot aimable,
Dansent, dansent les paladins,
Les maigres paladins du diable,
Les squelettes de Saladins.

Messire Belzébuth tire par la cravate
Ses petits pantins noirs grimaçant sur le ciel,
Et, leur claquant au front un revers de savate,
Les fait danser, danser aux sons d'un vieux Noël !

Et les pantins choqués enlacent leurs bras grêles
Comme des orgues noirs, les poitrines à jour
Que serraient autrefois les gentes damoiselles
Se heurtent longuement dans un hideux amour.

Hurrah ! les gais danseurs, qui n'avez plus de panse !
On peut cabrioler, les tréteaux sont si longs !
Hop ! qu'on ne sache plus si c'est bataille ou danse !
Belzébuth enragé racle ses violons !

Ô durs talons, jamais on n'use sa sandale !
Presque tous ont quitté la chemise de peau ;
Le reste est peu gênant et se voit sans scandale.
Sur les crânes, la neige applique un blanc chapeau :

Le corbeau fait panache à ces têtes fêlées,
Un morceau de chair tremble à leur maigre menton :
On dirait, tournoyant dans les sombres mêlées,
Des preux, raides, heurtant armures de carton.

Hurrah ! la bise siffle au grand bal des squelettes !
Le gibet noir mugit comme un orgue de fer !
Les loups vont répondant des forêts violettes :
A l'horizon, le ciel est d'un rouge d'enfer...

Holà, secouez-moi ces capitans funèbres
Qui défilent, sournois, de leurs gros doigts cassés
Un chapelet d'amour sur leurs pâles vertèbres :
Ce n'est pas un moustier ici, les trépassés !

Oh ! voilà qu'au milieu de la danse macabre
Bondit dans le ciel rouge un grand squelette fou
Emporté par l'élan, comme un cheval se cabre :
Et, se sentant encor la corde raide au cou,

Crispe ses petits doigts sur son fémur qui craque
Avec des cris pareils à des ricanements,
Et, comme un baladin rentre dans la baraque,
Rebondit dans le bal au chant des ossements.

Au gibet noir, manchot aimable,
Dansent, dansent les paladins,
Les maigres paladins du diable,
Les squelettes de Saladins.

Down in the belly of The Angel of Defeat
You'll find war waging over only Gods know what
And she's not the one fighting for all that is good
She has shadows in her eyes and demons under her red hood
She rages her lupine armies against Paladins armed with The Light
This battle was foreshadowed before mans dawn and laid in the stones this world was built upon
There's no avoiding what the stars have aligned
And this fight won't end until there's either dark

Or light

Fable I, Livre IV.


Je n'aime pas ces paladins femelles
Désavoués de Vénus et de Mars,
Qui contre un heaume échangeaient leurs dentelles
Portaient rondache, et brassards et cuissards ;
Et, se jetant au milieu des hasards,
L'épée au poing, contre de vieux soudars
Ne craignaient pas de mesurer leurs lames ;
Par des brutaux se laissaient terrasser,
Ou, d'une main faite pour caresser,
Sabraient des sots, qui les croyaient des femmes.
Le prix du temps est mieux connu des dames,
Et de nos jours on sait mieux l'employer.
Que dis-je ? hélas! si Mars n'a plus d'amantes,
La plume en main, burlesques Bradamantes,
Ne voit-on pas les Sapho guerroyer ?
Ne voit-on pas plus d'une péronnelle,
Du dieu du goût soi-disant sentinelle,
Cuistre en cornette, et Zoïle en jupon,
De Despautère empoigner la férule,
Et de Boileau se déclarer émule,
Les doigts salis de l'encre de Gâcon ?
À ce métier qui les force à descendre ?
Quel est l'honneur, le bien qu'il leur promet ?
Par ce récit vous le pouvez apprendre,
Si votre temps, messieurs, vous le permet.

Follette avait été jolie en sa jeunesse,
Du moins le croyait-elle, et cela se conçoit :
On croit, et c'est encor la commune faiblesse,
Aux compliments que l'on reçoit
Bien plus qu'à ceux qu'on fait. Pardonnons à Follette,
Qui n'est qu'une pauvre levrette,
Un travers qu'il nous faut excuser tous les jours
Chez tant de personnes honnêtes,
Femmes d'esprit, parfois, à de pareils discours
Aussi crédules que des bêtes.
Sur une aile rapide incessamment porté,
Le temps entraîne tout en sa vitesse extrême ;
Et souvent l'âge heureux, qui tient lieu de beauté,
Fuit plus prompt que la beauté même.
Ce vernis de fraîcheur, sous lequel, à vingt ans,
La laideur même a quelque grâce,
Des charmes qu'on lui dut pendant quelques instants,
Emporte, en s'effaçant, jusqu'à la moindre trace.
Follette, en le perdant, parut ce qu'elle était.
Tel défaut qui passait avant pour un attrait,
Ne fut plus qu'un défaut : sa taille, en tout temps maigre,
Et qu'on disait légère, enfin prend son vrai nom ;
Son poil roux cesse d'être blond ;
Piquante auparavant, son humeur n'est plus qu'aigre.
De caresses sevrée, ainsi que de bonbons,
Follette, à ses jeunes rivales,
Voit, par des mains pour elle autrefois libérales,
La préférence offrir et prodiguer ses dons.
Son orgueil s'en indigne. « Et c'est à moi, dit-elle,
Qu'on refuse même un regard !
C'est moi qu'on traite, sans égard,
Comme mie vieille demoiselle !
Un tel scandale doit cesser ;
Bientôt tout rentrera dans l'ordre.
Je ne me faisais pas prier pour caresser,
Je me ferai prier bien moins encor pour mordre. »
Et puis, sans distinguer le maître, les valets,
Les grands et les petits, le garçon et la fille,
La voilà qui se rue à travers la famille :
À ceux-ci mordant les mollets ;
À ceux-là mordant la cheville.
Je vous laisse à penser quel fut l'étonnement !
Sur la cause du mal, dans le premier moment,
La compagnie est partagée :
« La levrette, dit l'un, est folle assurément ! »
« Non, dit l'autre, elle est enragée. »
« Il s'en faut assurer, ajoute le dernier,
Et prévenir la récidive. »
Follette cependant, en aboyant s'esquive ;
En trois sauts elle est au grenier.
Là vivait un ermite, un égoïste, un sage ;
Là vivait un vieux chat, animal casanier,
Vieil ennemi des rats, vieil ami du fromage,
Vieux courtisan du cuisinier.
Il demande, on lui dit le sujet du tapage.
« Maître Mitis, oui, ce fracas
« Me blesse moins que le silence.
« - Ainsi donc, tout ce bruit que l'on entend là-bas...
«  - C'est ma célébrité, mon ami, qui commence.
« - Pour être illustre, en ce bon temps,
« Suffit-il qu'on crie et qu'on gronde ?
« - Voyez Mouflard : Mouflard, si dur aux pauvres gens,
« Serait-il fameux à la ronde,
« S'il n'aboyait tous les passants,
« S'il ne montrait toujours les dents,
« S'il n'épouvantait tout le monde ?
« - Tu veux l'imiter aujourd'hui :
« Mais as-tu la gueule assez forte ?
« Mais, de plus, veux-tu qu'à la porte
« On t'envoie à côté de lui ?
« Qu'attrape-t-il là, des injures ;
« Pour lui répondre, on prend son ton ;
« Et, quand il mord, par le bâton
« Il est payé de ses morsures :
« Tels seront tes plus sûrs produits,
« Si tu prends son ton, son air rogue
« En dogue si tu te conduis,
« On t'étrillera comme un dogue. »

For me we it
comes realizing later
that Chris Cornell is gone
same as Dad but different still
we have our Garden
of Sound with weeds sprouting against
the grim Cutter hoping
for a missed experienced

Maybe the refugee's trauma
have dried all the tears on
lonely crowded airfields
of a long ago Vietnam seeding
salt from a Grandmother, mother,
father, aunts and uncles,
paladins in our child eye dry
because of the stampeding Thestrals
we shouldn't see

And now almost 50 we know
better the slings and arrowheads
of fortune the calcifying currency
souls make by roughing the round edges
of damning tears scattered like petals
over littered cigarettes killing
us softly because they've metastasized
from intellectualized Lung ****
to a flowering carcinoma

she's got amplifiers
the return investment
the few focused phases i could take
and crack a money pinata.

social hierarchy
mechanics i possess
i see what happens
when i obsess
and when i undress.

she's got crazy cities
slums and starvings
unheeded code of conduct
and weathered paladins

i am one of those spillovers
but i could congeal and correct it
they judge me falsely all the time
so what might i assert?

"Confused, ingenious, or was that…?"
Ingenuine,
ingenue
- say it
nuengine image imagined, whined a high note
engineered imagineer error
red line
somewhere whistle this-away this-ah-say,
see a whole world at play,
esse, assay worth
play 'em the old songs never sung
any better
redoing all the old dances, yes, as in yes, t'day.

Fun items added in since sopho-more, English,
as led, edu-cated, mind you, hand written
note
" will you settle for mediocre?" abuse, from a teacher
who would tell an aspiring nobody,
such a possibility exists, just
Sue Ellen Stapp, star of some place in Texas,
standard townsquare post final flag
risen for us to serve under,
we were warriors,
always, farmers sort of,  some years,
enough to get by, without trying.

Mind wandering paladins, sometimes, we think.
The character dressed in black has an attitude infectious,

why, I wonder,
should I care? There, I answer, should and shall, sha'n't we
make some sense of this? Shall I or should you,
whose to do, eh, much
about nothin'. Nothin's t'do t'day. it's so.

Man must make a living some men say.
Man must find a living other men say.
Man must live, or go away

banished from touch or kind word, from now

on to now, one day being all we take away,
live this one, or pretend any day you wish is this one,
called today.

Okeh.

My job is not yours, and when I die, the winds
return on their circuits to be the legacy
of legendary souls, said to be
heirs of the wind. {due to trouble…}

Yeh,
ghost riders, in the sky,
yip…
---------------------
we, I say, in awe, a we has been, mani
infesting

many many means made up as mind that matters,
means to ends, maps and steps
right, usually
- some sequence of events -
- some informing occurs, the we or me

Morning ritual, daily doings, done your way
any we
we wake in and have no former self aware in, forming me
from what you think we see.
a we.
o so strange the state, awe arriven through a slit
in the curtain, started then,
some certain number measurings ago, counting slow

a pin hole

backwards, ah, first ether egg.
In a terracotta plant ***,
a me, recalls the sense of that being,
reassuring, in me, even drugged to painless
state,
things believable appear as I think,
and sometimes remain visible, to this eye

think I say to some part of myself, remember this,
it helps,
someday, because it always helps to remember this,
painless state safe as sound in times embrace

comingling in cognosis space, co know co know
reknown,
no crown, not of laurel nor thorns nor light,

for now is night and all confusion settles to form
tomorrow's sunrise reflection.

Prognosticating patriarchs
pundits and priests
pencil paladins
in penthouse palaces
riding what they're writing
writhing while they're rising
everyone's got a chance
chants the gaunt equalizer
its equal lie heard
plunges us into the absurd
assured of justice and fairness
we become curt and careless
saying if you work in a hairnet
or get your verve from clarinet
you deserve less than a baroness
because she has parents best
but when I ask of the parentless
those talking point to the talking points
so what's the point of talking
when talking leads to pointing
the finger in anger at strangers
who they just called equal
but that was merely a platitude
I'm starting to hate people
and their selfish myopic attitude.

Some disagree with the timeline
Say the Romans didn't go for big blocks
That it don't jive with their efficiency
Always against the clock

Some claim it was Alexander
About three hundred years before
Some even say its impossibly ancient
Posit lost civilisations galore

These shouts are fantastic by nature
Fly in the face o evidence compiled
By generations of strident experts
Disputed by casual tourists
Modern lazy thinking defined

Their points are stretched and wooly
Methodology sketchy at best
The work has been done
They're just having fun
These dolts
The paladins detest

It cannot be true
History has been proved
by research constant and heavy
That's correct I suppose
But Lord heaven knows
thats what they said bout Gobekli Tepe.

the once pioneers of the printed press
making fun of the internet...

                 oh well...
did that ever happen?
did it,
oh i'm sure it did...

the once paladins
of the printed
press...
monopoly disruption...

the internet emerged,
some people matured...
once upon a time,
there was the printed press...
then came the internet...
then...

        pixel-paper...
x-files...
             ******* *****
and female web-cam *****
and men doing
the no. 1, 2 & 3 on the toilet...

like the priest were rejected
by the new monopoly
of literacy,
and the current journalists
took over from
the priests...
literacy wasn't the "problem"...
but serving the canvas was...

how oh how did journalists
tramscend the literacy class...
and emerge all: hot & bothered...
lying, scheming, ratty,
aclass politico sieving
                      subterfuge?

when wouldn't journalists
join the class of politicians...
in how, better to perceive them,
as, these...
   ELITIST....                LOSERS!
for everyone else to see?

There is a big "no"
Dividing, mutilating
The feelings of a fatherland,
Turning a home into
A sum of rooms.

There is a "no"
To the fundamentals of civility
Whenever it is said
Criminals must die,
Queers must be content,
Whenever racism is defended,
Although hidden into lamb's costumes,
Of the paladins of Order and Justice.

A country cannot be built
Under so many tearing premises,
We, more than ever,
Need to rescue
What it means
To be Brazilians,
To be Us, again,
Not the imbecile crusaders
Against a self nightmare
Of the enemies dreams.

Underlying all ruins,
All chaos and all lack of trust,
There, untouched,
Stands an indian-african-european child
That, without any comprehensible words,
Will present the chromatic yarns of our fabric
In which any shred
Dissolves everything.

For union, never unity.