to the young privateer.
the captain kidd & his bought n’ taut gang of holy bluffs.
they bribe and imbibe and swoon on the dock-way looking for a quest or two or three
to dream and bury their doubloons in island guts like little mysteries. little sundowns
over a rixdollar indian ocean.
let them take a turn.
destined to mutate from private to pirate, the kidd, like blackened rotten wood.
******* frigates.

the ship:
with her bob and sway. she is, the adventure.
& her song is calling out for a rapturous few,
for men ready to die on the highwater mark by glory or fire or dead glorious sun.
so they put her brass and bough to seafaring days,
the sweet galleon, barely wet, yet
completely riffed to voyage.
she is
from the shores of london. built. designed to kick 14 knots under a full sail blast.
& she will bite.

she’s in calm waters.
the kidd savvy toothed and butterscotched, he awaits the big show,
engorged to set forth the play like wily ocean dervish &
they do.
they do proceed with benefactors coined and crunched on postulations of pirate death &
pirate gold. reclaimed honor as they say. the hunt for pirate teeth.

& with official pass and parchment, high-throne approved,
king ***** III stamp & sealed,
this voyage is.
this voyage is and forever was, hereby charted, to recover said stolen goods.
to reclaim thy warrior vanity &/or vengeance.
to noble this **** with pinched loaf, like now.
set sail. now.
1696.

“**** them navy yachts at greenwich, the thames be ours, boys.”
slap *** and flick thumb toward those armada sons,
& as tribute
smoke balsam herbs on the starboard side for the mother she and the father be.
but for this slight,
this dishonorable silly ****,
one third of adventure’s men are pressed into service of the crown.

[continue.]

the adventuresome few, petty crew and crows.
steal the heart and mother-meat of a french ship. steal everything onboard.
steal the ship itself.
& on her way to new york, new boon, pure and entered into the new world.  
there are new men bought in the american port,
good men and odd men of long criminal legacy.
a small black vicious quartermaster. he’ll do.
a murderous preacher gripped by stars and celestial patterns. he speaks spanish. he’ll do.
another type of holy man and a wild drinker too, embattled by demons on the port side. sure.
plus the dock-boys destined to **** for fruits of exploration.
this is the way of the son of a gun.

the boatmen jockeyed. she is
the adventure
prancing the vertebrae of atlantic and beyond. cape of good hope, she
breathes easy out here on the wide tide and float.
out here on the vast blue this. she
evolves
out here. loves out here.

pirates.
the hunt for pirates or the lack thereof. she leaks.
she rasps into the years on. and on.
the kaleidoscope hallucinations of sun and moon, sun and moon, and moon and sun
forever.
the strait of bab-el-mandeb.
& there
she plunges into darkness, into the stars seen from and through a periscope formed
by ancient hominid lineage.
seen but untouched,
in dreams. the kidd, reluctantly lime, admits to his madness.
madagascar.

malaria and cholera and hell break the boat by the throat.
& thrash.
to be organic is to be ruled by a shadow, or entropy.
the mouth of a red sea.
one third of the men will die here.
simply as insects crushed and brushed off deck and into to her great spate of agua,
the mother gush.
her earth.
body.
father,
hear his whispers in the mirage.
the ancient mariner, the ancient holy ghost riming down there.

in destitution.
in a rough and soggy life squeezed and making men weird or violent or both be ******.
the kidd goes cold to hot sweating noxious.
turns pirate himself
out of sheer hunger.
out of sheer need to eat.
sets the boys like dogs upon a frigate of east india company men,
or french *****. either/or/or/either/or.
he & the boys are in a madness swirl of sun and heavy guts.
cuts to spill blood
or gold. this tender bit.
lip bit
& tested.

captain kidd fractures the skull of a deckhand named moore,
for bad attitude and giggles. moore gets death.
chisel on the deck.
& to think we are all troubled by some primal trauma.
some dumb thing called death, that is.
men starving, men dying, men falling in the vast black that is that eternal void.
dream of women and riches in the meantime.
fortunes.
1698.

savage kidd, cool kidd, cool spit
off the edge. to think of the once soulful idea of these paradise days
& trip.
savage to cool.
the two divine modes of a survived man.
a ghoul man, or aging man.
& to keep control of his crew kidd sets them upon the quedagh merchant;
a 400 ton armenian hulk chalk full of gold, silver, satins, and muslin. ‘tis *****.
renames her: the adventure prize.

madness quenched for now.
charmed for now
& on the horizon are fragrant times. blissful distance.
but robert culliford,
with his mocha frigate. this man, this suave pirate lord, his vengeance act.
he had stolen kidd’s ship years back, &
the captain opts to cut his throat.
take the mocha.
keep calm & carry on.
to paradise.
to dream of her cool warm beaches and fruit forever, peacefully thinking.
so that night they two drink together in good health, and in the morning
most of the men defect to this other man, this other ship, culliford.
other dream,
other captain of true buccaneer effect.
act 3:

13 remain in the galley firm.
this is the house adventure.
& she is burnt alive three days later for rot and ill repair.
but she was fun,
& a *****.
a stitch of old woodwork given-in
& crackling with the eyes of her crew seen in fire.

kidd steps the pond to caribbean times with the adventure prize, toad toxins
& high on the jungled shore.
he trades that colossus, flips her for a sloop and seven little chests of gold.
little bellies.
the island-gut doubloons to bury.
dream, remember?

but the men-of-war are after him now. the privateers & hunters & devil’s dogs.
the men he once was.
men of marked death.
& he is now some pirate, some forthright bandit
settled to **** or be killed.
some sad kid.

first: buries that treasure up the coast of america.
oak island rig.
cherry rocks of the maine bank and *****-trapped pit.
the hunted.
they catch him on an inlet ****, and sail back
to london to be tried for crimes against the crown.
the high court of admirality.
1701.

they hoist and gibbet his body with worn chains above the river.
not for piracy, but for ******.
the ****** of that strange deckhand moore and his giggle.
kidd’s bones
suspended there for three or more years at the mouth of the thames,
as warning
to the perverse travails of a criminal lifestyle on the highwater pond.

Tool of desperate confrontation
Object of pride for a grateful nation
In Baton Rouge on the mighty river
Kidd rests proudly
376' length overall,  Fletcher Class destroyer
Like every ship, of oil she does smell
When I boarded her, she had something to tell

I was with a scoutmaster, my son and the boys
Concerned with their fun, and the making of noise
But late in the night, as quiet set in
Kidd started whispering, to my within

She spoke of the men who gave up their lives
Their children, their girls, the tears of their wives
Thirty-eight men, in fiery fuel
Hell's agony touched, a death so cruel
Fifty-five more, burned badly that day
Defending our country, our homage we pay
Visiting sailors will stand at attention
… and for a young Kamikaze, scarcely a mention

The big war was over, Kidd passed her test
Now to San Diego, for a permanent rest
But as men will prescribe, it didn’t last long
Kidd went back into action, near Korea’s Kaesong

When in Baton Rouge, you can visit the Kidd
If you’re bold, listen carefully, just as I did
You'll get half of the story, the rest we don't know
The men who have fallen, to Kidd's mighty blow

Let's set a new tone and have us some fun
The Kidd's crew were pirates but they didn't run ***

Those flat-tops were fancy, their flyers elite
In the galley was ice-cream, their reward and their treat
When a pilot was downed, Kidd quickly steamed
Then radioed the skipper, "your man for  ice-cream"

The child alone a poet is:
Spring and Fairyland are his.
Truth and Reason show but dim,
And all’s poetry with him.
Rhyme and music flow in plenty
For the lad of one-and-twenty,
But Spring for him is no more now
Than daisies to a munching cow;
Just a cheery pleasant season,
Daisy buds to live at ease on.
He’s forgotten how he smiled
And shrieked at snowdrops when a child,
Or wept one evening secretly
For April’s glorious misery.
Wisdom made him old and wary
Banishing the Lords of Faery.
Wisdom made a breach and battered
Babylon to bits: she scattered
To the hedges and ditches
All our nursery gnomes and witches.
Lob and Puck, poor frantic elves,
Drag their treasures from the shelves.
Jack the Giant-killer’s gone,
Mother Goose and Oberon,
Bluebeard and King Solomon.
Robin, and Red Riding Hood
Take together to the wood,
And Sir Galahad lies hid
In a cave with Captain Kidd.
None of all the magic hosts,
None remain but a few ghosts
Of timorous heart, to linger on
Weeping for lost Babylon.

555

Trust in the Unexpected—
By this—was William Kidd
Persuaded of the Buried Gold—
As One had testified—

Through this—the old Philosopher—
His Talismanic Stone
Discernéd—still withholden
To effort undivine—

’Twas this—allured Columbus—
When Genoa—withdrew
Before an Apparition
Baptized America—

The Same—afflicted Thomas—
When Deity assured
’Twas better—the perceiving not—
Provided it believed—

11

I never told the buried gold
Upon the hill—that lies—
I saw the sun—his plunder done
Crouch low to guard his prize.

He stood as near
As stood you here—
A pace had been between—
Did but a snake bisect the brake
My life had forfeit been.

That was a wondrous *****—
I hope ’twas honest gained.
Those were the fairest ingots
That ever kissed the *****!

Whether to keep the secret—
Whether to reveal—
Whether as I ponder
Kidd will sudden sail—

Could a shrewd advise me
We might e’en divide—
Should a shrewd betray me—
Atropos decide!

It is the only platform for designers of men’s clothes on the continent that does not have to share the spotlight with the more traditional women’s fashion scene, organizers of the South Africa Menswear Week (SAMW) say.

In its 5th edition this year, SAMW showed African designers challenging the imagination of menswear style and standing up to be counted alongside some of the world’s top fashion creators.

Mzuksi Mbane – an accounting graduate with no formal design training, used his brand ‘Imprint’ to stay true to African influences, with a range of distinct prints on soft but structured pieces and inspired by style beyond the designer’s home base, South Africa.

“For me I always play around with the story of a traveler, so it’s not just a person focused in SA, it’s an African man from all over Africa because if you look at my collection that I did for Winter, it was focused a lot from Morocco so it was Africa from South Africa, it carried stories from Morocco and then I had pieces there that I took from Ghana, so there is always that mix because it is supposed to unify a, it is supposed to focus on roots that we share as Africans. So yes I take a lot from Africa as a whole,” said the designer.

“Imprint’s style is quite contemporary and the details, oh my gosh! It’s fantastic and the mixture of the colours, it’s not every day you see a designer that can combine such kind of basic colours together and come up with such details,” said Evans Johns, a guest at the show.

UK-born Nigerian designer, Tokyo James’ urban street-wear chic went beyond the African print staple for looks he said are meant to cater to the tastes of men anywhere in the world.

“I draw inspiration from Nigeria but I design for a global audience. I strongly believe Africa is part of the world so I tend not to like to just limit myself to just to the Africa aesthetic. Africa is part of the world so when I am designing I am designing for the man in general, so it could be a European man, it could be the Asian man, it could be the African man. I am designing for the man, basically just as long as you are a man you can wear Tokyo James,” he said.

Sponsored by carmaker Lexus, the event was held at The Palms in Woodstock, Cape Town – an airy space that organizers said was classy yet simple enough not to compete with the spirit of SAMW, which aims to take men’s fashion more seriously.

“There are hundreds of fashion weeks on the continent, the problem is they are mostly driven by entertainment or other effects. What we have done to separate ourselves from everybody else is to focus on the clothes. We have only the best designers that get curated and the whole process to curate, to get the best clothing on to our runway and that is why everyone comes here to look at this point where the clothes is, because if they wont to see what are the new trends, what is happening in African fashion, this is where they come to find it because we have got the best people on our platform on our ramp,” said Ryan Beswick, executive director of SAMW.

SAMW takes place twice a year and is modeled around the London Fashion Week Men’s.

It also provides opportunities for African designers to eventually show their work in London – one of the world’s top fashion capitals.

This year, some critics challenged African designers to take it to the next level and make a bigger mark on the global scene by setting a new standard of quality.

“We take the style as it is and we know how to interpret the African traditions and the style and you know… the ethnicity and what happens is that the rest of the world takes that style and adapts it and kind of, sometimes improves on it, so we need to learn to refine our own style ourselves and make it top notch that when the world sees it they are like wow! You know? And they stand back and they look and they think, there is nothing you can actually improve on,” said Boitumelo Pooe, from the South Africa Fashion Council.

South Africa has one of the continent’s most successful fashion industries and was worth more than 200 billion rand ($15 billion) at the end of 2014.

Other designers who took part in the event were Nao Serati, Nguni Shades Kidd Hunta and Craig Jacobs as well as Jenevieve Lyons and Kim Gush.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/black-formal-dresses

The feelings I had for you are finally fading
I’m so happy this hurt is ending
I’m moving on
Because my heart is strong
I don’t need you
I don’t want you
You’re finally out of my head
My heart no longer feels dead
I am now finding myself looking at you
I’m so happy, but you don’t even have a clue
You put me through happiness, confusion and hurt
I hope you’re the one who will soon feel like dirt
I hope that girl you like, breaks your heart
And I hope she leaves you in the dark
After that big storm that occurred weeks ago
My heart is mending and it’s not going slow
I hope one day you’ll get to read this
Then you will know what you’ve missed…

By Raena Kidd

What stands upon a monumental gate
A sinister Baal, something filled with hate
It makes me wonder where I am
An overbearing presence, will slaughter me like a lamb
Something is coming, its invisible to me
To my surprise its not one, but three
The first thought spoke of my birth
how my story began on planet earth
from a tiny lad to a, cantankerous kid
I wasnt that bad, yet my whole life I hid.
always mad, I'm treated like captain Kidd
The second thought told me about my life right here
If I dont step it up Ill have no one to hold dear
taking some things austere
with others I crack a sneer
emotionally irrelevant, my thoughts unclear
The third thought told me of my future to come
the things he mentioned turned my body numb
And in a flash I was left in my room
Is my subconscious foretelling my doom?
I say "No Way!" then took a deep breath
As I close my eyes, I feel the icy hand of death

Contents of that Secret F.B.I. Memo

Next week the world is going to end again
When the north pole and the south pole switch places
According to secret radio transmissions
Secretly beamed from the secret headquarters
Of the secret Club of Rome far beneath
The Vatican and secretly aligned
With the secret sword of the secret Knights
Templar with the secret star WD-40
By our secret Masters on the secret
Planet Xenophobe in secret accordance
With the ancient prophecy of Cranium
The Elder discovered in a Prince Albert can
By the Portuguese philosopher and
Explorer Almoso Nutellaeus
Who thus received the dark secrets of the
Atlantean sorcerers in a secret
Language which only he was able to translate
When the Moon God Myrtle of the Aqua Kirtle
Blessed his Radio Shack TRS-80
With a rare pixie dust which can only be
Found in a certain secret plain in the
Sahara Desert at the Winter Solstice
Marked by a Bionic Blood Altar cursed
By the Knights of Toledo in a strange
Ceremony which can only be witnessed
By the Initiates of the Order of
The Cumulonimble Secret Ferrets
Of the Discalced Colossus of Roads
Whose emblematic pilum can be discerned
By pouring lemon juice over the pictures
Of the Caesars in a sacred clearing
In the secret Wood of the Thirteen Oaks
And a Loblolly Pine made when The Primal
Pole-er Bear from Beyond Time set up
The North Pole and the South Pole, and gave the
North Pole Santa Claus and the South Pole Little America
Station, and this Manichaean duality
Has set the planet in opposition
To itself, resulting in the cancellation
Of Gilligan’s Island after only three seasons
Because Gilligan and The Skipper were close
To discovering the Pre-Raphaelite
Anaemic Amoebic Astrolabe in yet
Another papier mache cave infested
By toxic golden hamsters of existential doom
Guarding a time-and-space portal leading
Directly to Oak Island where Captain Kidd’s
Lost cuff links (the ones with little pictures
Of Elvis golfing with leprechauns) can
Be found, the cuff links that channel the energy
Between The North Pole and the South Pole enhanced
By the chakra of a Hoover vacuum cleaner
Once used by Winston Churchill’s housekeeper
During the Blitz before she married her second
Husband, Trevor, who was the Hereditary
Keeper of the Keys of the Guernsey Privy
And thus a carrier of fairy blood
As required by Ye Ancient Lawes of the Booke
Of…something-or-other…which was carved in runes
On Roman skulls just before the loss of
The Island of Anglesey to Governor
Suetonius who was told by The Voices
That the Druids invented rock ‘n’ roll and
Must be destroyed so that the harmonic
Harmony of the North Pole and the South Pole
Could be restored to their primordial
Nordic vanilla pudding.

Sweet summer breeze running through my hair
As I unwillingly smell your aftershave in the air
Don't ruin this for me, don't take too long
I don't need you, I want you ,like an insatiable song
But not for too long, as you are just as cruel
Getting stuck in my head like and old tune

I'll get sick of you, you'll see and drop you fast
I can get away with ****** and I know you won't last
So do us both a favor and savor the moment
Be mean and I'll make you pay with torment
You think that I lie and you think that I kidd
But you are tiring and you know what you did

So be nice and have fun
Or be mean and I'll run
Leave you at the shores an unholy sight
As I wave good bye with a heart filled with delight

I found myself in a dark room all day
Hoping the silence would take the pain away
No one is here to hear me when I cry
Maybe if I see, someone, I should just tell a lie
Because without you here by my side
How am I meant to stay alive
Why... am I a heartbroken girl... again
I guess the best moments happened back then
When you said you still wanted to be my friend
I can’t deny my heart started to mend
In a way you were my angel
Now every breath I take without you is painful
The hole in my chest is getting worser
And at the same time getting better
I’ll sing I out like Jason Derulo
Boy, I’m riding solo
I’m lucky I can handle this pain
And unlike you I can make it through the rain
I have a heart of gold
That never gets cold
I thought you would make me one less lonely girl
Because every time I saw you, you made my stomach whirl
I get it that your shy
But together boy we could've flown high
You’re a sweet and funny guy
When it comes to love boy you don’t have to lie
You said you liked me
That was hard for me to see
I don’t believe you were playing me
It was just hard for you to talk to me
It’s hard for me to sleep at night
Because in my head you’re a shining light
And maybe it’s true
That I’m still caught up on you
And maybe it’s all in my head
That without you my heart feels dead...

By Raena Kidd

Under the Bridge, along the Promenade: we
walked with words trickling through our
waxy lips. Where the Seafront was all silk.
Where the Waxwings, sealed wax tips,
lumbered about the Empyrean yonder:
splayed upon a Canvas
of Sapphire and Azure.
Before the Starry Night has come.
Before we reached the Shore only to
Digress.
    "Liebe verleiht Flügel,"
I heard, or read in a Book.
The Streets are crimson rust;
The Spectators in Sanitariums watched
drab passersby. They shambled and
coughed admixt the crowded room, only
to find the Peristyle vacant and dead.
A Mantic Women, cards of dread,
stands on the corner; our
eyes catched, and She speaks:
    "Wo bist du?"
        "Wo bist du?"
            Louder and fists shaking:
    "Wo bist du?"
The buildings doddered, filled with
Cuscuta.
In Montauk, where we met, now withered,
covered in snow, I stood - my comportment
unsteady. Flashing in the distance I see
Point Light - Captain Kidd musing with his
Money Ponds - an Angel guiding wonderous
blights - The Recognitions, blimey,
Mr. Gaddis has gone blind - The Faustian
apotheosis abound -
The Streets are crimson rust
filled with dread.
Smelling of Jack-by-the-hedge -
I'm walking...
Noctivagant aura permeates -
Mich.

I try and convince myself it's fine. 
The problems ain't getting any bigger. 
Who are you trying to kidd.
You kidder.
You've got your finger pressed on the trigger. 
I'm the one holding the gun.? 
Go figure. 
As if you didn't already know. 
I could see the cracks beginning to show. 
You know there won't be nothing left soon. 
I presume. 
Nothing but your doom.

Flames of Gold

Just like the famed Kidd Capre I'm out here building up my sweet legacy
Have you ever been down to the lowest pit & you realized no one gives a ****
life can be so strange when your out here playing with the rap game
it used to be something maybe its a thing of the past that rhyme would last
steady as my hand creates the melody with creative bars of variety
many just do what they please when their out spreading the disease
sugar is sweet so sweet like honey I'm going to be the man bringing home the money
nothing phony its all been done before the crowd outside is cheering for more
but i wear my sunglasses at night to see the light of the police cars I got bars
chosen to mix I must confess that life is one big test got to get this

the streets are so phony when your broke with no money offering no opportunity
as a casual calamity getting stuck in the middle playing second fiddle
got to watch my rhymes falling in the right lines the ab, ab, ab sequence
better watch your step I'm here to confess I'm still the crowd pleaser don't want nothing else neater...
with flames of gold you will do as you are told until the very rights to your are sold
all the world is a stage and the people are actors like your playing a game of the X Factor
The Ghetto peeps be blasting their stereo folks are pimping their rides where you get the good blow...
meeting peeps for a block party with burgers and beer having your forty in your glory
The Ghetto folks think they know ya even from the girl that blown ya
nothing can take you higher where you can flirt with the fire

Arm me with harmony as I then approach the valley folks are kind a stuck up with their noses in the air..
The rich become richer the quick become quicker just don't call me late for dinner
From the high class they can kiss my *** cause I'm proud of where I came not pulling any names...
Graduation, ex communication & bringing home the bacon
Intellectuals, Philosophers & no it alls together no matter what the weather i'm as light as a feather...
so let me tie this all together where all the melting *** of society suckers playing in the game of reality
from all colors & denominations best we all take a break on a long vacation
so why are you sweating when i'm confessing how true rap truly shines
to all of my critics you see you can kiss my fat behind cause hustlers want to **** me and ******* want to be with me cause this is my reality

By John Kidd

The stone-cold hand that grasps my heart,
hanging onto the life that I still have,
it holds me down crushing my hopes, my desires,
I just want it to let me go,
Let me free,
But it will not,
It holds me for I have sinned,
It holds me down to the earth so that I may not soar free,
So that I will forever live my life trapped inside my cell,
What was my sin?
To have been born?
I do not know,
Each day this hand gets tighter,
It refuses to let me enjoy this world I was born to,
It entraps me inside my thoughts, inside my mind,
It holds my heart in its iron grip and tells me I am worthless,
That I will never amount to anything,
It tames my arrogance and stops me believing,
Believing that there will be a better tomorrow,
For the future only holds pain for me,
And pain it shall bring,
I fashion this rope in hope,
Of release,
Of freedom,
So that I will not endure the suffering any longer,
As I feel the coarse rope tighten around my neck,
The hand grasps me tighter,
It does not want to let me go,
In life or death,
And as I step off my chair,
Plummet towards my salvation,
I think of my tale of woe and close my eyes.

I think this is my list so far:
Kate Chopin
Jack Kerouac
W.E.B. Dubois
Harriet Martineau
Sue Monk Kidd
Nancy Isenberg
John Steinbeck
Ta-Nehisi Coates
Henry David Thoreau
Ralph Waldo Emerson
Ernest Hemingway

Jason Kidd, Jokic
   pass u open