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"amnion" poems
In Parsley, a Levantine munificence accreted together in Tabbouleh, herbage that covers fractured bedrock in a poultice of healing. Secreted within, lie igneous outpourings of bloodied tomatoes, those solid affections that had welled through an ocean floor as Neptune quelled Gaia's contractions, her waters seeking to burst beneath the wrinkled surface of a salty sea. She, an underbelly of sky, pregnant in the overwhelm of magma, sweating out her heart in fire, muted like a moon of Neptune, in his retrograde soliloquies, yet mirroring hers in icy resurfacings of skin. The God of the Sea, boils an amnion to hazy mists, how deep will his trident plunge to dislodge those Trojan ships of deceptions ? Yet, Triton blows a conch for Gaia, not for man's duelling and his warring tribes. He soothes her feverish gnashing of thighs labouring continents. Some fires burn in water, like desultory heartbeats moving the pace of rocks through the ocean floor, spiriting away to stranger places still, marking maps of memories in the beauty of a stillborn magma. The limestone they say is no blood relation to such alien fructification, those oceanic intruders, bleeding still, spilling secrets in reds and purples. The acid tears spilled in lemons merely neutralised in syllables, sedimented to a community of limestone, that possess no archaic remnants reminiscing through dead bones, an age of glory. Now beauty lies in herbage over once raucous magma and traces of a salty sea, freshness of life trailing her veins, in fragrance of Parsley
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Jun 24, 2021
Jun 24, 2021 at 7:15 AM UTC
A levantine Myth
In Parsley, a Levantine munificence accreted together in Tabbouleh, herbage that covers fractured bedrock in a poultice of healing. Secreted within, lie igneous outpourings of bloodied tomatoes, those solid affections that had welled through an ocean floor as Neptune quelled Gaia's contractions, her waters seeking to burst beneath the wrinkled surface of a salty sea. She, an underbelly of sky, pregnant in the overwhelm of magma, sweating out her heart in fire, muted like a moon of Neptune, in his retrograde soliloquies, yet mirroring hers in icy resurfacings of skin. The God of the Sea, boils an amnion to hazy mists, how deep will his trident plunge to dislodge those Trojan ships of deceptions ? Yet, Triton blows a conch for Gaia, not for man's duelling and his warring tribes. He soothes her feverish gnashing of thighs labouring continents. Some fires burn in water, like desultory heartbeats moving the pace of rocks through the ocean floor, spiriting away to stranger places still, marking maps of memories in the beauty of a stillborn magma. The limestone they say is no blood relation to such alien fructification, those oceanic intruders, bleeding still, spilling secrets in reds and purples. The acid tears spilled in lemons merely neutralised in syllables, sedimented to a community of limestone, that possess no archaic remnants reminiscing through dead bones, an age of glory. Now beauty lies in herbage over once raucous magma and traces of a salty sea, freshness of life trailing her veins, in fragrance of Parsley
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Jou eierbeloftes word In mooi woordjies En trane spoortjies Toegedraai En ingelyf In die raadsale Van my helderheid En my bekwaamdheid Oor gesonde redenasie Uit legio self disintigrasie Ek bêre dit knus In my eie kluis Te midde my huis Ń yspaleis As ek dit bewaar Teen die donker gevaar Wat dreig uit elke Oordeelsdag Wat op al die ponde en onse wag Elke "ek het vasgeval in verkeer" Elke "jou wanvertroue maak my seer" Elke kode woord Agter die slot op jou skerm bly jou sondeval verstoord!! Jou eierbelofte is ń kuikenmoord!! Dan hardloop ek terug En kyk na die dop Wat my toe snou As ek dit net stywer toevou , minweted salmonella En bylepes Skuil in die amnion En wurg die blou driehoek Op ń voortrekkervlag Eet ek daarvan sal die dood op my wag Jou eierbeloftes Jou akkideskak eer Jou asyn rein liefde Sal ek bly trotseer Vergewe my tranedal Want blykbaar is Ek net verlief Op my eie terugval
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Apr 12, 2014
Apr 12, 2014 at 10:26 AM UTC
Legio self disintigrasie
*And what you'll find is, your highness Can paint a picture that is vivid enough to cure blindness                                                                - J. Cole, January 28th* And because they have never before seen a naked soul, they ask me if I am being deliberately provocative with my pen. And then I paint. So that they too can undress that mental amnion that has cocooned them since birth; which itself became still-born as it was followed by an undying funeral of parental expectations. And then I paint. So that they too can reclaim that aborted clay and mould their burial into gestation, and shatter their amnion coffins from the asphyxiating breath of non-existence to the respiratory lust of Being. And then I paint. So that I too can remember that I am they. A victim ********** into the darkness of lost light, dreams deferred at birth; who still focuses his pen on this canvas to cure his own blindness, to see and paint his naked soul before me, which we then call Life.
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Jan 7, 2015
Jan 7, 2015 at 10:24 AM UTC
Poet.
Yesterday, a cloud burst in mythologies and the rain fidgeted over the retreat of a tidal pantheon; deities swept away by a current, and we stood awhile, watching the moon elbow out the dusk. Breathing is burdensome when cars float on water and corpses leak out of cavernous basements. Every tablet, etched, in the cold heart of building code was read again and then again. It wasn't enough to blame Aeolian whim or the raging riposte of Apollo, now that we had marvelled away Gaia's ozone skirt. Her amnion always leaked in folkloric floods each time she birthed a parable. She once asked Noah to build an ark so he could ride her waves and we scrape the sky to impale her in shards where her womb is soft and yielding, as we sour the air and burn the water and strip her of her emerald sigh and melt her hills and silt her wetlands. Mostly it was the asphalt plastering her yearning that calcified her veins and arteries, as she died slowly under our feet. We could hardly fathom her sorrow for the tears rolled off her torso like an oil slick and rode far into the subway for sewers.
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Sep 15, 2021
Sep 15, 2021 at 4:29 PM UTC
A Warm September Rain
Oh yes, but this song is for empathy. For the grasses' leaves' greens being yellowed. For when winter   says, "Hello": A song as this might add to its start with an opening chord or two. Oh (yes), but this song is for me: Hello. A greeting is an affirmation of one thinking thing to another. I greet stones. Tie them to my feet when I jump into my own blood. Drown for a bit. Wait for a response. The stones don't say anything. Flowers do sometimes, inspiring a heart to do a little lilt within itself. So much to speak of about flowers: Thick yellow grasses swirling around like the sounds swirling within a severed ear. That's a good painting. But that painting is yellow. Blood is red. Water is blue, or the sky is blue, or our minds make them blue, so where should I jump? Upwards towards the birds or downwards towards the fish? If human embryos look like fish then wombs might be oceans, but amnion fluid is yellow: Like sunflowers. Was Van Gogh a yellow man if he had a gun? And am I blue because words sometimes sing?
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Dec 28, 2018
Dec 28, 2018 at 11:18 AM UTC
A Blue Song.
You are black Your mother is white You emerge from warmth and safety Into the cold winds of March Amnion clings to your coat Shiny, bubbly And you struggle to stand On the soggy field Searching desperately for milk Your legs give way But you stand again Close against the chill of the cross winds A cord still connects you And while your mother grazes You drink You are together United by birth Life And this spring afternoon
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Mar 29, 2016
Mar 29, 2016 at 8:14 PM UTC
Lamb
You very nearly arrived in the caul. When I reached between my thighs to touch you for the first time without a barrier of skin, muscle, and water I felt taut, soft, rubber instead of the slick velvet I’d come to expect. It’s supposed to mean things, keeping your 10 month membranous home around you as you enter into this world from yours, bringing your planet to us. Good omens and seers and a symptom of sacred luck. I like to think the way you splashed into this existence was just as auspicious. You quietly keeping to yourself until the very end when the bag ruptured and poured right before your crown, like you knew you deserved a headdress or chaplet of dauntless liquid and warmth. No jazz hands here, just the crowning of a soul who decided that the quiet but relevant ordeal of the amnion was too much and the rare gush or early trickle of water was not enough. So instead you chose the in between: Kept your foggy sheet wrapped tightly around your body until the last second then announced your arrival in a burst. Bringing you to us, but also claiming your quiet possession over yourself.
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Sep 5, 2013
Sep 5, 2013 at 10:09 PM UTC
L
I sit betwixt the laughters, The margins in between, Moments unnoticed, Those easily ignored. Attention is drawn to instance, But must be dragged to dereliction. Worming within words woven, Cowering in the safety of kissed teeth, Solace secured as someone scrutinises how to silence the silence, Grateful for the respite. Squeels from the pit of my stomach, Causing only echoes back from my tongue, Trickling crude treacle, trawls south back through my throat, Finding no refinement, reclaims residence in my centre. Waiting to rejoin the cycle and another all clear for launch. Traceless transaction as interactions lapse, The regenerative amnion of your “awkward silence”, Perspectives polarised, Unwittingly burying me in the hole you endeavour to fill, Unable to comprehend the precipitous crevasse simple shovelling could not plug. The ever exhausting pantomime, forcibly cast. So I take shelter in intermission, Where no one need pretend, At peace in my own trenches, As unpleasant as it seems. No need to scale the embankments for a fool’s run at no man’s land. Though still a subterranean prison, The siren call of Stockholm glistens in the gloom. My magpie’s eye lays yellow bricks forward, Through a self destructive syndrome, Easing the path with each retreat. Remortgaging contentment, Time and time again. Addicted to appeasing that tidal will: subconscious. Welcome the bailiffs later, To collect debts of regret, Postponed event horizons, When I’ve no injunctions left. If only absence bellowed as loud as laughter. You would hear me.
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Apr 11, 2019
Apr 11, 2019 at 4:48 AM UTC
You Would Hear Me
I sit betwixt the laughters, The margins in between, Moments unnoticed, Those easily ignored. Attention is drawn to instance, But must be dragged to dereliction. Worming within words woven, Cowering in the safety of kissed teeth, Solace secured as someone scrutinises how to silence the silence, Grateful for the respite. Squeels from the pit of my stomach, Causing only echoes back from my tongue, Trickling crude treacle, trawls south back through my throat, Finding no refinement, reclaims residence in my centre. Waiting to rejoin the cycle and another all clear for launch. Traceless transaction as interactions lapse, The regenerative amnion of your “awkward silence”, Perspectives polarised, Unwittingly burying me in the hole you endeavour to fill, Unable to comprehend the precipitous crevasse simple shovelling could not plug. The ever exhausting pantomime, forcibly cast. So I take shelter in intermission, Where no one need pretend, At peace in my own trenches, As unpleasant as it seems. No need to scale the embankments for a fool’s run at no man’s land. Though still a subterranean prison, The siren call of Stockholm glistens in the gloom. My magpie’s eye lays yellow bricks forward, Through a self destructive syndrome, Easing the path with each retreat. Remortgaging contentment, Time and time again. Addicted to appeasing that tidal will: subconscious. Welcome the bailiffs later, To collect debts of regret, Postponed event horizons, When I’ve no injunctions left. If only absence bellowed as loud as laughter. You would hear me.
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