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Johnny Noiπ Jul 2018
I know that girl told u
   her       name was Jezebel
but it's really Tiamat & she's a monster;
   I recognize her face from  
[Neo-Assyrian cylinder seal
                                           impressions from the eighth century BC        
                      identified by several sources
                      as a possible depiction of the slaying
                      of Tiamat from the Enûma Eliš
                      of               Ancient   Mesopotamian religion:
Chaos Monster & Sun God    [Primordial beings (        )]
                 Abzu & Tiamat.                     Lahmu & Lahamu
                                Anshar & Kishar                      Mummu
               The          Seven gods who decree the       
               Other major deities;
               Minor deities,  Demigods & heroes,    
               Spirits &    monsters             of the
                                     [Tales
                                        of                      ­Ancient Near Eastern religions
[Sumerian &            Babylonian
                   In the religion of ancient Babylon,  Tiamat
                  (Akkadian:AM.TUM, Greek: Θαλάττη Thaláttē)
                   is a primordial goddess of the salt sea,
             mating with Abzû, the god of fresh water,
             to produce the   younger gods.
                    She is the symbol of the chaos of primordial creation.
  She is referred to as a woman       described as the glistening one.
                                              It is suggested that there are two parts
          to the Tiamat mythos,                            in the first
          Tiamat is a creator goddess,
through a sacred marriage between salt and fresh water,
                peacefully creating the cosmos
                through successive generations;
                In the second Chaoskampf Tiamat
is considered the monstrous embodiment of primordial chaos;
           Some sources identify her with images
           of a sea serpent or dragon
        [The motif of Chaoskampf (German: [ˈkaːɔsˌkampf], "struggle against
                                          chaos")
               is ubiquitous in global                        myth & legend,
               depicting a battle of a culture hero deity
               with a chaos monster, often in the shape
                                       of a serpent or dragon or beautiful woman;
                                       the same term has
   also been extended to parallel concepts
   in the Middle East and North Africa, such
   as the abstract conflict of ideas in the Egyptian
duality of Maat and Isfet or the battle of Horus and Set

The origins of the Chaoskampf myth
most likely lie in the Proto-Indo-European religion
                                          whose descendants
almost all feature some variation of the story
of the storm god fighting the
      sea serpent; representing
                                           clash between the forces of order and chaos;
Early work by German academics
such as Gunkel and Bousset's                             comparative mythology
popularized translating the mythological
sea serpent as a "dragon."
Indo-European examples of this mythic trope
include Thor vs. Jörmungandr (Norse),
Tarḫunz vs. Illuyanka (Hittite),
Indra vs. Vritra (Vedic),
                                     Θraētaona vs. Aži Dahāka (Avestan);
Zeus vs. Typhon (Greek) among others; Non-Indo-European
examples of this trope are
Yahweh vs. Leviathan (Hebrew),
Susano'o vs. Yamata no Orochi (Japanese) &
Mwindo vs. Kirimu (African).

In the Enûma Elish, the Babylonian epic of creation,
she gives birth to the first generation of deities;
her husband, Apsu, correctly assuming
they are planning to **** him and usurp his throne,
makes war upon them and is killed. Enraged, she,
too, wars upon her husband's murderers,
         taking on the form
of a massive sea dragon; |
                     she is slain by Enki's son,
the storm-god Marduk, but not before
      she has brought forth the monsters
        of the Mesopotamian pantheon, including the first dragons,
whose bodies she fills              w/          "poison instead of blood" -
Marduk then forms the heavens and the earth from her quartered body.
Ken Pepiton Oct 2018
--- as a boy, I explored a hermit's lair
--- the hermit was not there, he'd left nothing but a tin box
--- of charcoal pills, a panacea for curiosity, I was told.

This old bearded fellow who lived at the foot o'thumb butte,
by the burro's water hole,
other side o'the hill from Doug McVicar's Jasper find

Tidal shorelines from my child hood
swirling through the softed rocks

Boulders on the bottom, roll on, crustal waves rise and fall

it all goes back to that 13,000 year mark
when Gobekli Tepi,
was in the building,
long long before
the Hopis were on the Pollen Way, leaving land marks on

Rocks risen above the desert floor

Some thing came from space, something very cold,
a snowball so big it tugged the ocean of magma
through the crust of the earth

nuclear glass, same time. nano diamonds

The younger dryas-

melt water pulse, fire from the sky, men could see that, with their own eyes.
and then they saw the clouds of witnesses

Rituals learned, the story heart seeps from mother to child,

at first touch some say.

Specialized touches were included in the 2.0s.
Holistic wuwu Randall Carlson laughs, why lie? Evidence, see.

What did you see when you passed through hell the first time?
Nothing, you kept your eyes shut.

Are you really
Experienced? That was the question. Ask the experts,
but some of them lie.
Never trust their clocks, that's wise. Time is too temporary to make
much difference
in the long run. Time, least of all powers in eternity. Chronos,
Chaos shattered him, and some story teller on a journey
saw the event
while his tongue was being tamed, a task no man can do.

Fire and Ice from heaven to earth,
whole peoples saw it,
with the eyes in their head

Hope is the key to the heart's lock on reality

The younger Dryad's oak burned,
Drought killed all the others, bugs killed the elms.

Ah spirit to spirit, compare. The heart of the world is weeping
for the ignorant eaters of poisoned poems and stagnant stories

speed kills when it comes to cosmic notes on rocks

patience, under stand the canopy of heaven can, filter
poison from those
stagnant stories's idle words, redemption draweth nigh,

count on it. Keep counting, patience finishes what she starts.

Sacred Geometry, scale invariance, I saw the Mississippi
Carve meandering ant canyons in the dirt
while watching the rain
Nothing's secret anymore, that's a reality that may be beyond

your thought. Textbook in stone. I know geometry Mr. P,

can I come in? She who builds, who destroys, who rebuilds, suggested
my bombs have a Nobel role,
in energizing

the ark
the earth is the ark, but you knew that already, right.

Acacia bush visions from a medium
of messaging the master builder,
who, you know, made this
happen, used to heal with ashes.

Healing war, study it no more, it is
possible man, alone, can imagine.

The Godhead? What's the big idea? You a heretic, Mr. P?

Come and see, leave the clock/phone.
---

This is big momma story, little clay doll with pointy feet
sticks in the dirt, stares at the fire,

the story mamma, shhh

Stands, and lifts her hands up high, pointing
all her fingers to the skies where ashes, glowing
rise,
like we can imagine the stars once scattered by God
and his sons's servants prepping

origins of human conflict taught
Tubalcain by fire light, while Jubal
Sang the very umph umph song from
Taj Mahal' 1970 with Jerry, Fillmore West,

A message to Garcia, from on high:
the imbecility of the average man—
the inability or unwillingness to concentrate on a thing and do it,
That, resist. It is evil.

Angels, imaginable, you know, mere messages, nothin more,

so great a cloud of witnesses
there was a times when  all
imaginations men were imagining heartily
were evil, altogether.

Enki left and went to the moon, or that's the story grandma's
sisters told me
when I was a little boy lost and found from time to time

The serpent on the staff, where's that story from?
Who says their mammy saw that happen.

Time, Hosts of Heaven, time is one of those.

Fan tasty taste, see, the truth is good.

Freedom, responsible freedom, take as granted,
intend good and go.
Seed of the Dream,
I planted that. It contained this fact,

we reap what we sow.

Ambi-Dios, ambit-ion with no hope for something just beyond
the best that I have ever done,
that'll make a child mean as hell, on the average,
according to the data Google smuggled into China
through those super phones,
unavailable in the USA, protected by the wielders
of destruction who eat the world up,
and drink its very blood.

the bread of shame, is fed to slaves to keep them in the queue,

BTW que-eee was the word I used for ****, when I was a child.
I took that word to school.
Nobody knew what it meant. I considered that cool
and kept my secret until just now.

I feel so free.

A builder sees a building and the builder in a single glance.
None may enter here lacking geometry, that's no secret now.
The cultivated Pythagorean mind, simple as pi.

'Cain't get to Romans eight, which is here, now, I think,
with out going beyond Hebrew six.

The measure of a man that is the angel. No comma,
just a jot, then this means that,
to the mind
listening for mystery in beauty found lying around.,
glistening in the sun.
The charcoal pills I found fifty three years ago, these wandering thoughts I found dancing the trail earlier this morning.
Michael R Burch Apr 2020
Temple Hymn 7: an Excerpt

to the Kesh Temple of Ninhursag
by Enheduanna (circa 2285-2250 BCE)
loose translation/interpretation by Michael R. Burch

O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!

O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!

O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!

O, great lion of the wildlands stalking the high plains! ...

Ninhursag was the goddess of nature and animals, both wild and tame. She was also the goddess of the womb and form-shaping. And she was the patron deity of Kesh.

This page contains modern English translations of a number of poems written by Enheduanna:

"The Exaltation of Inanna"
"Hymn to Inanna"
"Lament to the Spirit of War"
and several Temple Hymns

Enheduanna, the daughter of the famous King Sargon the Great of Akkad, is the first ancient writer whose name remains known today. She appears to be the first named poet in human history, the first known author of prayers and hymns, and the first librarian and anthologist. Enheduanna was an innovator, doing things that had never been done before, as she said herself:

These are my innovations,
O Mighty Queen, Inanna, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.
—Enheduanna, loose translation/interpretation by Michael R. Burch

Enheduanna, who lived circa 2285-2250 BCE, is also one of the first women we know by name. Far ahead of her time, Enheduanna reigned supreme as the greatest female poet until she (finally!) had serious competition with the births, more than 1500 years later, of poets like Sappho of ******, Erinna, Korinna (all three circa 600 BCE), Tzu Yeh, Sui Hui, Anyte of Tegea, Sulpicia, Zu Hui and Ono no Komachi.

"You have given wings to the storm, O Beloved of Enlil!"

Enheduanna was the entu (high priestess) of the goddess Inanna (Ishtar/Astarte/Aphrodite) and the moon god Nanna (Sin) in the Sumerian city-state of Ur. Enheduanna's composition Nin-me-šara ("The Exaltation of Inanna") details her expulsion from Ur, located in southern Iraq, along with her prayerful request to the goddess for reinstatement.

Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her high priestess!
—Enheduanna, loose translation/interpretation by Michael R. Burch

Enheduanna also composed 42 liturgical hymns addressed to temples across Sumer and Akkad. She was also the first editor of a poetry anthology, hymnal or songbook, and the first poet to write in the first person. Her Sumerian Temple Hymns was the first collection of its kind; indeed, Enheduanna so claimed in closing: "My king, something has been created that no one had created before." Today poems and songs are still being assembled via the model she established over 4,000 years ago! Enheduanna may also have been the first feminist, as I explain in the notes that follow my translations of her poems.—MRB



Lament to the Spirit of War
by Enheduanna
loose translation/interpretation by Michael R. Burch

You hack down everything you see, War God!

Rising on fearsome wings
you rush to destroy our land:
raging like thunderstorms,
howling like hurricanes,
screaming like tempests,
thundering, raging, ranting, drumming,
whiplashing whirlwinds!

Men falter at your approaching footsteps.

Tortured dirges scream on your lyre of despair.

Like a fiery Salamander you poison the land:
growling over the earth like thunder,
vegetation collapsing before you,
blood gushing down mountainsides.

Spirit of hatred, greed and vengeance!

******* of heaven and earth!

Your ferocious fire consumes our land.

Whipping your stallion
with furious commands,
you impose our fates.

You triumph over all human rites and prayers.

Who can explain your tirade,
why you carry on so?



Temple Hymn 15
to the Gishbanda Temple of Ningishzida
by Enheduanna
loose translation/interpretation by Michael R. Burch

Most ancient and terrible shrine,
set deep in the mountain,
dark like a mother's womb ...

Dark shrine,
like a mother's wounded breast,
blood-red and terrifying ...

Though approaching through a safe-seeming field,
our hair stands on end as we near you!

Gishbanda,
like a neck-stock,
like a fine-eyed fish net,
like a foot-shackled prisoner's manacles ...
your ramparts are massive,
like a trap!

But once we’re inside,
as the sun rises,
you yield widespread abundance!

Your prince
is the pure-handed priest of Inanna, heaven's Holy One,
Lord Ningishzida!

Oh, see how his thick, lustrous hair
cascades down his back!

Oh Gishbanda,
he has built this beautiful temple to house your radiance!
He has placed his throne upon your dais!

Ningishzida was a deity of the Netherworld: he was the chair-bearer who carried notable persons to their destination. The ancient Sumerians believed the Netherworld was set deep in the mountains, so a mountain shrine was perhaps a "natural" for Ningishzida.



The Exaltation of Inanna: Opening Lines and Excerpts
Nin-me-šara by Enheduanna
loose translation/interpretation by Michael R. Burch

Lady of all divine powers!
Lady of the resplendent light!
Righteous Lady arrayed in heavenly radiance!

Beloved Lady of An and Uraš!
Hierodule of An, sun-adorned and bejeweled!
Heaven’s Mistress with the holy diadem,
Who loves the beautiful headdress befitting the office of her high priestess!

Powerful Mistress, seizer of the seven divine powers!
My Heavenly Lady, guardian of the seven divine powers!
You have seized the seven divine powers!
You hold the divine powers in your hand!
You have gathered together the seven divine powers!
You have clasped the divine powers to your breast!

You have flooded the valleys with venom, like a viper;
all vegetation vanishes when you thunder like Iškur!
You have caused the mountains to flood the valleys!
When you roar like that, nothing on earth can withstand you!

Like a flood descending on floodplains, O Powerful One, you will teach foreigners to fear Inanna!

You have given wings to the storm, O Beloved of Enlil!
The storms do your bidding, blasting unbelievers!

Foreign cities cower at the chaos You cause!
Entire countries cower in dread of Your deadly South Wind!
Men cower before you in their anguished implications,
raising their pitiful outcries,
weeping and wailing, beseeching Your benevolence with many wild lamentations!

But in the van of battle, everything falls before You, O Mighty Queen!

My Queen,
You are all-conquering, all-devouring!
You continue Your attacks like relentless storms!
You howl louder than the howling storms!
You thunder louder than Iškur!
You moan louder than the mournful winds!
Your feet never tire from trampling Your enemies!
You produce much wailing on the lyres of lamentations!

My Queen,
all the Anunna, the mightiest Gods,
fled before Your approach like fluttering bats!
They could not stand in Your awesome Presence
nor behold Your awesome Visage!

Who can soothe Your infuriated heart?
Your baleful heart is beyond being soothed!

Uncontrollable Wild Cow, elder daughter of Sin,
O Majestic Queen, greater than An,
who has ever paid You enough homage?

O Life-Giving Goddess, possessor of all powers,
Inanna the Exalted!

Merciful, Live-Giving Mother!
Inanna, the Radiant of Heart!
I have exalted You in accordance with Your power!
I have bowed before You in my holy garb,
I the En, I Enheduanna!

Carrying my masab-basket, I once entered and uttered my joyous chants ...

But now I no longer dwell in Your sanctuary.
The sun rose and scorched me.
Night fell and the South Wind overwhelmed me.
My laughter was stilled and my honey-sweet voice grew strident.
My joy became dust.

O Sin, King of Heaven, how bitter my fate!

To An, I declared: An will deliver me!
I declared it to An: He will deliver me!

But now the kingship of heaven has been seized by Inanna,
at Whose feet the floodplains lie.

Inanna the Exalted,
who has made me tremble together with all Ur!

Stay Her anger, or let Her heart be soothed by my supplications!
I, Enheduanna will offer my supplications to Inanna,
my tears flowing like sweet intoxicants!
Yes, I will proffer my tears and my prayers to the Holy Inanna,
I will greet Her in peace ...

O My Queen, I have exalted You,
Who alone are worthy to be exalted!
O My Queen, Beloved of An,
I have laid out Your daises,
set fire to the coals,
conducted the rites,
prepared Your nuptial chamber.
Now may Your heart embrace me!

These are my innovations,
O Mighty Queen, Inanna, that I made for You!
What I composed for You by the dark of night,
The cantor will chant by day.

Now Inanna’s heart has been restored,
and the day has become favorable to Her.
Clothed in beauty, radiant with joy,
she carries herself like the elegant moonlight.

Now to the Noble Hierodule,
to the Wrecker of foreign lands
presented by An with the seven divine powers,
and to my Queen garbed in the radiance of heaven ...

O Inanna, praise!

[Earlier Version]

Lady of all divine powers,
Lady of the all-resplendent light,
Righteous Lady clothed in heavenly radiance,
Beloved Lady of An and Uraš,
Mistress of heaven with the holy diadem,
Who loves the beautiful headdress befitting the office of her high priestess,
Powerful Mistress who has seized all seven divine powers,
My lady, you are the guardian of the seven divine powers!
You have seized the divine powers,
You hold the divine powers in your hand,
You have gathered up the divine powers,
You have clasped the divine powers to your breast!
Like a dragon you have spewed venom on foreign lands that know you not!
When you roar like Iškur at the earth, nothing can withstand you!
Like a flood descending on alien lands, O Powerful One of heaven and earth, you will teach them to fear Inanna!



Excerpt from “Hymn to Inanna” aka “Inanna C.”
by Enheduanna
loose translation/interpretation by Michael R. Burch

Great-hearted Mistress,
wild rambunctious Lady,
exalted among the Anuna,
exalted in all lands,
great Daughter of Nanna,
eminent among the Igigi gods,
magnificent Lady who gathers
the divine powers of heaven and earth,
who rivals even An,
mightiest among the great gods!
She who rules the gods
and makes their verdicts final
as the Anuna gods crawl before her,
fearing her perilous word.
She whose intentions confound even An,
yet he dare not countermand her.
She reverses course but no one knows when or why.
She perfects the great divine powers;
she seizes the shepherd's crook
and assumes command.
No one questions her magnificence, her preeminence.
Like a mighty shackle she constrains the gods.
Her splendor shrouds the mountains, makes crooked roads straight.
Her bellows fill lesser gods with fear.
Her howls make the Anuna gods tremble like reeds.
Hearing her roars, they hide together.
Without Inanna, An makes no decisions,
Enlil decrees no destinies.
Who questions a Queen who towers over mountains?
Wherever she speaks, cities become ruins and haunts for ghosts,
shrines become wastes.
When her wrath makes people tremble, the fever and distress they feel
are like a man caught in the coils of an ulu demon.



Temple Hymn 1: an Excerpt
to E-Abzu, the Temple of Enki in Eridu
by Enheduanna
loose translation/interpretation by Michael R. Burch

House of the Ziggurat, sprouted from heaven and earth!
Great hall of Eridu, foundation of heaven and earth!
Deep-sea shrine built for your Lord, by the sacred canals!
Yours is the Ziggurat, the shrine that reaches heaven!
Lord Enki holds court in your House of subterranean waters,
takes his seat upon your throne!



Temple Hymn 2: an Excerpt
to E-Kur, the Temple of Enlil in Nippur
by Enheduanna
loose translation/interpretation by Michael R. Burch

Great House of the Mountain, shrine where destinies are determined.
Foundation of your high-raised Ziggurat, home of Enlil.
Your door beam is a mountaintop pinnacle, your pilasters summits.
Your base is rooted in heaven and earth, and serves them both.
Your lord, the great lord Enlil, the good lord, the lord of limitless heaven, the god who determines destinies, the Great Mountain Enlil, has erected his house in your holy court and taken his seat on your dais.



Temple Hymn 3
to E-Kiur, the Temple of Ninlil in Nippur
by Enheduanna
loose translation/interpretation by Michael R. Burch

(Ninlil was Enlil’s consort and her shrine in Nippur was also called the House of Tummal.)

O Tummal, deemed exceedingly worthy by the divine powers, inspiring awe and dread! Formidable foundation, your radiance spans the abzu.
Ancient city, your marshlands remain green with mature reeds and new shoots.
Your interior, a mountain of plenteous abundance.
For your New Year’s feasts, you are wondrously adorned, as the great queen of Kiur stands as Enlil’s equal.
Your lady, mother Ninlil, beloved wife of Enlil, has erected her house in your holy court, O House of Tummal, and has taken her place upon your dais.



Temple Hymn 4: an Excerpt
to E-melem-huc, the Temple of Nuska in Nippur
by Enheduanna
loose translation/interpretation by Michael R. Burch

(Nuska was Enlil’s servant and divine vizier.)

O house of furious radiance, wrapped in terrifying light.
Magnificent shrine, assigned the divine powers by heaven.
Treasury of Enlil, founded by the divine powers.
Worthy of nobility, your noble head exalted in princeship, counselor of E-kur.
Your rampart like a huge horn.
Your house, the platform of heaven.

In the River Ordeal, where great judgments are rendered and mighty suits settled, your verdicts allow the righteous to live but consign evil hearts to final darkness.

*

River Ordeal,
we require your wisdom.
Only you know, in your turbulent depths,
the heart of this maiden, or sorceress,
whether she is pure or full of mischief.
Thus we have bound her hands and feet.
Only you can free her, if she is innocent.
Surely the gods would not let us drown an innocent girl!
River Ordeal,
we require your wisdom.
—Michael R. Burch



Temple Hymn 7: an Excerpt
to the Kesh Temple of Ninhursag
by Enheduanna
loose translation/interpretation by Michael R. Burch

O, high-situated Kesh,
form-shifting summit,
inspiring fear like a venomous viper!

O, Lady of the Mountains,
Ninhursag’s house was constructed on a terrifying site!

O, Kesh, like holy Aratta: your womb dark and deep,
your walls high-towering and imposing!

O, great lion of the wildlands stalking the high plains! ...

NOTE: Ninhursag was the goddess of nature and animals, wild and tame. She was also the goddess of the womb and form-shaping. And she was the patron deity of Kesh.



Temple Hymn 17: an Excerpt
to the Badtibira Temple of Dumuzi
by Enheduanna
loose translation/interpretation by Michael R. Burch

O, house of jeweled lapis illuminating the radiant bed
in the peace-inducing palace of our Lady of the Steppe!



Temple Hymn 22: an Excerpt
to the Sirara Temple of Nanshe
by Enheduanna
loose translation/interpretation by Michael R. Burch

O, house, you wild cow!
Made to conjure signs of the Divine!
You arise, beautiful to behold,
bedecked for your Mistress!



Temple Hymn 26: an Excerpt
to the Zabalam Temple of Inanna
by Enheduanna
loose translation/interpretation by Michael R. Burch

O house illuminated by beams of bright light,
dressed in shimmering stone jewels,
awakening the world to awe!



Temple Hymn 42: an Excerpt
to the Eresh Temple of Nisaba
by Enheduanna
loose translation/interpretation by Michael R. Burch

O, house of brilliant stars
bright with lapis stones,
you illuminate all lands!

...

The person who put this tablet together
is Enheduanna.
My king: something never created before,
did she not give birth to it?



NOTES

The name En-hedu-anna, probably either a title or adopted, was apparently compiled from "En" (Chief Priest or Priestess), "hedu" (Ornament) and "Ana" (of Heaven). She was considered to be the Ornament of Heaven. Enheduanna was the first royal daughter known to have been given the title "En" in a line that would extend for five hundred years. Enheduanna would serve as En, or High Priestess, during the reigns of her father Sargon, her brother Rimush, and perhaps under his successors Manishtushu and Naram-Sin.

Sumerian literature is the earliest known human literature and the Sumerian language is the oldest language for which writing exists. Enheduanna is the first named Sumerian writer, and thus she is the first writer known by name in human history. She also read and wrote Akkadian. William Hallo called her the Shakespeare of her time.

Enheduanna may have been the first feminist, or at least the first feminist we know by name. In one of her poems the goddess Inanna kills An, the former chief deity in the Mesopotamian pantheon, and thus becomes the supreme leader of the gods. It seems Enheduanna may have "promoted" a local female deity to the Queen of Heaven. Might this be considered the first feminist poem? Was Enheduanna commenting on the male-dominated society in which she lived, and perhaps even "projecting" her wishes on male rivals, to some degree?

Enheduanna may have been something of a propagandist and self-promoter. Sargon the Great appears to have ruled over a larger empire and more people than anyone before him. Getting everyone to believe in the same supreme deity would have helped him consolidate his gains, since he ruled over a large, diverse and expanding empire. Also, by promoting her personal goddess to the position of chief deity, Enheduanna could have enhanced her own position, influence and power. To have been the high priestess of a goddess whom "nothing can withstand" and who "loves the beautiful headdress befitting the office of her high priestess" would have proved very convenient, indeed, in power struggles!

It is believed that Enheduanna's petitionary prayers influenced the psalms of the Hebrew Bible, the epics of Homer, and Christian hymns. Experts have noted that the Sumerian gods seemed more compassionate and more embracing of all people after Enheduanna, than before her ministrations.

Enheduanna organized and presided over Ur's temple complex, until an attempted coup by a Sumerian rebel named Lugal-Ane forced her into exile. According to William W. Hallo and J.J.A. van Dijk, a man named Lugalanne or Lugalanna "played a role" in the great revolt against Naram-Sin (the grandson of Sargon). In one of her poems Enheduanna prayed for An to "undo" her fate. (Was this before she wrote the poem in which Inanna killed An?) Apparently the prayer worked and Enheduanna was restored to her position as high priestess of Inanna. She served in that role for around 40 years. After her death, she became a minor deity herself.

Enheduanna is best known for her poems Inninsagurra, Ninmesarra and Inninmehusa, which translate as "The Great-Hearted Mistress," "The Exaltation of Inanna" and "The Goddess of the Fearsome Powers." All three are hymns to the goddess Inanna.

Inanna would later be associated with Ishtar, Astarte and Aphrodite. Inanna was the goddess of love, beauty, ***, desire, fertility, war, combat, justice and political power.

Amazingly, we have a depiction of the first poet/anthologist, because in 1927 the British archaeologist Sir Leonard Woolley found the now-famous Enheduanna calcite disc in his excavations of Ur. The disc is circular, perhaps mean to represent the moon. It shows four people entering the ziggurat of Ur. Inscriptions on the disc identify the four figures: Enheduanna, her estate manager Adda, her hair dresser Ilum Palilis, and her scribe Sagadu. The royal inscription on the disc reads: "Enheduanna, zirru-priestess, wife of the god Nanna, daughter of Sargon, king of the world, in the temple of the goddess Inanna." The figure of Enheduanna is placed prominently on the disc emphasizing her importance in relation to the others and, further, her position of great power and influence over the culture of her time. Enheduanna is larger and more ornately dressed than the men on the disc, speaking of her prominence. Her name is inscribed on the back of the disc.

Related pages: Sappho of ******, The Best Translations of Michael R. Burch, Poems for Poets

The HyperTexts




Keywords/Tags: Enheduanna, translation, Akkad, Sumer, Ur, Sumerian temple hymns, Ninhursag, Kesh, Aratta
These are modern English translations of poems written by Enheduanna, the first poet we know by name.
Alan McClure Dec 2016
Transported
by the waves of sound
so transcendentally human
I am swallowed, surrounded

The basses are an ocean swell
the tenors, a hull of solid oak.
We stand upon the altos’ sturdy deck,
gaze upwards at soprano sails
swollen with song

What strange creatures we,
to join and mingle so
to vanish in the whole.
This ritual enacted
for this God, or that
has outlived immortals and still
floods with lifeblood

Anu, Enlil, Enki, Baal,
dived divinely
in the sea of song
and vanished.
Forgotten gods adrift
in harmony, in melody

And while I wish
all gods forgotten
I would abase myself
before Jehovah’s golden toes
to be a part
of this eternal choir.
Johnny Noiπ Jul 2018
♀︎                An Ancient Akkadian cylinder
          seal depicts Inanna resting a      foot
        on the back of a lion, with Ninshubur
     standing in front            of her Mistress
   paying obeisance, c. 2334-2154 BC;
  Ninshubur       (also known as Ninshubar,
Nincubura or Ninšubur,
                         a goddess in her own right) was           sukkal
  or second-in-command      of the goddess
        Inanna's army in Sumerian mythology;
    Her name means        "Queen of the East"
     in ancient Sumerian. Much like Iris   or
               Hermes in later Greek mythology,
         Ninshubur served as a swift     
                                     messenger
                                     to the other gods;

  Ninshubur accompanied Inanna
as a vassal and friend throughout
Inanna's many exploits;                      She helped
Inanna fight Enki's demons after
Inanna's theft of the sacred me;         & later, when Inanna
                         became trapped
in the Underworld,       it was Ninshubur
who pleaded with Enki for her mistress's release]
My wild ambition loves to slide - ye all must understand
But fortune's ice prefers only the most virtuous of hand.
In Malaga I grew weary and wanton to possess
The most colorless canvas, one easy with a lazy happiness,
Disdained by golden fruit to the viewer be
As I passed the crowd to gently shake the tree.
Now manifest in paint, inward contrived and long since
I stood in bold defiance with the heart of a prince,
Held up on the square by one wanting to buy my latest cause.
Against the wind I held it up in spite of all the laws.
Do they wish to thicken my lot among all their other mistakes?
What circumstances find you this? -This is what my mind makes!
The buzzing of my emissaries fill my ears
With many solitary jealousies and fears,
Arbitrary thoughts brought forward into the light,
Contemplating existence, must it prove my vision right?
Weak are the arguments! Which the true artist knows full well,
Where weak minded people curse my renderings or are easy to rebel.
For am I not governed by the moon and by the far off stars?
Tread lightly on me and don’t put me behind your own bars.
And once in a shard of time let the Annunaki’s scribe record,
That my vision once rendered could somehow affect their lord.
The unrecognized Enki still wants to be a chief, yet none
He created was found as fit as barren Adam.
Not that he wished his greatness to create,
For leaders should wish not to be called great.
But he like I know our titles are not to be allowed.
For titles are useless and only dependent upon a crowd,
Those are kingly powers, thus ebbing us out, they might be
Drawn by the dregs of a falsely acclaimed democracy.
But in my paint I attempt, with studied arts to ease,
And shed the unholy venom with visions such as these.
On the other side of the canvas, not much escapes my eye –
But once in front of it – nothing escapes the me that I call I.
I have several prints of Picasso's work and sometimes I ponder their true meanings. I'm like that. I wonder what was the artist thinking as he created this or that piece. Picasso was/is a hard nut to crack. Born of influence and trained mostly by his father he should have had a life of luxury. But such was not the case. For a time he lived almost penniless and hungry a lot of the time. But even in those years he not only refused to conform but he defied all reason to conform to what he was being taught as an artist. Instead he blazed his own trail. And today more people know the name of Picasso than any other artist, I dare say. So - in this piece it is my hope to show you how original he truly was. To me his magic is found in his ability to reflect his own thoughts into - if not inside of - a particular piece of his renderings. After just a little study - you can see him in his drawings, paintings, etc. Here's a last bit of trivia for you concerning Picasso. Were you aware that in his earlier young adulthood that he was so poor that he actually burned some of his own art just to try to stay warm? Think of what any of his burned renderings would be worth today. Now I call that perspective.
Ken Pepiton Aug 2019
Hearing history whisper in the background

in an aural realm
I hear enkidu bled
ink
to fill the pens

of ready writers after
ever
lasting word
forms
a name
Enki, wisdom and life
flowing

into length of days
ancient
days
long

remembered, visited
in daydreams
featuring

all that may have been,
then.

Some soporific drink drunk
in old Uruk

vicareate, those in lieau of you.

Dying for you to go into the
realm
of knowns past
knowing knowns now in this

realm

make your mind reach mine.
Stand under my lines and

lean toward joy
good and calm,

gentle waves of peace
swirling fibrating threads
forming

woven things, matrices,

see the points crossed over
and under,
see the edges wound around,
to keep the rubbing of

reality from fraying ends.

did the fingers gno the math,
the ciphers we see
in carpets woven by magi
families
for centuries, ere

The Prophet were told to Read,
and he refused
to learn,

but chose to teach that which
an angel of light,

warned against by Paul the Gnostic Jew,

taught? Told to read, but never learning to do it, because angel said,
say exactly what i say...

Teachers once learned by teaching, but
never has reading been masterd
sans
sensibility of the graphemes
re
presenting the noises

common in every human ear
hearing in
sapience, abruptly

Hear!
Easy to be entreated. You have ears?
Hear.
How is never asked, why is clear; ears hear,
we all have ears.

Not all ears hear.
But eyes can learn to read, with some effort.

I magine it your task. You the first speaker of your
magic tongue-lung-teeth-lips, epiglot-tonsil-nasal

noise making system, engineered
to permit

song in accord with this, our shared realm of
noises, common.

Ha. This tale of an angel telling a messenger to read,

is this a famous story? Have I not learned of a war being
waged,
i.e. fought with stand-ins paid to fight, live or die.

Soldiers formed from hearers of empty songs
stretched to cover eyes, as well,

push and pull, hot and cold, balance value
weight and worth

imagine knowing no written tongue

you, dear reader, this book of lives in life per se,

who could see this coming?

Papyrii and clay and stone

cities are inventions of men

men who would be kings
imagined
delegating

knack for knack *** for tat

this for that all
for me,
the man wombed or un who would be

like the most high god I can imagine

ah the danger of falling into anachronism

you first must imagine, dear reader, that
writing is an invention

intended to bher the burden of learning to
remember, really,

no po'etic license claimed or blamed

famine of the written word
negates not the worth of rhyme and dance

masques and noises of roaring bulls

thrumming, thundering herds

screaming hawks, squeeling rabbits,
caw
cawing crows or ravens if that
distinction is
ever
necessary...

as the story is told, some time after ever starts.

This has been a chapter in our history,
dear reader from the times before the pictures
were scratched on the rock Sisyphus rolls.

Twixt now and then lies a realm of stories locked in idle words
never written for never having a reader
who grasped the message to the prophet,

read.

-----
Uruk, was there a ****** who watched you rise and learned
to make a city sufficiently

enslaving to raise a king from the son of a king

to the level of luxury allowing

reading all that writing demands

suggestive is the fact that the written word for C2H5OH
is a spirit ual thing caught in a word
as old as the earliest writing
remaining

alcohol, spoken now, would call for a drink in old Uruk and Akkad,
as would reference to kohl warm eyes,

be cool

as are we all, we living words spoken in times past,
listing in lusting vacuums of empty songs

ah, you shall not surely die, poor Gilga-
mesh, the net

spread in your sight, you never thought

networking and weaving were skills teachable, thus
this witty idea, the best potter makes only one pattern of ***,
all for me,
I take them a ll and feed the potter meat. Mighty hunter, am I.

I feed many with one mammoth

I am worthy of all they make with strength taken as granted

while chewing the carcass of my
****
--- here it comes,

civilization---

things in abundance might be made,
and traded
for
that which we lack the knack to make

so soon does some medium of exchange manifest

as witty inventions emerge from seeds carried from the garden

How? Now, off-scour, **** of the earth, us-all,

poor you have with you always,

we, the feeble-but-not-un-minded, people, whisper

when we sing,
shuffle when we dance, fly when we dream
and live until we die and leave mere words to live ever after in the wind,

making peace for the heirs of the earth.
J.M Roberts history of the world in the backgound listening to Sunday in my valley.
Johnny Noiπ Dec 2018
Cheese made his book resemble German;
Ray Vath Akousi Revolutionary
Refreshment by OCTO Tsing
ánon POSTIMAT Neked
FOTOS of Jewish Kristista from
Korea; Enki, yes pursued more
than Chrome Wind from Agni,
Ilithium Salts sister from Ixeris
Methysms video from Greek
Oleander, slutty jellyfish and outdoor
practices; Free Chop Chop Chop
Chop Chop Chop Edificially Riley,
Tony Stark, Australia Clement
Necros Necros Necros Necros
Necros Pethaínei Australia. This
device is CRASS. Kenyon, Kay
Kay, Kay to return to Italy
and some Ye'ariyewochini lands.
The Azizi and the brooch
of the ***** of the north and
the orchards, ****** and I perceive
ourselves. Yevišikēyi's arrow,
ASK FOR TREES. Western
European Squadron šemigeleyiši
Amfilegómeni Paik. A device
that KATITATITIS-Ecstasy
under the definition
of kuburoviye In fact, |the
microbiologist. Windows
XP **** and Windows. Shelley,
she, she, go ahead, Ken Shaw.
For SASE. Fountinus FOTO
Middle East (East Meyiriši)
and prepares to study and connect
the models. Veleyo a teacher
from Japan, Thailand velili
yeni. Guards of Pigiyeni Timokilojiki.
An event is less than what kuelu
was. Jupiter is more ****** Kay
and KI runs late at night at 10:00
in the shower. Other Russian
footballers' ink; Russia narrative,
history, fiction Rosika Fronteiras.
Shinto "K Blue anarcho tchev
yuturoki -... Sistillus spirit
of monkey of Ypokatastimata
(degree), 1 Podos fairy, Podósfairo
Ispanikós red and white *****,
white for my Windows official
workshop public 4 had the "nightmare"
King bowel, the first time
the doors of Model KyLie trots
left at Microsoft Bob's Syzyg H.
Post and Tapeinos gatactíthike
B. and G. you "and Alfred Clayakyr
Throne, Mexico, ***** and anti-lead
anesthesia, IPA, Rome, Kuwait,
Hoda's surprise and fear, the perfect,
beyond Mexico. The region
of the lakes between here,
Mexico and the European Bank
of Gypsies has been invited by him.
The Iliad (; Ancient Greek: Ἰλιάς
Iliás, pronounced [iː.li.ás]
in Classical Attic; sometimes
referred to as the Song of Ilion
or Song of Ilium) is an ancient
Greek epic poem in dactylic
hexameter, traditionally
attributed to Homer; a A cenote
(English: or ; American Spanish:
[seˈnote]) is a natural pit,
or sinkhole resulting from
the collapse of limestone bedrock
that exposes groundwater
underneath the sounding field
of the hiding place, the color
connection, the Brazilian
paleontologist, the plasma killing,
the teeth of Charles apparently
innocent of the influence of cigars.
The sky of Ekichichi advanced
towards the bottom. from the lake.
A serpent struck with the violence
of the serpent and the Arab
wolves may be a sign of a point
in the <gulib> but 'enik'wayu
has found the ******* of the
body and has the duty to live
as a person who considers
the master of the states. United,
The microbiologists of the
United States of America
wants and likes the transport
that the White House for Windows
does not have ****** and
Windows: the moon, the sun,
the sun, the wonderful shoes
of the sun, loves his son. The bright
lights of the Middle East.
In the Bible it jumps to Japan.
You want to find a list of printers.
That will happen. The guide,
which is a collection of these
people, groups and the public
cannot. On this occasion,
at this time, Yiva Tova,
the Russian Greek *****
and the father of her father,
BSC, in Spain...
Ray Irvine Nov 2022
Mesopotamian deluge,
Ray's Pathos of Divine.
That stride I took down Gilgamesh once more!
Is yours and only mine.
Enki graced this human race,
A deity once or twice.
By making mortal man from heaven,
So that's deities, so that's thrice.
The Anunnakki I have speedial,
They call me from Akkadian.
I try to place on hold at times,
'Please wait for Mesopotamian'
Then as the sales call surely slumbers, a flood through heart and mind,
Reminds me of Annunaki's construct, my mortal human find.
I try and conference call these days, I offer Enki's mirror,
She floods me his Akashic bliss, that only seems to make you shiver!
I haven't travelled from Pleiades light, to waste my ******* time!
So gently listen to heterodyne glisten, show me yours and I'll show mine.
Since awakening from Inner-Earth, a Shaman and his Goddess,
Star family in orbit light, and those that did not care less.
The daemon's eye they served all night, I chewed up and sent back!
Bended knee, synchronicity, to paint that mirror black.
I only raise again for love, as five eyes are alight.
That what we do all day subdues, begins in dead of night.
That all we think, we do we say, is directed from above.
All we feel from head to heel, begins in utter love.
A Wiccan rede would hear thy speak, 'As above and so below'
So please listen to a psychic Witch, '....you 'ought to know they know'
I offer my topoi of ancients, I've been flying round their world(s).
And I close with gentleman's divine, as those Angelic wings unfurl.
Enki baby, you make me sing
My ears ring, and I cling to your memory
Such symmetry we hold, you and I
My fondest mirror
The only balance that makes me shiver
I love you, and I made you a promise
Extention to extention
Together we are intertwined
The universe is inside us
Our secret is a drive
I fight for you
The eve of me
I can't help but be a sinner
Your soul sets me free
Its always been inside me
And into us I now see
Thank you for being my love
My infinate butterfly
Ray Irvine Jan 2020
For an Empath times were frosty! Cider draped in Sugar black,
Whilst through Enki's summit, I surely plummet yet I always had your back,
That day we graced the garden, Edgar said we weren't alone,
And with Timeline Fayre, my Alice hare,
His Lordship did atone!
Excuse my prose, but like your nose, it didn't bode too well.
And now suggestion, upon reflection my flooded spirit I can tell...
All your works, your loving shirks, I have now set you all free!
I must disparrage engine and carriage so you can no longer bother me.
When has anyone scurried magnetron and taken time to teach,
Earth's biggest Heart & Mind, my Angel kind, now makes waves and just in reach

Been difficult to Let Her Go, as Aspy serves in colours,
Images and Symmetries of a Spirit like no other.
Losing marbles it's a Ray that garbles, incoming trajectory,
Jumping timelines, Butterfly Effect it also serves the Entropy!
Whilst memories dance I take a glance at what Delilah did for me.
Beginning dynamic, falsehoods trajick, Earl Greys my cup of tea.
Yet it was a breeze, with surprising ease to fly them all round Orbit!
You may have seen, big TV screen, if not my Angels scored it.
I'm on the fence, without pretence, as the Chief is very taxing,
And that's the Chief of Angels, for anybody not worth catching.
You see my Lovers, Earths like no other, you could see why they stole Royalty,
And I promise thee, on bended knee, they fly in and out with Loyalty.
I've been tripping ****!...for days and weeks, and finally this psychosis,
Was for God's plan, and your best-man, a Sensei I now know this.
I'm late! I'm late for an important date! But I may as well stick around,
Cos time & space does sure placate when Alice makes a sound.
Times a healer, memory peeler, and c**ting mash potato,
For me I lost so we could all gain a Heartfelt all in Escrow.
Take it easy, mrs ****** you've eaten all your  nestlé
I'm sure you'll find my Angel kind, makes you 1st Officer Flyin' Airway
I'm through the pain to remain insane, and loved you with one glance,
Now Ray conveys, tetrahedral array and his finer Quadratic dance
Ray Irvine Nov 2024
The time has come, Oh Precious Ones! Luminary shall now delve,
Abyss of truth what can we prove, I shall ask Majestic 12.
Brahmarandrha, off Earth I swim, through the Sun's abode.
Drama enchanted, 5D granted as Ray rewrites source-code.

Vital mediums, nor less tedium, with fools who fool to swell,
Nature's Prana, Sayonara I know these dudes so well!
Haven't I said with fear and dread that She accustoms threat,
Didn't I say all night and day I work with Architect?

And Ra you know, does as He's told!.. 'processed my application,
Elementary, stamped my passport 'Alien Hybridisation'
Okay, I mean Emeralds an order, She bequeaths your Sun,
My covenant and Christoss mission, for you and everyone.

My Seven Sisters, how we miss yeah!.. it's way holistic severed,
Anubis bliss, oh what have you missed! Sunsoaked corridors the weather.
In Ma'at I balance Pleiadian alliance, Messier 45,
Light from Atlas, cosmic bypass, Stars flood Akashik eyes.

Do take note with antidote, Pleiades swims above all light,
Lies from Shaman tried to reign in, from the other side.
Thoth & Enki, Anunnaki, hybrid light collectives.
You should saunter cos now I warn yer, Thoth and I are feeling festive.

Plus, here on Earth I take wide berth from those who instruct Roman,
Into my dreams is ******* obscene, and a language you do Trojan.
Shouldn't you know this, working cold-case, a Minder on your side,
Truism grace, less keeping-face, a truth you cannot hide.

Now please concede, Epsilon phi, and Beta golden shards,
I sent a message to Pleiades Kings, they've returned with Kingship Arcs.
15:15:15 Rod Code, Magenta Sands now Order,
We arrive soon with less contrite, more pastels, once more I warn yer.

Zeta-tech, Military Greys, I'm saying it's all Truman!
Nuked our cloister, even through choice 'yer never really human.
Dove Grids, Phoenix, Solomon scenics left & right vice-versa,
Pleiades believe that there doth seeds, blue light that tries to curse Her.

I've channeled well and you may tell, certain telemetry,
Early warning your next morning with J.W.S.T.
With love I write, didn't James' wife tell Unconditional Love!
And how she plays in every day, Love's most anything above.

Omicron-Draconian-Rigelian wormholes closing,
Luciferian Covenants are now ******* imploding!
Don't you open can of worms! You'll find no flight tonight
Peruvian 7D gateways, my Love to 'Alien Love Bite'.

Third eye lights most every night, transceivers Alcyone,
My Atlas family are far-light-beings, who'll eat your macaroni.
My Gods, more Goddess, my beyond Love, I've never found such partner.
Those wings unfurled, now many worlds! I'm humbled as your gardner.

I'm off to remote view systems, off t'Southern Pinwheel,
Centaurus scent, I saw they sent a message scalar fields.
Fallen Angelics and all your Clerics, I invite thee ont' front row,
And if you can, bring watering can for how your garden grows.

                                           o  O  o
Johnny Noiπ Dec 2018
Cheil Gia Perplexed Tin Bedclock
Alchimia Even Ray Vath Akoúsei
Soda's HIDDEN REVOLUTION
Tsingánon POSIMAT Nkéi FOTO
Jewish Kratisei Korean Enki, yes
Black ADEI Chrome Bright Terrace
Anagni Ilithium KALTSIS ****
Invisible Ixeris Methysménos,
Ada Erim Started Applications
Rain Top makes skotosei PERFECT
Greek Leptis OLEANDER Medusa
and proerchontai edafically myrodiá
periménete ygró ground ygró tsoúximo
ygró tsímpima tsímpima tsímpima
smoke inhalation tsímpima tsímpima
tsímpima tsímpima tsímpima tsímpima
tsímpima tsímpima tsímpima tsímpima
tsímpima ephod káfsi West aravikí
EFER Skies simato dotísei ghost's
good error: Telia Gónatas; WITCH'S
SOCIAL typing proelefsis ousiastikó
esóroucha **** Shark Tom Mia APA
American NTIS Necro Man pethaínei
Nekros Nekros pethaínei. This Krea
KRAS tool. Pater Kai CHILDREN
Inoménes Stis educated genníthikan
and gardens Arketes Chor Kai Kai
Sting Italia Allou. Torre vrísketai
SIEMPRE AITIOPIA. Kinezoi Paiktes
European panel Buraco Kei mia podos
fairy ikí in my chamogelásei amfile
gómeni paíkti. In Exetastiki Kathigitis
transfer tool of love for Professor
microviologos, anemia; Entropi Kei.
Windows: Windows Kei Gia windows
Lefkada. Selina, Ilia, Ilia, Ilia, Ilia,
Kei shoes. Love to be SAS. Agape
Fotini FOTo met with the Middle
East. In Vivlous, Laos tis Vavylónas,
slave education in iAponica. He
came to Owl Pigeon Timo katalog
Vineyard. . . After WANTING.
proscopic opaque ***** Hi Kei
synthesizer ******* see pepoi thesis
íseis sychná tool. FIST beautiful,
beautiful eyes of Kei's great apes,
Night Plus Kai Vrady soft FOCUS
meeting is supported by this White
House's vrady Kei, run over, run
over, run over, run over Vrady
10:00, one night Kei night. Nice
culture, nkourou Martial techno
savage *******, Rosika
FRONTEIRAS history yuturoki
Greek Stin Kai "Vivy anatchev" -
Monkey Pater Pater Kei tou tou
Pater, Pater. Ypokatastimata
(BSC), 1 Podósfairo tool Podósfairo
Ispanikós Kai red coffee, White
and Lewis Weinstein Windows
Meypologistís except Political
Servers Kinezoi Hello, Montel Kai
Gates, Lytrotís, Sýzygos, Bob, Europeans,
Indika Microsoft Beat It "Nightmare".
Pole protaseis Gia first to go out
and tapeiní katak títhike Gigi Kai
APO and HERA Akyra Itani.
Thanks for all the synomolies
of stomach ulcer. And Sofía, no Spirit
Kai anisychíes hi, prokýptun well.
At the Hebrew University Ypárchoun
Stis Inomenes a polished Mexican's
Mexico IPA tis, tis Inoménes Polite,
Evropa tin, tin Asia, tis IPA has case
Roma Chu Kai tis bedclock beach
Inomenes Politeies. lips tone superior
alchemy hidden soda in deep
gypsy lights hearing revolution's
deux gay and pregnant Jewish
daughters returning monster Empty
bright color half stupid myth invisible.
Did you know gummy prostitutes
rain in the desert started top ****
perfect teeth Greece Irma jellyfish
smell start Start talking to wait
for humid digestion in rooms chopped
*** finely chopped Sting tobacco
bite bite bite bite bite bite bite bite.
Bite attack in the shadows Western
Arabs have brought a burning brand
as a common type of brand source
designed ghost witch needs intimate
underwear **** body and knees
of Mericanus responds to a dead
end dead end ton. It is based on meat
or wine. Parents and children born
in the United States in a country
of gravity, Gardens in Italy and
elsewhere. Wherever a tower in
Ethiopia. Chinese players and
the European soccer team to smile.
With a controversial player.
Transport and an experienced professor,
professor, microbiologist, love,
wind and shame. Cars for Windows
and White Windows. Moon, sun,
sun, sun, sun and great shoes. Your
baby loves Che. Adora Bright lights
in the Middle East. In the Bible,
the Babylonian people are trained
in Japan. You can find a list of
grouping values. . . This is what will
be lost. Such sessions and group
meetings are usually about personal
beliefs. You are beautiful, beautiful,
beautiful, not only at night, but also
at night, afternoon, the White House
and at night, hand, hand, hand, hand,
late afternoon, night and at night
beautiful culture, wild martial arts
guru, prostitutes, yuturoki Russian
border in Greek history and "Vivy
anatchev" - is the only father and father.
Pai Pai do. BSC, Spanish and Brown
1 Red and white football Lewis
Weinstein and a computer with Windows
with more Chinese citizen servers,
model and cats, the Redeemer,
at home, Bob, European Microsoft
batteries of the Indian "Nightmare".
Cities Tips For the First Time,
a humble land conquered and empty,
land and HERA. Thanks for all these
discussions. wisdom, and spirit.

— The End —