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"ownerless" poems
SUCH A SUNNY DAY the objects in his pocket have lost their identity their significance to anyone but him a hairy comb photo of an unknown woman who can she be a torn-in-two train ticket chewing gum much masticated yet put back in his blazer's breast pocket small change a penny and a sixpence and a button from the cuff no clue as to who he had been before the water claimed him as its own the disgust and fascination of those passersby who continue to pass by it such a sunny day for death to intrude this way the miscellany of objects ownerless now the waters of the Liffey calm and unmoved
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Dec 16, 2018
Dec 16, 2018 at 4:12 PM UTC
SUCH A SUNNY DAY
It isn’t fair, it isn’t right; I don’t care what they say. My dog was more than a pet to me; I lost a friend today. Though I did the kindest thing, and stayed with her to the last. I come back to a quiet house, now that my friend has passed. The unused leash, the ownerless bowl, I survey through my tears. Meg was my boon companion. Far too few were her years. The vet gave me a cherished poem that I’ll read tonight again. It promised Meg will wait for me just beyond the rainbow’s end. The souls of Dogs are gentle which is why it takes less time Before they achieve perfection and are ready for the climb To that place across the rainbow, to the place where journeys end- where the roses bloom forever I will always have my friend
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Jul 1, 2017
Jul 1, 2017 at 5:55 PM UTC
A Dog named Meg
O four twenty six AM night in small city apartment bedroom studying alone, under stars, under              roof, Steaming green porcelain teacup on sill of window propped open by ownerless two             by-four O Steam, rising into cool wind, swirling, disappearing in howling black night to silver             maple leaves on limbs of giant bushy tree lathering in wind. Desk light, O, my desk is covered in court cases, Fugitive slave in shack by river staring glassy-eyed in oil lamp at pink dawn weeping, ***** in rags shuddering in corner sweating, lacerated by whip of laughing bearded     man in gallon hat and my spliff ash on twelve scattered pages. O awe, teacup, steam and cool wind dancing, tree fanning in great commotions of wind-breaths through the window Buzzing on energy pill I sat in black leather desk chair gazing, stood up, walked quietly in socks and grabbed the mug, extended my arm ***** out window in icy air grasping Olympian Statue of Liberty torch of steaming green tea I brought my head through window looked up and cool-eyed I saw a star.
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Sep 23, 2013
Sep 23, 2013 at 8:51 PM UTC
A Wintry Night
I wonder, when John Hancock signed the Declaration, if he could feel time pulling apart then back together, taking the shape of his America. I wonder, when Lincoln felt the cold bullet enter the curls of his hair, if he had enjoyed the play. I wonder, when Nazi’s burned ownerless toys and 80-year marriage rings, if they were shaken by the screams of thousands. I wonder, when the sailor kissed that nurse when the war had been won, if he thought about bombs or her soft lips.
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Dec 6, 2015
Dec 6, 2015 at 11:49 PM UTC
Untitled
I have no energy left but for revolt — the revolt of the one who abandons the climb, turns his back, and goes back down the hill toward the water. The pinstriped priests sharpen the horn between their legs, The better to carve the granite commandments that drag me to the precipice’s edge with a pill for my mouth, a hand for my pocket, and a push for my back. I have fed at the supersized trough, striven to become a hallmark of standardized measurement.   But I do not want to be fed by those factory corpses who sit like workers in cubicles, unmoving and covered to their hips in excrement and despair. I do not want to work in a box turning time into regret and obedience into tears. I do not want to be informed by the chyron streams that feed the wells of desolation and ignorance. I do not want to be a cog of an economy that fills the fountains of palaces with the blood of innocence; where investment  is a tout sheet that dissolves into electrons as the getaway limousine races toward the mansion. The sheer and final exhaustion of the rebel is his last and only triumph: he drops the knife of his cause, gently lowers the stiffening body of his holy purpose into the receptive dust, clears aside a few stony pieces of the rubble, and kneels in submission to the earth and all its ownerless teeming beauty. For then he knows: it is I, too, like these others, who have walked among the dead. Then he leaves his climbing body there, and turns again, back toward the water.
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Oct 18, 2011
Oct 18, 2011 at 9:22 PM UTC
Return
I have no energy left but for revolt — the revolt of the one who abandons the climb, turns his back, and goes back down the hill toward the water. The pinstriped priests sharpen the horn between their legs, The better to carve the granite commandments that drag me to the precipice’s edge with a pill for my mouth, a hand for my pocket, and a push for my back. I have fed at the supersized trough, striven to become a hallmark of standardized measurement.   But I do not want to be fed by those factory corpses who sit like workers in cubicles, unmoving and covered to their hips in excrement and despair. I do not want to work in a box turning time into regret and obedience into tears. I do not want to be informed by the chyron streams that feed the wells of desolation and ignorance. I do not want to be a cog of an economy that fills the fountains of palaces with the blood of innocence; where investment  is a tout sheet that dissolves into electrons as the getaway limousine races toward the mansion. The sheer and final exhaustion of the rebel is his last and only triumph: he drops the knife of his cause, gently lowers the stiffening body of his holy purpose into the receptive dust, clears aside a few stony pieces of the rubble, and kneels in submission to the earth and all its ownerless teeming beauty. For then he knows: it is I, too, like these others, who have walked among the dead. Then he leaves his climbing body there, and turns again, back toward the water.
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25
They're are terrible creatures, Smart, vicious, And we're weak for em, All of us, We can deny it All we wish But they own us, We're like dogs to them, Following them, Wagging our tails For a smile or Some dumb scratch Behind the ears, And god How stupid we're, Blind to our Petite owners, And they'll use us And they'll beat us And they'll rip our dog hearts out And show em to us And we'll still wag our tails for em, Stalk em through the house with hopeful eyes, Boy you know it's true, Right now I'm ownerless, Been so forever And I've seen my friends get adopted From the pound and The look of em All proud and parading Em around the place like "Guys look at me! Look! Don't you wish you had this?" And hell yes I do, I hate to admit it But it gets sad, This ain't no good life for a dog, I want one, A owner, I don't care Whether she's Vicious or not, I don't care if I wag my tail And later on She leaves me on the streets, Must feel good to be owned By those terrible creatures.
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Aug 5, 2013
Aug 5, 2013 at 7:18 AM UTC
Up for adoption
When someone you loved very much dies, strange things Start to happen to you, that you don't notice right away: The hologram that their influence built around you Turns inside-out; the bulk of it shrinks down Into one of those super-dense singularities. Their belongings start to feel impersonal and oddly distant; Reminiscent of a strangers bags, sitting packed for the departure. All the love and caring is siphoned out When the owner leaves existence behind: The void they left fills with a surreal grace, when viewed From the novelty of their absence. A breathtaking coldness Accompanies this second ownerless half-life: Touching them, your own fingers are burned, frostbitten Eventually dead to external stimuli. The rigor travels inward from the extremities, Making a slow ascent toward the heart, Crystallizing everything along the way, Melding it all into lovely, singular geometries As one cell after another is enveloped. Until the central core is an unmoving artifact In the arctic waste, but unable to die. A frozen cryosurgical intervention of stained glass Ruby veins, suspended in frozen calciferous walls. Other people do not notice the changes or see Not unless you touch them- Accidentally brushing up against you, They feel then the penetrating cold, Radiating outward in bitter waves. Drawing their clothing more tightly about them, They search for the taletale signatures of frost, Wondering if winter came early this year.
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Sep 16, 2010
Sep 16, 2010 at 7:05 AM UTC
How Cryosurgery Is Performed
Underneath millions of tiny spotlights we unearth our darkest secrets. Tip toe unbound into the lake White Freckled like a deer. Her hips flirting just above the water. Arms stretched up towards the moon. She says: "When the lunchbell rings They lurk out of their door frames Stretch their bones at the staff and moan Like a horde of sorry forgotten ghosts. Lingering in limbo. Songs of unpet ownerless dogs Waiting for anyone to come adopt them, rather than just be fed. "I've known you for three hours and you're already fixing my mistakes." I say When the advertisement for my call center plays in their REC hall I promise my vitimans will make their children visit twice a week. make them young and healthy. And when they pay me my commission and it doesn't work. You get to patch up the scars no pill can heal. She's sick of the suffering Can't stand watering their caskets
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Apr 15, 2016
Apr 15, 2016 at 5:25 PM UTC
Older plants
down by the sand dunes of St Clair the streetlights are phantasms, diffracted in the squinting vision of night. Lightning fractured across the sky cracked, cathartic. Imagine, to steer into the sea as the evening stretches, take it to other coasts, live a life less haptic; resurrection by the unbound, and disappear. but most days as the wind curls the sand around my toes, this beach to wash up the same bones the same trunks of broken trees, what was it I was meant to be like a limp, whale on the beach stones eyes to the sea she dreams   the empty ownerless sea.
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Sep 24, 2016
Sep 24, 2016 at 6:47 AM UTC
A walk from the Dinosaur Park
There was a world once and it was angry and it was violent but it was beautiful because it was ours. It was vast and open and unknown, it hated us and we loved it back. There is a world now and it is silent and it is scared and it has no idea where it's going or where it came from. It is small, closed and transparent. It doesn't care about us because we stopped caring about it. This world is not mine or yours, it's barely even theirs. This world is ownerless, lost and apart whilst never having been so close. You and I, we and they, so connected by wires that stretch for miles that we can barely connect over fences that are inches thick. Or maybe I'm just getting older while it's getting younger.
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Jan 2, 2013
Jan 2, 2013 at 10:08 AM UTC
There Was A World Once
It feels just like yesterday, whispers a croaking voice inside, so familiar, but ownerless, like that same white van passed on every morning’s commute, a canvas where somebody beautiful took the time to spraypaint in pukegreen bubbleletters “WELCOME TO HELL”, to urban sprawl, or capitalism, or something? Something, slinking like a roach through rotting throngs of desperation marching blind through subwaycar shackles, carrying away the hopes of tomorrow on yesterday’s dollar, building justifications for plunder out of cold metal and glass… eyes open. I open the morning door, pierced by a crow’s shadow at oppressive dawn. Bleary, half-formed, each step out of the homeshell and down the street feeling slowed down, like the air has hardened into a sea of fudge, saccharine bliss of ***** birds resembling the endless sobs of the guilty, keeping them down, today, locked up inside— I have wasted years apologizing for not being enough to replace this futility— I have no butterfly net big enough to seize the day. On the far side of an idyllic fence a groundhog darts out from a hedgerow, barreling awkwardly, shamelessly, away from the familiar cover of the underbrush— Sparkling, from this distance, playfully glazed with new sun this shuffling ball of fur hurtles through the empty field… Why can’t I? Stepping up and into public transport, metallic husk, the question remains, lingering far after the sounds fade out. --Graham Kellner
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Jan 6, 2019
Jan 6, 2019 at 7:18 PM UTC
Today (Again)