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Dedication

Inscribed to a dear Child:
in memory of golden summer hours
and whispers of a summer sea.

Girt with a boyish garb for boyish task,
   Eager she wields her *****; yet loves as well
Rest on a friendly knee, intent to ask
   The tale he loves to tell.

Rude spirits of the seething outer strife,
   Unmeet to read her pure and simple spright,
Deem, if you list, such hours a waste of life,
   Empty of all delight!

Chat on, sweet Maid, and rescue from annoy
   Hearts that by wiser talk are unbeguiled.
Ah, happy he who owns that tenderest joy,
   The heart-love of a child!

Away, fond thoughts, and vex my soul no more!
   Work claims my wakeful nights, my busy days--
Albeit bright memories of that sunlit shore
   Yet haunt my dreaming gaze!

PREFACE

If--and the thing is wildly possible--the charge of writing nonsense were ever brought against the author of this brief but instructive poem, it would be based, I feel convinced, on the line (in p.18)

"Then the bowsprit got mixed with the rudder sometimes."

In view of this painful possibility, I will not (as I might) appeal indignantly to my other writings as a proof that I am incapable of such a deed: I will not (as I might) point to the strong moral purpose of this poem itself, to the arithmetical principles so cautiously inculcated in it, or to its noble teachings in Natural History--I will take the more prosaic course of simply explaining how it happened.

The Bellman, who was almost morbidly sensitive about appearances, used to have the bowsprit unshipped once or twice a week to be revarnished, and it more than once happened, when the time came for replacing it, that no one on board could remember which end of the ship it belonged to. They knew it was not of the slightest use to appeal to the Bellman about it--he would only refer to his Naval Code, and read out in pathetic tones Admiralty Instructions which none of them had ever been able to understand--so it generally ended in its being fastened on, anyhow, across the rudder. The helmsman* used to stand by with tears in his eyes; he knew it was all wrong, but alas! Rule 42 of the Code, "No one shall speak to the Man at the Helm," had been completed by the Bellman himself with the words "and the Man at the Helm shall speak to no one." So remon{-} strance was impossible, and no steering could be done till the next varnishing day. During these bewildering intervals the ship usually sailed backwards.

As this poem is to some extent connected with the lay of the Jabberwock, let me take this opportunity of answering a question that has often been asked me, how to pronounce "slithy toves." The "i" in "slithy" is long, as in "writhe"; and "toves" is pronounced so as to rhyme with "groves." Again, the first "o" in "borogoves" is pronounced like the "o" in "borrow." I have heard people try to give it the sound of the"o" in "worry." Such is Human Perversity. This also seems a fitting occasion to notice the other hard works in that poem. Humpty-Dumpty's theory, of two meanings packed into one word like a port{-} manteau, seems to me the right explanation for all.

For instance, take the two words "fuming" and "furious." Make up your mind that you will say both words, but leave it unsettled which you will say first. Now open your mouth and speak. If your thoughts incline ever so little towards "fuming," you will say "fuming-furious;" if they turn, by even a hair's breadth, towards "furious," you will say "furious-fuming;" but if you have that rarest of gifts, a perfectly balanced mind, you will say "frumious."

Supposing that, when Pistol uttered the well-known
words--

     "Under which king, Bezonian? Speak or die!"

Justice Shallow had felt certain that it was either William or Richard, but had not been able to settle which, so that he could not possibly say either name before the other, can it be doubted that, rather than die, he would have gasped out "Rilchiam!"

CONTENTS

Fit the First. The Landing
Fit the Second. The Bellman's Speech
Fit the Third. The Baker's Tale
Fit the Fourth. The Hunting
Fit the Fifth. The ******'s Lesson
Fit the Sixth. The Barrister's Dream
Fit the Seventh. The Banker's Fate
Fit the Eighth. The Vanishing

Fit the First.

THE LANDING

"Just the place for a Snark!" the Bellman cried,
    As he landed his crew with care;
Supporting each man on the top of the tide
    By a finger entwined in his hair.

"Just the place for a Snark! I have said it twice:
    That alone should encourage the crew.
Just the place for a Snark! I have said it thrice:
    What I tell you three times is true."

  The crew was complete: it included a Boots--
  A maker of Bonnets and Hoods--
A Barrister, brought to arrange their disputes--
  And a Broker, to value their goods.

A Billiard-marker, whose skill was immense,
  Might perhaps have won more than his share--
But a Banker, engaged at enormous expense,
  Had the whole of their cash in his care.

There was also a ******, that paced on the deck,
  Or would sit making lace in the bow:
And had often (the Bellman said) saved them from wreck,
  Though none of the sailors knew how.

There was one who was famed for the number of things
  He forgot when he entered the ship:
His umbrella, his watch, all his jewels and rings,
  And the clothes he had bought for the trip.

He had forty-two boxes, all carefully packed,
  With his name painted clearly on each:
But, since he omitted to mention the fact,
  They were all left behind on the beach.

The loss of his clothes hardly mattered, because
  He had seven coats on when he came,
With three pair of boots--but the worst of it was,
  He had wholly forgotten his name.

He would answer to "Hi!" or to any loud cry,
  Such as "Fry me!" or "Fritter my wig!"
To "What-you-may-call-um!" or "What-was-his-name!"
  But especially "Thing-um-a-jig!"

While, for those who preferred a more forcible word,
  He had different names from these:
His intimate friends called him "Candle-ends,"
  And his enemies "Toasted-cheese."

"His form in ungainly--his intellect small--"
  (So the Bellman would often remark)
"But his courage is perfect! And that, after all,
  Is the thing that one needs with a Snark."

He would joke with hy{ae}nas, returning their stare
  With an impudent wag of the head:
And he once went a walk, paw-in-paw, with a bear,
  "Just to keep up its spirits," he said.

He came as a Baker: but owned, when too late--
  And it drove the poor Bellman half-mad--
He could only bake Bridecake--for which, I may state,
  No materials were to be had.

The last of the crew needs especial remark,
  Though he looked an incredible dunce:
He had just one idea--but, that one being "Snark,"
  The good Bellman engaged him at once.

He came as a Butcher: but gravely declared,
  When the ship had been sailing a week,
He could only **** Beavers. The Bellman looked scared,
  And was almost too frightened to speak:

But at length he explained, in a tremulous tone,
  There was only one ****** on board;
And that was a tame one he had of his own,
  Whose death would be deeply deplored.

The ******, who happened to hear the remark,
  Protested, with tears in its eyes,
That not even the rapture of hunting the Snark
  Could atone for that dismal surprise!

It strongly advised that the Butcher should be
  Conveyed in a separate ship:
But the Bellman declared that would never agree
  With the plans he had made for the trip:

Navigation was always a difficult art,
  Though with only one ship and one bell:
And he feared he must really decline, for his part,
  Undertaking another as well.

The ******'s best course was, no doubt, to procure
  A second-hand dagger-proof coat--
So the Baker advised it-- and next, to insure
  Its life in some Office of note:

This the Banker suggested, and offered for hire
  (On moderate terms), or for sale,
Two excellent Policies, one Against Fire,
  And one Against Damage From Hail.

Yet still, ever after that sorrowful day,
  Whenever the Butcher was by,
The ****** kept looking the opposite way,
  And appeared unaccountably shy.

II.--THE BELLMAN'S SPEECH.

Fit the Second.

THE BELLMAN'S SPEECH.

The Bellman himself they all praised to the skies--
  Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
  The moment one looked in his face!

He had bought a large map representing the sea,
  Without the least vestige of land:
And the crew were much pleased when they found it to be
  A map they could all understand.

"What's the good of Mercator's North Poles and Equators,
  Tropics, Zones, and Meridian Lines?"
So the Bellman would cry: and the crew would reply
   "They are merely conventional signs!

"Other maps are such shapes, with their islands and capes!
  But we've got our brave Captain to thank
(So the crew would protest) "that he's bought us the best--
  A perfect and absolute blank!"

This was charming, no doubt; but they shortly found out
  That the Captain they trusted so well
Had only one notion for crossing the ocean,
  And that was to tingle his bell.

He was thoughtful and grave--but the orders he gave
  Were enough to bewilder a crew.
When he cried "Steer to starboard, but keep her head larboard!"
  What on earth was the helmsman to do?

Then the bowsprit got mixed with the rudder sometimes:
  A thing, as the Bellman remarked,
That frequently happens in tropical climes,
  When a vessel is, so to speak, "snarked."

But the principal failing occurred in the sailing,
   And the Bellman, perplexed and distressed,
Said he had hoped, at least, when the wind blew due East,
  That the ship would not travel due West!

But the danger was past--they had landed at last,
  With their boxes, portmanteaus, and bags:
Yet at first sight the crew were not pleased with the view,
  Which consisted to chasms and crags.

The Bellman perceived that their spirits were low,
  And repeated in musical tone
Some jokes he had kept for a season of woe--
  But the crew would do nothing but groan.

He served out some grog with a liberal hand,
  And bade them sit down on the beach:
And they could not but own that their Captain looked grand,
  As he stood and delivered his speech.

"Friends, Romans, and countrymen, lend me your ears!"
  (They were all of them fond of quotations:
So they drank to his health, and they gave him three cheers,
  While he served out additional rations).

"We have sailed many months, we have sailed many weeks,
   (Four weeks to the month you may mark),
But never as yet ('tis your Captain who speaks)
  Have we caught the least glimpse of a Snark!

"We have sailed many weeks, we have sailed many days,
  (Seven days to the week I allow),
But a Snark, on the which we might lovingly gaze,
  We have never beheld till now!

"Come, listen, my men, while I tell you again
  The five unmistakable marks
By which you may know, wheresoever you go,
  The warranted genuine Snarks.

"Let us take them in order. The first is the taste,
  Which is meagre and hollow, but crisp:
Like a coat that is rather too tight in the waist,
  With a flavour of Will-o-the-wisp.

"Its habit of getting up late you'll agree
  That it carries too far, when I say
That it frequently breakfasts at five-o'clock tea,
  And dines on the following day.

"The third is its slowness in taking a jest.
  Should you happen to venture on one,
It will sigh like a thing that is deeply distressed:
  And it always looks grave at a pun.

"The fourth is its fondness for bathing-machines,
  Which is constantly carries about,
And believes that they add to the beauty of scenes--
  A sentiment open to doubt.

"The fifth is ambition. It next will be right
  To describe each particular batch:
Distinguishing those that have feathers, and bite,
  From those that have whiskers, and scratch.

"For, although common Snarks do no manner of harm,
  Yet, I feel it my duty to say,
Some are Boojums--" The Bellman broke off in alarm,
  For the Baker had fainted away.

FIT III.--THE BAKER'S TALE.

Fit the Third.

THE BAKER'S TALE.

They roused him with muffins--they roused him with ice--
  They roused him with mustard and cress--
They roused him with jam and judicious advice--
  They set him conundrums to guess.

When at length he sat up and was able to speak,
  His sad story he offered to tell;
And the Bellman cried "Silence! Not even a shriek!"
  And excitedly tingled his bell.

There was silence supreme! Not a shriek, not a scream,
  Scarcely even a howl or a groan,
As the man they called "**!" told his story of woe
  In an antediluvian tone.

"My father and mother were honest, though poor--"
  "Skip all that!" cried the Bellman in haste.
"If it once becomes dark, there's no chance of a Snark--
  We have hardly a minute to waste!"

"I skip forty years," said the Baker, in tears,
  "And proceed without further remark
To the day when you took me aboard of your ship
  To help you in hunting the Snark.

"A dear uncle of mine (after whom I was named)
  Remarked, when I bade him farewell--"
"Oh, skip your dear uncle!" the Bellman exclaimed,
  As he angrily tingled his bell.

"He remarked to me then," said that mildest of men,
  " 'If your Snark be a Snark, that is right:
Fetch it home by all means--you may serve it with greens,
  And it's handy for striking a light.

" 'You may seek it with thimbles--and seek it with care;
  You may hunt it with forks and hope;
You may threaten its life with a railway-share;
  You may charm it with smiles and soap--' "

("That's exactly the method," the Bellman bold
  In a hasty parenthesis cried,
"That's exactly the way I have always been told
  That the capture of Snarks should be tried!")

" 'But oh, beamish nephew, beware of the day,
  If your Snark be a Boojum! For then
You will softly and suddenly vanish away,
  And never be met with again!'

"It is this, it is this that oppresses my soul,
  When I think of my uncle's last words:
And my heart is like nothing so much as a bowl
  Brimming over with quivering curds!

"It is this, it is this--" "We have had that before!"
  The Bellman indignantly said.
And the Baker replied "Let me say it once more.
  It is this, it is this that I dread!

"I engage with the Snark--every night after dark--
  In a dreamy delirious fight:
I serve it with greens in those shadowy scenes,
  And I use it for striking a light:

"But if ever I meet with a Boojum, that day,
  In a moment (of this I am sure),
I shall softly and suddenly vanish away--
  And the notion I cannot endure!"

FIT IV.--THE HUNTING.

Fit the fourth.

THE HUNTING.

The Bellman looked uffish, and wrinkled his brow.
  "If only you'd spoken before!
It's excessively awkward to mention it now,
  With the Snark, so to speak, at the door!

"We should all of us grieve, as you well may believe,
  If you never were met with again--
But surely, my man, when the voyage began,
  You might have suggested it then?

"It's excessively awkward to mention it now--
  As I think I've already remarked."
And the man they called "Hi!" replied, with a sigh,
  "I informed you the day we embar
Aubrey Lambert Aug 2015
I want to be a creator, a maker,
to put my heart on paper,
drop words on ground, to bloom for goodness saker,
into swirls and loops, that say if I'm a give or a taker.
put my prints into earth, rebirth,
let soil separate stubbornness from worth.
stars folded into matter, like batter,
like I am and he is, more than what shatters,
and what I roll out, kneed out,
will breath out my souls doubts
that I am a creator, a maker
that swirls around equators,
who is and will be, more than I can wager.
The Bellman's Speech

The Bellman himself they all praised to the skies--
Such a carriage, such ease and such grace!
Such solemnity, too! One could see he was wise,
The moment one looked in his face!
He had bought a large map representing the sea,
Without the least vestige of land:
And the crew were much pleased when they found it to be
A map they could all understand.

"What's the good of Mercator's North Poles and Equators,
Tropics, Zones, and Meridian Lines?"
So the Bellman would cry: and the crew would reply
"They are merely conventional signs!

"Other maps are such shapes, with their islands and capes!
But we've got our brave Captain to thank"
(So the crew would protest) "that he's bought us the best--
A perfect and absolute blank!"

This was charming, no doubt: but they shortly found out
That the Captain they trusted so well
Had only one notion for crossing the ocean
And that was to tingle his bell.

He was thoughtful and grave--but the orders he gave
Were enough to bewilder a crew.
When he cried "Steer to starboard, but keep her head larboard!"
What on earth was the helmsman to do?

Then the bowsprit got mixed with the rudder sometimes:
A thing, as the Bellman remarked,
That frequently happens in tropical climes,
When a vessel is, so to speak, "snarked".

But the principal failing occurred in the sailing,
And the Bellman, perplexed and distressed,
Said he had hoped, at least, when the wind blew due East,
That the ship would not travel due West!

But the danger was past--they had landed at last,
With their boxes, portmanteaus, and bags:
Yet at first sight the crew were not pleased with the view
Which consisted of chasms and crags.

The Bellman perceived that their spirits were low,
And repeated in musical tone
Some jokes he had kept for a season of woe--
But the crew would do nothing but groan.

He served out some grog with a liberal hand,
And bade them sit down on the beach:
And they could not but own that their Captain looked grand,
As he stood and delivered his speech.

"Friends, Romans, and countrymen, lend me your ears!"
(They were all of them fond of quotations:
So they drank to his health, and they gave him three cheers,
While he served out additional rations).

"We have sailed many months, we have sailed many weeks,
(Four weeks to the month you may mark),
But never as yet ('tis your Captain who speaks)
Have we caught the least glimpse of a Snark!

"We have sailed many weeks, we have sailed many days,
(Seven days to the week I allow),
But a Snark, on the which we might lovingly gaze,
We have never beheld till now!

"Come, listen, my men, while I tell you again
The five unmistakable marks
By which you may know, wheresoever you go,
The warranted genuine Snarks.

"Let us take them in order. The first is the taste,
Which is meagre and hollow, but crisp:
Like a coat that is rather too tight in the waist,
With a flavour of Will-o'-the-Wisp.

"Its habit of getting up late you'll agree
That it carries too far, when I say
That it frequently breakfasts at five-o'clock tea,
And dines on the following day.

"The third is its slowness in taking a jest.
Should you happen to venture on one,
It will sigh like a thing that is deeply distressed:
And it always looks grave at a pun.

"The fourth is its fondness for bathing-machines,
Which it constantly carries about,
And believes that they add to the beauty of scenes--
A sentiment open to doubt.

"The fifth is ambition. It next will be right
To describe each particular batch:
Distinguishing those that have feathers, and bite,
From those that have whiskers, and scratch.

"For, although common Snarks do no manner of harm,
Yet I feel it my duty to say
Some are Boojums--" The Bellman broke off in alarm,
For the Baker had fainted away.
Apachi Ram Fatal Aug 2016
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Ease in tranquility be seated comfortably cloud with deep breathe cushion lungs good follow the white rabbit onscreen to the address key in hole glow open discovery unlock visually learning the curve existentially along the Matrix true reality astute concurrently.

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​Poetic justice discharges an operator whom enlightens with irrational equations derives proportional equators inverts elements to the 7th degree in universal oneness; entrusting quintessence to implicate love as much as the seven sky's, moons and suns multiply by infinity guides trinity on the other side of dark eternally alleviating once and for all levitating time with no barrier black holes hiding dimensional authenticity atom reeves ring aperture.
Time for All or Nothing Forgone
Mateuš Conrad Oct 2015
the byproduct of the aesthetics of orthography gave us dyslexia (dis- / negation and                -lexia / lexicon), as if already apparent... because dislexia would not look as pretty; alt. meaning of dyslexia? unease with vocabulary, a trouble finding a personal vocabulary - i already mentioned that letters are vox circa (approximate vocalisation), even i make spelling mistakes at times... given dyslexia not dislexia / disease not dysease. (in the polish vox circa the pronunciation of y is like a baritone or bass, while pronunciation of i is like soprano or mezzo, i could give a kabbalistic anatomisation of the mouth for they are indeed very much aligned... but let's just stick to the opera metaphor).

i trained my œsophagus like a
minor roman noble at a banquet,
now i can smoke and not take out the
**** foley puppet
whenever i want on an empty stomach
smoking the first cigarette and drinking
the first coffee of the morn,
ah christianity’s operating grace...
let’s categorise every pagan practice as
formidable ills,
have the reasons for the crucifixion
loosely knit with the lamb of god’s wool:
that’s two wool threads over my bare chest...
because, just because that new testament
story is so so tightly knit that you can
see the pearly gates with st. peter playing
outlaw cowboy’s quick-draw with the keys,
from havana (of all places) on earth.
poor *isaiah
, i rather remember you: considering
the fact that you were cut in half at
the abdomen of all equators.
in conclusion? the added diacritic marks
on this latin alphabet came due to the barbaric tongue tie
on the œ and æ... from these two manifestations
we were given é and ó among others,
i still think it’s chaotic, chiseled v,
otherwise papyrus u and the umlaut.
We are being destroyed by advertising
We are like broken pieces of cardboard
Our astral faces are printed on the backs
Of empty milk cartons tossed into the ethers
Fed on scarcity and internet dreams of modeling
With broken hopes we spend our lives meandering
Yet we are fooling ourselves and others
Our barnyards are empty
Can we trust our hearts more than our apathy
Plenty of people are dying young and lonely
These falling arrows following their own trajectories
I seethe with anger at this ineffable insanity
I say f@#! it anyway
Have you ever wondered why our ancestors didn’t sleep
While you take my fingers and bend them beneath you

Jettison the weapons
Of everlasting happiness
We are sentimental accidents
******* the equators
And salivating waiters
We assume we are alone but it's a foolish hope
Instead we resent your intangible laughter
Stand against the rafters
We are dreaming of liberation
Still we are shaking in our dressing rooms
Like confused teenagers
Who eat alligator mustard
Those salty incubation periods
Where we swallowed buckets of sadness
Like mouthfuls of burnt toast
This soap is soft and bubbly
And now we get lost
In our own homes on the daily
These poems speak to us softly
Yet you seek what is costly
I need nothing that i don’t already own

Love is a poem
So remember the phone-calls you made
Yesterday's sunrise fell on our faces
And we hid against the windy tides
Those retired auto dealers
And our ancient healers are weeping
They're just about ready to sell you their souls
Perig3e Mar 2012
At 5:14 universal time,
this date (03/20/2012)
the earth and sun axis
were in parallel alignment.
and the sun and earth's equators
were in plane agreement.
Would that humanity
could find such common equilux.
F White Dec 2012
Push and pull
like a wave
tides to the moon
the way she goes-

All equators
on the line
in balance
and yet the colour is
off.

Twists in the
branches of fate
may break, fall in the
road, shatter on
the fork.

but with my plate
so full, I cannot clean
it.

I fear starvation
I worry for the coming winter
I cannot store
for I am already frozen.

A stone cannot hide
For it cannot
Feel.

I am not a stone...
But I wish
I was.
copyright fhw, 2012
Seher Seven Oct 2015
systems of speed warp things,
time changing in the winds.
tracks left, evolving steps
plodding along the face of space
prepared to capture enough
speed, and move beyond here.

systems of fear hold us here,
keep us bound to this ground
and trapped by Earths atmosphere.
11.2 to escape this sphere, systems of speed
break down, right there.
at that moment, as we push through
our protective layer,
the magnetic barrier,
the northern southern balance, mirrored equators,
at that moment, matter releases its grip,
its clench, freeing the mind.

travel becomes light and free
speeding between the unseen,
force through the movement forward,
onward, upward. punching through
the barriers of the sky.
fly high guys, fly...
Brigitta Cuadros Nov 2018
I have altered my path
and reset my compass
towards the abyss.  
Criscrossing my equators,  
full sail, laughing at the wind
in the hallow of my bones.
It's really great to alter ones path for stiller seas - though one cant avoid storms all the time.
Yenson Sep 2018
The Insipid proffer vapid thoughts
From a mind bought for a penny in a Joke shop
In a town where the Learned are from equators afar
Now in a place where homegrown youths dance with stupidity
And minds dies in alehouses and common sense isn't as common
When Nanny ruler does the thinking and pays for laze and leisure

What left to  do for Vacuous Insipid
Can one without a spine much less a reasoning dome
Know what confidence, self-assurance  and self esteem means
Will vile buggerers know that Alphas without confusion are living
Proud in their Maleness  staunch in belief that only Eves dost enter
Nowt else ordained in their mind or body by their deities and God

Does the simple mind of the Insipid thinks
A deviance of raggle-taggle malcontents and retrograde libertines
Can alter persona forged in granite and schooled by pious sages
A form made in harmony and bred in reverent chambers unsoiled
Never the spawn of harried union bestowed to welfare tolls taxes
Full of putrid angst and foul manner, foul thoughts and foul deeds.

How then can Insipid with nothing but a skull
Ever live and stand untroubled in Dignity Light and Grace
Ever possess the stoicism of the brave or the discipline of spartan
What is self-respect and valour to one born to be a faceless coward
A puppet without a mind is only as good as the strings that pulls
Thus he sees others as himself and believes we are all in sameness
It's 3:03
In the morning
And all I can dream of
Is of the softness
Of your body,
The curvature
Of the earth
The equators
The hemispheres
Have nothing
Against the geography
Of your skin,
I traverse the deserts
The jungles
Of your southern regions
In my mind
A safari
Of exquisite
Smells and taste,
The bazaar of you
A map of treasures
That I endeavor
To hunt in
But for an elixir
To calm my soul,
I miss
The eureka
The euphoria
Infinite wonders
Of you...

APAD2020 - 002
sage eugene zumr Jan 2023
quakes of a heavens distaste lost in fog
the shambles take off an equators rot
most krill stay hidden before its all lost
mightygee for the highlit screens tossed
idle chatter in my headcase all across
the bone marrow of my long lived shots
drunkard keeps himself up alot
zebra Dec 2020
i write my poems with a torn tongue
of Freudian slips
in dark rooms of naughty language
that stick like fly paper on trespassing filigree wings of contagion  
where i remember the whole history of poetry
like a pageant of painted bride runway models
which i have culled
from the of blood of recognition

                                    blackout

a ghost from the underworld
i awaken to life in ecstatic perception
below shimmering celestial equators in a world of endless war
booming noise and scenic fruited braids of blurring tears
as enemies try to fill each others bodies
with spores and yardage of bladed body parts
in riddles of flesh
towards eternity as obsession becomes horror in an empire of rage

                                your gonna get such a slap

where justice and power forever suffocate each other
in a phantasmatic struggle both born to intermittent death and renewal in some contra parallel juncture of back and forth
where burning floors
thresholds of disaster
sprinkle embered words from hinterlands of excrement
giving birth to sagging hearts
and broken brains vignette on skeletons of wire and shining eyes
staring    staring    staring
through muffled pinhole pupils
staring black

                                eyeballs whistle

thank God i'm ****** again
and driving the white car in a crescendo of halos
slinged back fantasizing mythological ***** dreamgirls
and the food they cook in their wet *****
of melodious love and bedroom splits

                             Venus gone mad

and then i turn to puff smoke poem jazz
singing with opiated mouths
grinning red Beetle teeth
while driving through immortal clouds
of wish bone shaped pole dancers
with burning button hole eyes
spinning in horizontal love and death
blue pineapple aspic rhapsodies


                                *i'm your ******* daddy
INTERTEXTURAL POEM
Yenson May 2022
But he is already dead
the living carcass of Cain
he died in weakened bones
when without strength or vigour
his and his trawled the hot equators
looting and plundering without hearts or shame

and then once more again
he died as the stolen and chained
grew in his harbours under his nose
to thrive and grow and buy his inheritance
and right in his face they made millions and more
to earn places in hallowed halls exempt to the likes of him

but cowards die a thousand times
for those from plantations are now Doctors
some Lawyers and Accountants or governing Offices
while our prodigals go caps in hand begging Welfare checks
stealing from neighbours as Taxi-drivers **** their little sisters
and boiling in red rages as the new black are the rich colours now

our living carcass died long ago
not in honour or grace but in riled envy
wearing yesterdays cloak of disgrace and shame
borrowing tomorrow mirages to find himself and relevance
dancing in woke shattered idioms with regressive forked tongues
the pathetic relics now indented thugs of the Peckham Revolution Party
Electrocute reboot see the words shoot scoops
That average nay sayer true player the rappin mayor
Playing in league major can't fade tha lyrical equators
Heat a debater mind caters slay ya dollaz deja
Vue filling the clues with no blues ghetto valuable
Diamond bezel intellects my techs select third eye nest
Rest only to the wicked punch meal tickets like Wilson
I picket it catch the licks as i stick drum follow the hums  
Strums a new melody rhyme dime felony ebony
She cute as can be but treacherous with the three
Body rock soul shocked see the tapes pops she can't stop
Moving and grooving caught by loves crest soothin'


Take a stench of herbs follow the verbs to words
Formulating oxidation see the mind begin creations
Wonder world fantasy see the real me far from cheesy
But stay movin' cheetahs from leeching divas
Tryna be a money pendant receiver follow myself as leader
Still paging Malcolm's scrolls can't see me like Cena
John BKY acronym best known yet super Mario threat
Once my flows inject spit fireballs consume all of y'all
Braced the downfall who wanna brawl? Creep and crawl
Snail pace activate the chase see growin' instincts waste
Face off with the nation pour up my black libations
Soul restoration no more hesitating set black stations
Seek my Nefertiti spacing birth counts paramount
Fear of a dark planet got **** it it's happening
And they can't stand it winded opponents
Failed because of being insubordinate

— The End —