Es tan fácil nacer en sitios que no existen
y sin embargo fueron brumosos y reales
por ejemplo m¡ sitio mi marmita de vida
mi suelta de palomas conservaba
una niebla capaz de confundir las brújulas
y atravesar de tarde los postigos
todo en el territorio de aquella infancia breve
con la casa en la loma cuyo dueño
cara un tal valentín del escobar
y el nombre era sonoro me atraían
las paredes tan blancas y rugosas
ahí descubrí el lápiz como colón su américa
sin saber que era lápiz y mientras lo empuñaba
alguien hacía muecas al costado de un biombo
para que yo comiera pero yo no comía

después es la estación y es el ferrocarril
me envuelven en la manta de viaje y de calor
y había unas mangueras largas ágiles
que lavaban la noche en los andenes

las imágenes quedan como en un incunable
que sólo yo podría descifrar
puesto que soy el único especialista en mí
y sin embargo cuando regresé
apenas treinta y dos años más tarde
no había andén ni manta ni paredes rugosas
ya nadie recordaba la casa en la lomita
tampoco a valentín del escobar
quizá sea por eso que no puedo creer
en pueblo tan ceñido tan variable
sin bruma que atraviese los postigos
y confunda las brújulas
un paso de los toros enmendado
que no tiene ni biombo ni mangueras

el espejo tampoco sabe nada
con torpeza y herrumbre ese necio repite
mi pescuezo mi nuez y mis arrugas
debe haber pocas cosas en el mundo
con menos osadía que un espejo

en mis ojos amén de cataratas
y lentes de contacto con su neblina propia
hay rehenes y brujas
espesas telarañas sin arañas
hay fiscales y jueces
disculpen me quedé sin defensores
hay fiscales que tiemblan frente a los acusados
y jueces majaderos como tías
o deshumanizados como atentos verdugos
hay rostros arduos y fugaces
otros triviales pero permanentes
hay criaturas y perros y gorriones
que van garúa arriba ensimismados
y un sosías de dios que pone cielos
sobre nuestra mejor abolladura
y tampoco el espejo sabe nada
de por qué lo contemplo sin rencor y aburrido

y así de noche en noche
así de nacimiento en nacimiento
de espanto en espantajo
van o vamos o voy con las uñas partidas
de arañar y arañar la infiníta corteza

más allá del orgullo los árboles quedaron
quedaron los presagios las fogatas
allá atrás allá atrás
quién es tan memorioso
ah pero la inocencia ese búfalo herido
interrumpe o reanuda
la fuga o cacería
de oscuro desenlace

todos mis domicilios me abandonan
y el botín que he ganado con esas deserciones
es un largo monólogo en hiladas
turbado peregrino garrafal
contrito y al final desmesurado
para mi humilde aguante

Me desquito clavándole mi agüero
me vengo espolvoreándolo de culpas
pero la soledad
                            esa guitarra
esa botella al mar
esa pancarta sin muchedumbrita
esa efemérides para el olvido
oasis que ha perdido su desierto
flojo tormento en espiral
cúpula rota y que se llueve
ese engendro del prójimo que soy
tierno rebuzno de la angustia
farola miope

tímpano
ceniza
nido de águila para torcazas
escobajo sin uvas
borde de algo importante que se ignora
esa insignificante libertad de gemir
ese carnal vacío
ese naipe sin mazo
ese adiós a ninguna
esa espiga de suerte
ese hueco en la almohada
esa impericia
ese sabor grisáceo
esa tapa sin libro
ese ombligo inservible
la soledad en fin
                              esa guitarra
de pronto un día suena repentina y llamante
inventa prójimas de mi costilla
y hasta asombra la sombra
qué me cuentan

en verdad en verdad os digo que
nada existe en el mundo como la soledad
para buscarnos tierna compañía
cohorte escolta gente caravana

y el espejo ese apático supone
que uno está solo sólo porque rumia
en cambio una mujer cuando nos mira sabe
que uno nunca está solo aunque lo crea
ah por eso hijos míos si debéis elegir
entre una muchacha y un espejo
elegid la muchacha

cómo cambian los tiempos y el azogue
los espejos ahora vienen antinarcisos
hace cuarenta años la gente los compraba
para sentirse hermosa para saberse joven
eran lindos testigos ovalados
hoy en cambio son duros enemigos
cuadrados de rencor bruñidos por la inquina
nos agravian mortifican zahieren
y como si tal cosa pronuncian su chispazo
mencionan lustros y colesterol
pero no las silvestres bondades de estraperlo
la lenta madurez esa sabiduría
la colección completa de delirios
nada de eso         solamente
exhuman
las averías del pellejo añejo
el desconsuelo y sus ojeras verde
la calvicie que empieza o que concluye
los párpados vencidos siniestrados
las orejas mollejas la chatura nasal
las vacantes molares las islas del eczema

pero no hay que huir despavorido
ni llevarle el apunte a ese reflejo
nadie mejor que yo
para saber que miente

no caben en su estanque vertical
los que fui los que soy los que seré
siempre soy varios en parejos rumbos
el que quiere asomarse al precipicio
el que quiere vibrar inmóvil como un trompo
el que quiere respirar simplemente

será que nada de eso está en mis ojos
nadie sale a pedir el vistobueno
de los otros que acaso y sin acaso
también son otros y en diversos rumbos
el que aspira a encontrarse con su euforia
el que intenta ser flecha sin el arco
el que quiere respirar simplemente
será que nada de eso está en mi ceño
en mis hombros mi boca mis orejas
será que ya no exporto dudas ni minerales
no genera divisas mi conducta
tiene desequilibrios mi balanza de pagos
la caridad me cobra intereses leoninos
y acaparo dolor para el mercado interno

será que nada de eso llega al prójimo
pero yo estoy hablando del y con el espejo
y en su Iuna no hay prójima y si hay
será tina entrometida que mira sobre mi hombro

los prójimos y prójimas no están el el luciente
sencillamente son habitantes de mi
y bueno se establecen en mi como pamperos
como arroyos o como burbujas

por ejemplo las dudas no están en el espejo
las dudas que son meras preconfianzas
por ejemplo los miércoles no están
ya que el espejo es un profesional
de noches sabatinas y tardes domingueras
los miércoles de miércoles quien se le va a arrimar
pedestre o jadeante
inhumano y cansado
con la semana a medio resolver
las tardes gordas de preocupaciones
el ómnibus oliendo a axila de campeón

los insomnios no caben por ejemplo
no son frecuentes pero si poblados
de canciones a trozos
de miradas que no eran para uno
y alguna que otra bronco no del todo prevista
de ésas clue consumen la bilis del trimestre

tampoco aquellos tangos en Ios que uno sujeta
en suave diagonal la humanidad contigua
y un magnetismo cálido y a la vez transitorio
consterna los gametos sus ene cromosomas
y entre corte y cortina se esparcen monosílabos
y tanto las pavadas aleluya
como las intuiciones aleluya aleluya
derriban las fronteras ideológicas

verbigracia qué puede rescatar el espejo
de una ausencia tajante
una de esas ausencias que concurren
que numeran sus cartas
y escriben besos ay de amor remoto

qué puede qué podría reconocer carajo
de las vidas y vidas que ya se me murieron
esos acribillados esos acriborrados
del abrazo y el mapa y los boliches
o los que obedecieron a su corazonada
hasta que el corazón les explotó en la mano
sea en el supermarket de la mala noticia
o en algún pobre rancho de un paisaje sin chau

poco puede conocer de los rostros
que no fueron mi rostro y sin embargo
siguen estando en mí
y menos todavía
de los desesperantes terraplenes
que traté de subir o de bajar
esos riesgos minúsculos que parecen montañas
y los otros los graves que salvé como un sordo
así hasta que la vida quedó sin intervalos
y la muerte quedó sin vacaciones
y mi piel se quedó sin otras pieles
y mis brazos vacíos como mangas
declamaron socorro para el mundo

en la esquina del triste no hay espejo
y lo que es
                  más
austero
                                        no
hay auxilio
por qué será que cunden fas alarmas
y no huy manera ya de descundirlas

el país tiene heridas grandes como provincias
y hay que aprender a andar sobre sus bordes
sin vomitar en ellas ni caer como bolos
ni volverse suicida u miserable
ni decir no va más
porque está yendo
y exportamos los huérfanos y viudas
como antes la lana o el tasajo

en el muelle del pobre no hay espejo
y lo que es
                   más
sencillo
                                        no
hay adioses

los tratemos que estaban en el límite
las muchachas que estaban en los poemas
asaltaron de pronto el minuto perdido
y se desparramaron como tinta escarlata
sobre las ínfulas y los sobornos
metieron sus urgencias que eran gatos
en bolsas de arpillera
y cuando las abrieron aquello fue un escándalo
la fiesta prematura
igual que si se abre una alcancía

hacía tanto que éramos comedidos y cuerdos
que no nos vino mal este asedio a la suerte

los obreros en cambio no estaban en los poemas
estaban en sus manos nada más
que animan estructuras telas fibras
y cuidan de su máquina oh madre inoxidable
y velan su garganta buje a buje
y le toman el pulso
y le vigilan la temperatura
y le controlan la respiración
y aquí atornillan y desatornillan
y allí mitigan ayes y chirridos y ecos
o escuchar sus maltrechas confidencias
y por fin cuando suena el pito de las cinco
la atienden la consuelan y la apagan

los obreros no estaban en los poemas
pero a menudo estaban en las calles
eon su rojo proyecto y eon su puño
sus alpargatas y su humor de lija
y su beligerancia su paz y su paciencia
sus cojones de clase
qué clase de cojones
sus olas populares
su modestia y su orgullo
que son casi lo mismo

las muchachas que estaban en los poemas
los obreros que estaban en las mulos
hoy están duros en la cárcel firmes
como las cuatro barras que interrumpen el cielo

pero habrá otro tiempo
es claro que habrá otro
habrá otro ticnlpo porque el tiempo vuela
no importa que ellas y ellos no estén en el espejo
el tiempo volará
                             no
como el cóndor
ni como el buitre ni como el albatros
ni como el churrinche ni como el venteveo
el tiempo volara como la historia
esa ave migratoria de atlas fuertes
que cuando Ilega es para quedarse

y por fin las muchachas estarán en las mulos
y por fin los obreros estarán en los poemas
ay espejo ignorás tanta vida posible
tenés mi soledad
vaya conquista
en qué mago atolón te obligaste a varar
hay un mundo de amor que te es ajeno
así chic no te. quedes mirando má mirada
la modorra no escucha campanas ni promesas
tras de mi sigue habiendo un pedazo do historia
y yo tengo la llave de ese cobre barato
pero atrás más atrás
o adelante mucho más adelante
hay una historia plena
una patria en andamios con banderas posibles
y todo sin oráculo y sin ritos
y sin cofre y sin llave
simplemente una patria

ay espejo las sombras que te cruzan
son mucho más corpóreas que mi cuerpo depósito
el tiempo inagotable hace sus propios cálculos
y yo tengo pulmones y recuerdos y nuca
y otras abreviaturas de lo frágil
quizá una vez, te quiebres
dicen que es mala suerte
pero ningún espejo pudo con el destino
o yo mismo me rompa sin que vos te destruyas
y sea así otra sombra que te cruce

pero espejo ya tuve como dieciocho camas
en los tres años últimos de este gran desparramo
como todas las sombras pasadas o futuras
soy nómada y testigo y mirasol
dentro de tres semanas tal vez me vaya y duerma
en ml cama vacía número diecinueve
no estarás para verlo
no estaré para verte

en otro cuarto neutro mengano y transitorio
también habrá un espejo que empezará a
   escrutarme
tan desprolijamente como vos
y aquí en este rincón duramente tranquilo
se instalará otro huesped temporal como yo
o acaso dos amantes recién homologados
absortos en su canje de verguenzas
con fragores de anule e isócronos vaivenes

no podrás ignorarlos
egos le ignorarán
no lograrás desprestigiar su piel
porque será de estreno y maravilla
ni siquiera podr á vituperar mi rostro
porque ya estaré fuera de tu alcance
diciéndole a otra luna de impersonal herrumbre
lo que una vez te dije con jactancia y recelo

he venido con toldos mis enigmas
he venido con todos mis fantasmas
he venido con lerdees mis amores

y antes de que me mire
como vos me miraste
con ojos que eran sello parodia de mis ojos
soltaré de una vez el desafío

ay espejo cuadrado
nuevo espejo de hotel y lejanía
aquí estoy
                  ya podés
empezar a ignorarme.

Una mujer desnuda y en lo oscuro
tiene una claridad que nos alumbra
de modo que si ocurre un desconsuelo
un apagón o una noche sin luna
es conveniente y hasta imprescindible
tener a mano una mujer desnuda

una mujer desnuda y en lo oscuro
genera un resplandor que da confianza
entonces dominguea el almanaque
vibran en su rincón las telarañas
y los ojos felices y felinos
miran y de mirar nunca se cansan

una mujer desnuda y en lo oscuro
es una vocación para las manos
para los labios es casi un destino
y para el corazón un despilfarro
una mujer desnuda es un enigma
y siempre es una fiesta descifrarlo

una mujer desnuda y en lo oscuro
genera una luz propia y nos enciende
el cielo raso se convierte en cielo
y es una gloria no ser inocente
una mujer querida o vislumbrada
desbarata por una vez la muerte.

Kaitelka was in the Equinoctial Aftó, she bathed but always oriented herself as an Argonaut star bathing in the Aegean while waiting for the ******* of Áullos Kósmos. Between both Aulos and Citara, she modeled the auletic- citaristic, in glimpses of her Psychic Trisomy.  In effect of the existence of an extra chromosome in a diploid organism 158, for a number of chromosome fifty-four, instead of a homologous pair of chromosomes. From this position she was limiting her chromosomes of normality in the genetic proximal when entering the bay of Skalá that she was waiting for her native, where the art of navigation danced in the nitrogenous water that brought her from Skalá; from Eleios-Pronnoi, about 39 km south of the main city on the island of Argostoli, in southern Kefalonia, on one of the Ionian islands of Greece. From here, mimetic was thrown towards the art of the unknown sea, collapsing and disoriented by its territorial similarity, and maritime per se of its Otolith that brandished it in dual places of Ionian-Dodecanese geography, following the semiotic songs of Leiak that emerged from the auletic to infer Ballenid genera, which acted precisely between the island and the Bay of Patmos with the same name as Skalá.

Kaitelka's Vernarthian tenor carried her behind her with another Ballenid, this one carried the Demiurge Ezpatkul, with his prominent Augrum or Gold teeth that rotated on the backs of all the borer beetles, being Scarabaeidae that delimited towards a dialectic, and paraphrase of a qualitative satirical one, especially in the form of Vernarth's sub-mythological subgenre. To commend all the hypotheses of this whale, it sang with the native cephalization ultrasound, where it continued to harmonize media in its cranial cavity, and in the muzzles of its larger fins that transmitted waves of parapsychological regression towards Vernarth, parodying the transparent sendal ballads that it made. with his transit through the water, however, not having members that strengthen his controversial cetacean passerby by waters of a melodious literary language, such as a great inspirational propeller, and satires that host greenhouses in most of the jubilation, related to rudders that furrow his verbal poetry, easing restrictions, and possessing the genome that was deprived him in his gestation, of a maternal expropriation victimized with fears of an end, and Apocalypse hungover by the sea and freshwater. They piloted their heart valves, mere and Dantesque with Zeusian buttress spauto, muddled and bundled in their bombastic myocardium like omitted ships without ever lifting anchor and setting sail, a very brief tulle of water satirizing formula additions, and a piece of dull wood on its spur that was It bore like a whale, it was carrying its weight in a literary category where there is no way to test it. Without hindrance, she laughed alongside the breakers in the manner of a belligerent tendril in thick keel skins, dramatizing him and perhaps delaying the investiture of Vernarth's Himation Proskynesis, peering jocularly and foreshadowing his encounter with her. Her chains were Caucasus icebergs, demystifying seasonality by residing linked to a single Down Whale destination, ******* with her dorsal to exhale genome rearrangements with Cinnabar, refining hormones and stereotyped whale chromosomes.

The concordance of the Satirical subgenre, and the polarized gender correspondence inanimate Kaitelka, usurping the intentionality of the sub-mythological drama, in two roads of Skalá that appeared to lose the standard of their ears, in tragic representation versus the comedian staging, harbinger of an interlude between two areas that struggled to have it directed towards three comedies that plunged into three tragedies, missioning the furrowed features of the ideals of survival, with preceded parables of the psychic-linguistic being, due to its canonical supernatural modality by blending itself with disciplined domains. Of a rhetorical poetics, rectified in religions that grant Orphic and messianic structuralism; foreshadowing the hymns of Orpheus in the Bible, and metaphorical in revealing divine truth, accessible only to spirits worthy of it. The purpose of metaphor in her poetry has the deciding function of the ineffable of thought, through simile, comparison, or image.  Song and poetry, song and prayer, prayer and ritual forming an inseparable phrase of meaning in it, impossible to differentiate in the biblical psalms themselves. The penultimate of them recalled number 149, being a hymn destined to accompany the dance; "Make melodies for him, with drums and lyres." It is known that the classical instrument of Orpheus reaches the level of the sacred in biblical texts. Psalm 150 contains an orgiastic ending to a symphony, in the description of the instruments that accompany the word and the voice that praises God, with sermons from Kaitelka blooming from an oceanic being and printing songs of the subgenre, without blemish of sub- mythology and the unconfessed proceeding. The comical exaltation of him recreates aspects of great joy, for those who feel vibrations under his belly in his orphic water, portraying semis or semiotic cathartics of their own trisomic roots, in an effort to decode drama, for intermezzos of the mythological subgenre. Borker with his sword Mythos interpreted the story of Kaitelka when he told her about the melting of Horcondising, seeing in them friendly glaciers that included her within the storytelling of provinces that sensitize the culture by rebirth on spherits and plasma hematocrits, for an apologist that admits inanimate corporality actor. Its genesis is Bereshit, "which names and does not start", from the undervalued parashot of the gods and kings, commanding them ibid to the inter-dogmatism that it contributes in its credit reserve, in large consortiums besieging colonies by the southern seas of the Borker  Nótos. "Evil tears their veins heal their goods and relegate the forgetful in the tradition of existence alongside the demiurges, incontinent to their ills that enjoy making creation sleep, soothing it in innocuous myths that are often more than a truly supernatural!

Helios went out to the road by the west and not by the east, in the nascent instant of the ectoplasm that revealed micro satires that led to the station of the hero who lives hidden, behind the proscenium of cultural and religious intimacy, Kaitelka plunges a few meters below the Aegean where he was already arriving, and he can realize that he did not see marine species around him, only beams of light that distorted his view of those who flatter him on a descent? Underwater a mythical mission wailed on dry surfaces, and the phenomena of the underwater stones were relaxed before any reflection of the veracity of a myth of expression in the mouth of a fish, brushing against systematic hermeticisms of what was infinitesimal. All this dialectical journey towards inevitably alternating molecules of his genome, to re-establish himself in his hybrid status upon reaching Skalá, here he would have to use his two neurochemical brains for a mortal instinct that does not die inside the mouth of a whale but in interrogation. …?  Based on Leiak's sexagesimal nanoscale extension, endowed with a fractional comparison that collects mythologies within them, for the uncertain truth. The only burden of etiological myth in Kaitelka is a consequence of her suffering, which is offered in psychic trisomy, for being **ized by three chromosomes, disorganizing her reality as a specimen that unfolds as a congenital disease.

Kaitelka says: "Who am I and where do I come from? I am reaching the floodgates of my lord Vernarth, and I can see that I am reborn in his astragalus and honeysuckle, which tell a story ****** under the tripod of Herophila.  Authoritarian truth that will bow before the pig to become, smelling here the tragic essence in truths that are hidden in symbolic denial"

Kaitelka is instituted a few miles before she begins to navigate in a zigzag, trying to condense forces for the origin of her ethereal, with sarcasm techniques that the self encourages to plunge into diluvian tears and moan in the scenarios of uncertainty, in the judgment of pouring out real myths, transposing its flow in the destination that is flooded in imprecise gestures and between cries with super sounds that lifted it on the swells, and these, in turn, were shedding the mystery Masken by raising water concentrated in onerous polymorphology. With joys and hilarious meltdowns on the mountains, she approached everything when she reached the pleasant Skalá, escaping from the cosmogony that bound her ungraciously on the light water, overflowing towards the very origin of a Vernarthian deity, in pasts and futures that do not intersect in the radial of its origins. The sky proclaimed laughter and mimicry gestures that adhered to the vitrifying phenomenon of past-present pashkien images, ready to lightning that heals the invalidations of walking on disturbed waters, a dipsomaniac leitmotif in early Christian justice. Kaitelka sins irascible, violent and proud, urgent and judicious, but conciliatory despite carrying a cross and a harpoon on her back. She will remain Kaitelka Down, but Patmos will arrogate her Thracian gift from her Orphic origin to her, for purposes of radial preeminence in the Ballenids that hoist sacred sites. The adventure prescribes a univitelino twin, but when she goes beyond the hirsute destiny of her Iliad, she begs to go transforming into a rainy sphinx on the thick bronze roof when the coins are broken, towards a seduction stop that is enthroned in the gloom of the minotaur, in the numinous hands of a daffodil and on the face of the Epsilon. Or crawling in mitral of valvulopathy with the carriage messengers, with the swans or pigeon birds; perching on a wreath of roses and myrtles that surround her red bozos. Almost always appearing undressed next to her escort, usually more than multiplied towards her, with the amazement of her animal consorts, which are dolphins, and Thracian pigeons, a priori of being covered by the Pythia of Delphi that is migrating in murky triumphs of the Achaemenides in Gaugamela.

acallado el fuego,
imperecedero, y la
sed de tu piel, saciada
con creces.

vacilante nunca, pues
tus ojos brillan,de placer,
deseo, satisfaccion total
y absoluta.

la humedad en mi pelviz,
el brillo sedoso, y agridulce
en mi regazo de leon amado.

y por un momento, justo en
ese momento, estoy completo,
sereno, amado, deseado, una
bestia plena, serena, agradecida.

la pena, el dolor, la ira y su desidia,
y el latrocinio brutal, son solo escollos
borrados con la humedad de tu ****.

vacilante es aquella, que no ha amado,
su mentira es una cruz pesada, oscura,
fatua, inerte, su alma jamas podra amar,
bajo  el falo divino.

en cambio, tus ojos, verdad, amor y ventura,
amando un imposible, y aun asi amando,
los estertores de tu ****** amada, besada,

penetrada, tierna y ferozmente, son el eco
del fuego chocando con el mar, provocando la vida,
el vapor, que riega la tierra, que genera el ciclo troffico
de la vida, fuego y agua, vapor de vida, pasion,
entre dos bestias, bellas y amadas.

tu miel y tu deseo, SALVAJE, intenso,
perenne, son vitales en la soledad,
de una bestia de montecristo, que solo, acarrea

el daño y el dolor, de las traiciones,
cada corte y puñalada, me hicieron el
hombre fuerte, que ahora soy.

indestructible, y viviendo, amando
imposibles, destruyendo la mentira,
acabando con las debilidades, de los que solo
mienten, llenos de odio, envidia y rencor,
por haber perdido el tornillo que sujeta
nuestra vida.

luego de eso, y por sus debilidades, montecristo
es vencedor, una bestia con corazon, que aprendio
a amar, lo imposible y lo posible, a desaparecerse
en el otro, envuelto en su luz, y su belleza, y la
debilidad y maldad de aquellas chicas mondego,

solo apuraron la debacle, me bato solo
frente a sus errores, riendo y contestando
a las mentiras, sus mentiras y anatemas,
se volvieron en su contra, la verdad limpio el agua,
y el fuego hizo el vapor, completando el ciclo de vida.

asi, mediante el deseo, y  la mutua pasion, ocurrioze
lo imposible, en pos de la vida, y el amor.
la quimera del deseo, nunca borro, aquella vez
que nos tocamos, a pesar de las diferencias, plenos,
salvajes.

generando el vapor, cogiendo, gruñendo, bramando,
en mi mente y en la tuya, el mismo deseo,
la inconmesurable verdad, nuestra verdad,
y la incomprensible mentira, fatua, el eco de lo falso,
y sus mentiras infecciosas, corrompiendo, y enlutando
lo que siempre fue luz y vida.

la falsa nocion de amor, en el yerro, y sus
secuazes, con su engaño de la no aceptacion,
la necedad, u la locura, fatuos oscuros incompletos.

¡Viejos olivos sedientos
bajo el claro sol del día,
olivares polvorientos
del campo de Andahicía!
¡El campo andaluz, peinado
por el sol canicular,
de loma en loma rayado
de olivar y de olivar!
Son las tierras
soleadas,
anchas lomas, lueñes sierras
de olivares recamadas.
Mil senderos. Con sus machos,
abrumados de capachos,
van gañanes y arrieros.
¡De la venta del camino
a la puerta, soplan vino
trabucaires bandoleros!
¡Olivares y olivares
de loma en loma prendidos
cual bordados alamares!
¡Olivares coloridos
de una tarde anaranjada;
olivares rebruñidos
bajo la luna argentada!
¡Olivares centellados
en las tardes cenicientas,
bajo los cielos preñados
de tormentas!...
Olivares, Dios os dé
los eneros
de aguaceros,
los agostos de agua al pie,
los vientos primaverales,
vuestras flores racimadas;
y las lluvias otoñales
vuestras olivas moradas.
Olivar, por cien caminos,
tus olivitas irán
caminando a cien molinos.
Ya darán
trabajo en las alquerías
a gañanes y braceros,
¡oh buenas frentes sombrías
bajo los anchos sombreros!...
¡Olivar y olivareros,
bosque y raza,
campo y plaza
de los fieles al terruño
y al arado y al molino,
de los que muestran el puño
al destino,
los benditos labradores,
los bandidos caballeros,
los señores
devotos y matuteros!...
¡Ciudades y caseríos
en la margen de los ríos,
en los pliegues de la sierra!...
¡Venga Dios a los hogares
y a las almas de esta tierra
de olivares y olivares!   A dos leguas de Úbeda, la Torre
de Pero Gil, bajo este sol de fuego,
triste burgo de España. El coche rueda
entre grises olivos polvorientos.
Allá, el castillo heroico.
En la plaza, mendigos y chicuelos:
una orgía de harapos...
Pasamos frente al atrio del convento
de la Misericordia.
¡Los blancos muros, los cipreses negros!
¡Agria melancolía
como asperón de hierro
que raspa el corazón! ¡Amurallada
piedad, erguida en este basurero!...
Esta casa de Dios, decid hermanos,
esta casa de Dios, ¿qué guarda dentro?
Y ese pálido joven,
asombrado y atento,
que parece mirarnos con la boca,
será el loco del pueblo,
de quien se dice: es Lucas,
Blas o Ginés, el tonto que tenemos.
Seguimos. Olivares. Los olivos
están en flor. El carricoche lento,
al paso de dos pencos matalones,
camina hacia Peal. Campos ubérrimos.
La tierra da lo suyo; el sol trabaja;
el hombre es para el suelo:
genera, siembra y labra
y su fatiga unce la tierra al cielo.
Nosotros enturbiamos
la fuente de la vida, el sol primero,
con nuestros ojos tristes,
con nuestro amargo rezo,
con nuestra mano ociosa,
con nuestro pensamiento
-se engendra en el pecado,
se vive en el dolor. ¡Dios está lejos!-.
Esta piedad erguida
sobre este burgo sórdido, sobre este basurero,
esta casa de Dios, decid, oh santos
cañones de von Kluck, ¿qué guarda dentro?

by William A. Marshall

go ahead, it’s your story
it’s an extrapolation and
you’ve got the (tile) floor  
for certain genera who listen
throw it up -
all over the **** place
in a documented assembly
or novel ode
your feelings hurl from the past
from petite chestnut corners
of your skull
rinsing the snow-white clips
and pages once innocent and fresh
now blotched up
in your porcelain sink  
half digested commitments
mixed in a wicked soup
that flows downward, slowly
plunged in there - to the wrist
you did it to yourself,
doggedly unsettled  
because it’s exclusive to you
to you and your mirror that talks
chunks of desire floating
in your opinion
how the hell do I know?
well, I’ve seen your sketchy
inactive pipeline up close
I’ve been clogged there too
and recall your lips stirring
but now I observe your smoking
sewer grill from the path
while fumes burn and hurl
from your
****

2020 - day 103 -- a long and winding story, fun, I re read it twice.

Wednesday, April 22, 2020
8:04 AM

Pharoah-ism is a thing.

It's in a class of words holding forms for governing,
herds of humans,
who can be fit to the form, walk this way,

like an Egyptian, indebted for all your worth

Trillions and trillions, soon enough,
the ghost of Everett Dirkson laughs at
another billion attributed to Carl Sagan,
"we ain't even thinking real money any more."

To whom does the government of, for, and by the people,
owe all the nation can invent

Some day we will learn each bit of reality, but

we, as a specie, a valued mod on the base line
must access our global brain.

China -- that is -- the military mind of China,

has egged on
the military might of the USA, offering hope

for all-out war on peace, for no reason.

War has never had a reason for which any good
could come. Never.

And I will defend to the death your right to disagree,
but not your right to fight and destroy me.

If peace and war were to meet on a distant shore,
peace might move inland, but

now, we meet here on earth as mere ideas empowered
by the codemaker; peace and war

tete a tete, cabezo y cabezo I betcha, like dos cabezos

peering ahead on I -10... on the road again...

this is a changing station stage of life...

fold down time.

monster employers, users and maintainers of
common flesh and blood eyes, ears and hands,
people of the commonest class;
some times sitting in boxes,
some times standing in lines, sometimes

watching welder robots do your dad's old job.


--- capital
= money = time.

Gotta minute?
Invest it in imagining you think, as in,

think

who holds those, no, not those,

these truths, these factions of the whole
truth
faction, not fraction,

truth
and nothing but as sworn to on tv via mirror neurons
and solidi-fied, pur-chased, caught, netted,

in plebeian pledges of allegiance from first
grade, in the sorting of useful citizens,

some may serve at the highest levels, lifted via
lessons proven learned in standard tests,

-- number two pencil, fill each box, complete-ly,

so a machine can discern your answer, and punch
through the insulating paper, to signal
each bit of evidence

coming into piles of assorted usefull knacks,

mark this one. Feed him Wattie Piper, make him
think, I can
think, I can, think, think a little think...


We hold these truths to be self-evident, that all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.--That to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed, --That whenever any Form of Government becomes destructive of these ends, it is the Right of

How did Einstein think?

AI ai ai, we know. Not in words. Einstein was taught to think

in whatification. What if I

--- nail the sun to the sky and feel the earth move me at
-- twenty-five, or so
-- thousands of miles
per fifteen three hundred and sixtieths of a day
-- and a night, one whole day...

but N D Tyson taught me that trick, not Einstein...
and not all things count as worthy,
relatively, of attention paid.

The worth of a thought's open door invitation to the curiosity we
enjoy


Semantics (from Ancient Greek: σημαντικός sēmantikós,
"significant") 
is the linguistic and philosophical study of meaning 
in language,
programming languages,
formal logics,
and semiotics.
It is concerned with the relationship between signifiers
—like 
words, phrases, signs, and symbols
—and what they stand for in reality, their denotation.

On the subject of secrecy in general,

ah, no, we've no secrets, for here we have no truely
believable lies,

the truth will out, we say.
Life ain't fair, death had no hope, that's just

the way it is.
Wait and see. We had ein kleiner Gedanke, once
upon a mythical histerical time,

ah, think of any first blood in a world of secrets, such as we

formed from, even in famine, some seed was sown
each season,

some seed remained from first story peoples, preserved
in sacred places, safe,
until the dawning on you, that this is true, life always wins.

brightly lighted stage of history

no weakness... save where the blade meets the soft flesh
beneath a noble head bowing to think


fringe brushes my gnostic-itch, son of a gun,

son of a blade, edge, point

pierce the air, no pop, no apoptosist apostasy, see

we use words with no definitive meanings, right?

significance is cast aside, who cares
that's just semantics, I don' quibble bout {sign-if-i can-sense}
significance
or sign.
I wonder did we double down on a word righting there,
did we give meaning to a barely breathing

wind born lie, some interruptions signify engagement of

a clutch, a tool to grip the wild spinning trans-
*******, while

we slip into something more comfortable.
A higher, cruising 12 to 1 gear

My neighbor from two hills north, is coming to sit a while,

the guy has been called Cowboy, as a name, since all his siblings
knew him.

He is a walking archetype. And my friend. We share some burrs,
from wild meadows ridden on sole leather,

leaving a steaming auto-mobile by the side of the road,

aaah, the interruptions {more, with Oliver gone}

any line in context, is a step past last, a first of all the nexts

Nexts?
Options. Who determined this? My will being to discover this
fringe connection to the persistence on the fringe

of string theory strangling struggling

genera general, whole sorts of hu-mongolian signif-if-if ier yous.

Yous guys includes girls and nobody makes me say,

wombed AND un-wombed, man. So yous, youse, y'all you all;
you,
samesame, okeh. Plain and subliminal, wait and see. Losers win,

when they stop fighting fair.
Die and see what happens,
or imagine
you
know some body who did die and before he did he said,

Hide, and watch. AND now, you see,

caution once cast to the wind, calming all the rage required

to oppose the forces

¿? quare, sistere, wait, feel the urge to know, a click calque

see, new old idea, an old idea studied to the point of a word
formed to signify a set of things

cal-que-able, in curios kurio terms derived

from Phoencian merchants, who set up benches in all the ports.

Users of money, milkers of the exchange, worth-ship of silver,

balanced on the craftily formed me-assuring thing,

eight silver tid-bits makes one golden one, tid-bits fit

fingers, excluding thumbs, for thumbs play a role

mechanically in holding any thing, even

steady -- com-pre-hensive press press sure...

you got it, knowledge

ex-spands into wow... did it work?

Did we make a handle? Or a tool? No pressure, guess.

And Dave Goodman, rides into the west, with a QVC Lid-Lock

full of fabulous pasta cheese and celery, with peas.

A culinary experiment conducted by the grandmother
of all my grand children,

a most mazing teacher of balance's pre care-ious role

on an inclined plane sure to flatten the curve

--- are we in historical moments a generation long,
--- with second generations arrows
--- never quivered, these shafts I shot by faith at unseen things,

for which I have reasons. Were now the war,

we all agree war always cost far more than its worth in death,
robbing life from mankind,

unaware if there ever were a gospel truth. I say don't study war with carnal weapons.

Words carry us into real contextual contests for human sanity as a whole,
we can make peace,
we all can breathe easy, loose the tight jibbs {jaws}, gritted molars, loosen up...

Historically, it seems riddles became de riguer in ifity, but plainly,

only surviving stories survive.

Science knows no story which was eaten up and troubled m'bowels and made me know

boom boom boom, montezuma's revenge

in the spirit kah-blewy con ef ef ef fectual fervent

prayer/sayer saying/praying in timeless harmony

if we can agree... no good we imagine can fail,

let chirality meet diversity and error meet ciliation

conciliate celebration,

conciliate (v.)
"overcome distrust or hostility of by soothing and pacifying," 1540s, from Latin conciliatus, past participle of conciliare "to bring together, unite in feelings, make friendly," from concilium "a meeting, a gathering of people," from assimilated form of com "together, together with" (see com-) + PIE *kal-yo-, suffixed form of root *kele- (2) "to shout" (the notion is of "a calling together"). Related: Conciliated; conciliating; conciliary. The earlier verb was Middle English concile "to reconcile" (late 14c.).

take away my anti-grace, de
ify my chance appearance,

dance, mirror neuronically, sitting your chair-saddle,

y'put y'left foot in behind your right and

boom
y'hit a but, but this, but that, but some other thing,

you got only so much mortal attention,

so when one door closes, whatever you need, is not there,

here we see the old wise man who saved a city and no one knows his name,
he say, redundancy of instruction is the way of life.

fectual per effing e fect, non sensicle semantical ice, Gibsonian ice,

no sweat, we are wrapped in white linen,

we broke on through and waited for you.

Yea, a sword shall pierce through thy own soul also.

words we remember were words
meant
to stand tall understanding all things


differently, re
reading, the scene from Night Scenes in the Bible,
that
was a level of knowns
effectually un provable but by
common movie-complex unbelief release, let it be

-- lower missing efs, finding more attention {behind the scenes}

ef-fectual is conjugolly confusin my prudent nature.

or higher, north or sout, plus or minus h

who cares. We made it. This is today.

Meek inheritance day or the spirits judged by the degree day,
a holi
day
in which they trouble their own house, and recall the point that
pierced their own soul,

so to speak,

survived hating your own self for other's sakes,

sakes meaning  goodness and graciousness which

constitute the happy bits in ever,
the treasures found,

where a man's heart is,
my diamond farm is yours now,

my gift to you... only words.

I inherited the wind, my job is to finish melting the ice.

God and sinner reconciled is a song,

does that make it less true?

For us, ever began before today,

so today is that day or it is not, we wait to see

or we wait and see, seeing if

this were the day, when all things go my way,

or come my way, in the course of human events,

I may be ready if readiness is some form of kurios

assurance, blessed, said *****, in a song,

I agree, blessed assurance,
Hey-sus is mine, find his words bring comfort

2020 paradigm shift is common parlance, Cowboy uses that
and logos regularly and he is

old, by mortal standards, for an archetype he's barely ligandary
to most receptive sub caudal imps.

they can feel

him biting the bullet,
gritting his teeth on the Gerber Bowie-wannabe blued steel
blade, re-imagined in reread instead, bullets bitten can go off,

I know a kid fired a deadly-for-a-mile bullet,
with a hammer and a rock, so, knifes are dangerous, too,
so
as a mime-ical biting down, per
haps this hero-in-forming bites

a wooden drumstick, beating now with one,
biting down on the other
boom
boomto doom boom
boom
boomto doom boom... and as the beat goes on,

fringes find loose ends and latch on...

Dirac was an early Cher fan, and she was something like dys
lexical survivor of the year,
if she can, anybody can
I think I can read faster than

hmmm, slippery *****,
speaking memes as old as I remember, then

by the time I wondered if she were real or
a con structure
I lose my footing

slip on something comfortable, this promises to be

that night, in the legends, just prior to a marked, edge of night,

ever after post. Will you still love me,

tomorrow.... deeedly violins lift away any hope

of redemption, oh, ma, it was 1963, you had to have me

to sing your blessing into,
to hide your gift in me, no one must know, oh god
bless his heart...

no part of this vision is clear, nor plain, why is this my beatrice
cockatrice

Olden day, Robinson's cowboy preacher son, sowed a saying in my
core, I sup-pose, put
his phrase formed
an ever more pleasant link to Wikenberg,
on this shelf, see, we can remember the target by re

reading... remembering never drink from the Hasayampa.
and you can tell the truth
by
aquiring point on conscience. Taking thought.

Ethos keeps insisting we are in some offensive mode.
Thus the call for concentration, we are tunable now,

on some oldies but goodies websites...
Kenpepiton.com, for one.
mytechpeople.com is possibly in the archives.

Calebland.com long left to a bland b-break lacking dash,
early urls. imaginable as answers to
either wishes or prayers,

or desires... unseen, unthinkable tools to augment a

satisfied mind, completely ******, no direction home...

here, my heart, my contentment container,

at the moment, indistinguishable from any mortal concept of heaven.

Robinson's father's saying: {remembered just in time}

some times you have to stomp your own snakes.
he may have said, you gotta stohmp yerown dam'snakes,

but never would he have said: one must stomp one's own snakes.

La de amores intermitentes y fugaces.
A quien le dan un intento pero no dos chances.

La de encuentros efímeros a escondidas.
Escapes irreales, soñadas huidas.

Su tímida personalidad versátil
en ocasiones se torna agobiantemente volátil.

Tiene esa extraña energía que la hace genuina,
de cada rosa muerta conserva una letal espina.

La que camina a través de la multitud
con la cabeza en alto y una desafiante actitud,

con su corto vestido ajustado
y labios de rojo tirando a morado.

Muchos la devoran con una mirada ardiente.
Secretamente eso es lo que espera impaciente.

Guiña un ojo e irrumpe sin previo aviso.
Te invita al lado equivocado del paraíso.

Especialmente a vos, nudillos de luchador.
Vos, que llevas ese mote de ganador.

Sus coloridos caprichos a los demás alteran,
pero ella actúa como si no lo supiera.

Y en sus solitarias caminatas a veces hace una parada
en aquel café donde la triste rutina se ve pausada.

Pide un jugo de naranja y se sienta en una mesa de afuera,
el vestido se le sube demasiado pero sabe lo que genera.

Piernas cruzadas provocativamente,
su lengua juega con el sorbete de forma inocente.

Su piel de seda emana cierta energía
que te golpea con imágenes de todo lo que le harías.

La de pícaras sonrisas, labios sabor miel,
sabe que de sólo pensarlo te quema la piel.

is significant
    a dandelion
is really pretty
         much more,
I think than a close cropped
        perfectly manicured
lawn.

I like the sight of a bit
    of wild, the variances
of color and genera
      the birds seem to , too.

My landlord though,
    keeps threatening me
as I sit with a kitty
     playfully in three foot tall
lawns and weeds.

      so, I says to him,
I will cut it down
                  if you trim your wild ***
nose hairs,
you know different things bother
     him and me.

outside my window is a dragon fly,
but
it was
briefly
a true UFO

of a species genera imagine-
natively named by an
old story teller, a

fellow fallen, once-wing-ed one.

I imagine,
at first motion sensed,
I see a hawks sillohuette, a mile away,

but, no,
motion detector detects motion
incompatible with known
hawkish believable moves,

yet, moves, I saw.

I saw movement, abrupt, sharp, fast
smooth
still
outside my window was a dragon fly,

starring straight at me, saying nothing,
making me think,

For a mortal moment, you saw a  true UFO

Peace at stake,
it worked.
Withdrawal of rubber dolls
playing with fire.

Empty bowls in lunar month.
Concords were flying very high
noiselessly crossing the peaks
of great grudges.

Pure golden hair –
of grief.
It really was miracle.
Bald eagle was waiting.
Enough time to steer a ******.

The irresistable desire
to rub with a paranoid.
Extracting a genius from mediocre genera.
Life had become too genteel.

It was the ascent of
lies. The truth wants to say goodbye,
for empathetically in dignity.

You wear the stars in
darkness and sleep with the moon
on the cacti in the desert of love.

The cosmos permits
to be devoured to make a new
godism and genera and species.