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Matt Nov 2015
I guess I'll go
To the gym again

I ate a Rice Krispie Treat
This morning
Along with some cereal

It was quite good
Had one last night too

Not that many calories
Or sugar
And quite good

But I won't get in the habit
Of writing them

If you could just see me
At my computer
See my dull face

I'm fairly content
Overall I suppose

There is food
And water
And clothing
And hot showers here

And I'm thankful
For these things
Martin Narrod Sep 2014
WYA
I toast to the spirits you've been counting, lying in that hammock with a stranger from Mars. Your muddy fingers, they creep like hairless spider arms between the ropey knots that bind together all its parts. There is a house inside the hilltop, where it peaks there is a church- there once was a man in shackles and handcuffs living there, he also had mud on the bottoms of his feet. Even the pennies you found get lost now and then. Even your white hair goes a shade of blonde. I can't sleep but I don't try, I never tried not to do something so much that the rest of me broke. I pushed so hard that sand fell into my socks. You only told me half of what will happen to you at 10am, the rest of it you told me that you'd prefer I didn't know, but if I am to survive on the secrets I know that you don't know about. Then tonight I will be sewing the wool over my eyes.------------------------------------------------------------­----------------------------------------------------------- No one could ever have any idea what comes easy. The creaking heavy wood of your slop-room door, or the filth I cough up in green, mustard, and tar globules every hour. There is the was. Small hands in half pockets. Stitches supposedly dissolving into our skins. The yellow wall, the panda pillow, the Pink Sugar, your hair wax and heavy handed straight-ironing tilt my curved and bent feet Northward about 6 to 60º degrees. Late trains and no complaints. Stubs of hair and tender legs. I don't give but my elbows buckle. This frame wasn't built to take blow after blow. Some friends tell me they can see tomorrow before it comes. Lakeside, readied, silver-necklace I haven't seen. Gold flightless bird that's never walked but says it will. I am cornered, my cornea tinted my vexes and leftovers, black and white pearls, birthdays, earthworms, and vinegar. Family dinners that push me nearer to the hole in the donut. I'm just so afraid of falling overboard. It's just I can't go forever without being heard.-----------------------------------------------------------­----------------------------------------------------------- In and the. How long do stories like this carry on for? Does my name come up in private? Does mom two even know whether I ever existed or if I was split? I am the answer to the secret 'ask' question? When do I become background photo one or two? I am the one that's grateful I had a chance to sleep toe to toe. That I uncovered the winter that woke up the bleach and incense in the frosted air. While school is in session, am I crazy to believe in mermaids and sparklers and stickers, I'll stick with the choice that I made a year ago Tuesday- September hasn't ended but November's nowhere near. The reason I smoke so much is because I am no good at waiting. For phone calls, tweets, texts, updates, or written mail. No one told us that this could end underwater without even half of a breath, if you'd of asked then I would have told you that's why I steal your underwear and your sweatpants. You can have all my money, I don't even want, I just need it for you. You can have every word that I write, wield, and speak with, every sentiment and sentence, each promise,and compromise, everything that I own.-------------------------------------------------------------­---------------------------------------------------------- Four photographs later. Everything means something. I'm in knots. Spiderwebs from elbow to elbow. Fishing hooks from knee to knee. My neck feels very naked, bare. Nothing, not even traces of pink or cerise lipstick or lip marks. Smudge me, stop punishing me, please, prease, don't leave. This isn't very good for either of us. My story cannot tread so closely to an ending, to the ends of a night or a phone call or an eyebrow pencil or an eyelash curler, not the double-sided extra-soft blanket you keep on your bed, not the bottles and dollars and boxes and jewelry under your mattress, not the zip in your doorway or the zipper in my jeans, not the two holes in my belt loops or the caffeine in my morning coffee. I quit cigarettes, ended my sentences earlier, grew quiet, wore more band shirts and skinny jeans. Even the lines of lips, outlined by hips, white roses painted red, blonde hairs blanketed by the bleaching on your head. I'm wrestling hula hoops, I'm putting my pinkies in your gauges, and amazed how good it feels- and I'm happy you didn't....leaves of autumn shatter on concrete city streets, although you'd hate it I'm thinking of a tattoo sleeve, how about you make it? Darling please! Rice Krispie I'm on my Lee Dungaree's, begging you to meet me on our knees. And every candy that I spit out once I got to the middle, every lollipop that I ever bit into to find the gum, each Happy Meal toy I bought separately; you are the only girl I attended school to meet when I wasn't enrolled. I'm holding on. The bottoms of my jeans rolled up so I don't fade into use. I miss having your tongue in my mouth. I want to feel my hands in your pants. It's my tongue that gets curious as I begin to feel the heat off your *******. Tender touching. Dire romance. Throttle my face with your legs. I'll perch you up on a pillow, you can hold my head till I beg. Because if I go at this life thing alone, pretty soon I'll have a mouth full of lead.
Doug Potter Nov 2016
You probably think this poem is about
Lisbon, Portugal, where women
dangle your imagination like
a necklace of sun-dried
currants. No,

Lisbon, Iowa, a town twenty-two
miles removed from the 21st
century, where I stopped
for coffee, flipped eggs
and a place to ****
on my way home

from  god what  a day;
a man ordered a plate
of Rice Krispie bars
and tea—shuffled

his wallet for ten minutes,
made me nervous
like he was on
Thorazine;

it was the last
time I visited
Lisbon.
Keith Johnsen Mar 2014
Stained Taco Bell napkins crunch beneath my sprained ankles in the back of your truck
The snap crackle pop of the radio itching my ear your ***** holding together a Rice Krispie treat crushing my jaw
Too sweet for my mouth you hold my hair in place pulling and ripping your finger nails a pack of wild dogs fighting over a dying deer on my skull
The back of your mother's truck smells like cologne and portillos fries like the first day I met you
The sun setting through the trees
And the back window
Just enough light so that I can see the ash gray carpet and the gray ash from the spot on my skin you put your cigarette out on
The white spots beneath your nose I imagined they were tiny moons and you were just a werewolf tearing apart the man who used to be in the back of his mother's truck now whiskey sour the way mad men change under full moons
Stretching past an empty interstate road
I saw the sun set
And saw the sun set
And saw the sun set.
Martin Narrod Sep 2014
Subatomic
Silver smoky sauntering lovelessness
Spots on arms, purple and green
Sickness and sleepless
Wow-like, wicked witchcraft catching

Tones humming zzz'ing
Screaming across elbows
Tucked into the ****
Concrete carnivalesque berserk wildness

Ferally and virily.

U U U THANK U...............Rice Krispie
ANNDD BEATS LEAP CURIOUSLY HIDING
UNDER THE SHEETS

Perfervid fervency.

Idling- white crisps
Blinding silences
Sticky fingertips and lurid looks
Tape after tape of binded irises in the pupil symposium,
Where side-by-side the seams mend together

Innards scissor sideways
Upways downways
Exteriors in rhythmic sync

Tastes like lolli-pop rocks
Watermelon- dazzling gold
Front-step excited eyes binding.
See-cells intertwined and idling-pupils
Dance and discover
Wild hypnotic trysts of skins
Twisting in cotton scenes
Hours of comfortable comforts of living
Women and men handling
Fun funds 'n' bon-bons; investing in the bond.
And going back for seconds.

The head riffs over riptides and causeways, lip-lies and kisses on Broad Way.
Two cadavers, hog-tied. Kissing longways and long ways.
Perogative oxytocin. American Express massages scented oils and lotions.
Persons of interest abetted in sweating. Heaving torsos.
Throwing legs, arms, and sparklers. Redonkulous nectars are microscopic.
Sweet flavors on taste buds or lit by recessed black light optics.
Massaging the rhinoceros husk in this 21st century sarcophagus,
Whiles of Wilders' words were spoken
Nickels of wood soaking in splintered tubs
Thumbs under surveillance. Sneaking inches of suspicion
Leaves treated with lacquer, fables beaten within inches of their lines;

Live its Friday night!
Deviled veterans draped in moon-hide rise
Defiling puerile twenty-something lives.

These wild highs in debts of purs'd thighs
Vexed by personal lies. Hexed in white-out lines.
Riled midnight rides inside this pyre of redolent pie- stroke six and nine
Intertwine in one human form supine
While quaffing nectar wine from the vine
Rancor drives the crime and anoints bold creature types to dine
At the interstice of Sublime.
*** Poem Boy Girl Sublime Love **** Crazy Insanity Madness Hypnotic tryst victim antsy hatred smoking smoke crisp sticky come scissor *** sideways eat ******* ******* ****** erotica literotica eroticliterature writing chicago chicagopoets poetboys **** ******* sadism sade ******* pain brutalpain brutal brutality humiliation 21 oldyoung eroticpoetry Puerile Lurid Nectar Wine Vine Time Dine Supine Fire Pyre Lollipop Candy Drop upways down up left right screwedup **** ****** up NSFW
a name Jul 2021
COME ON *****

the sky is darker than jet

I KNOW YOU WANT IT

i can smell the torrents from another town

HIT ME NOW

my cigarette feels the wind of an angry god

SHARE SOME CATHARSIS WITH THE GROUND FOLK

and let me feel the power of faith

COME ON

IT'S ME

YOUR BIGGEST FAN

— The End —