come, look
see painted walls

see crime
see heart
see the last light fall
on abandoned halls

hear the running still
of a silvery river
through slivers
of a stricken city

time rushed away

run your fingers
up the rusted rails
flanking gate and chain
and with the same disdain
they show you

climb steady

taste the silt
stand
with wilted pillars
drunk on verdant shores

breathe a new sound
feel the stifled air
of a cloudless night
languish in your lungs

come, look
fresh walls to paint

You wouldn’t let my feet touch ground
until side A died out
and the pirouette ceased.

We laid there in our Analog Atlantis
staring beyond the ceiling
letting the soundscape crash over us
and cascade into auricular orifices.

Our bodies lifted from the mattress,
floating up and up—
past the ceiling, past the trees,
past the planes and clouds,
past the stars and planets—

into the ether we fantasize about
in our synchronized dreams.

Til the sound waves receded,
and our bodies washed up along the shore,
our contours molding into impressionable sand,
turning our gaze to one another—

the needle lifts from the wax
and returns to rest,
the platter ceases its cycle,
the speakers die—

and instead of feet touching ground,
I flipped over to side B.

On the days I hate music,
I entertain silence,
in a sense.

I stifle one music and greet another:
Silence accompanied by the soundscape.

In my car, windows rolled up.
The world outside my vessel becomes dulled.

The silence I sing ain't so quiet;
tempo'd to the turn signal's metronome,
the droning hum of the engine,
the screaming world seeping through cracks and crevices
within the assemblymen's exquisite craftsmanship.

I hear these songs.

I roll down the window;
I hear the staccato shrieks of impatient cars.
I hear the bombinations of the road worker and his jackhammer.
I hear the droll of the cement truck drudging down the highway.
I hear the light treading of the jogger
making her way down the eternal sidewalk.
I hear coffee poured and pondered over in the coffee shops.
I hear grocer boys bag absentmindedly in the supermarket
(where Allen and Walt linger).
I hear silverware jingle in the busboy's bustling trays.
I hear dog's elation leaning out their master's passenger window.
I hear tires groaning over the hot sticky pavement.
I hear the wind carry the sunny tune like the steady conductor
guiding their orchestra across the threshold to the enthralled audience.

The wind carries the tune to me,
and I hum along.

The days I hate music
are the days I remember
why we make it in the first place.

I escape to and from the soundscape.