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i place my head beside her thigh
as if to sleep in her warmth,
I say Twosday,
she says,what?

I repeat, Twosday,
Yes, she say, it is,
pausing to consider
and connect
my dots:

Ha, you’re writing a poem!

“head connected to my thigh bone,
drawing from within me,
the necessary ingredients to
inspire, perspire,-and respire
this agglomeration of the
in and out of your surroundings
contacting pulses”

I think, ah,
she’s got it,
but all I say and
state with definiteness,
by repeating,
and  breathing out

Toosday,Twosday!
Dec. 2024

this woman is my destiny,
so much to believe in,
she loves me when the
world disbelieved in the:
the who,
in the,
we~hope,
of a
we~too

on the fusion continuum
we slide, on playground steel,
shiny, hot, not caring, playing
grown up~maybe, one behind
the other, gleefull  shrieking &
screaming upon falling into
a pile, a jumbled unity, of
tumbled older bones

now decades later, we play
at forever, when we early morn
seek out the empty places,
and play once more, now shoes off,
but slip~sliding full of
undignified noises at the top
to the
all~the~way~down,
we wake up
tbe neighborhood,
and once in a while,
people cone running
to see who are these noisy
usurpers identity, and we
climb up to the top,
lungs expelling a shout,
     ”so much to
          believe in!

For Thyreez,
because she aspires


<>
most of us, no,
almost all of us,
collectors, of those little things,
real, substantive,
kept in that drawer,
reminders of collected moments,
of places people, successes, tragedies,
lumped together because,
just because
they constitute the pinpricks,
the meddles, safety pins, needles
of our lives, some treasures,
and a few collectibles of
black trimmed saddies

I have such a drawer,
admixture of single cufflinks, spare buttons,
Aaa batteries that might still work,
expired credit cards, charging cords for
devices long ago discarded,
a whole class of items I call
you never know when

some slides, pics from prehistoric times
when we never dreamed of magic phones
as life’s mini storage units

even I had
a lipstick kiss napkin,
just in case, when was required a
need a brevity taste of
a sad time-in-‘n-out
and back again
to feel human

but the mission critical
little things
do not fit in a drawer,
for they are the action’s & visions
we seize and keep in shadowy unseen
but inserted
grey cells

the taste, aroma, of that first cup of coffee
made by whoever was up first,
brought and placed on the nightstand
with a nudge, that failing, a very wet
kiss and a foot-beneath-blanket-squeeze,

the feel~touch of a particular locket,
the never-to be-removed-ever,
till it was
placed perhaps in someone else’s
drawer, shoebox, attic, or lost
in a ‘can’t be foundering place’

we probably have all three;
the drawer, the memory triggers,
the lost items that cannot be
lost, or forgot nor found

and I think and add all these,
I realize that this script
is
one such of the places,
where we put things,
we might need someday,
or maybe never but,

you never know when!
Left Foot Poet Dec 2024
some sounds and guttural expressions,
unique property of individual & groups,
no, won’t explicate this  
too much further
but…

anyhoo, in the realm of naked laughter ,
undisguised, unhooded,
a modest-ly hand-covered giggle,
primarly but not exclusively,
the propety of the feminine wile,
so much so, a ‘girlish giggle’ needs no
hyphenation, or hydration,
just  imagining grinning
eyes and lips, crinkling
and the ability to easy while
through one’s
nose breathing

well understood it is the
la feminine,
this witty twitty
in the provence, of women,
particularly the younger at heart
who titter with the glee
of reckless uninhibited unlimited
gig-gig-gigl-ling-ling
(N.B. young st heart is an ageless concept)

the Frenchies in their
Frenchified (1)
(alt.; frenchfried) ways
call a giggle, a puff of laughter, (2)
which sounds so modestly ladylike,
but in the US of A, a girl giggle,
a really good GG,
needs not be so demure,
and can possibly extend into a raucous cackling infectious,
yet discreet
uncontrollable belly slapping laugh,
given the kerrect circumstances

love me them GG’s
(2)

giggle: pouffer de rire

(1) see “Billy Budd,” Benjamin Britten composed the opera Billy Budd, and E.M. Forster and Eric Crozier wrote the libretto:
Left Foot Poet Dec 2024
of what would we write?
of ourselves,
of/to
each other,
would that be sufficient?

cannot imagine the
absence of these essences?

that reassures
our places in the universe,
gifts to us each,
to preach hallelujah

rue that day,
and your only choice
of smiling or crying,
or both,
for the world’s clothing
is an invitation to
begin creating
Left Foot Poet Dec 2024
High agency goes beyond having a positive attitude or being optimistic, it involves consistently and determinedly pursuing your own goals, regardless of the challenges that may arise.  It represents true empowerment, where people take full control of their actions and the results they achieve
<>

A newish term,
popping up with
semi-regularity,
that is not intuitive
until explicated…

by yours truly,
a youngish
septuagenarian,
an oldie term,
yet one which
the poet proceeded,
needed ‘the google’
to be sure the meaning
of same, is what it is…
and is a qualification
deserved, earned…

he speaks in tales, long winded,
that few have patience for,
but he is a high agent & don’t care,
and he believes in himself,
no what the cost,
spit and ridicule no longer affect,
his poems here for the asking,
ask and you will receive his
chilly shaky daily poesy in a pink
ribbon tied, for nothing says more
than he is high, when he gives freely
this words for your taking!
10/2/24
Left Foot Poet Nov 2024
today,
walked the river arcade,
by the river~side.
same,
where, & when,
a decade earlier
and a laugh ago,  
we performed
a daily differential calculus

of the distance to that line,
a watermark,
where my accidental drowning
would be insurance covered

don’t recall, if back then,
poetry writin’ was a good  
a daily companion, or-even
a mere passing acquaintance

but went to
all-in-all-alone-freedom,
found riches,
yet still pressed in rags
of remorse, mourning surely,
until & still a
woman, or
three, rated me a
good looking edible,

even
if only didn't always dress
in black, head to toes, like an
extra cool new yorker, or an
attendee at my own fun~ereal

since those days,
gallons millions, zillions
of brackish seawater has flowed
out to sea as far as
England, Philippines, New Zealand,
whichever be connected to the
rain water of Adirondack mountains
flowing past East 57th Street,

my salty tears replenished,
but time changed the causation,
from oy to joy in simp terms
that rhymes…with me and yours

water woman water woman water
makes the heart capable of weeping
tears of joy,
oh! happy drowning
how do
you cross from woman to water,
that, now I walk on a
water bridge of loving
hard, steel & liquidity of
concrete, smooth roughness
became the path to loving living
Ash Sep 2021
Standing on the balcony
Watching my home burn below me
My people wish for my head
Saying I'm the reason their tyrannical king is dead
Though perhaps they're right
That was the result of that night
When my love became a traitor
And I killed my father
But its not that simple
No it ever is when darks and lights intermingle
I did it to save them all
For a new age to rise, the old must fall
A new era of peace across the land
Caused by my hand
And what do I get in return?
A mob chanting for my head as they watch my home burn.
Our king and castle both gone
What will become of our kingdom?
I guess I'll never know
I'll burn or be killed by those down below
Maybe I should give them what they wish
Maybe that's the only way to end this.

I look back at the burning wealth
Before I step off, falling to my--

"Prince!"
Trying to get better at rhyming.. I know it ***** leave me alone and appreciate angsty Prin
Ash Oct 2020
As blue
As the blood
That taints the perfect crown
I frown, watching the kingdom
I love
Fight a tireless war.

A war
Against those with scales of blue,
Where we lose far too many of those we love,
And spill far too much blood.
We say we fight in the name of our almighty kingdom.
They say they fight in the name of the crown.

A crown
Which has only seemed out hatred and war
And is willing to **** any who speak against its kingdom,
Allowing the royal blue
Blood
Shed— even from those we love.

But love
Is not felt by those who bear the crown.
We never learn the true meaning of spilled blood,
Or the pain caused by an everlasting war.
A war we fuel until every petal has fallen, mixing with the blue,
Leaving in its wake, a broken and hollow kingdom.

A kingdom
Lead by one who just never love,
Who must only mind the blue
Gem embedded in the crown,
Starting war after war,
Only protecting our title and our blood.

The blood
Which only flows through the veins belonging to the royals of this kingdom,
Who only know war
And believe the greatest weakness one could have is love.
We’re born and raised for the crown
As the world idolizes our shade of blue.

Yet— I spill my blood for those I love,
And serve my kingdom, even though I hold no crown,
I’ll fight this war, your hand in mine, stained in shades of royal blue.
A sestina written from the perspective of one of my original characters.
Ash Oct 2020
What is the color blue?
Is it simply the color of royalty?
Or is it the color that bonds me to you?
Your skin, my blood, and the crown,
All share the hue.
Perhaps it’s just a strange thing our people believe—
The most common skin tone, is the royal color too.
Perhaps it’s more than you and me,
Perhaps we will always belittle yet worship the color blue.
A Magic 9 written from the perspective of one of my original characters. (the same character from Sestina of the Fairy Prince)
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