Paris has traditionally been the city where inter­national designers – from Australia and England to Beirut and Japan – opt to unveil their collections. However, Karen Ruimy, who is behind the Kalmar label, chose the runways of Milan Fashion Week for her debut showcase in September.

The Morocco-born, London- based designer hosted an intimate al fresco event in a private palazzo to launch her holiday line of fine cotton and silk jumpsuits, breezy kaftans, long skirts, playsuits and off-the-shoulder tops in tropical prints.

Ruimy had a career in finance before moving into the arts – she owns a museum of photography in Marrakech – and has become increasingly involved in fashion and beauty, thanks to her personal interest in holistic therapies.

These are clothes, she explains, that marry luxury and wellness, and are the things she would wear when she wants quality time by herself. The fact that they are made in Italy, convinced her that Milan was the right place for her debut – where she showed alongside the likes of Gucci, Prada, Verscae and Marni.

On fashion calendars, Milan has conventionally been the place where the runways confirm the trends and themes hinted at ­earlier, in New York and London. However, this season, the Italian designers did not speak with one voice, making Milan Fashion Week all the more refreshing for it.

Often, there might be an era or style of design that dominates the runways during a particular season, but for spring/summer 2017 in Milan, there was a standout showing of techno sportswear and techno fabrics employed in updated classics such as coats and box-pleat skirts, or with references to north African and Native American themes.

The Italian designers sent looks that would appeal to everyone, from the haute bohemian and athletic woman, to the cool sophisticate and the art crowd, as well as – as in the case of Moschino – to the iPhone generation.

Only three seasons ago, Gucci’s creative director Alessandro Michele was lauded for his complicated maximalist styling. Yet in Milan, Gucci channelled a dreamlike vibe with Victoriana, denim, athletic apparel and oversized accessories, thrown together in delightful chaos, making it difficult to predict the direction Michele is taking Gucci in.

Currently he seems to be in a holding pattern, hovering at once over 1940s Hollywood glamour, 1970s flared pantsuits, and ruffled party dresses from the 1980s, in a cacophony of ­colours and fabrics.

The feeling of joyous madness continued at Dolce & Gabbana, where street dancers emerged from the audience to start the party in the designers’ tropical-themed show. The clothes used some of their familiar tropes, such as military jackets, corseted black-lace dresses miniskirts. New, however, were the baggy tapering trousers redolent of jodhpurs, and the lavish and detailed embellishment the designers used to sell their story.

Wanderlust dominated the moodboards at Roberto Cavalli – rich patterns, embroidery and patchworks inspired by Native Americans – and Etro with its ­tribal themes on kaftans, duster coats and Berber-style capes.

Giorgio Armani, Agnona Tod’s, Bottega Veneta and Salvatore Ferragamo – with its stylish twisted leather dresses and crisp athletic sportswear designed by newcomer Fulvio Rigoni – all answered the call of women who want stylish but undemanding clothes.

Marni would appeal to the art world for its graceful, pioneering ideas. The label’s finely pleated dresses displayed a life of their own, and its micro-printed dresses were gathered, folded and distorted to walk the line between stylish and quirky.

In contrast, the sportswear at MaxMara and Donatella Versace targeted the dynamic generation of athletic women, with sleek leggings, belted jackets, power suits and anoraks. Versace has made it clear that she thinks this is the only way forward. She may be right, but there’s always room for the myriad styles displayed at Milan Fashion Week in all our wardrobes.

It was feathers with everything at Prada. Silk pyjamas, boldly coloured and mixed checks, cardigans and wrap skirts with Velcro fasteners show Miuccia Prada reinventing the classics. Most glamorous was the series of evening dresses and pyjamas with jewelled embroidery and feathers, worn with kitten heels that married sporty straps with heaps of crystals. Prada’s must-have bag of the season is a bold clutch with a long strap fastener, that comes in a multitude of geometric and daisy patterns.

Versace

Over the past three seasons, Donatella Versace has been carving out a new image for her brand – a shift from the luxe glam of red carpets and superyachts, although the inhabitants of that world will be sure to buy into the new Versace vibe. Donatella’s girls are both glamorous and empowered. The sporty look is tough, urban and energetic, judging by the billowing ultra-thin high-tech nylon parkas and blousons, stirrup trousers and dresses (the shapes of which are manipulated by drawstrings). Dresses, skirts and tops are spliced at angles and studded together. Swishy pleated dresses and silky slit skirts gave energy when in movement, and were as soft as the look got.

Bottega Veneta

Model Gigi Hadid and veteran actress Lauren Hutton walked arm in arm down the Bottega Veneta runway, illustrating the breadth of the Italian maison in Tomas Maier’s hands. This was a double celebration of the Bottega’s 50th ­anniversary and Maier’s 15th as its creative director. Menswear and womenswear were combined, and the focus was on easy, elegant clothes in luxurious materials, such as ostrich, crocodile and lamb skin for coats; easy knits and cotton dresses worn with antique-style silver jewellery; and wedge heels. Fifteen handbag styles debuted along with 15 from the archive.

Fendi

Silvia Venturini’s new Kan handbag was a star turn at Milan. The stud-lock bag dotted with candy-coloured studs, rosette embroidery and floral ribbons couldn’t help but charm every woman in the audience. It was the perfect joyful accessory for Karl Lagerfeld’s feminine vintage romp through the wardrobe of Marie Antoinette, with sugary colours, bows, big apron skirts and crisp white embroidery juxtaposed with sporty footballer-stripe tops – effectively updating a historical look.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

This is a terrifying tale as told by Ebeneezer Sweetlove, my late cousin*

I remember how I met Edwina all those years ago: and there was none of that "eyes connecting across a crowded room" crap. Well, not in a romantic sense - it was just pure lust. I suddenly realised this woman was staring at me with undisguised desire from the other side of a cocktail party at some boring conference at the five-star Grand Hotel. I was ***** as buggery as my latest girl friend had, just the previous week, committed suicide by jumping to a hideous death off scenic Beachy Head, so I returned the ****'s look with a lethally ****** stare of my own and then licked my lips as vulgarly as possible, indicating I was simply barking for a hot oral session, no holes barred.

The woman I was to know all too briefly as Edwina took the hint and came over and we talked as though we'd known each other all our lives; but even someone as suave as I was a little surprised when she groped me quite openly and shoved her tongue into my earhole, dribbling hotly down my cheek. And then she seemed to go all shy and little girl-like until I sophisticatedly suggested we go out for dinner and then back to my penthouse suite for a night of mind-blowing *******. I have to say I was embarrassed when the head waiter in the little bistro I selected complained when she took off her knickers and gave them to me for a refreshing sniff.

The *** was amazing - Edwina was like a beast on heat, screaming like a banshee while we ****** each other's brains out. Yet, in between *******, she was as gentle and charming as a little ***** cat. Six times I gave her my hot ***** that night: once in her mouth, then four times in the usual place, finishing off with one up her rear end. I was more or less totally drained of my love juices and in need of a good long kip before lunch.

But, tragedy struck: well before the dawn's early, she woke me and whispered she had to go as she had to get home before her husband got back after his night shift from down the sewers - he was apparently in charge of the entire East Sussex sewage system and liked to have an hour long shower every morning to get the stench of ***** off him.

I begged her to stay, saying I would happily pay for a divorce so I could have her with me for always. I even offered to have a contract put out on her sewer rat of a hubby, mentioning that my brother-in-law, Kosmo, was big in the Albanian mafia and owed me a favour. But she said no, I could ******* with my pleas. As dawn grew nearer I could see her becoming ever more frantic to leave and it was only then I realised the truth, having at last deciphered the real meaning of her blood-stained and scabby third ****** and the scarlet 666 tattoo on her luscious **** cheek.

Yes, Edwina was a ***-demon from deepest Hell and thus I was left with only one course of action. Ever so reluctantly, I bravely reached for the sacred wooden stake and mallet that I had carried round in my Dolce & Gabbana crocodile suitcase for so many years just in case of such an eventuality. Sadly I drove the stake into her beautiful ***** with a mighty blow and, instead of the blood which might have been reasonably expected, only a stream of warm **** poured out. Before my very eyes, her corpse disintegrated into a pile of odorous dust. Truly was Edwina a daughter of darkness.

As you may imagine, I had to give the chambermaid quite a hefty gratuity in order to get her to cleanse my room and to bin the evidence, but so grateful was she for the honorarium that she agreed to share my bed the very next night, knowing she would be likely to receive an immense tip of quite another category.

By: Cedric McClester

I firmly do believe
That all children conceived
No matter what the process
Or related cost is
Are children nonetheless
And it’s dubious at best
To label them synthetic
In fact it’s quite pathetic

If you’re ever gonna
It’s enough to make you wanna
Dolce your Gabbanna
Or shrink ‘em in a saunna

Why take a position
That the family composition
Must be one way or the other
‘Cos a dad can’t be a mother
If a child is reared with love
And receives the guidance of
Two people who are wedded
Or perhaps they’re just embedded

If you’re ever gonna
It’s enough to make you wanna
Dolce your Gabbanna
Or shrink ‘em in a saunna

This thing goes far beyond
Even Elton John
‘Cos every baby born
Ain’t a Capricorn

Why cast aspersions
Or write a letter to the Persians
Because you disagree
You don’t have hegemony
So now you’re in a rut
Because you’ve shown your ****
And it’s a sordid fact
That you cannot take back

This thing goes far beyond
Even Elton John
‘Cos every baby born
Ain’t a Capricorn

If you’re ever gonna
It’s enough to make you wanna
Dolce your Gabbanna
Or shrink ‘em in a saunna



(c) Copyright, Cedric McClester.  All rights reserved.

WHEN Kylie Minogue began the process of tracking down 25 years of costumes and memorabilia for an exhibition on her (literally) glittering stage career, she had one crucial call to make.

“There were a few items the parentals were minding,” laughs Minogue. “I, too, do the same thing as everyone else: ‘Mum, Dad, can you just hold onto a few things for me?’ It’s just lucky they weren’t turfed out from under their watchful eye.”

Kylie On Stage is the singer’s latest collaboration with her beloved hometown’s Arts Centre Melbourne. She’s previously donated a swarm of outfits to the venue, going all the way back to the overalls she wore as tomboy mechanic Charlene on Neighbours.

This new — and free — exhibition rounds up outfits starting from her first-ever live performances on 1989’s Disco in Dream tour. Still aged just 21 and dismissed by some as a soap star who fluked a singing career, Minogue found herself playing to 38,000 fans in Tokyo, where her early hits “I Should Be So Lucky”, “The Loco-motion”, “Got To Be Certain” and “Hand On Your Heart” had made her a superstar.

“From memory, I was overexcited and didn’t really know what I was doing. I just ran back and forth across the stage,” says Minogue of her debut tour.

Disco in Dream also premiered what would become a Kylie fashion staple: hotpants. “Those ones were more like micro shorts, not quite hotpants, but they started it,” she admits. “There were also quite a few bicycle pants being worn around that time, too, I’m afraid.”

That first tour stands out for one other reason: Minogue officially started dating INXS’s Michael Hutchence at some point during the Asian leg.

“I had met Michael previously in Australia, but he was living in Hong Kong [at the time] and I met him again there. The tour went on to Japan and he definitely came to visit me in Japan.”

Fast-forward from Minogue’s very first tour to her most recent, 2015’s Kiss Me Once, and the singer performed a cover of INXS’s “Need You Tonight”. She remembers first hearing the song as a teenager. “I don’t think I really knew what **** was back then,” notes Minogue. “But that’s a **** song.”

Before the Kiss Me Once tour kicked off, the Minogue/Hutchence romance had been documented in the hit TV mini-series Never Tear Us Apart: The Untold Story Of INXS. Minogue said then it felt like Michael was her “archangel” during the tour — “I feel like he’s with me.”

Her “Need You Tonight” costume was also deliberately chosen to reflect what Minogue used to wear when she was dating the rockstar. “It was a black PVC trench coat and hat,” she says. “I loved that. It just made so much sense for the connection to Michael. I literally used to wear that exact same kind of thing, except it was leather, not PVC.”

By 1990, Minogue’s confidence had grown, something she’s partially attributed to Hutchence’s influence. Before her first Australian solo tour, she performed a secret club show billed as The Singing Budgies — reclaiming the derisive nickname the media had bestowed on her. It would be the first time her success silenced those who saw her as an easy target. Next year marks her 30th anniversary in pop; longevity that hasn’t happened by accident.

Minogue’s career accelerated so quickly that by 1991 she was on her fourth album in as many years and outgrowing her producers, Stock Aitken Waterman, who wanted to freeze-frame her in a safe, clean-cut image.

On 1991’s Let’s Get To It tour of the UK, Minogue welcomed onboard her first major fashion designer — John Galliano. He dressed her in fishnets, G-strings and corsets; the British press said she was trying too hard and imitating Madonna at her most sexed-up.

“Of course those comparisons were made, and rightly so. Madonna was a big influence on me,” says Minogue. “She helped create the template of what a pop show is, or what we came to know it as, by dividing it up into segments. And if you’re going to have any costume changes, that’s inevitable.

“I was finding my way. I don’t think we got it right in some ways, but if I look back over my career, sometimes it’s the mistakes that make all the difference. They allow you to really look at where you’re going. I’m fond of all those things now. There was a time when I wasn’t.

“Now I look back at the pictures of the fishnets and G-strings I was wearing ... Maybe the audience members absolutely loved it, maybe they were going through the journey with me of growing up and discovering yourself and your sexuality and where you fit in the world.”

As the ’90s progressed, Minogue started experimenting with the outer limits of being a pop star, working with everyone from uber-cool dance producers to indie rocker Nick Cave.

Her 1998 Intimate And Live tour cemented her place as the one thing nobody had ever predicted: a regular, global touring act. Released the year prior, her Impossible Princess album had garnered a credibility she’d never before enjoyed. But more credibility equalled fewer record sales.

The tour was cautiously placed in theatres, rather than arenas. Yet word-of-mouth led to more dates being added — she wound up playing seven nights in both Melbourne and Sydney, and tacking on a UK leg. All received rave reviews.

The production was low-key and DIY: Minogue and longtime friend and stylist William Baker were hands-on backstage bedazzling the costumes themselves. The tour’s camp, Vegas-style showgirl — complete with corset and headdress — soon became a signature Kylie look, but it was also one they stumbled across.

“I remember the exact moment: the male dancers had pink, fringed chaps and wings — we’d really gone for it. I was singing [ABBA’s] “Dancing Queen”. I did a little prance across the stage and the audience went wild. I thought, ‘What is happening?’ That definitely started something.”

Then came the “Spinning Around” hotpants. Minogue couldn’t wear the same gold pair from the music video during her 2001 On A Night Like This tour — they were too fragile — but another pair offered solid back-up.

“That was peak hotpant period,” says Minogue. “Hotpants for days.”

After the robotic-themed Fever 2002 tour (featuring a “Kyborg” look by Dolce & Gabbana), 2005’s Showgirl tour was Minogue’s long-overdue greatest hits celebration.

Following a massive UK and European run, her planned Australian victory lap was derailed by her breast-cancer diagnosis that May. Remarkably, by November 2006, Minogue was back onstage in Sydney for the rebooted Showgirl: The Homecoming tour.

“I look at that now and I’m honestly taken aback,” she admits. “It was so fast — months and months of those 18 months were in treatment.”

Minogue now reveals her health issues meant she had to adjust some of the Showgirl outfits: “I was concerned about the weight of the corset and being able to support it. I was quite insecure about my body, which had changed. For a few years after that I really felt like I wasn’t in my own body — with the medication I was on, there was this other layer.

“We had to make a number of adjustments,” she adds. “I had different shoes to feel more sturdy ... It was pretty soon to be back onstage. But I think it was good for me.”

The singer’s gruelling performances involved dancing and singing in corsets, as well as ultra-high heels and headdresses that weighed several kilos.

“A proper corset, like the Showgirl tour one, is like a shoe,” she explains. “It’s very stiff when you first put it on. By the end of the tour it was way more comfortable. The fact it made it quite hard to breathe didn’t seem to bother anyone except for me. But it was absolutely worth it. I felt grand in it.

“It took a while to learn how to walk in the blue Showgirl dress,” she continues. “I had cuts on my arms from the stars that were sticking out on pieces of wire. You’re so limited in what you can do. You can’t bend your head to find your way down the stairs.

“Whether it was the Showgirl costume or the hotpants, or the big silver dress from the Aphrodite tour [in 2011] that was just ginormous, they all present their own challenges of how you’re going to move and how you’re going to do the choreography. There are times the costume can do that [figuring out] for me; other times I really have to wrestle with it to do what I need to do.

“But you’re not meant to know about that,” she adds, “that’s an internal struggle.”

Minogue has spent much of 2016 happily off the radar, enjoying the company of fiancé Joshua Sasse, 28. She gets “gooey” talking about her future husband, whom she met last year when she was cast opposite him in the TV musical-comedy series Galavant. He proposed to Minogue last Christmas.

Just like the “secret Greek wedding” that was rumoured but never happened, reports of summer nuptials in Melbourne are also off the mark.

“I hate to let everyone down, but no,” she says. “People’s enthusiasm is lovely, we appreciate that, but there are no wedding plans as yet. I’m just enjoying feeling girly and being engaged.”

Minogue will be in Queensland next month filming the movie Flammable Children. The comedy, set in 1975, features her former Neighbours co-star Guy Pearce and is written and directed by Stephan Elliott (The Adventures Of Priscilla: Queen Of The Desert ).

“It’s Aussie-tastic,” laughs Minogue. And she is also planning a sneaky visit to check out her own exhibition when she’s back in Melbourne.

“I’ll probably try to move things around the exhibition,” she says. “And they’ll probably tell me off: ‘Who’s that child playing with the costumes?’”Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/formal-dresses-2016

In primo luogo .questa sposa è il mio eroe moda.Non solo ha roccia un abito tutto pizzo - life changingly stupenda ma commutato in due abiti più splendidi prima del giorno era finito .E se questo è ottenuto tutti verdi di invidia solo aspettare fino a vedere l' intera vicenda francese dal Knot \u0026Pop .Laetitia C e Xavier Navarro .Questa .miei cari .è uno dei libri .

Condividi questa splendida galleria ColorsSeasonsSummerSettingsEstateStylesAl Fresco

Da Knot \u0026Pop .. Ayse \u0026Fred ha sposato in Provenza nel settembre 2013 .sotto i vasti cieli e le stelle tra le più belle di impostazioni francesi.Ayse è da Londra origine .ma ora vive a Parigi con Fred .dove rappresentano Artisti e gestito una galleria d'arte insieme .Con la coppia che ha solide radici in Francia .e Fred ' famiglia dal sud della Francia .hanno scelto di sposarsi in Francia la più singolare di luoghièun borgo privato pieno di arte e di curiosità che completavano alla perfezione la coppia ' amore per l'arte.Con la cerimonia legale in un piccolo municipio locale .e la famiglia immediata del 10 per assistere .Ayse \u0026Fred ha poi chiesto loro amici Valerio e Sam di agire come celebranti per la cerimonia informale a Le Grand Banc .di fronte ai loro 140 ospiti .

Sposato con vista sulle colline della Provenza .gli ospiti sono stati invitati a creare un cono coriandoli dalla Confetti Bar che ha visto splendida argenteria pieno di ***** di fiori e semi.Dopo il più divertente di cerimonie che hanno visto i due amici raccontano le storie di Ayse \u0026Fred .drink di accoglienza ha avuto luogo il bordo piscina e sul prato .con gli ospiti poi a piedi attraverso la frazione al tendone per la cena .

Per completare le impostazioni naturali.il tema eschema per il giorno mescolato una palette morbida di blush rosa.verde oliva .azzurro .argento e bianco che è stato poi il mirroring di tutti i fiori.decorazioni.cameriere guarda e table- top.Mescolato con la tavolozza .la coppia e il loro evento designer .Knot \u0026Pop pin punte ulteriori temi chiave per l'aspetto grafico che comprendeva motivi a stella per riflettere il senso delle celebrazioni che si svolgono sotto le stelle .e gli animalièin particolare gli elefantièun amore assoluto della sposa ' .

Il motivo stella è stato ripetuto in tutte le ghirlande di nastro che a cascata da archi .i lati cerimonia tendone e alberi focali .Il piano tavolo disegnato da Knot \u0026Pop utilizzato anche il disegno della stella con ghirlande che parte da un bellissimo albero di fico .che ha visto gli ospiti vengono realmente coinvolti nella scoperta delle loro sedi .Piani tavolo miste dipinte plinti stelle legno in mostra splendido fiore riempito di bottiglie d'epoca .con rametti di rami di ulivo immerso in per tovaglioli .e una stella dipinta come favoreèrosa per ragazzi.e blu per le ragazze .

A tavola i bambini era tutto sul fattore divertimento con una stampa wallpaper di marchi e matite colorare collocato fuori per tenere i bambini occupatiècontempo riflette ancora una volta la coppia e il loro amore per l'arte con la galleria stile carta da parati incorniciata .Il bar è stata ribattezzata la Star Bar con un pi argentoeata fondale.stella cocktail agitatori e cocktail su misura prende il nome la coppia a scegliere.

elefanti vernice spray argento apparsi su ogni tavolo con un cartellino attaccato spiegando che la coppia sarebbe in visita un rifugio per animali in viaggio di nozze in Kenya .dove



abiti da sposa pizzo sarebbero donare a nome dei loro invitati alle nozzeèuna bella e sentita alternativafavorire .Gli ospiti sono stati certamente sentendo la magia animale aver doned maschere di animali per una divertente sessione di photobooth prima di andare in cenare .Foto Polaroid degli ospiti sono state prese in un contesto nastro.con gli ospiti scrivendo poi un messaggio alla coppia e mettendo in una tela a forma di cuore .rendendo il perfetto keep- sake della giornata che si trova ora un posto d'onore nella coppia ' a ​​casa .Ayse \u0026Giorno Fred ' era pieno di divertimento .che riflette tutti i loro amori .con tutta la loro cari intorno a loro per celebrare nelle impostazioni più singolari .memorabili ed elegante di .
Fotografo: Xavier Navarro Photographie | Fiori : Laetitia C | Abito da sposa: Pronovias | Altri Abiti : Oh My Love | Rosticcerie : Helen Traiteur | Scarpe sposo : Hugo Boss | Vestito dello sposo : Hugo Boss | scarpe da sposa da sposa .Main Ricerca: Dolce \u0026 Gabbana | scarpe da sposa da sposa .look vintage : Dune | Abiti ragazze di fiore : Etsy .adattata dal fratello della sposa abiti da sposa pizzo | Marquee : AR Eventi | Hamlet privata: Le Grand Banc | Argenteria Auto : Knot \u0026 Pop | Abito da sposa Vintage: GabrieleVintage | abiti da sposa outlet Wedding Planner e Event Designer : Knot \u0026 PopLaetitia C. - fleurs d' atelier è un membro del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .Laetitia C. - fleurs d' atelier VIEW
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In this age of global uncertainty, clothes have become a kind of panacea for a growing number of consumers. Designers are responding to the political upheavals of the past year by injecting some much-needed humour into women’s wardrobes. Browns CEO Holli Rogers is already predicting that spring’s sartorial hit will be Rosie Assoulin’s smiley-face T-shirt. This cheery number, which reads "Thank you! Have a Nice Day!’" neatly sums up the jubilant mood of the coming season.

The logic goes that turning up the dial on the fun, the colourful and the crazy is the sartorial equivalent of Michelle Obama’s "when they go low, we go high" mantra. We may not be able to control the chaos of world events, but we still rule our own style.

It’s no coincidence that a cartoonish aesthetic, of the sort you’d find if you rifled through an eccentric child’s dressing-up box, was in plentiful supply on the spring/summer 2017 runways. Alessandro Michele’s army of Gucci geeks displayed growing swagger in garish get-ups that ran from fuzzy crayon-coloured furs featuring zebras to tiered, tinsel-y coats that rivalled Grandma’s Christmas tree.

It was a similar story at Dolce & Gabbana, where sumptuous eveningwear was loaded with pasta and pizza motifs, and drums became bags, while Marc Jacobs tore a page from a psychedelic colouring book, covering clothes with the childlike scrawl of the London illustrator Julie Verhoeven. Even ardent minimalists would have to admit that these playful looks have potent pick-me-up power.

For Anya Hindmarch – whose empire is built on feel-good fashion – all this frivolity is nothing new. "An ironic, lighter and more irreverent approach has always been my thing. People love beautiful objects and increasingly, they want to show their character – that’s the point of fashion," she says. "Customers today are more confident with their style. There aren’t so many rules. It’s about putting a sticker on a beautiful handbag and not being too precious about it."

What’s surprising is who is consuming this cartoonish style. Though there’s no real rhyme or reason, says Hindmarch, often it’s older clients who are investing in the maddest pieces – like her cuddly, googly-eyed Ghost backpack that has also been spotted on Gigi Hadid and Kendall Jenner.

The same is true of the customer for the Lebanese designer Mira Mikati’s emoji-embellished styles. Though her fans run from twenty to fiftysomethings, at a recent London pop-up one of Mikati’s most ardent buyers was an 87-year-old. "She tells me that whenever she wears my clothes people stop her on the street. They smile. They start conversations. She literally makes friends through what she wears."

Mikati began her career as a buyer, co-founding the upscale Beirut boutique Plum, before launching her own line some four seasons ago – largely out of frustration at the sameness of the mainstream collections. "I wanted to create something fun and colourful but easy to wear – that you can add to jeans and a white T-shirt, but that’s also a conversation point."

Her clothes, worn by Beyoncé and Rihanna, are certainly that: pink parrot-appliquéd trench coats, scribble-print hooded tops and dresses clad with a family of monsters who spell out her Peter Pan ethos in scrawled speech bubbles that read "Never Grow Up’" The antithesis of normcore, these designs take their cue from her children’s toy trunk and the Japanese pop art of Takashi Murakami – who returned the compliment by donning one of her patched bombers.

Mikati is clearly onto something. According to Roberta Benteler, who founded online fashion emporium Avenue 32 in 2011, it’s the cartoon aesthetic that’s really piquing women’s desire right now.

"Anything that looks like a child’s drawing or a toy sells incredibly well," she says. "Brands like Mira Mikati, Vivetta and Les Petits Joueurs inspire the impulse to buy because they’re so eye-catching. You have to have it now because there’s a sense you won’t find it anywhere else."

The exponential rise of street-style stars and the social-media machine that now propels the fashion industry also plays a part in the popularity of these playful looks.

"Designers are creating for the online world and customer," continues Benteler, who cites the Middle Eastern consumer as a big investor in these niche eccentric designs. "People find escapism in fashion and more than ever they need something to cheer them up. These are clothes that stand out on Instagram, and for designers that translates into sales."

In practical terms, in an effort to beat the warp speed of high-street copying, designers are differentiating themselves with increasingly intricate and artisanal styles that are harder to mimic. Just because these pieces have a childlike sensibility doesn’t mean they’re not beautifully crafted.

"My aim is create a handbag that you can keep as a design piece," explains the accessories designer Paula Cademartori. One of her most successful designs – the Petite Faye bag, which comes in a whole rainbow of configurations – takes more than 32 hours to create at her Italian studio. "Even if the styles are colourful and speak loudly, they’re still sophisticated," says Cademartori, whose brand was recently snapped up by the luxury goods group OTB. It can pay to be playful.

One man with a unique insight into the feel-good phenomenon is Marco de Vincenzo, who combines his longstanding role as leather goods head designer at Fendi with creating his own collection. "When we first created the Fendi monster accessories for bags we were simply playing around," he says of the charms that still loom large some three years on. "The most successful designs are created without pressure, through play."

His own-line debut bag features an animalistic paw. ‘It’s about creating something new and different for women to discover,’ he explains. "You buy something because you love it, not because you need it. Fashion is like a game – it has to excite."

When it comes to distilling this childlike abandon into your wardrobe, take cues from super style blogger Leandra Medine, who balances madcap pieces, such as her first collection of colourful footwear under her MR By Man Repeller label, with plainer, simpler ones. "It’s all about wearing your clothes with joy, and having fun, but not looking ridiculous," says Cademartori. "You don’t want to look like an actual cartoon."

It’s advice that chimes with that of Anya Hindmarch. "I love the idea of wearing a super-simple Comme des Garçons jacket and a white shirt with a really fun bag to mess it all up a bit." It’s a failsafe formula for dressing your way to happiness.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses

The world is an addiction
Eyes filled with vanity
Wonder if it's green like envy
Wonder if it all spring from the same seed
See one with it and you have to get it
By any means, necessary
Even running at them at a red light
Close to a district
But how we split a watch three way
Guess two must have to die today
The world is an addiction
Selling ***
We want to see more violence
More brutality even the headlights on our cars getting meaner
Is this what the media is teaching us?
In 30 second intervals feeding us
That poison
The world is an addiction
But where to find rehab
Is it with in a church
For even pastor Mason wants his dough and he doesn't pray for a dollar
So I come to my knees and ask for forgiveness
For the Versace and Dolce and Gabbana
Everything I don't need while there are kids who don't eat
I was like them, hungry  
guess that's why I buy things
The world is an addiction
It flows through my veins like heroine, it goes up my nose like *******, inhaled it through my mouth like drough, smoke it of a pipe like Crack
For I desire everything I don't have
The world is my addiction

The one-off bag is by Louis Vouitton
The sheath dress by Dolce & Gabbana
The low-top shoes by Christian Louboutin  
The vaporisation is by Sukhoi

Evening wear goes with biologicals
Retro pantsuits with a casual bomb
Alice Archer jeans for a weekend massacre
Jonathan Simkhai swimwear for an ocean boil

Ohhhhh, yeahhhhhhhh…

She turns every head when she enters the room
But The People’s Army delivers the BOOM

James Corden’s close relationship with Burberry designer Christopher Bailey was celebrated at the 2016 Tony Awards.

On Sunday night (12Jun16) the toast of Broadway were celebrated at the annual awards show. British star James was the evening’s host, winning the crowd over with his warm sense of humour and down to earth delivery.

As well as a successful acting and presenting career, James can now also add style icon to his burgeoning resume.

“We wanted to keep the wardrobe tight and focused with a definite beginning and an end,” stylist Michael Fisher told vogue.com.

“We started with Burberry for the red carpet. James and Christopher Bailey have a long-standing relationship. I wanted a strong look that complemented the roses. The deep burgundy tux had matte black micro sequins on the lapel: very sophisticated and classic, with a technical update.”

Like any good awards show host, 37-year-old James had numerous outfit changes. Two suits from Tom Ford featured; a black three-piece design which served as a tribute to Broadway and then a teal dot dinner jacket, which James chose to wear at the after party.

A show-stopping Dolce & Gabbana look also featured, with the fashion house supplying a pair of “handmade, dark green croc shoes” to complement the green velvet and crystal jacket James wore to close the show.

Another stand out moment came thanks to a red Gucci suit adorned with a bird and butterfly motif.

“The Gucci suit was my favourite,” Michael smiled. “You can’t ignore the influence (Gucci designer) Alessandro Michele has on fashion right now. It reminded me of (musical) The Boy From Oz and in that way was very appropriate for the Tonys.”Read more at: www.marieaustralia.com/evening-dresses | http://www.marieaustralia.com/cocktail-dresses

I am from the battered symbol and
Dolce and Gabbana perfume and
Adam's peanut butter
I am from the honeysuckle vines
Creeping up the pillars and twirl around my ankles
It tasted like exotic spices and smelled like pond water
I am from the blueberry bush
The lavander rushes
Curling softly around my rusted heart shaped wind chime
I am from Christman Eve birthday cakes and
Writing my name in charcoal on cliff faces
From Tom, and Phillip and Gerard Butler
I am from the judges and
The singers
From marshmallow farms and
Watermelon seeds
I am from the Kool Aid Communion and
Stolen animal crackers
I am from Providence and ancient watchtowers
Bangers and Mash and ginger beer
From the crickets, wickens and picket fences
The bright red porcupine
I am from heron beaks and the green shuttered house
With the bow and arrow creek
The plum cherry trees
Young ****** noses
And the note I keep in my pocket to remind me who I am

<p><p> Avvio di settimana con un bellissimo matrimonio in Spagna suona come un'idea possente bene.non sei d'accordo ?Questa bellezza catturata da Jimena roquero Fotografia sicuramente iniziare la vostra settimana fuori sul più bello di piedini .E ' romantico e rustico e tutto intorno incantevole.e c'è ancora di più vi aspetta qui .<p>Condividi questa splendida galleria ColorsSeasonsSummerSettingsHomeStylesCasual EleganceRustic <p> Dal Jimena roquero Photography.Ruth \u0026Javi  <p><a href="http://www.belloabito.com/goods.php?id=880" target="blank"><img width="240" height="320" src="http://188.138.88.219/imagesld/td//t35/productthumb/2/4165335353535397008.jpg"></a></p>  sapeva che tipo di matrimonio che volevano avere .Erano sicuri che vogliono che i loro ospiti di godere di una serata memorabile e un partito che non dimenticheranno mai .Dal momento che entrambi sono tecnici professionisti super affollato .hanno assunto la sorprendente squadra di Bodas de Cuento per progettare e coordinare il loro matrimonio .Quando Wendy da Bodas de Cuento mostrò loro il luogo che hanno trovato per loro erano in lacrime .che era proprio quello che avevano sognato : Monte de Cutamilla .un rustico di famiglia circondata da montagne .dove si può facilmente trovare cavalli e mucche al pascoloselvaggiamente !<p> Hanno celebrato una bella cerimonia all'aperto e hanno risparmiato alcuni limonate fresche alla fine di esso .Hanno consegnato i fan e cappelli per gli ospiti per combattere l' impostazione tavolo heat.The e tutto l'arredamento è stato scelto con grande cura e gusto .e per l'ora di danza .hanno dato anche loro donne ospiti alcuni flip- flop per riposare i piedi daltacchi <b>abiti da sposa on line</b>  alti !Ottima idea !Hanno anche dato loro un cd con una compilation di musica con le canzoni preferite della coppia <p> Fotografia : Jimena roquero Fotografia | videografo : . Amarcord | Event Design : Bodas De Cuento | Pianificazione : Bodas De  <a href="http://www.belloabito.com/abiti-da-sposa-c-1"><b>abiti da sposa on line</b></a>  Cuento | Scarpe da sposa : Magrit Couture| Scarpe sposo : Andrea Chenier | Muta dello sposo : Dolce e Gabbana | Profumo : Verde Pimienta | Sposa Abito : Jose Manuel Peiro | Hair \u0026 Make- up Artist : Xiquena Peluqueros | Musica : Dosaune Audiovisuales | Wedding Venue : Monte De CutamillaJimena roquero Fotografia e Bodas de Cuento sono membri del nostro Little Black Book .Scopri come i  <a href="http://www.belloabito.com/abiti-da-sposa-corti-c-49"><b>abiti da sposa corti</b></a>  membri sono scelti visitando la nostra pagina delle FAQ .JIMENA roquero FOTOGRAFIA vedi portfolio Bodas de Cuento The Wedding De ... vedi</p>

I am from the battered cymbal and
Dolce and Gabbana perfume and
Adam's peanut butter
I am from the honeysuckle vines
Creeping up the pillars and twirl around my ankles
It tasted like exotic spices and smelled like pond water
I am from the blueberry bush
The lavender rushes
Curling softly around my rusted heart shaped wind chime
I am from Christmas Eve birthday cakes and
Writing my name in charcoal on cliff faces
From Tom, and Phillip and Gerard Butler
I am from the judges and
The singers
From marshmallow farms and
Watermelon seeds
I am from the Kool Aid Communion and
Stolen animal crackers
I am from Providence and ancient watchtowers
Bangers and Mash and ginger beer
From the crickets, wickens and picket fences
The bright red porcupine
I am from heron beaks and the green shuttered house
With the bow and arrow creek
The plum cherry trees
Young ****** noses
And the note I keep in my pocket to remind me who I am

At the airport
I am an American
Smiling (but not too much)
Polite and prepared:
My passport and boarding pass ready
My shoes slip easily on and off
I have no loose change in my pocket
I have one appropriately sized carry-on
and a smaller bag (as allowed)

On the plane I am Asian
I store my bag overhead
And get up when the
European couple who look like
they stepped out of a Dolce & Gabbana ad
try to get to the middle and window seats
The tired, smiling flight attendant looks relieved to see me
and calls me xiăo jiĕ
when offering me my in-flight meal

At the airport
I am an American
Surrounded by people coming home
Customs glances at my blue passport
And asks if I am a student
I can't find my ride
and my cellphone doesn't work here
I try to use the airport wireless
I am an American.

before i begin, a pre-scriptum...
         in my hand, this minute?
                   what a rare delight...
the Beauties of Sterne:
                                with some account of his life...
printed for J. Walker,
published by J. Walker, Paternoster Row &
   J. Harris, St. Paul's Church Yard...
London... 1811!
    and being a big "fan boy" of the fiction
that a bibliophile might have an adventure:
Roman Polanski's the Ninth Gate...
   now, for a book that's... 208 years old?!
it's not in bad shape... sure...
the hardcover is missing by a half...
but all the text is intact...
              obviously colouring of the pages...
but hey... i'm not a museum...
             the book is still fiddled with...
ha ha, the opening page with a picture
reads as follows:
   there are worse occupations in this world,
than feeling a woman's pulse...
perhaps a quote about... insensibility?
   it reads as follows:
       it is the fate of mankind, too often,
to insensible of what they may enjoy at
the easiest rate (sermon XLII)...
   besides, lucky for me youtube continues
to glitch from time to time...
    now looking more in line with channels
than individual artists...
   notably? Harakiri Diat (channel)...
eh... :wumpscut, the soft machine,
demdike stare, vomito *****, feindflug
weren't enough...
          turns out... there's more...
beyond penta, matutero and GloOMy
PhAntOM... well, please, allow me:
   filmmaker - the love market,
              la ***** bianca - demian...
hell... if you want to venture into the past?
i know one band that freaked out
my ex-girlfriend... gong - flying teapot...
or that song by greenskeepers, lotion...
               i thought i'd never see someone
become freaked out about music...
curios and also highly curious, yes...
but freaked out?
                 primitive knot - puritan...
demolition group - you better...
          1986 Yugoslav minimal electro...
Bruce Roach - Gut...
              and as it turns out...
    i look from this corner of the internet and find
absolutely no need to delve into
the dark web... install Tor...
           if you really want to...
  you'll find all you need... but you need
to sift through a bibliography of a book prior
to... it's all here... this sort of material
has an inbuilt filter... it filters out
             mainstream consumers of content...
i should know...
    3 websites that banned me,
1 suspended me...
                   i crossed the threshold...
    normie poetic: outcast *****...
           yet i still sometimes happened to chance
upon a will...
           lao che - soundtrack (the whole album
is decent) -
              


.i once heard it was based upon the following maxims: bogatemu wszystko wolno (the rich are allowed anything), siła razy gwałt (force multiplied by ****)... well... over the years, that much was true... but then i conjured a reply: nie wszystko wolno bogatemu (not everything is given an allowance to be expressed by the rich) and wola odiąć gwałt (will, having substracted ****): otherwise it's still wola razy gwałt (will, multiplied by ****).

****, i only just "woke" up from
this game,
you know that game...
oh i'm pretty sure you know it...
it's called
   pass the jew along...
   rudolf höss
      cited, among the list:
ibrahim ibn yaqub,
         radhanites (there's a surd
H in there, rad-'anites)
    casimir III...
esp. the latter...
           so.. give the current h'americans,
we're still playing the globalist
nomad game of: juggling the jews,
yes, no, maybe?
so my mother tended to
two old jewish women,
because, just "because"
their sons were active in
the "economics" of passing law
and techno-literacy?
oh... right... i "see"...
                            i... "see"...
in defence, of the "neglected" ones...
makes perfect sense,
de facto 51,
                  area 51 was always
a propaganda convert term
for Israel, rather than some area
bound to Nevada, wansn't it?
wasn't it?
                      ask me again
one year from now,
did we live peacefully among the jews?
they'll tell you the joke...
didn't the jews shoot,
with riffles,
   with bent barrels / sights
aiming at themselves rather
than the nazis?
       no, no soap jokes when
it comes to yews...
the yids...
      everyone in poland just
wondered: why so pacified?
        so blatant in walking into
an inferno?
                      you know...
it took Poland longer to surrender,
while being attacked by both
the Germans and the Russians,
than it took for the Fwench
to be attacked by the sole effort
of the Germans?
    funny... that...
                               i truly admire
some nazis, for their ingenuity...
notably? erwin rommel...
   lothar von arnauld de la periè(re)...
(subtle, i give you that one,
per-y'eh...
                 'old 'ack 'old 'ck
   h-b-h-b,
                                    rein in...
otherwise perié... ergo without
                                           the -re)...
michael wittmann...
and i'm a ******...
      **** me...
they didn't bomb paris,
might as well state:
they also didn't bomb
  marienburg or most of danzig...
Warsaw? taken down,
levelled, brick by brick,
        until no brick stood on brick...
              what?!
i thought the western capitalist-ico
communist insurgents
wanted target practice?
          i thought these people
wanted nazis, no?
          i'll admit... tiki torches?
you must have never looked
at european football hooligans...
tiki torches?!
you having a bbq?
            never heard of flares?        
- mind you...
you know what's worse beside
beind ridiculed?
having your intelligence
insulted...
i.e. do i look like someone
who managed to ****
your mother with a *******
harmonica,
or, am i, bound to the responsibility,
of your parents playing
the irresponsibility card,
attempting to convey a child
into existence aged circa 50
circa 45,
and what comes out is
an autistic cucumber?!
    **** me...
try giving ****** lessons
to circa 50 year olds;
and now the paradox...
   "i'm" the "schizophrenic"...
cool cool, coolio...
     i'll just hide in that "harem's"
worth of a brothel with
the prostitutes who tell
me they get s.t.d. checks on
a regular basis, o.k.?
_____

what am i to add to this?
not much, is there...
was the great gatsby by f. scott fitzgerald
ever great?!
  how satisfying it is to be unable
to please the crowd....
words, after all, are not bread...
how one wishes
for an anathema rather than
a martyr's embrace...
            one begins to imagine...
then one loses interest...
then...
                    peering through
the eye of a needle
watching a camel walk through...
one spots something outside
the realm of the metaphorical miracle...
do i have to?
      what if i remain to this side
of the eye of the needle?
what riches do i have that i cling to...
books & music...
does that make me rich?
what are the sort of riches where either
people plunder readily (music),
or do not engage with to begin
with?
who are ready to read...
i can claim to be a book thief...
i stole two books from my high school
library... the quran and the scarlet &
the black by stendhal...
            "stole"... i extended their
licance of being borrowed...
how am i rich: if my riches are the riches
no one would want to steal?!
i am rich... though...
               but i am rich in a both
materialistic / non-materialistic paradox
frame...
                what i own no one wants to
steal! why steal a first cheap edition
of a dickens' novel if you're not going
to read it!
              
       **** **** ****.... if they were such
philistines... when blitzing London,
why did st. paul's remain intact?
   "coinicidence"? i don't think so...
and why did they steal all those
art-works? again, "coincidence"?

                    they were people:
i find it uncomfortable to suit them up
in transcendence,
to be: epitome evil...
  to be the übermensch...
                   they loved art as much
as they loved being the antithesis
of the golden horde: gucci, dolce & gabbana
zz top: well dressed men...

     nazis loved art and fashion,
by far the best dressed army in the world
and history...

   ol' herman and otto came back
from the eastern front to a scared wife and mother...
people! they weren't mythical creatures...
the nazis can hardly become
chimeras as they become in the minds
of pseudo-communists of the western lands...

they are hardly the epitome of evil,
i know the 21st century narrative
deems them: "the perfect example"...
come on... they're not evil embodied
with not subsequent examples to be given
to... historical capitalism of evil:
there's always someone waiting,
some group of people to stage
a competition libra... and they will...
overcome the nazis...
it's only a question of ingenuity /
imagination...
           gas chambers was only industrial...
it will become personal in the years to come...
methodologically trained cultured
barbarians woken from a slumber...

the nazis were not: philistines...
   in no defence: didn't they speed up the creation
of the state of israel?
   didn't they? **** uncle:
   lavrentiy pavlovich Beria is going to state
the matters differently?
like hell he is...

        my family also suffered in that war...
sure, not in a concentration camp:
but on the front...
             there's even a joke that my
grandfather remembers:
the jews were shooting with bent nozzles
of riffles...
   as he also remembers two ss-men
who he asked for sweets,
and they would give them to him,
he'd as them: herr! bitte bon-bon!
   sweets so sweet that he would have
to rinse his hands under water
to unglue them from the sickly in-between...
how all the insurgent soviet soldiers
were teenagers and preferred to
sleep in pigstys and among the goats
in the hay...

how did the nazis become mythological
i will never understand,
at uni i had a **** history teacher,
canadian, she really liked my essay
on napoleon... how he was a great
strategist...
akin to?  

   erwin rommel wasn't a ****...
erwin rommel was, erwin rommel...
a great strategist...
        am i supposed to thrive in this
current year of polarized *******?
it's the current topic,
i can't escape it,
  sure, i'd love to have a Wordsworth
moment, lurking in me,
or an anna akhmatova breakthough...
instead?! i'm given this sort of *******
on a platter,
  and all that's missing are the wedges
of lemon and the eager oysters to
be gulped down... lucky me!

no, i don't like how the nazis are misrepresented
as both the übermenschen:
these mythological epitomes of evil
(no greater evil is to come? really?!)
and at the same time
as philistines: they stole art,
they ensured that critically cultural
documents of architecture were left
undisturbed... st. paul's cathedral...

         it's not like some otto or moritz
didn't come back home to a wife
and children... no...
he came back to the shadow cult
of the ******* hanging over him...

you know what the most haunting experience
i have ever experienced was?
Ypres... world war I site...
visiting a german cemetary...
compared to the allies cemetary?
**** me, what a meagre sight!
           the allies were burried with marked
graves, each man to his own cross...
the german burial ground?!
  mass graves....
eh: one marker: 200 bodies in one pit...
                 and here's the 21st century with
games about shooting: zee nat'zees...

   just visit the world war I cemetaries...
the ally cemetaries? square miles...
each man with his white cross...
german cemetaries? as mass graves go...
one marker per 200+ troops...
so... not that much space required...
less: bombast!
               pride & prejudice /
   pomp & circumstance...
   which the english speaking world is...
of the latter convenience to suit the narrative.

to reiterate...
   as a ******... the whole german fetish
isn't my kind of gig...
what with my grandmother being born
on the front... given opiates at an early
age so she would not cry and allow
the soldiers to locate her and my gread-grandparents...
but...
   they were the best dressed army in
the history of warfare...
they were not philistines and they certainly
weren't the mongolian golden horde...
i.e. they stole art, notably jewish artwork...
and if a luftwaffe squadron were to drop
a bomb on st. paul's? they'd probably
be shot...
  after all... Posen wasn't destroyed,
Breslau wasn't destroyed...
        Danzig wasn't destroyed...
Cracow wasn't destroyed...
             o.k., half of Warsaw was,
but we know why that happened
(or at least i do... idealist students who
thought they could fight the enemy
with slingshots and air-pistols)...
why? the Germans were simply thinking:
oh... we'll just be moving back...
i once explained it to myself...
they weren't exactly some mythological
grand evil template...
so i started thinking about them as:
Hans von Seeckt...
  or Otto Hertz...
              or some other german random
soldier...
      well... you should travel to Ypres,
Belgium... and visit a German cemetary
from war world I... then visit
the allies graveyard...
       each soldier, individually buried...
with his pwetty pwetty weißkreuz -
mostly named...
                 now visit a german cemetary...
mass.... graves...
                they just dumped them,
heaped them...
                        to me they were people...
you can't exactly reason with a mythological
evil - an archeological evil,
   an archetypical evil...
          for an archetypical evil?
try the nuclear family...
                         ******... that sort of thing...
child abuse... too many actors
were involved in this story,
too many mistakes, too many naive blunders...
evil on this scale is easily diluted...
which is why it's taught as history,
in schools...
   no one will teach children about...
oh... say... the Wiener Blut scenario...
   Josef Fritzl...
                    i'm pretty sure this will not be
taught in a history class...
                or... the H. H. Holmes Hotel story...
but it might become a jack the ripper
tourist-fetish... might it not? well, it already is.

she points out the bags under your eyes
and you tell her they're designer
your smudged lipstick's saying gucci
and your eyes are dolce & gabbana

m.g.

The rain;
Flogging our roof’s heads with sound.
‘Tchssschschschchchcshshcsh…’
like unplugged cable.
Smudges our screens in monotonous tone until
wire is cut, or lightning struck.
A veil of silence
envelopes eyes, off-color.

We stop to think of what might happen.
To stare at endless possibilities
of rain falling
to a stop.

Unless the flood comes uninvited,
Offers things for sale; usually you’re left
without a choice.
Barters a few Armani clothes or a few Dolce & Gabbana
For a sack of rice and a few cans.

Sometimes the flood throws you freebies,
like exotic pets bigger than a cat
Or throw in a few Pesos and get a broken tire.
But mostly they just give you mud and dirt. Mud and dirt.
They fill you up with it
and cover your eyes with it too.
And if you get lucky, they’ll throw you
the essentials like refusing to take your children,
The recovery of a dead faith and you start praying again,
Or they give you an orange boat.

Sometimes the rain comes in to see if you’ll sink
Or learn to walk again.

(Paolo Jerome D. Cristobal / September 13, 2010 - Alabang)

with the onslaught of a.i., and what television represents:
a couple watching shy arts on a saturday, because the urban
environment tells them so, make Chopin or Liszt accessible,
make it Parkinson's Debussy,  Yogi too and Satie - slooooooo
riddles the wheel that does, makes it a carry on as if Bagpipe Ben,
Benjamin's pharma ***** arose at Zion - never had naked flesh
felt so crass imitable African: cow ****  and Masai tick-tock -
thomas newman and the levellers cradled punk into
middle-age, just before the overdose
and headlines about Los Angeles and
everyone equipped with wings,
a harnessing of William Wallace -
anointed son in woad is half-a-baker's
challenge to burn London Town down...
and made market to the kept profiteering postcard
of lullaby ****... page 3 argument
equal vote share concerning fox hunting...
red coats... **** me! red coats!
you can almost shelter insanity with them having
a nostalgic trip rather than an urban narcissistic
trip of mono est genus - a Venus embedded in plant
like Narcissus - what is said beyond Olympians...
three brothers, a singleton fathering,
what be worth eaten is worth being given to eat...
scientific humanism already assures a billionth
parameter which we are to make schematics of off
a Friday night, endeared by a billionth of a second
tamed, later expressed by a second in multiple of billions
with re- of Friday and 0 as necessarily denied prior
faults, readily repeated as cause of revising a / the
default(s) - what pluralism leads to the continuum without
relapse barriers of safety? with the former article
it's an endurance of focusing of the geometric expression
of: oh, oh oh, oh... delayed matrimony with morals....
with the latter article as its endurance of focusing on
the anti-geometric of what's eerie: linear standards and
tri-geometric evaluations of three-dimensional space
and three-dimensional time;
so where keep the riddle fluctuating permanently and
with frequent consistency, for us to keep
kilometre and millimetre,
                                  centimetre    and the metre,
second                  and the hour....
all these divisible extractions from the entirety
that could be left intact as a safari trip and heroism...
well, higher than Mt. Everest, and cheaper than
Gucci & Gabbana - insurance brokers tempted
to file lawsuits against man's contrast of genes
overpowering: and napkins and nappies with
the minor hailstorms - or why the West fears
nuclear Holocaust, having prompted the fear by
the atomic twins Hiroshima and Nagasaki...
******* are spreading the fear, no one mentions
this war crime, because Minato Pāru is mentioned
first... hell, the boys conscripted... what's your point?!
Bruce Springsteen... huh? 50 years of a cultural influence
is enough, now i'm fed nostalgia and the new
crap sound just like the acronym J.V.C.

nietzsche? what he did? inverting the cartesian equation?
like: 1 + 1 = 2, turned into 1 + 1 = 2?
   **** me... isn't that confusing...
                         the symbol = precipiates into ergo;
         what did he do?
                         he inverted the cartesian principle...
he said:                 i am, therefore i think...
                         so why are all these people coming
out from the woodworks, like cockroaches?
                                 i already said it once,
the antithesis of the cartesian res cogitans
   a thinking thing... is  res vanus:
              an empty thing...
                             test of time...
     you stop ******* for about a month?
your ***** turns... yellow... it's no longer white...
your testicles shrink... you're shooting
             evil *****...
                          and then you talk to a woman
who's been "learning" about her period, *******?
             want to have children?
    stop ******* for a month...
                         **** her on her period
but don't *******... then **** her once more when
she's off it...
                   the cramps are gone... your ***** is
so concenrated that it's no longer white, but yella..
               what are you going to get?
  a screaming báhor (toddler) in your arms...
         but nietzsche inverted the cartesian "equation"...
thankfully... he got it wrong,
in a sense, he didn't counter res cogitans (thinking thing)
    with res vanus (empty thing) -
              sure, nietzsche was influential in the 20th century...
in the 21st century though?
          more like the label guy...
         i'm this... i'm that... i'm whatever you wish me to be...
the 21st century says: nietzsche isn't an ocean...
    he was a depth of a puddle's worth to claim...
            but it's there! it's in one of his footnotes!
  he reverses the cartesian "equation"...
  he "says": i am, therefore i think.
                       no wonder then, where all the 21st century
labels come from!
      these people aren't thinking!
                    i'd love for this label to come about:
i thinking... therefore i'm dumb-seeming...
                                           because i shut-the-****-up!
   hard to not think of two things...
   i think corresponding to res cogitans...
   with i am correspoding to res vanus -
                      and ergo corresponding to ***.
          meaning?
           why are so many people associating themselves with
so many labels, on an intellectual level of deciding
whether or not to wear versace, dolce & gabbana,
  or primani... oh sorry... armani.
     people express so many labels though,
     it's like they stress the second half of the cartesian equation,
but not the first half...
                which precipitates into heidegger's da-"sein".
   there is.... sure... there really is...
      but what?       is that actually being, without thinking?
or am i just putting clothes on to look kosher
     at a paris fashion catwalk?
                                      it's almost, well, it actually is:
a question: there's being?
                    that question substitutes the conceptualißation
of being's pluralism qua beings...
i.e. the many happenings...
               the rebel ant in the ant-hill... at best: the only
suggestive approximate.
         there sure as **** is a being... but the da, the there?
     reduced to newspaper articles,
read on friday, recycled on a monday, in orange
bin-bags.

I dreamt about an alligator
- what could that possibly mean?

Am I hoping that a lizard man
will slowly romance me?

Are my desires so primitive, so ancient
that we could come to some arraignment?

Would a silent and cold-blooded lover
be as ​​considerate as any other?

Do I long for scaly fingers
to caress me up and down?

Or lust for reptile Dolce Gabbana pumps
and a matching iguana gown?

Do I long for another dazzling week
of lying lizard-like under a mediterranean sun?

If I saw an alligator prowling there,
I’m fairly sure that I would run.

What, on earth is going on,
in my secret subconscious mind?

After years of psychotherapy,
what do you think they’d find?

oh man, abba is like
prog rock made simple;
and there's so much
cheese too... i could
start a factory producing
edible shoe laces - but
then the hot flush butterfly
of puffed up cheeks of smiling...
and what, today'***** single will
not get the same treatment?
we don't remember cavemen
and dinosaurs these days,
we're stuck remembering the
20th century, as the fashion
industry makes a testament of
on a catwalk of designing
a wardrobe no one would wear...
art-house tedium with skeletons
in an open closet...
they mind the logos, so people
say Versace! Dolce & Gabbana!
they really look out for those
signature stilettos and handbags...
the poor ***** just get the
logo printed on their shirts
so people can learn reading once more,
gimme gimme sweden's weather at
midnight so i can chase those Nike
blues away... the new signature of the
illiterate, once the X, now the tick;
tick tick tick... clocking into
a system of being educated to decipher a - z
like a cabdriver,
then pulverised by images to buy spend buy
and become dyslexic when oiled up ***** ****
became a slogan of trademark & copyright of
a certain style of writing C in *****-in-cockle-doodle; cola.

"Credi che il tuo sia vero amore? Esamina
a fondo il tuo passato" insiste lui
saettando ben addentro
la sua occhiata di presbite tra beffarda e strana.
E aspetta. Mentre io guardo lontano
ed altro non mi viene in mente
che il mare fermo sotto il volo dei gabbiani
sfrangiato appena tra gli scogli dell'isola,
dove una terra nuda si fa ombra
con le sue gobbe o un'altra preparata a semina
si fa ombra con le sue zolle e con pochi fili.
"Certo, posso aver molto peccato"
rispondo infine aggrappandomi a qualcosa,
sia pure alle mie colpe, in quella luce di brughiera.
"Piangere, piangere dovresti sul tuo amore male inteso"
riprende la sua voce con un fischio
di raffica sopra quella landa passando alta.
L'ascolto e neppure mi domando
perché sia lui e non io di là da questo banco
occupato a giudicare i mali del mondo.
"Può darsi" replico io mentre già penso ad altro,
mentre la via s'accende scaglia a scaglia
e qui nel bar il giorno ancora pieno
sfolgora in due pupille di giovinetta che si sfila il grembio
per le ore di libertà e l'uomo che le ha dato il cambio
indossa la gabbana bianca e viene
verso di noi con due bicchieri colmi,
freschi, da porre uno di qua uno di là sopra il nostro tavolo.

can't beat
   the SS grey kicking the
      SA khaki silly...
in terms of fashion?
no one can beat
           the nation-sozi...
you wired into
        the upcoming affair
of nationalkapitalismus
                      of america?
am i so ******* dumb
as being the only person
to notice this trend?
****... i'm dumber than
i had reservations
for expectation...
                         to mind...
don't you think the naxis
had the best attired
army?!
             me too...
            the **** are these
rags to ritches Bolshevik
                goat-herders doing
in Versailles?!

         ***** **** as hell
i wish i am deemed a ****...
at least i'll be fathomable
donning a dolce & gabbana grau;

**** **** ****... i'm itchy
to be demmed a ****...
              easier to spot a quack
and the capital nationalist
   breadcrumbs... leftovers...
     ****** bargains on what's
considered a brain...
            
      can someone please get me
a **** uniform!
        i am dying a buddhist death
rummanating
the concept of an
"anti-clockwise" *******...

die grau dolce & gabbana...
pristine, crisp, fold of a dying swan
imagining an origami....
     and a shirt to boot...
      
death is almost near impossible,
when attired
  to a **** inclusion
membrane bypass of an
army osmosis...
            hey... nazis had style...
which, with or without
anglo punk anarchy...
         could do very little...  

thanks to the nazis grey never
looked so cool,
when revising pale brown
of... mustard / diarrhoea;

          herr Flagenshtein ought
to know...
what precursors the hybrid,
in reviving a time as past
history, imbued with a "nostalgia"...
cameos... imbued in
the pursuit of purpose,
     that actual, actors, should
be allowed centre stage.
    
can't beat the **** army in terms
of fashion...
        crisp: is but one word
that solidifies their
          pursuit of eternal fame.

I used to have a friend from
New York that was a lawyer, she once
dated a famous NBA star.
We drank ***** together.
She was a bit smug, but smart and
funny—a dangerous combination.

One evening, we decided to
go to a neighborhood grocer that
sold spirits and wine.
She had a black schipperke named
Bruno.
One drunken night I dubbed
him the Senator, after Ted Kennedy,
another smart and funny drunk.

We called a cab to get
more *****. I put Anna’s
Dolce and Gabbana sunglasses
on; I grabbed a broom handle and
hooked the Senator
up to his leash.
I said, “Look, look, I’m blind and Teddy is
my seeing eye dog.”
Anna laughed and said,
“Oh we must bring him along.”
She used the word, “must” a lot.
The cab pulled up and the
act began.

I worked the cane, and the dog out the
door, with those big white
sunglasses covering my eyes.
We piled in the cab,
and
tore off into
the sweltering July night.
We pulled into the
grocery store parking lot
Anna told the cabbie to wait.
She was beat red and big tears of
joy flowed freely down her face.
I grabbed her arm and said,
“Quit laughing, or they’ll think it’s a joke;
I’m ******* blind; it isn’t supposed to be funny.”
She laughed harder.

We walk through the sliding doors,
I’m waving the broom handle back and forth on
the floor.
The Senator immediately proceeds to
**** on a display case of crackers.
Anna cackles,
we walk on like we didn’t just see Ted’s
indiscretions. We headed for
the *****.
Anna yells, “Did you see what the
Senator did back there?”
I say, “Of course I didn’t see it honey,
I’m blind, what did he do.”
She screamed, “He ****** all over that display case.”
"I know, I know—let’s get the
***** and get the hell out of
here before they kick us out.”
Just then, the Senator slipped out
of his collar and began to
run up and down the aisles.
I chased him, he dodged me.
Anna tripped and fell, she laughed until
she wet herself.
That ******* dog had
more moves than an NFL running back.
I finally cornered him by the
milk and butter section; I reached down to
grab him, and the little
******* bit me.
I smacked his nose and said,
“Bad Dog—Bad, Bad Dog.”
He bit me again.
I finally had him in my arms;
by then, those ridiculous looking
sunglasses were on top of
my head.
I lost the broomstick, and dragged the leash and
collar behind me.
We made it to Anna’s and drank into the
night. Most poets wouldn’t know how to end
a poem like this
but I do,
bow wow.

while contemplating tomorrow's dinner: an aloo gobi (potato + cauliflower) curry, and a chicken korma - wishing it was a little bit more of a "cultural appropriation": seems i can't get a turban for the love of god, or becoming a transvestite in a sari.

could have been an employable chemist,
working on esters in a dolce & gabbana
perfumery; the cardamon pods got me,
what can i say, other than:
      other than - they call themselves
storytellers, artists, these modern chefs,
i'd prefer to call them the understudy of
chemists;
  and **** i was good at organic chemistry...
the other two branches:
  dead, inanimate often, inorganic (geological)
and the physical... too dead for me,
not enough perfumes, enough colours,
just digits, chemistry for the autistic.
beside the point,
you want to know my favourite cycling
route?
  when in one summer i lost almost 20kg
and then "faked" putting them back on,
oink, bloated from alcohol?
              that french braid in school didn't
help steer away the jealous eye either...
about a 50+ km route...
  let's just say the following:

1. radwańska (route 754)
2. down the 754 through:
       sudół, krzemionki opatowskie,
      magonie, maksilimilanów,
    ruda bałtowska, reaching
                                         bałtów
3. heading into the masovian voivodeship,
  and then a mix of
4. wółka bałtowska /
         borcuchy /
          eugeniów /
              stara dębowa wola /
         sarnówek duży /
        adamów /
           leśniczówka /
      wółwka trzemecka /
  wółkwa bałtowska /
        nowy olechów /
              and then into the home straight
on
5. siennieńska back into ostrowiec
         świętokrzyski...

of all the places i cite, i'm pretty sure no
google car ventured into...
i'm not going to check, i'm just going
to assume...

yes, i lived in a city, where you could
see timber structures from
the krzemień period in human history...
krzemień? flint!
                         a flintstone settlement
lies about 10km from where i was born...
looks kinda cosy...
     a wooden wall and all...
   sure, the english can boast about their
stonehenge,
but i was born near a very, very old
flintstone settlement...
                i never realised how
potent its existence is to revel in...
that's older than the iron age, the bronze age...
that ******* old, i'm telling you...
     and look at me, still defiant with
the darwinistic **** of studying history,
how we have managed to jump so far back
and leave a massive grey area in between..
i was born next to the flintstones,
          where were you born?

p.s. and as i can remember, along the route,
i used to buy goat milk from one of
the ladies in the villages i passed;
+ badass of a bike too,
   dubbed the "terminator", crimson red,
hard frame,
        a mountain bike, heavy tires,
i can tell you i beat a guy on
a *kolarzówka (tour de france type bikes)
one time...
    they don't make 'em as they used
to.