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The seats are empty
The theatre’s dark
So why do I keep acting
Below lights with no spark?
The flood’s outside
I’ve yet to bow
Cause they don’t know what happened to us
What went down

We embark to a place
No one could find us
Behind closed curtains
Promise not to get lost
But what if we’re not alone
What if they won’t condone
Corruption when
Thousands run around in a crowd

Could we still be friends
After everything
The whole world’s watching
How we’re dangling
From threads that were meant to be cut
But were replaced by something new
Could it be the same
If we both know that it’s changed
The same
If your touch is what I crave
We were meant to be cut
But were replaced by something new
In a crowd of thousands
I’d always find you
I’d always find you
It’s not like I knew
This would would happen
But it’s true
That I’d always find you

One wrong move and they’d all know
It’d ruin the whole show
But every inch between us is a crime waiting to happen
One step more, it’s not enough
Try again, I won’t call your bluff
One breath and I’m lost in the role we’re trapping
A song I wrote.
Балерина — шлюшка с мозгами —
И с цунами из пары ног.
Проститут-балерон — феерия,
ПолудЕнному Фавну — хот-дог.
Вот она — театральная труппа:
Трупов нет, маскарад налицо.
Домино адюльтеров-супругов,
Вакханалок — и агнцов.

Yaroslav Kulikovsky. Paris, 2019 (c).
Написано после репетиции «Щелкунчика». Все совпадения случайны. Или нет.
rhenee rose Jul 2
The seats are empty;
The theatre is dark;
Why do you keep on acting?
There’s no one keeping mark.

Each step analyzed;
Each line rehearsed;
What tricks are you playing?
Trapped in an eternal curse.

These masks to hide fears;
These laughs to contain sadness;
Who are you when you’re not pretending?
Careful not to thread into madness.
A poem continuing that Charles Bukowski quote.
Archer Feb 24
It doesn’t sound quite the same
———The recording
Without the applause
We tangled in tropes,
two archetypes in love with the idea of change,
but never the act itself.

You thought I was the manic pixie dream girl,
a glittering deus ex machina sent to save you
with whimsy and wild eyes,
but I was just tired—
carrying too many rewrites in my pockets,
each one heavier than the last,
all of them missing their endings.

I thought you were the brooding antihero,
mystery wrapped in shadow,
a walking epilogue with smoldering regret,
but you were just scared—
your silence a monologue
no audience could bear to sit through,
your pauses dragging like curtain calls
for plays that never finished.

We wrote each other into scenes
with props we didn’t know how to use,
a wine glass left unbroken,
a door no one ever slammed.
The spotlight flickered between us,
a dim bulb refusing to hold
all the things we wouldn’t say.

When the script fell apart,
we blamed the writer,
the lighting, the set—
anything but the truth:
we were always the ones
tearing pages from the book,
ripping them before the ink had time to dry,
our story left trailing ellipses,
a script still curled on the floor,
waiting for hands that never returned.
Dom Dec 2024
reality is all that exists.
context is the curtain edge of
the proscenium.
the play is
you and I
performing every day.
ovations and uproar
are all just noise in the end.
everything is theatrical
Zywa Sep 2024
People's fame only

lasts a short time, that I learned --


from theatre plays.
Novel "The sea, the sea" (1978, Iris Murdoch)

Collection "Unspoken"
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