There's a girl name, Augusta,

Like the month where the branches are stripped from their leaves but turn an evergreen somewhere else,

There's a girl named, Augusta,

Who wears her heart on her long sleeves and weeps the tears no one should weep,

There's a girl named, Augusta

Who breathes blossoms but her hair is frosted in ice,

There's a girl named Augusta,

She shows the joy of the turquoise seas but feels the wind of the grey sky.

There's a girl named Augusta

And I wish for her to find someone who will thaw the winter that grows in her heart.

Saturated in steely blue clutches, sweating from the 75 degree Georgia night
strung up and washed out with a serpent woman that keeps bringing on the blight
Singing you a song of bliss and blinders.

A big brick red boot on your neck and a green collar that reads The Gardens *****
The Garden takes the taxes tightens up the lead and never relaxes
Hit ya where ya like, the pain is disguised, leather tastes like candy, The Gardens got ya hypnotized.
Your late night camping sight attracts the moon light parasite, that acolyte of appetite, Tonight your the Gardens Delight

You wanna run but she's got those hooks between your shoulder blades feeling like an inexorable **** of silk, smoke and skin.
She gives you every thing you need,
Fountain heads of intemperance and black out nights
Whole streets smelling like grease and charcoal charbroils
Men and women of dexterous lechery, feverous severance, and generous deference
Crystals for your cranium, high altitude dives and the lowest lows.
A cacophony of any entertainment you might want or need, just as long as its seedy.

The Garden keeps blinders on your head to make sure you can't see anything she doesn't want you to.
Try to remove em and the punishment is usually severe.
She might give you the greatest loves you've ever known and turn em to photographs, blot em with LSD and trip you out on memories.
And when you come back to what you think reality is she'll take those photographs and burn em up right in your face and leave you asking if any of it really happened while feeling like it was the realest thing that ever has.
She'll break you and build you up, build you up and break you worse. A cycle of bad things feeling real good.

The Garden will do everything in her power to keep you right here.

But if you can get all those straps and tight leather off, all those hooks and chains.. If you can escape her steely blue clutches,,

You'll finally see how wrong you've been done, and your still gonna want her back in some strange way..
but you might start to heal....
But know this.
No matter where you might run off to,
You'll still be hearing The Garden City call.
That siren song of bliss and blinders.

then I am wearing black suit,
white shirt, black tie,
pockets full of tissues,
most crumpled, mostly used,
like my spirits

If it's 2pm,
I am in Augusta,
in a baptist church,
a nice jewish boy,
fixing his askewed tie,
doing what
The Lord commanded of him

If it's 2pm,
I am in Augusta,
sunny and 72 Farenheit,
inside of me its a different forecast,
y'all decide the condition,
the condition I'm in

I'm in the way back row,
humming so softly,
me and Johnny C.
nobody hears,
nobody cares,

She stood in the crowd and shed not a tear
But sometimes at night when the cold wind moans
In a long black veil she cries over my bones

She walks these hills in a long black veil
She visits my grave where the night winds wail
Nobody knows, no and nobody sees
Nobody knows but me

nobody knows, I am there,
nobody sees, nobody believes,
but god only knows I am here

my spirit taken here
unasked, unaided, unabated
did not have to fly,
the ship that was to take me,
busted on the rocks

for
the words that are used
to get the ship confused
will not be understood as they’re spoken
for the chains of the sea
will have busted in the night,
will be buried at
the bottom of the ocean

still
If it's 2pm,
I am in Augusta,
at a funeral,
my words gone silent,
even store bought stock phrases,
so sorry for your loss,
not for sale, all gone, all aloft,
all sold out on
this Sabbath day

If it's 2pm,
I am in Augusta,
in some form of which
not readily acquainted,
my new context a riddle,
never knew this morphosis
till now, until
it was needed,
all on that day

If it's 2:45pm
can't understand
all these people standing
over me, and the sidewalk
taste in my my mouth

it appears I appeared
on east 57th street
in my New York City,
it appears I appeared
to have
fainted dead away,
asking me not where how or when,
only why,
and I have no answers for
them or me or anybody who dare asks
a quest,
commencing and ending in
why

must have been the heat,
but decide then and there
maybe go visit
my Jordan and
my grand children

AROUND me the images of thirty years:
An ambush; pilgrims at the water-side;
Casement upon trial, half hidden by the bars,
Guarded; Griffith staring in hysterical pride;
Kevin O'Higgins' countenance that wears
A gentle questioning look that cannot hide
A soul incapable of remorse or rest;
A revolutionary soldier kneeling to be blessed;
An Abbot or Archbishop with an upraised hand
Blessing the Tricolour.  "This is not,' I say,
"The dead Ireland of my youth, but an Ireland
The poets have imagined, terrible and gay.'
Before a woman's portrait suddenly I stand,
Beautiful and gentle in her Venetian way.
I met her all but fifty years ago
For twenty minutes in some studio.

III
Heart-smitten with emotion I Sink down,
My heart recovering with covered eyes;
Wherever I had looked I had looked upon
My permanent or impermanent images:
Augusta Gregory's son; her sister's son,
Hugh Lane, "onlie begetter' of all these;
Hazel Lavery living and dying, that tale
As though some ballad-singer had sung it all;
Mancini's portrait of Augusta Gregory,
"Greatest since Rembrandt,' according to John Synge;
A great ebullient portrait certainly;
But where is the brush that could show anything
Of all that pride and that humility?
And I am in despair that time may bring
Approved patterns of women or of men
But not that selfsame excellence again.
My mediaeval knees lack health until they bend,
But in that woman, in that household where
Honour had lived so long, all lacking found.
Childless I thought, "My children may find here
Deep-rooted things,' but never foresaw its end,
And now that end has come I have not wept;
No fox can foul the lair the badger swept --

VI
(An image out of Spenser and the common tongue).
John Synge, I and Augusta Gregory, thought
All that we did, all that we said or sang
Must come from contact with the soil, from that
Contact everything Antaeus-like grew strong.
We three alone in modern times had brought
Everything down to that sole test again,
Dream of the noble and the beggar-man.

VII
And here's John Synge himself, that rooted man,
"Forgetting human words,' a grave deep face.
You that would judge me, do not judge alone
This book or that, come to this hallowed place
Where my friends' portraits hang and look thereon;
Ireland's history in their lineaments trace;
Think where man's glory most begins and ends,
And say my glory was I had such friends.

My sister! my sweet sister! if a name
Dearer and purer were, it should be thine;
Mountains and seas divide us, but I claim
No tears, but tenderness to answer mine:
Go where I will, to me thou art the same—
A loved regret which I would not resign.
There yet are two things in my destiny,—
A world to roam through, and a home with thee.

The first were nothing—had I still the last,
It were the haven of my happiness;
But other claims and other ties thou hast,
And mine is not the wish to make them less.
A strange doom is thy father’s sons’s, and past
Recalling, as it lies beyond redress;
Reversed for him our grandsire’s fate of yore,—
He had no rest at sea, nor I on shore.

If my inheritance of storms hath been
In other elements, and on the rocks
Of perils, overlooked or unforeseen,
I have sustained my share of worldly shocks,
The fault was mine; nor do I seek to screen
My errors with defensive paradox;
I have been cunning in mine overthrow,
The careful pilot of my proper woe.

Mine were my faults, and mine be their reward,
My whole life was a contest, since the day
That gave me being, gave me that which marred
The gift,—a fate, or will, that walked astray;
And I at times have found the struggle hard,
And thought of shaking off my bonds of clay:
But now I fain would for a time survive,
If but to see what next can well arrive.

Kingdoms and empires in my little day
I have outlived, and yet I am not old;
And when I look on this, the petty spray
Of my own years of trouble, which have rolled
Like a wild bay of breakers, melts away:
Something—I know not what—does still uphold
A spirit of slight patience;—not in vain,
Even for its own sake, do we purchase pain.

Perhaps the workings of defiance stir
Within me,—or perhaps of cold despair,
Brought on when ills habitually recur,—
Perhaps a kinder clime, or purer air,
(For even to this may change of soul refer,
And with light armour we may learn to bear,)
Have taught me a strange quiet, which was not
The chief companion of a calmer lot.

I feel almost at times as I have felt
In happy childhood; trees, and flowers, and brooks,
Which do remember me of where I dwelt,
Ere my young mind was sacrificed to books,
Come as of yore upon me, and can melt
My heart with recognition of their looks;
And even at moments I could think I see
Some living thing to love—but none like thee.

Here are the Alpine landscapes which create
A fund for contemplation;—to admire
Is a brief feeling of a trivial date;
But something worthier do such scenes inspire.
Here to be lonely is not desolate,
For much I view which I could most desire,
And, above all, a lake I can behold
Lovelier, not dearer, than our own of old.

Oh that thou wert but with me!—but I grow
The fool of my own wishes, and forget
The solitude which I have vaunted so
Has lost its praise is this but one regret;
There may be others which I less may show,—
I am not of the plaintive mood, and yet
I feel an ebb in my philosophy,
And the tide rising in my altered eye.

I did remind thee of our own dear Lake,
By the old Hall which may be mine no more.
Leman’s is fair; but think not I forsake
The sweet remembrance of a dearer shore;
Sad havoc Time must with my memory make,
Ere that or thou can fade these eyes before;
Though, like all things which I have loved, they are
Resigned for ever, or divided far.

The world is all before me; I but ask
Of Nature that with which she will comply—
It is but in her summer’s sun to bask,
To mingle with the quiet of her sky,
To see her gentle face without a mask
And never gaze on it with apathy.
She was my early friend, and now shall be
My sister—till I look again on thee.

I can reduce all feelings but this one;
And that I would not;—for at length I see
Such scenes as those wherein my life begun.
The earliest—even the only paths for me—
Had I but sooner learnt the crowd to shun,
I had been better than I now can be;
The passions which have torn me would have slept:
I had not suffered, and thou hadst not wept.

With false Ambition what had I to do?
Little with Love, and least of all with Fame!
And yet they came unsought, and with me grew,
And made me all which they can make—a name.
Yet this was not the end I did pursue;
Surely I once beheld a nobler aim.
But all is over—I am one the more
To baffled millions which have gone before.

And for the future, this world’s future may
From me demand but little of my care;
I have outlived myself by many a day:
Having survived so many things that were;
My years have been no slumber, but the prey
Of ceaseless vigils; for I had the share
Of life which might have filled a century,
Before its fourth in time had passed me by.

And for the remnant which may be to come,
I am content; and for the past I feel
Not thankless,—for within the crowded sum
Of struggles, happiness at times would steal,
And for the present, I would not benumb
My feelings farther.—Nor shall I conceal
That with all this I still can look around,
And worship Nature with a thought profound.

For thee, my own sweet sister, in thy heart
I know myself secure, as thou in mine;
We were and are—I am, even as thou art—
Beings who ne’er each other can resign;
It is the same, together or apart,
From life’s commencement to its slow decline
We are entwined—let death come slow or fast,
The tie which bound the first endures the last!

When all around grew drear and dark,
And reason half withheld her ray—
And hope but shed a dying spark
Which more misled my lonely way;

In that deep midnight of the mind,
And that internal strife of heart,
When dreading to be deemed too kind,
The weak despair—the cold depart;

When fortune changed—and love fled far,
And hatred’s shafts flew thick and fast,
Thou wert the solitary star
Which rose, and set not to the last.

Oh, blest be thine unbroken light!
That watched me as a seraph’s eye,
And stood between me and the night,
For ever shining sweetly nigh.

And when the cloud upon us came,
Which strove to blacken o’er thy ray—
Then purer spread its gentle flame,
And dashed the darkness all away.

Still may thy spirit dwell on mine,
And teach it what to brave or brook—
There’s more in one soft word of thine
Than in the world’s defied rebuke.

Thou stood’st as stands a lovely tree
That, still unbroke though gently bent,
Still waves with fond fidelity
Its boughs above a monument.

The winds might rend, the skies might pour,
But there thou wert—and still wouldst be
Devoted in the stormiest hour
To shed thy weeping leaves o’er me.

But thou and thine shall know no blight,
Whatever fate on me may fall;
For heaven in sunshine will requite
The kind—and thee the most of all.

Then let the ties of baffled love
Be broken—thine will never break;
Thy heart can feel—but will not move;
Thy soul, though soft, will never shake.

And these, when all was lost beside,
Were found, and still are fixed in thee;—
And bearing still a breast so tried,
Earth is no desert—e’en to me.

I send my voice into your mouth
You return the compliment

I am the Count of Cannizzaro
You are Her Royal Highness the Princess Augusta

I am the thaumaturgic chain
You hold the opera glass and cards

You become extemporaneous song
I am your tutor

You are my invisible seed
I am Timour the Tartar

You are my curious trick
I your enchanted caddy

I am your confounding doll
You my confounded dummy.

Señor, deja que diga la gloria de tu raza,
la gloria de los hombres de bronce, cuya maza
melló de tantos yelmos y escudos la osadía:
!oh caballeros tigres!, oh caballeros leones!,
!oh! caballeros águilas!, os traigo mis canciones;
!oh enorme raza muerta!, te traigo mi elegía.Aquella tarde, en el Poniente augusto,
el crepúsculo audaz era en una pira
como de algún atrida o de algún justo;
llamarada de luz o de mentira
que incendiaba el espacio, y parecía
que el sol al estrellar sobre la cumbre
su mole vibradora de centellas,
se trocaba en mil átomos de lumbre,
y esos átomos eran las estrellas.Yo estaba solo en la quietud divina
del Valle. ¿Solo? ¡No! La estatua fiera
del héroe Cuauhtémoc, la que culmina
disparando su dardo a la pradera,
bajo del palio de pompa vespertina
era mi hermana y mi custodio era.Cuando vino la noche misteriosa
-jardín azul de margaritas de oro-
y calló todo ser y toda cosa,
cuatro sombras llegaron a mí en coro;
cuando vino la noche misteriosa
-jardín azul de margaritas de oro-.Llevaban una túnica espledente,
y eran tan luminosamente bellas
sus carnes, y tan fúlgida su frente,
que prolongaban para mí el Poniente
y eclipsaban la luz de las estrellas.Eran cuatro fantasmas, todos hechos
de firmeza, y los cuatro eran colosos
y fingían estatuas, y sus pechos
radiaban como bronces luminosos.Y los cuatro entonaron almo coro...
Callaba todo ser y toda cosa;
y arriba era la noche misteriosa
jardín azul de margaritas de oro.Ante aquella visión que asusta y pasma,
yo, como Hamlet, mi doliente hermano,
tuve valor e interrogué al fantasma;
mas mi espada temblaba entre mi mano.-¿Quién sois vosotros, exclamé, que en presto
giro bajáis al Valle mexicano?
Tuve valor para decirles esto;
mas mi espada temblaba entre mi mano.-¿Qué abismo os engendró? ¿De qué funesto
limbo surgís? ¿Sois seres, humo vano?
Tuve valor para decirles esto;
mas mi espada temblaba entre mi mano.-Responded, continué. Miradme enhiesto
y altivo y burlador ante el arcano.
Tuve valor para decirles esto;
¡mas mi espada temblaba entre mi mano...!Y un espectro de aquéllos, con asombros
vi que vino hacia mí, lento y sin ira,
y llevaba una piel sobre los hombros
y en las pálidas manos una lira;
y me dijo con voces resonantes
y en una lengua rítmica que entonces
comprendí: -«¿Que quiénes somos? Los gigantes
de una raza magnífica de bronces.»Yo me llamé Netzahualcóyotl y era
rey de Texcoco; tras de lid artera,
fui despojado de mi reino un día,
y en las selvas erré como alimaña,
y el barranco y la cueva y la montaña
me enseñaron su augusta poesía.»Torné después a mi sitial de plumas,
y fui sabio y fui bueno; entre las brumas
del paganismo adiviné al Dios Santo;
le erigí una pirámide, y en ella,
siempre al fulgor de la primera estrella
y al son del huéhuetl, le elevé mi canto.»Y otro espectro acercóse; en su derecha
levaba una macana, y una fina
saeta en su carcaje, de ónix hecha;
coronaban su testa plumas bellas,
y me dijo: -«Yo soy Ilhuicamina,
sagitario del éter, y mi flecha
traspasa el corazón de las estrellas.»Yo hice grande la raza de los lagos,
yo llevé la conquista y los estragos
a vastas tierras de la patria andina,
y al tornar de mis bélicas porfías
traje pieles de tigre, pedrerías
y oro en polvo... ¡Yo soy Ilhuicamina!»Y otro espectro me dijo: -«En nuestros cielos
las águilas y yo fuimos gemelos:
¡Soy Cuauhtémoc!  Luchando sin desmayo
caí... ¡porque Dios quiso que cayera!
Mas caí como águila altanera:
viendo al sol, y apedreada por el rayo.»El español martirizó mi planta
sin lograr arrancar de mi garganta
ni un grito, y cuando el rey mi compañero
temblaba entre las llamas del brasero:
-¿Estoy yo, por ventura, en un deleite?,
le dije, y continué, sañudo y fiero,
mirando hervir mis pies en el aceite...»Y el fantasma postrer llegó a mi lado:
no venía del fondo del pasado
como los otros; mas del bronce mismo
era su pecho, y en sus negros ojos
fulguraba, en vez de ímpetus y arrojos,
la tranquila frialdad del heroísmo.Y parecióme que aquel hombre era
sereno como el cielo en primavera
y glacial como cima que acoraza
la nieve, y que su sino fue, en la Historia,
tender puentes de bronce entre la gloria
de la raza de ayer y nuestra raza.Miróme con su límpida mirada,
y yo le vi sin preguntarle nada.
Todo estaba en su enorme frente escrito:
la hermosa obstinación de los castores,
la paciencia divina de las flores
y la heroica dureza del granito...¡Eras tú, mi Señor; tú que soñando
estás en el panteón de San Fernando
bajo el dórico abrigo en que reposas;
eras tú, que en tu sueño peregrino,
ves marchar a la Patria en su camino
rimando risas y regando rosas!Eras tú, y a tus pies cayendo al verte:
-Padre, te murmuré, quiero ser fuerte:
dame tu fe, tu obstinación extraña;
quiero ser como tú, firme y sereno;
quiero ser como tú, paciente y bueno;
quiero ser como tú, nieve y montaña.
Soy una chispa; ¡enséñame a ser lumbre!
Soy un gujarro; ¡enséñame a ser cumbre!
Soy una linfa: ¡enséñame a ser río!
Soy un harapo: ¡enséñame a ser gala!
Soy una pluma: ¡enséñame a ser ala,
y que Dios te bendiga, padre mío!.Y hablaron tus labios, tus labios benditos,
y así respondieron a todos mis gritos,
a todas mis ansias: -«No hay nada pequeño,
ni el mar ni el guijarro, ni el sol ni la rosa,
con tal de que el sueño, visión misteriosa,
le preste sus nimbos, ¡y tu eres el sueño!»Amar, ¡eso es todo!; querer, ¡todo es eso!
Los mundos brotaron el eco de un beso,
y un beso es el astro, y un beso es el rayo,
y un beso la tarde, y un beso la aurora,
y un beso los trinos del ave canora
que glosa las fiestas divinas de Mayo.»Yo quise a la Patria por débil y mustia,
la Patria me quiso con toda su angustia,
y entonces nos dimos los dos un gran beso;
los besos de amores son siempre fecundos;
un beso de amores ha creado los mundos;
amar... ¡eso es todo!; querer... ¡todo es eso!»Así me dijeron tus labios benditos,
así respondieron a todos mis gritos,
a todas mis ansias y eternos anhelos.
Después, los fantasmas volaron en coro,
y arriba los astros -poetas de oro-
pulsaban la lira de azur de los cielos.Mas al irte, Señor, hacia el ribazo
donde moran las sombras, un gran lazo
dejabas, que te unía con los tuyos,
un lazo entre la tierra y el arcano,
y ese lazo era otro indio: Altamirano;
bronce también, mas bronce con arrullos.Nos le diste en herencia, y luego, Juárez,
te arropaste en las noches tutelares
con tus amigos pálidos; entonces,
comprendiendo lo eterno de tu ausencia,
repitieron mi labio y mi conciencia:
-Señor, alma de luz, cuerpo de bronce.
Soy una chispa; ¡enséñame a ser lumbre!
Soy un gujarro; ¡enséñame a ser cumbre!
Soy una linfa: ¡enséñame a ser río!
Soy un harapo: ¡enséñame a ser gala!
Soy una pluma: ¡enséñame a ser ala,
y que Dios te bendiga, padre mío!.Tú escuchaste mi grito, sonreíste
y en la sombra infinita te perdiste
cantando con los otros almo coro.
Callaba todo ser y toda cosa;
y arriba era la noche misteriosa
jardín azul de margaritas de oro...

Autumn is the priest of pride.
Her shadows lifts a gentle fragrance
that farmhands duly celebrate.
The coffin makers drink a sweet nectar
that lifts their souls.
The milkmaid idolises memories of her first  love.
August is this flame

The Devil went down to Georgia,
He knew right where he wanted to go,
He’d built a golf course down in Hades, and
He needed a Head Pro.
So he snuck in to Augusta,
Up to the practice tee,
A guy was hittin’ range ***** there
Just as far as you could see.
The Devil said, “Hey Mister,
You want to have a game?
I bet that I can beat you, and
I don’t even know your name.”
The guy said, “My name’s Johnny,
But they call me ‘Long John’
Never met a bet or bottle
That I would back down on.
Guess you could say that some of them
Might have been mistakes,
But, Hell, this life’s for livin’,
So Devil, what’s the stakes?”
The Devil smiled, and said, “Hey, John,
Looks like you’re pretty good,
But that driver you are pounding
Is an old one made of wood,
So if you win, you get this golden driver you can sell,
But if you lose I take your sorry *** straight down to Hell.”

Johnny swing your driver hard,
The Devil’s here in town,
You have a bet you might regret,
But there’s no backin’ down,
If you win, you get a golden driver you can sell,
But if you lose you’re gonna be a golf pro down in Hell!

So they threw a tee up in the air,
It pointed straight at John,
He said, “I guess that means I’m up”,
And the Devil said, “Game on!”
Long John teed his ball up, then asked,
“So, Devil, what’s the game?  
We playing match or medal?
To me it’s all the same.”
By now a crowd had gathered ‘round, and
They all held their breath,
So everyone was quiet when,
The Devil hissed, “Sudden Death;
First one of us to win a hole,
Wins the bet as well,
Better save the ice from your last drink,
Cuz, it’s mighty hot in Hell!”
Long John said, “That’s fine with me,
We got the stakes, we got the bet”,
Then he pulled his driver from the bag, and
Lit a cigarette,
He hit a rocket down the fairway
With a mighty long John swing,
Blew some smoke the Devil’s way,
And said, “Just one more thing,
I’ve won a bunch of money, and I’ve lost a bunch as well,
If I should lose to you today we’ll have a rematch down in Hell.”

Johnny swing your driver hard,
The Devil’s here in town,
You have a bet you might regret,
But there’s no backin’ down,
If you win, you get a golden driver you can sell,
But if you lose you’re gonna be a golf pro down in Hell!

The Devil looked amused and asked,
“Is that all you got?”
Took a six iron from his golf bag
And matched John’s giant shot.
“You have a disadvantage, John,
‘Cuz you play by the rules,
Bettin’ with the Devil
Is a game for mortal fools
I have a few tricks in my bag,
I’ll use’em if need be.
And Long John, on that first par four,
I think we both made three.”
On the next hole, John said, “You go first,
I’m gonna have a smoke”,
Took a bottle from his golf bag,
Mixed a Jack and Coke,
The Devil took his magic six, hit his ball
Right towards a tree; It bounced left,
Skipped across a stream, and
Landed on the green.
Long John watched with interest,
But he didn’t seem concerned,
Said, “If you play with matches,
You’re liable to get burned.”
He hit his old wood driver, 300 yards and watched it role,
Down the fairway, right onto the green, and straight into the hole!

Johnny swing your driver hard,
The Devil’s here in town,
You have a bet you might regret,
But there’s no backin’ down,
If you win, you get a golden driver you can sell,
But if you lose you’re gonna be a golf pro down in Hell!

The Devil handed John the driver,
‘Cuz he knew that he’d been beat,
And John said, “Man I’m hungry,
Let’s grab a bite to eat.
There’s a steak place down the road,
Not too far from here,
You look like you could use a drink,
So I’ll buy you a beer!
You hit that six iron pretty well,
I’ll give you a hand,
But I told you once you *******,
This is Long John Land!”

Johnny swing your driver hard,
The Devil’s here in town,
You have a bet you might regret,
But there’s no backin’ down,
If you win, you get a golden driver you can sell,
But if you lose you’re gonna be a golf pro down in Hell!

Beautiful lofty things; O'Leary's noble head;
My father upon the Abbey stage, before him a raging crowd.
"This Land of Saints", and then as the applause died out,
"Of plaster Saints"; his beautiful mischievous head thrown back.
Standish O'Grady supporting himself between the tables
Speaking to a drunken audience high nonsensical words;
Augusta Gregory seated at her great ormolu table
Her eightieth winter approaching; "Yesterday he threatened my life,
I told him that nightly from six to seven I sat at this table
The blinds drawn up"; Maud Gonne at Howth station waiting a train,
Pallas Athena in that straight back and arrogant head;
All the Olympians; a thing never known again.

The volition of Augusta planter and blacksmith ..
Elberton Pulp-wooder and Quarryman .. The song of the steam fired engine , back breaking labor of Tifton Sharecropper and Atlanta Iron -worker ..
To the heat lightning of the humid Georgia night , the cold rain of
November , the unsure , bitter turbulent shrieking winds of March ..
The first turn of the Albany Ploughman , to the evening whistle of Macon Factory worker . To dawns horizon goes the Brunswick Shrimper , to the honor of Cattleman and Savannah Tugboat tender ...

Bleak the rays shattered through broken panes
life, dust, dust,  future and smoke
automobiles and gunshots solitary this hour
when screams rend the air, not my turn today -
no, not as yet. Mother, I want to rest my head
in your lap. Can I weep?

Cactus in my soul, I ask, Can I, all that I am?
Lust is the death of man. Gouge your eye that lusts.
Broken void of my afterdays, that mourn
like the wind on the dunes

         Mother, I am well. There is love, there is hope, light
         hidden like nuggets in piles of the dark.
         Mother, I must be well.

It was the other night. Nightmare in loop.
Shamed, stripped beaten violated.
I am in a well, deep pit, drained
of all the essence of light
I can hear your voice echoing with the ray
shattered tumbling down the walls

free, free I am the wind mourning in the dunes
can you tame the wind?

        In the depths, and in the deaths islanding life
        mirage of oases, Mother, I have found him,
        my Senor, to whom I give my ring

Violate me, visage of the abyss,
burn me, but can you find me?
beat me, chain me, but can you enslave me?
I am not here in these nerves and veins.
I am all of Augusta, America,
I fly in the Masts above the skies

Sweet Lord, I see you have deemed heaven
for me, no purgatory but here.
I accept, I surrender, I submit. To thy will.

            Mother, do not negotiate. I am strong.

Where in my naked body have you found me?
here, in these bruises, have your embers soothed?
I am the Lamb that does not cower.
I haunt your soul as guilt.
In what little's left of it.

He finds you in the catacombs where
I haunt the crypts that no vicar penetrates.
When all is lost, when death is certain at the sea,
there opens a way and I will walk out

           Mother, I am coming. Have faith, for faith maketh.
           I hold you here in my *****, smouldering pain,
           that gets me to wake every haunting day.
           Every day that brings the sound of darkness home.

*I fly in the Masts above the skies.
Tame me, I am the wind breaking the dunes.
Ilohi, lema sebachtani sebachtani

Sorrow is a lonesome river,
she feeds a deep blue sea.
She'll take all the tears you give her;
open the gates and set her free.

When it rains in Georgia,
it's flooding sacred ground.
From Augusta to Savannah,
that's holy water coming down.

Lift your chin up off your chest,
raise your eyes up to the sky.
The flood has reached its crest,
let the warm sun sanctify.

Sorrow is a lonesome river,
she feeds a deep blue sea.
She'll take all the tears you give her;
open the gates and set her free.

r ~ 5/16/14

El alma traigo ebria de aroma de rosales
y del temblor extraño que dejan los caminos...
A la luz de la luna las vacas maternales
dirigen tras mi sombra sus ojos opalinos.
Pasan con sencillez hacia la cumbre,
rumiando simplemente las hierbas del vallado;
o bien bajo los árboles con clara mansedumbre
se aduermen al arrullo del aire sosegado.
Y en la quietud augusta de la noche mirífica,
como sutil caricia de trémulos pinceles,
del cielo florecido la claridad magnífica
fluye sobre la albura de sus lustrosas pieles.
Y yo discurro en paz, y solamente pienso
en la virtud sencilla que mi razón impetra;
hasta que, en elación el ánimo suspenso,
gozo la sencillez que viene y me penetra.
Sencillez de las bestias sin culpa y sin resabio;
sencillez de las aguas que apuran su corriente;
sencillez de los árboles... ¡Todo sencillo y sabio,
Señor, y todo justo, y sobrio, y reverente!
Cruzando las campiñas, tiemblo bajo la gracia
de esta bondad augusta que me llena...
¡Oh dulzura de mieles! ¡Oh grito de eficacia!
¡Oh manos que vertisteis en mi espíritu
la sagrada emoción de la noche serena!
Como el varón que sabe la voz de las mujeres
en celo, temblorosas cuando al amor incitan,
yo sé la plenitud en que todos los seres
viven de su virtud, y nada solicitan.
Para seguir viviendo la vida que me resta
haced mi voluntad templada, y fuerte y noble,
oh virginales cedros de lírica floresta,
oh próvidas campiñas, oh generoso roble.
Y haced mi corazón fuerte como vosotros
del monte en la frecuencia.
Oh dulces animales que, no sabiendo nada,
bajo la carne sabéis la antigua ciencia
de estar oyendo siempre la soledad sagrada.

Después de Azul... después de Los Raros, voces insinuantes, buena y mala intención, entusiasmo sonoro y envidia
subterránea -todo bella cosecha-, solicitaron lo que, en conciencia, no he creído fructuoso ni oportuno: un manifiesto.Ni fructuoso ni oportuno:a) Por la absoluta falta de elevación mental de la mayoría pensante de nuestro continente, en la cual impera el universal personaje
clasificado por Remy de Gourmont con el nombre de Celui-qui-ne-comprend-pas. Celui-qui-ne-comprend-pas es, entre nosotros, profesor, académico
correspondiente de la Real Academia Española, periodista, abogado, poeta, rastaquouer.b) Porque la obra colectiva de los nuevos de América es aún vana, estando muchos de los mejores talentos en el limbo de un completo desconocimiento
del mismo Arte a que se consagran. c) Porque proclamando, como proclamo, una estética acrática, la imposición de un modelo o de un código implicaría
una contradicción.Yo no tengo una literatura «mía» -como la ha manifestado una magistral autoridad-para marcar el rumbo de los demás: mi literatura
es mía en mí-; quien siga servilmente mis huellas perderá su tesoro personal y, paje o esclavo, no podrá ocultar sello o librea.
Wágner, a Augusta Holmés, su discípula, dijo un día: «lo primero, no imitar a nadie, y sobre todo, a mí». Gran decir.Yo he dicho, en la misa rosa de mi juventud, mis antífonas, mis secuencias, mis profanas prosas.-Tiempo y menos fatigas de alma y corazón
me han hecho falta para, como un buen monje artífice, hacer mis mayúsculas dignas de cada página del breviario. (A través
de los fuegos divinos de las vidrieras historiadas me río del viento que sopla afuera, del mal que pasa). Tocad, campanas de oro, campanas de
plata, tocad todos los días, llamándome a la fiesta en que brillan los ojos de fuego, y las rosas de las bocas sangran delicias únicas.
Mi órgano es un viejo clavicordio pompadour, al son del cual danzaron sus gavotas alegres abuelos; y el perfume de tu pecho es mi perfume, eterno incensario de carne.
Varona inmortal, flor de mi costilla.Hombres soy.¿Hay en mi sangre alguna gota de sangre de África, o de indio chorotega o nagrandano? Pudiera ser, a despecho de mis manos de marqués;
mas he aquí que veréis en mis versos princesas, reyes, cosas imperiales, visiones de países lejanos o imposibles: ¡qué
queréis!, yo detesto la vida y el tiempo en que me tocó nacer; y a un presidente de República no podré saludarle en el idioma
en que te cantaría a ti, ¡oh Halagabal!, de cuya corte -oro, seda, mármol- me acuerdo en sueños...
(Si hay poesía en nuestra América, ella está en las cosas viejas: en Palenke y Utatlán, en el indio legendario,
y en el inca sensual y fino, y en el gran Moctezuma de la silla de oro. Lo demás es tuyo, demócrata Walt Whitman).Buenos Aires; Cosmópolis.¡Y mañana!El abuelo español de barba blanca me señala una serie de retratos ilustres: «Éste, me dice, es el gran don Miguel de Cervantes
Saavedra, genio y manco; éste es Lope de Vega; éste, Garcilaso; éste, Quintana». Yo le pregunto por el noble Gracián, por
Teresa la Santa, por el bravo Góngora y el más fuerte de todos, don Francisco de Quevedo y Villegas. Después exclamo: ¡Shakespeare!
¡Dante! ¡Hugo...! (Y en mi interior: ¡Verlaine...!)Luego, al despedirme: «Abuelo, preciso es decíroslo; mi esposa es de mi tierra; mi querida, de París».¿Y la cuestión métrica? ¿Y el ritmo?Como cada palabra tiene un alma, hay en cada verso, además de la armonía verbal, una melodía ideal. La música es
sólo de la idea, muchas veces.La gritería de trescientas ocas no te impedirá, silvano, tocar tu encantadora flauta, con tal de que tu amigo el ruiseñor
esté contento de tu melodía. Cuando él no esté para escucharte, cierra los ojos y toca para los habitantes de tu reino
interior. ¡Oh pueblo de desnudas ninfas, de rosadas reinas, de amorosas diosas!Cae a tus pies una rosa, otra rosa, otra rosa, ¡Y besos!Y la primera ley, creador: crear. Bufe el eunuco. Cuando una musa te dé un hijo, queden las otras ocho encinta.

Las selvas hizo navegar, y el viento
al cáñamo en sus velas respetaba,
cuando, cortés, su anhélito tasaba
con la necesidad del movimiento.
Dilató su victoria el vencimiento
por las riberas que el Danubio lava;
cayó África ardiente; gimió esclava
la falsa religión en fin sangriento.
Vio Roma en la desorden de su gente,
si no piadosa, ardiente valentía,
y de España el rumor sosegó ausente.
Retiró a Solimán, temor de Hungría,
y por ser retirada más valiente,
se retiró a sí mismo el postrer día.

Yo tuve una prima
como un lirio bella,
como un mirlo alegre,
como un alba fresca,
rubia como una
mañana abrileña.   Amaba los versos aquella rapaza
con predilecciones a su edad ajenas.
La música augusta del rtimo cantaba
dentro de su espíritu como ignota orquesta;
todo lo que un astro le dice a otro astro,
todo lo que el cielo le dice a la tierra,
todo lo que el alma pregunta a la Esfinge,
todo lo que al alma la Esfinge contesta.   Pobre prima rubia,
pobre prima buena;
hace muchos años que duerme ese sueño
del que ni los pájaros, alegres como ella,
ni el viento que pasa, ni el agua que corre,
ni el sol que derrocha vida, la recuerdan.   Yo suelo, en los días
de la primavera,
llevar a su tumba
versos y violetas;
versos y violetas, ¡lo que más amaba!   En torno a su losa riego las primeras,
luego las estrofas recito que antaño
su deleite eran:
las más pensativas, las más misteriosas,
las más insinuantes, las que son más tiernas;
las que en sus pestañas, como en blonda de oro,
ponían las joyas de lágrimas, trémulas,
con diafanudades de beril hialino
y oriente de perlas.
  Se las digo bajo, bajito, inclinándome
hacia donde yace, por que las entienda.
Pobre prima rubia, ¡pero no responde!
Pobre prima rubia, ¡pero no despierta!   Cierto día, una joven condiscípula,
con mucho sigilo le prestó en la escuela
un libro de versos musicales, hondos.
¡Eran los divinos versos de Espronceda!   Se los llevó a casa bajo el chal ocultos,
y los escondimos, con sutil cautela,
del padre y la madre, y hasta de su sombra;
de la anciana tía, devota e ingenua,
que sólo gustaba de jaculatorias
y sólo entendía los versos de Trueba.   En aquellas tardes embermejecidas
por conflagraciones de luz, en que bregan
gigánticamente monstruos imprecisos
del Apocalipsis o de las leyendas;
de aquellas tardes que fingen catástrofes;
en aquellas tardes en que el iris vuelca
todos sus colores, en que el sol vacía
toda su escarcela;
en aquellas tardes del trópico, juntos
los dos, en discreto rincón de la huerta,
bajo de la trémula hospitalidad
de nuestras palmeras,
a furto de extraños, vibrantes leíamos
el Canto a Teresa.   ¡Qué revelaciones nos hizo ese canto!
Todas las angustias, todas las tristezas,
todo lo insondable del amor, y todo
lo desesperante de las infidencias:
todo el doloroso mundo que gravita
sobre el alma esclava que amó quimeras,
del que puso estrellas en la frente amada,
y al tornar a casa ya no encontró estrellas.   Todo el ansia loca de adorar en vano
tan sólo a una sombra, tan sólo a una muerta;
todos los despechos y las ironías
del que se revuelca
en zarzal de dudas y de escepticismos;
todos los sarcasmos y las impotencias.   Y después, aquellas ágiles canciones
de prosodia alada, de gracia ligera,
que apenas si tocan el polvo del mundo
con la orla de oro del brial de seda;
que, como el albatros, se duermen volando
que, como el albatros, volando despiertan:
  La ideal canción del bravo Pirata
que iba viento en popa, que iba a toda vela,
y a quien por los mares nuestros pensamientos,
como dos gaviotas, seguían de cerca;   Y la del Mendigo, cínico y osado,
y la del Cosaco del Desierto, bélica,
bárbara, erizada de ferrados hurras,
que al oído suenan
como los tropeles de potros indómitos
con jinetes rubios, sobre las estepas...   Pasaba don Félix, el de Montemar,
con una aureola roja en su cabeza,
satánico, altivo; luego, doña Elvira,
«que murió de amor», en lirios envuelta.
¡Con cuántos prestigios de la fantasía
ante nuestros ojos se alejaba tétrica!   Y el Reo de muerte que el fatal instante,
frente a un crucifijo, silencioso espera;
y aquella Jarifa, cuya mano pálida
la frente ardorosa del bardo refresca.
  Poco de su Diablo Mundo comprendíamos;
pero adivinábamos, como entre una niebla,
símbolos enormes y filosofías
que su Adán desnudo se llevaba a cuestas   ¡Oh mi gran poeta de los ojos negros!,
¡oh mi gran poeta de la gran melena!,
¡oh mi gran poeta de la frente vasta
cual limpio horizonte!, ¡oh mi gran poeta!   Te debo las horas más inolvidables;
y un día leyendo tu Canto a Teresa.,
muy juntos los ojos, muy juntos los labios,
te debí también, cual Paolo a Francesca,
un beso, el más grande que he dado en mi vida;
un beso, más dulce que miel sobre hojuelas;
¡un beso florido que envolvió en perfumes
toda mi existencia!   Un beso que, siento, eternizaría
del duro Gianciotti la daga violenta,
para que en la turba de almas infernales,
como en la terrible página dantesca,
fuera resonando por los anchos limbos,
fuera restallando por la noche inmensa,
y uniendo por siempre mi boca golosa
con la boca de ella!   ¡Oh, mi gran poeta de los ojos negros!
¡Quién hubiera dicho que yo te trajera,
como pobre pago de los inefables
éxtasis de entonces, esta humilde ofrenda!...
¡Oh, gallardo príncipe de la poesía!
Pero tú recíbela con la gentileza
de un Midas que en oro todo lo transmuta;
en claros diamantes mi abalorio trueca,
y en los viles cobres de mis estrofillas,
para acaudalarlos, engasta tus gemas.
Así tu memoria por los siglos dure,
¡oh, mi gran poeta de la gran melena!,
¡oh, mi gran poeta de los ojos negros!
¡oh, mi gran poeta!

Mare Nostrum
On the coast of Augusta, in Cecilia this wonderful sea,
the bluest of turquoise, transparent and I saw fish play.
Blood and bloated corpses have made the sea less pretty
and fish nibbles on cadavers of those who tried to cross
the sea to escape the lunacy we created in Libya.

A president short of stature but with inflated ego plus
philosopher idiot, two men were responsible this disaster
of a war just to get rid of a dictator one of them had lent
money of the other who should not be left out of his confine
of academia, he should have in hidden in a university writing
books only historians take a passing interest in.

As it is the impossible vain man get feted, all because he is
an intellectual and wears a velvet jacket and clean collars.
My old Mafia friend Thomas the knife, has invited me to
Augusta, I will go there but not swim the hazy sea, but we
will eat langouste, drink child wine and talk about the days
when philosophers and presidents left us alone to **** only
when needed and never the innocent.

Farm house windows have been boarded up , dilapidated outbuildings , abandoned water well , farm tractor , implements rusted over . Kudzu has blanketed the garden spot , farm bell lies on the ground , silo in need of paint , repairs ..Clover dominates a fertile pasture , once home for many abundant harvest ! Corn , soy bean and sorghum , sweet potato and collards .. Oak trees , well over a hundred years old with twenty years of unchecked leaf debris beneath them . Apple , pear and peach trees are barren .. A once sturdy white picket fence now unkempt  , frail with rusted barbed wire and nails .. The afternoon train still comes through each afternoon . I can imagine that very train taking the harvest produced by this old farm to market . Macon , Augusta or Albany ? A planter is taking a break beneath a Pecan tree with a bucket of cold well water and a ladle , plug of tobacco , and a daydream or two ! The afternoon train delivers the news of the world , a Farmers almanac , Sears and Roebuck catalogue , corn cake for the rabbit dogs , hog feed from a mill in Columbus , thread and quilt patches for Mother . Off it goes , cloud of steam rising above the mighty engine  , the whistle echoing across cotton fields for many a mile ! The link between city and farm , before electricity , telegraph or telephone . The old Georgia my great grandparents knew . Fruitful Summer harvest , painfully cold Winters laboring , scratching out a meager living and at times barely surviving ! I can still hear the crack of leather , braying of mule , firewood being stacked , horses , cattle and the rooster breaking the silence of night , sunrise announcing the new day to a hard working family plus every hamlet along the way ! .

Los últimos vencejos revolean
en torno al campanario;
los niños gritan, saltan, se pelean.
En su rincón, Martín el solitario.

¡La tarde, casi noche, polvorienta,
la algazara infantil, y el vocerío,
a la par de sus doce en sus cincuenta!   ¡Oh alma plena y espíritu vacío,
ante la turbia hoguera
con llama restallante de raíces,
fogata de frontera
que ilumina las hondas cicatrices!   Quien se vive se pierde, Abel decía.
¡Oh distancia, distancia!, que la estrella
que nadie toca, guía.
¿Quién navegó sin ella?
Distancia para el ojo -¡oh lueñe nave!-,
ausencia al corazón empedernido,
y bálsamo suave
con la miel del amor, sagrado olvido.
¡Oh gran saber del cero, del maduro
fruto sabor que sólo el hombre gusta,
agua de sueño, manantial oscuro,
sombra divina de la mano augusta!
Antes me llegue, si me llega, el Día,
la luz que ve, increada,
ahógame esta mala gritería,
Señor, con las esencias de tu Nada.   El ángel que sabía
su secreto salió a Martín al paso.
Martín le dio el dinero que tenía.
¿Piedad?  Tal vez. ¿Miedo al chantaje?  Acaso.
Aquella noche fría
supo Martín de soledad; pensaba
que Dios no le veía,
y en su mundo desierto caminaba.   Y vio la musa esquiva,
de pie junto a su lecho, la enlutada,
la dama de sus calles, fugitiva,
la imposible al amor y siempre amada.
Díjole Abel: Señora,
por ansia de tu cara descubierta,
he pensado vivir hacia la aurora
hasta sentir mi sangre casi yerta.
Hoy sé que no eres tú quien yo creía;
mas te quiero mirar y agradecerte
lo mucho que me hiciste compañía
con tu frío desdén.
                  Quiso la muerte
sonreír a Martín, y no sabía.   Viví, dormí, soñé y hasta he creado
-pensó Martín, ya turbia la pupila-
un hombre que vigila
el sueño, algo mejor que lo soñado.
Mas si un igual destino
aguarda al soñador y al vigilante,
a quien trazó caminos,
y a quien siguió caminos, jadeante,
al fin, sólo es creación tu pura nada,
tu sombra de gigante,
el divino cegar de tu mirada.   Y sucedió a la angustia la fatiga,
que siente su esperar desesperado,
la sed que el agua clara no mitiga,
la amargura del tiempo envenenado.
¡Esta lira de muerte!
                      Abel palpaba
su cuerpo enflaquecido.
¿El que todo lo ve no le miraba?
¡Y esta pereza, sangre del olvido!
¡Oh, sálvame Señor!
                    Su vida entera,
su historia irremediable aparecía
escrita en blanda cera.
¿Y ha de borrarte el sol del nuevo día?
Abel tendió su mano
hacia la luz bermeja
de una caliente aurora de verano,
ya en el balcón de su morada vieja.
Ciego, pidió la luz que no veía.
Luego llevó, sereno,
el limpio vaso, hasta su boca fría,
de pura sombra -¡oh pura sombra!- lleno.

¡Ya viene el cortejo!
¡Ya viene el cortejo!  Ya se oyen los claros clarines,
la espada se anuncia con vivo reflejo;
ya viene, oro y hierro, el cortejo de los paladines.Ya pasa debajo los arcos ornados de blancas Minervas y Martes,
los arcos triunfales en donde las Famas erigen sus largas trompetas
la gloria solemne de los estandartes,
llevados por manos robustas de heroicos atletas.
Se escucha el ruido que forman las armas de los caballeros,
los frenos que mascan los fuertes caballos de guerra,
los cascos que hieren la tierra
y los timbaleros,
que el paso acompasan con ritmos marciales.
¡Tal pasan los fieros guerreros
debajo los arcos triunfales!Los claros clarines de pronto levantan sus sones,
su canto sonoro,
su cálido coro,
que envuelve en su trueno de oro
la augusta soberbia de los pabellones.
Él dice la lucha, la herida venganza,
las ásperas crines,
los rudos penachos, la pica, la lanza,
la sangre que riega de heroicos carmines
la tierra;
de negros mastines
que azuza la muerte, que rige la guerra.Los áureos sonidos
anuncian el advenimiento
triunfal de la Gloria;
dejando el picacho que guarda sus nidos,
tendiendo sus alas enormes al viento,
los cóndores llegan. ¡Llegó la victoria!Ya pasa el cortejo.
Señala el abuelo los héroes al niño.
Ved cómo la barba del viejo
los bucles de oro circunda de armiño.
Las bellas mujeres aprestan coronas de flores,
y bajo los pórticos vense sus rostros de rosa;
y la más hermosa
sonríe al más fiero de los vencedores.
¡Honor al que trae cautiva la extraña bandera
honor al herido y honor a los fieles
soldados que muerte encontraron por mano extranjera!     ¡Clarines! ¡Laureles!Los nobles espadas de tiempos gloriosos,
desde sus panoplias saludan las nuevas coronas y lauros
-las viejas espadas de los granaderos, más fuertes que osos,
hermanos de aquellos lanceros que fueron centauros-.
Las trompas guerreras resuenan:
de voces los aires se llenan...-A aquellas antiguas espadas,
a aquellos ilustres aceros,
que encaman las glorias pasadas...
Y al sol que hoy alumbra las nuevas victorias ganadas,
y al héroe que guía su grupo de jóvenes fieros,
al que ama la insignia del suelo materno,
al que ha desafiado, ceñido el acero y el arma en la mano,
los soles del rojo verano,
las nieves y vientos del gélido invierno,
la noche, la escarcha
y el odio y la muerte, por ser por la patria inmortal,
¡saludan con voces de bronce las trompas de guerra que tocan la marcha triunfal!...

Mare Nostrum
On the coast of Augusta, in Cecilia this wonderful sea,
the bluest of turquoise, transparent and I saw fish play.
Blood and bloated corpses have made the sea less pretty
and fish nibbles on cadavers of those who tried to cross
the sea to escape the lunacy we created in Libya.

A president short of stature but with inflated ego plus
philosopher idiot, two men were responsible this disaster
of a war just to get rid of a dictator one of them had lent
money of the other who should not be left out of his confine
of academia, he should have in hidden in a university writing
books only historians take a passing interest in.

As it is the impossible vain man get feted, all because he is
an intellectual and wears a velvet jacket and clean collars.
My old Mafia friend Thomas the knife, has invited me to
Augusta, I will go there but not swim the hazy sea, but we
will eat langouste, drink child wine and talk about the days
when philosophers and presidents left us alone to **** only
when needed and never the innocent.

Siento que algo solemne va a llegar a mi vida.
¿Es acaso la muerte? ¿Por ventura el amor?
Palidece mi rostro, mi alma está conmovida,
y sacude mis miembros un sagrado temblor.

Siento que algo sublime va a encarnar en mi barro
en el mísero barro de mi pobre existir.
Una chispa celeste brotará del guijarro,
y la púrpura augusta va el harapo a teñir.

Siento que algo solemne se aproxima, y me hallo
todo trémulo; mi alma de pavor llena está.
Que se cumpla el destino, que Dios dicte su fallo,
para oír la palabra que el abismo dirá.

Calico gloomy rail yards
Steel vessels whine , brakeman -
locking cars against Winter sky backdrops
Painted horseman bound for Augusta -
tonight , through Conyers , Rutledge and
Union Point
Eastbound dedication passing rural
depots , breaking the twilight silence -
for many a mile , lighting each crossing -
as it slowly rumbles down the meandering line ...

Los últimos vencejos revolean
en torno al campanario;
los niños gritan, saltan, se pelean.
En su rincón, Martín el solitario.

¡La tarde, casi noche, polvorienta,
la algazara infantil, y el vocerío,
a la par de sus doce en sus cincuenta!   ¡Oh alma plena y espíritu vacío,
ante la turbia hoguera
con llama restallante de raíces,
fogata de frontera
que ilumina las hondas cicatrices!   Quien se vive se pierde, Abel decía.
¡Oh distancia, distancia!, que la estrella
que nadie toca, guía.
¿Quién navegó sin ella?
Distancia para el ojo -¡oh lueñe nave!-,
ausencia al corazón empedernido,
y bálsamo suave
con la miel del amor, sagrado olvido.
¡Oh gran saber del cero, del maduro
fruto sabor que sólo el hombre gusta,
agua de sueño, manantial oscuro,
sombra divina de la mano augusta!
Antes me llegue, si me llega, el Día,
la luz que ve, increada,
ahógame esta mala gritería,
Señor, con las esencias de tu Nada.   El ángel que sabía
su secreto salió a Martín al paso.
Martín le dio el dinero que tenía.
¿Piedad?  Tal vez. ¿Miedo al chantaje?  Acaso.
Aquella noche fría
supo Martín de soledad; pensaba
que Dios no le veía,
y en su mundo desierto caminaba.   Y vio la musa esquiva,
de pie junto a su lecho, la enlutada,
la dama de sus calles, fugitiva,
la imposible al amor y siempre amada.
Díjole Abel: Señora,
por ansia de tu cara descubierta,
he pensado vivir hacia la aurora
hasta sentir mi sangre casi yerta.
Hoy sé que no eres tú quien yo creía;
mas te quiero mirar y agradecerte
lo mucho que me hiciste compañía
con tu frío desdén.
                  Quiso la muerte
sonreír a Martín, y no sabía.   Viví, dormí, soñé y hasta he creado
-pensó Martín, ya turbia la pupila-
un hombre que vigila
el sueño, algo mejor que lo soñado.
Mas si un igual destino
aguarda al soñador y al vigilante,
a quien trazó caminos,
y a quien siguió caminos, jadeante,
al fin, sólo es creación tu pura nada,
tu sombra de gigante,
el divino cegar de tu mirada.   Y sucedió a la angustia la fatiga,
que siente su esperar desesperado,
la sed que el agua clara no mitiga,
la amargura del tiempo envenenado.
¡Esta lira de muerte!
                      Abel palpaba
su cuerpo enflaquecido.
¿El que todo lo ve no le miraba?
¡Y esta pereza, sangre del olvido!
¡Oh, sálvame Señor!
                    Su vida entera,
su historia irremediable aparecía
escrita en blanda cera.
¿Y ha de borrarte el sol del nuevo día?
Abel tendió su mano
hacia la luz bermeja
de una caliente aurora de verano,
ya en el balcón de su morada vieja.
Ciego, pidió la luz que no veía.
Luego llevó, sereno,
el limpio vaso, hasta su boca fría,
de pura sombra -¡oh pura sombra!- lleno.

The very mention of Portugal's Lisbon evokes an anticipation of enticement,
Replete with rich history and heritage, any visit is bound to be one of excitement,
Linked to the legendary Ulysses, it is the westernmost capital city in continental Europe,
It's historical prominence is due to it's beautiful natural harbor, that needs no lookup

Even for those who love city walking, the steep inclines of the streets could be a stretch,
A plethora of pleasing tiled architectural facades however, makes up for the arduous dretch,
The city is built in a succession of terraces up the slopes of a range of low rolling hills,
Elevation variations offer spectacular views of the river & cliffs, adding considerable frills

As a city built on seven hills, Lisbon's topography is a mix of enchanting contrasts,
Monumental buildings, elegant squares and broad avenues encompass large vasts,
Quick digression to hilly, narrow, winding, cramped streets is a common occurrence,
The ambience while strolling is pleasing & the transition in terrain is a nice experience

Lisbon's uniqueness is in it's hybridity of historical and modern cultures and lifestyles ,
Smart rooftop bars of hotels contrast to excellent inconspicuous restaurants in style,
The city boasts of an internationally acclaimed one-of-a-kind  architectural singularity,
That can be seen in scores of buildings where spectacular tiled facades are a specialty

Building facade tiles are characteristically ornamented with figures in blue-toned colors,
As seen in homes, public buildings, cafes, train stations, shops, churches and many others,
Called "Azulejos" in Portuguese, these unique tiles also serve to remove building dampness,
Innovative iterations have made tiles more vibrant, rendering greater degree of brightness

One of Lisbon's trademarks is the famed, oldest Portuguese paving on most streets,
Made of limestone cubes, shaped and placed by skilled craftsmen, never missing a beat,
The designs are geometric, figurative or specific depending on the final location,
Special atmosphere is created as it reflects all light falling on it, that begs causation

Lisbon's distinctive colored tram cars are iconic and, for visitors a must-have ride experience,
Hop on board to the sound of squeaky brakes and shrill bells, that have little consequence,
Navigating the steep hills, narrow streets and sharp turns, the journey is fun-filled & exciting,
The ability to lean out and touch perilously close building walls in narrow streets, is most defining

Baixa is Lisbon's central business and shopping district that is always bustling with activity,
It houses the most emblematic squares and streets with neoclassical buildings in the vicinity,
This touristy part of town is flanked by fascinating historical sights that are iconic, quite frankly ,
Fusion of it's history, traditional Portuguese culture and modern tourism, is depicted very aptly

Overlooking River Tejo is Praca do Comercio, a magnificent plaza and Lisbon's grandest square,
The surrounding arcaded buildings, equestrian statue and  Rua Augusta Arch all add to the flair,
Bustling Rossio Square with cafes is Baxia's principal square with it's wave-patterned pavement,
Adjacent Restauradores Square with much history has a standout obelisk - a landmark monument

Navigating around the hilly city is commonly by cab or metro as both are relatively inexpensive,
Other options include trams, funiculars, buses and ferries, that can be fun and equally effective,
When it comes to a tossup, Lisbon metro with four lines, is usually the fastest way to commute,
Providing a seamless experience for visitors, thanks to  a system that is designed to be astute

A visit to Lisbon is never complete without a day trip to  Sintra, perched atop a mountainous site,
Sintra's jewel in the crown is undoubtedly the famous Pena Palace - an UNESCO World Heritage Site,
The iconic twin conical chimneys and the lavish, whimsical interiors have an unique construction style,
The castle rooms with colorful, artistically painted emblematic ceilings are surely worthy of a besmile

Lisbon's charming tourist attractions and lifestyle are the prime reasons for it being a go-to location,
It has a welcoming and liberal allure with extensive history, that makes it a popular holiday destination,
One continues reminiscing the sloping streets, effusive warmth of locals and colorful architectural tiling,
At the end of it all, a visit to Lisbon always remains wistful, whilst at the same time, leaving one smiling!

There once was a girl from Augusta,
Whose adolescent days will disgust ya.
She claimed she was emo,
But loved Finding Nemo.
Those days were a whole lot of blustah.

La santidad de la muerte
llenó de paz tu semblante,
y yo no puedo ya verte
de mi memoria delante,
sino en el sosiego inerte
y glacial de aquel instante.

En el ataúd exiguo,
de ceras a la luz fatua,
tenía tu rostro ambiguo
qiuetud augusta de estatua
en un sarcófago antiguo.

Quietud con yo no sé qué
de dulce y meditativo;
majestad de lo que fue;
reposo definitivo
de quién ya sabe el porqué.

Placidez, honda, sumisa
a la ley; y en la gentil
boca breve, una sonrisa
enigmática, sutil,
iluminando indecisa
la tez color de marfil.

A pesar de tanta pena
como desde entonces siento,
aquella visión me llena
de blando recogimiento
y unción..., como cuando suena
la esquila de algún convento
en una tarde serena...

ich würde, vielmehr: schreiben
etwas deutsche:
graswurzel, das ja!
the ******* need more you
ponce of a mongrel saxon!
better deutscheland grammar?
we had our "solistice"
time-out... welcome tomorrow...
no point leaving
a workaholic out for no
apparent reason: best bet?
"look busy"... ******* furlong's
worth of "short"...

jump that! y'ah ******* dwarf
bridge-gap brigade!
der hobbitenvolk ar kommen!
der hobbitenvolk ar kommen!
nicht die kirschemäntel... aber!
noch die "unerwartet":
zeppelinpumpernickelhoppla!
- why am i bound to the scotch
nationalists? oh... i lived among them
for over three years...
the celtic remants...
perhaps edinburgh would be
the new dublin...

christmas... it's such a german "ting"
like... that irish celtic tad woz
zee timez... C'U... C'U... no...
no L8ER...

but i managed! everything i served on
the plate and placed on a table...
the oven-cooked tatties...
the parsley snippets...
the carrots... the garlic...
the peppers... the red onions...

what the **** am i celebrating,
now? i'm pretty sure, that,
whatever it was... will fizzle out
come post-christmas hangover of a tomorrow...

and a buckling-load-of-****-of-europe...
the same islander "english" mentality...
euro-trash continent...
this... belly-button of the world
english mentality...
you wouldn't suspect it among
the welsh, the irish, the scotch...

perhaps the united kingdom can become...
the next yugoslavia under charles the III...
does he keep his name?
does he? London is long gone...
just as Danzig was long gone...
when Venice wrote the blueprints...
an ancient folklore of a city state...

******* just interrupted something...
no... it wasn't the Royal Ascot...
the horses, ran, ran and buckled...
broke some legs and not being able
to fall asleep standing: were put down...
the greengrocers of betting had their harvest...

we'll still have the top hats,
the champagne "socialism"... the CLASS...
oh you have to remember the CLASS / CASTE
pseudo-hindu "oops"...
england will still be...
what scotland and wales could be...
the less timid bits and pieces of...
what could probably hang in the air
as the new yugoslavia...

"problem" being... it's an island...
it's unlike iceland...
and it's quiet unlike new zealand or...
or... japan...
it's... when...
alt vati pommerschen...
flüsterte in der kinderwagen
auf sachsen, und sagte...

the ******* think you're going?
******* yew-tree quasi-nomad
of germania? you're an imitation
hebrew... or you're...
you're not a: bayerischverwandtschaft?

as yes, christmas only makes sense
now... drinking from the amber spring
of the baltic...
some scotch runes in: mash-up...
easy, easy...

i can use this, acquired, language...
but i know the ******* will have their Ascot...
die sächsischweg...
ants-in-their-pants...
and now "they" think they're settled...
post-colonial imperialism bound
to a nationalist revival...
so much for having no nostalgia...
akin to...

the battle of Tannenberg 1410 -
the date 680 by St. Wilfrid...
such a date... a northern crusade against
the last pagans of europe:
the lithuanians... **** me, i don't need
to paint... the lithuanians and the other
baltic folk... whatever the hell became of
the prussians: who weren't exactly treated
as germans by the teutonic collective...

oh i'll sing the carol songs...
i'll sing the crusader songs... hey! pronto!
i'll sing that... baby jesus doesn't really do it for me...
i'll go and visit Catalonia where
the name Jesus is diffused...
ends up a hey-zeus construct...
a H'ezeus etc.... and the party is over...

but i could celebrate christmas...
if it was in german...
i don't know why... perhaps it's riddling
a masochism remains with teasing
the whole: "wunderbar"?

better still... when europe is cited...
there's that black-hole europe...
there's that... cindarella of europe...
that "missing link"...
between what the balkans served up
in the 1990s... the collapse of the soviety union...
how the 2008 economic crash didn't really
affect this region...
von unter die eisenvorhang...

island people: shire folk...
hobbits... you know the sort...
very idiosyncratic...
one minute a russophobe...
next minute... exotica of the siberian ooh!
aah! i have lived on these isles for...
it's not worth stating:
a better part of my life...
but i have lived... among...
the scots, the irish...
i teased the welsh...
and in London? the tower of babel came...
come to think of it...
the english have sort of reacted like
vermin... you rarely see them...
perhaps in oxford...
of ****... pakistani **** gang there too...

my bet is... elizabeth is "dying":
no she's not... seen that ***** on roller-skates?
seen her pre-house-of-windsor
Saxe-Coburg and Gotha teeth,
chin... and... what the hell and other have
they almost made... insufferable
in it being: signatured? the teeth,
the chin... the eyes!

saxons... jews of the germans...
nomads of the north...
it's not like they ever moved with
a hope for adventure...
when a saxon moves...
he moves with a sense of investment...
he brings his reproductive tools with him...
no wonder there was a feud between
the germans and the "germans": the saxons...
this is... what could not possibly be...
the basic interpretation of england...
past the "chernobyl" of the norman invasion...
how celtic became saxon became
french... became... a ******* cocktail
cosmopolitan...
but the welsh still retained their:
Cymru...
there you go...
white cross on a black canvas...
pirates!
Wales and Cornwall...
dip into a ditto-esque whatever...

the remains of the saxons when the global
cocktail decided to send a postcard from
'ere minding the cockney shlang as:
the proper way to speak... Estonian...
eh?!

bewildered germans speaking...
i don't even know what i am speaking:
it's not much of an achievement if you're
speaking english...
you're bound to suffer from a variant of
flu or fluke or slang...
it's not exactly regarded as:
high esteem latin... or hebrew...

pauper Poland: "where i'm from"...
thank god it's omitted...
never in discussions...
by western "proletariats"...
cheap beer in Prague while... Warsaw?
sowwy... not enough bi-lingual
tour-guides and trout ******* mothers
from the caravan of Zappa...

and we will beg to differ...
i don't come from a people who would
celebrate being conquered by ancient rome
had to matter...
yet somehow i write in Latin encoding...
imagine if... Latin encoding was lost
akin to cuneiform...
but it wasn't...
i did, i truly did...
miss the glagolitic transition via
greek into cyrilic...

invader kin: these slavs these indo-europeans...
it ***** up the narrative of the origin seekers...
these modern, "protestant":
afro-europeans of the YEST...
i say: part of the gesticulation of jesting...

among the saxons who disavow their germanic
heritage... thinking they could somehow
replicate the polish-lithuanian commonwealth...
last time i heard...
just because the scotch speak english...
but keep their: wee part of the equation...
the welsh still speak their welsh...
pen dal i fyny uchel draig...

what's the difference betwen...
the medieval Lithuanian...
and the modern Welsh?
what doesn't allow this "union" to sink
into a second Yugoslavia?
h'american influences?
the... "commonwealth"?
at what point sharing a tongue is a plus...
when anyone can start reciting a Bruce Lee
film: kung fu action packed:
chop sui?

augusta III sasa and
marii józefy habsburżanki...
the house of ßaß...
saxons... again: the hebrew of the germanic people...
the nomads of the confederation...
they always... need... to... move!
and if you find them not moving...
they settle for pyramids...
and i mean: pyramids without Giza
reliefs of archeological "findings"...

but there's a massive gap...
between europe... that "bit" in the middle...
and russia...
russophobia is quiet funny...
i'd still prefer to speak german when
celebrating christmas...
after all... i did make a fickenumbringen
when it came to that alcoholic cake...
nein nein...
nicht ein königskuchen noch ein
stollen! keks... kegs...
a rumtopf!

oh i don't mind the natives...
who are the natives?
where the **** is alice?
parasites leeches... sächsischumgangssprache:
wo / wann sesshaft...
are the natives the welsh with their
retainer tongue kept intact like...
the scotch? the ire hell and fire 'reesh!
who does it take...
to speak to the natives of these isles?

just wondering...
because the saxons that remained...
and the saxons that left...
have a ******* in las vegas...
glory be to man to be the man
on the moon...
and all that...

i spent this christmas and...
i didn't buy anyone anything...
i just undermined myself...
when in england...
feel at home, during christmas...
talk some german,
some german outside of a saxon
influence of being the jew-german...
moving from place to place...
****: ja ja... ich "versammeln"...
nomadin / se-my'tine... deutsche "mischling"...

please excuse the saxons...
they are a... frivolous bunch of...
hobbit seeking elven folk...
the chinese crusade and medicinal ivory powder...
apparently: those ****-*****-base-*******-stinkers
will grow! they have size 11 feet and are...
5ft6 tall... walking on chicken nuggets then...
or stilts... or... that chinese harem of:
tied feet and toe "heels"...

oh i'm very much in england...
i can just soak myself in wild...
belligerent humour...
i've dropped any sense of irony...
it's ridicule on steroids...
but as long as there's an element of being
self-deprecating?

poland is the cindarella of europe:
hungary is worthwhile the better return of
being an: examplar reminder...
of how to deviate from socio-political norms...

black hole piece of europe...
then again: in between russia and the west...
there's some variation of an "interlude"...
which is neither west, nor east, nor central...

ensure you keep a **** in the orchestra...
so foul that it would make
a cat jump running...
giggling... turning on nazareth's
hair of a dog... being reminded:
there's a cow bell in it being towed...
and what choir spectacular didn't ever use
a castrato?

- because if i wanted to retain...
rhyme and a formality of this tongue...
how would i ever feel comfortable...
nothing of the spectacular...
the everyday myopia magic:
how umbrellas became mushrooms
in the fog grey forest of the urban
amnesia...
because i too tend to forget a Mozart...
when i find myself...
falling asleep to the sound of falling
rain on a tin roof...
violin begone! cello begone!
give me rain on a tin roof!

i'll be your Muhammad counting
the number of bones in a body...
truly and vividly so...
i can forget Mozart...
when i fall asleep...
while it's raining and...
the monotone gives me bliss...
the same note: on repeat...
on repeat.. on repeat...
nonetheless: it's still to be regarded
as a polyphony!

I'm living in Augusta, Georgia now
working my hands to the bone.
The first night I was here I shaved my head,
to cope with the Southern heat.
You didn't seem to like it, nor the way it looked with my beard.
Good thing I don't have to look good for you anymore.

I told you that when I come home,
I'll be a different man.
You didn't seem to know what I meant
nor did you really care.

I found myself so far from home
and realized the man I've been for far too long
was never me at all.

Éstos, amada, son sitios vulgares
en que en el ruido mundanal se asusta
el alma fidelísima, que gusta
de evocar tus encantos familiares.
Añoro dulcemente los lugares
en donde imperas cual señora justa,
tu voz real y tu mirada augusta
que ungieron con su gracia mis pesares.
Y recuerdo que en época lejana,
por tus raras virtudes milagrosas
y tu amable modestia provinciana,
ebrio de amor te comparó el poeta
con la mejor de las piedras preciosas
oculta en pobres hojas de violeta.
Tuviste, en la delicia de mi sueño,
fuerza de mano que se da al caído
y la piedad de un pájaro agreño
que en la rama caduca pone el nido.
De tu falda al seráfico pergeño
cual párvulo medroso estoy asido,
que en la infantil iglesia de mi ensueño
las imágenes rotas han caído.
Yo sé que en mis catástrofes internas
no más quedas tú en pie, señora alta,
de frente noble y de miradas tiernas.
Condúceme en las noches inclementes
porque sin ti para marchar me falta
el óleo de las vírgenes prudentes.