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Mateuš Conrad Nov 2015
what terrible news, the marx in me said it true, article heading: mental health gets only 1% of council tax...£664 million a year on ****** health... £111 million on tackling obesity. here’s a simpler explanation... c.d. is part of hardware... mp3 is soft-ware... get a scratched c.d. and turn the hardware into software... then put the virus mp3 onto an iPod, which is hardware... then watch the technological virology take over... the host hardware will break, given that the parasitic software is implanted from a sick hardware it was copied from.*

i was redecorating my mother’s living room,
for a handshake and the prize:
don’t interrupt my drinking pattern, woman please!
so i found to ancient scribbles of paint,
but then hid them like a treasure chest...
i also found the vol. no. 2 of kant’s critique of pure reason
under one of the pieces of furniture...
over a year i lost it... blamed everyone i knew...
but in reality the realisation came when i rekindled
the bookmark coordinate:
it took me two conscious years to read heidegger’s opus,
consciously defined by reading poetry on the sly...
with kant i ended my reading with the introduction of hegel:
antonyms of a pure mind - the third conflict between transcendental ideas -
i got the antithesis straight away... mainly because it spoke of freedom...
while the thesis spoke of the laws of nature and 1, 2, 3, 4, 5...
0 central...
it spoke of sequencing of events... it spoke of 1, 2, 3, 4, 5
as paradoxical of 2, 3, 4, 5... and 3, 4, 5 and 4, 5, and 5.
i think i better translate this passage to exemplify the point...
i lost kant for over a year and the **** sizzled...
i kept heidgegger for a year and i came out wondering
why it should take someone 15 years to study aristotle by the man’s suggestion,
so i had myself the alternative:
philosophy begins with awe... well... so does tourism.
let's just say there are corridors at the junction...
we say i almost pickled a cat's paw with wet cinnamon
or ketchup to imprint a paw-print with the gaff quote:
i was here, i found the sound meow inexplicable,
incomprehensible... given the human complications,
i decided to utilise meow with randomisation away
from my superior intuition... whereby the phoneticism
of meow was less than my eyesight and hearing...
so i announced the whiskers and fur and snake-eye in mammal
with a meow... i used meow to communicate with the complex
vowel-consonant reason, but i found my intuition
in rachmaninoff's vocalise wordless song... with my ear against
the radio dreaming away... so said man un-attentive of me...
that i managed to mingle my instinct without the meow
asking for butter... and instead for the daydream...
diva lute diva tangled... diva es lute es flos...
there i was... the cat of abashed baptisms at the fountains of
the baptist with my head wetted...
careless for the dung bag walking partner, or the plaything
i was forced to take interest in... my casual...
fat for keratin, as if fat translated from man unto animal
to ask the boar for the daydream of the conveyor belt
with lost fur and gained fat...
off with my shirt i too graded the follow-up...
as a loss in the tightened woods of winter with the losing shadow
of the shadows of beckoned crowns not adorned in vogue.
but this was only 1912... five years before the revulsion...
before the revolution... five years! spent in the abode of harmonics
by the piano i tried to mistune to write a deathly haunt of presence...
operatic alphabets twisted me into recovering from
the foremost attraction of failure... the neglige of virginity lost
to the public's applause missing...
i too could have vouched a coming back: of spirals away from
the champagne starlight in bouquet crescendos,
for the simple minded aura of perfection - but i vouched
hypnosis as the adequate precursor of staging fright
as the lost composition rekindled into revisionary composition
regained - there too i found the picturesque familiarity
of unsung hilltops regaining strength in the longshanks' heels
as if by deed of achilles in strength regained...
to frighten the lowlands with that glorious fame of
being poisoned by the gratifications of excess in the untrodden path
thus trodden by ear and echo rather than foot,
into the zephyrs of the larynx-ballerinas upon mountain-tops...
thus there, among the content misanthropes -
i too searched orpheus' mirror and prometheus' stone
to be bound to an eternal moment that denied all
other eternal moments and furthered the denial
by not allowing a bullish billion of china
its existential prowess among nations so frequented
by scandinavian description.
EC Pollick  Jun 2012
Rachmaninoff
EC Pollick Jun 2012
Buttresses flew
too close to the sun.
Icarus repeated.

Monuments based on Ideas.
Prophecies based on Conviction.
Trust in a stated Axiom.


Only last for
as long as
someone believes in them.
Mateuš Conrad Oct 2018
.oh forget Disney H'america... technicolor H'america was the bomb... gentlemen prefer blondes... oh ****... no... the seven year itch... the Rachmaninoff scene... bell, book & candle scene... whoever the genius was behind the technicolor project, outmatched the Disney in 1950s H'america... little town America... big little ****-hole worth of Europe... eddi reader...more like: keep the cats, a woman may desire luxury, but a man a freedom... keep the town, the summit, the fireplace... keep your luxury... just give me the shadow, the sun, the moon, and the road: perpetually greeting me.

oh forget looking
for scapegoats
these days...
full blown schizophrenia,
happening,
all over the anglophone
world...
me?
i'm just looking
at the lampoons...
sorry...
lemmings...
and the English?
top the table in western
world...
they thought they'd be
bailed out by
the H'americans...
good luck rolling
that pin-ball...
not gonna happen...
they have their own ****
to deal with...
   it could have...
but now it will never
work out, no anglophone
alliance bail-out plan...
it's a ******* farce...
it's a bogus in the bogie
in the ******* coalmine...
forget the canary...
   ****... i'm seriously flipping
the coin on phrases...
FDR contra DJT?
  magic!
no... the politicians were always
going to place the card...
the joker... free-fall dance-loose
feet...
         my bet is...
it'll fall flat on its face...
the eastern European Achilles
heel of the europhiles...
that's a supposition,
not a proposition...
                     or thereby, pre-....
but i do love being a spectator
of rare sport...
en masse schizophrenia...
a nation, divided...
             what a load of *******...
the English thought that their
anglophone alliances would
last, would encrust them in
a new globalization mechanism...
even the ******* Icelandic people
think they're European...
what did the English think?
just east of Las Vegas?!
           an island surrounded
by a massive prehistorical lake
"facility"?!
no one is looking for scapegoats
these days,
there's no one to blame...
mea culpa, mea culpa...
    these days?!
everyone is looking for the lampoon
brigade!
- and let me tell you...
mea culpa mea culpa...
no one is looking for a scapegoat
worth kristallnacht;
people are looking
for a lampoon...
     or...
        karmesinrotherznacht,
the night of... broken hearts;
broken, crimson hearts.
There is an inch of sleight in this house – this cold chair,
a burst of cologne clogging a 20 minute stride. The stringent
air tonight blusters deeper than gashing sheens.

The little dryad of dew outside and the cadenza of frogs
after lambaste of rain. Whenever you sing, your voice
communes an immense pain, something unconscious of its
gravity, something that levitates back to momentary ululations

swelling in the grime of times and heady chances. A long stretch
of a day submerged in silence resembling a howl underwater.

There will be many sorrows and they will take form of doves,
assume the skin of the populace. They will come in a volume of
names pressing the linoleumed musk the way the body turns
maneuvering over the saltine, the mattress, juxtaposed to a lover,

a brusque aroma of coffee brushing away the calm demeanor
of the morning, dragging along the weight of its lassitude
towards the sprays of fern opening a dense ornate of forget,

you, in all places that pulse without recall – an obtuse
fish feeling its life in a surge of blue, overtime, finally knowing
    what it means *to sing and drone only words.
Lunar  Apr 2015
Kreisler
Lunar Apr 2015
There were two piano pieces of Rachmaninoff's: Love's Joy and Love's Sorrow. Now she, the musician who lets the instrument cry for her, always chooses to play the latter piece. And he, the musician who seeks to pursue happiness with his instrument, asks her, "Why do you stick to sorrow?"
.
.
.
"So I can get used to it."
inspired by the romance/music anime "Your Lie in April".
Evan Stephens May 2019
Molten web
of keys
& brass tumble
to the ear;
there's cane
sugar burning,
a thick crest
of moon, the
breast of night,
& the piano
is a violent
love, a brace
of stone.

The second
movement
arrives like
a galleon
with sails
of cries
& whispers.
The world
lilts. A scent
of lilacs
in the
hand. The
minor key
move is
devastating.
"I saw the
figure 5
in gold"

Then,
the dusky
iron of the
anvil births
sparks.
Wistful
lace of
yesterday
falters
in the air.
Trumpet
creepers
climb the
black trellis
of evening.
A closing
throb that
speaks:
It was
worth it.
Mike Essig Jan 2016
by Ramond Carver**

You don't know what love is Bukowski said
I'm 51 years old look at me
I'm in love with this young broad
I got it bad but she's hung up too
so it's all right man that's the way it should be
I get in their blood and they can't get me out
They try everything to get away from me
but they all come back in the end
They all came back to me except
the one I planted
I cried over that one
but I cried easy in those days
Don't let me get onto the hard stuff man
I get mean then
I could sit here and drink beer
with you hippies all night
I could drink ten quarts of this beer
and nothing it's like water
But let me get onto the hard stuff
and I'll start throwing people out windows
I'll throw anybody out the window
I've done it
But you don't know what love is
You don't know because you've never
been in love it's that simple
I got this young broad see she's beautiful
She calls me Bukowski
Bukowski she says in this little voice
and I say What
But you don't know what love is
I'm telling you what it is
but you aren't listening
There isn't one of you in this room
would recognize love if it stepped up
and buggered you in the ***
I used to think poetry readings were a copout
Look I'm 51 years old and I've been around
I know they're a copout
but I said to myself Bukowski
starving is even more of a copout
So there you are and nothing is like it should be
That fellow what's his name Galway Kinnell
I saw his picture in a magazine
He has a handsome mug on him
but he's a teacher
Christ can you imagine
But then you're teachers too
here I am insulting you already
No I haven't heard of him
or him either
They're all termites
Maybe it's ego I don't read much anymore
but these people w! ** build
reputations on five or six books
termites
Bukowski she says
Why do you listen to classical music all day
Can't you hear her saying that
Bukowski why do you listen to classical music all day
That surprises you doesn't it
You wouldn't think a crude ******* like me
could listen to classical music all day
Brahms Rachmaninoff Bartok Telemann
**** I couldn't write up here
Too quiet up here too many trees
I like the city that's the place for me
I put on my classical music each morning
and sit down in front of my typewriter
I light a cigar and I smoke it like this see
and I say Bukowski you're a lucky man
Bukowski you've gone through it all
and you're a lucky man
and the blue smoke drifts across the table
and I look out the window onto Delongpre Avenue
and I see people walking up and down the sidewalk
and I puff on the cigar like this
and then I lay the cigar in the ashtray like this and take a deep breath
and I begin to write
Bukowski this is the life I say
it's good to be poor it's good to have hemorrhoids
it's good to be in love
But you don't know what it's like
You don't know what it's like to be in love
If you could see her you'd know what I mean
She thought I'd come up here and get laid
She just knew it
She told me she knew it
**** I'm 51 years old and she's 25
and we're in love and she's jealous
Jesus it's beautiful
she said she'd claw my eyes out if I came up here
and got laid
Now that's love for you
What do any of you know about it
Let me tell you something
I've met men in jail who had more style
than the people who hang around colleges
and go to poetry readings
They're bloodsuckers who come to see
if the poet's socks are *****
or if he smells under the arms
Believe me I won't disappoint em
But I want you to remember this
there's only one poet in this room tonight
only one poet in this town tonight
maybe only one real poet in this country tonight
and that's me
What do any of you know about life
What do any of you know about anything
Which of you here has been fired from a job
or else has beaten up your broad
or else has been beaten up by your broad
I was fired from Sears and Roebuck five times
They'd fire me then hire me back again
I was a stockboy for them when I was 35
and then got canned for stealing cookies
I know what's it like I've been there
I'm 51 years old now and I'm in love
This little broad she says
Bukowski
and I say What and she says
I think you're full of ****
and I say baby you understand me
She's the only broad in the world
man or woman
I'd take that from
But you don't know what love is
They all came back to me in the end too
every one of em came back
except that one I told you about
the one I planted We were together seven years
We used to drink a lot
I see a couple of typers in this room but
I don't see any poets
I'm not surprised
You have to have been in love to write poetry
and you don't know what it is to be in love
that's your trouble
Give me some of that stuff
That's right no ice good
That's good that's just fine
So let's get this show on the road
I know what I said but I'll have just one
That tastes good
Okay then let's go let's get this over with
only afterwards don't anyone stand close
to an open window
Here you see an ******* in action. Raymond Carver was a genius. I'm not the only person to be ambivalent about the Buk. Notice how well he captures the repetitive self-glorification.
Let's make these fingers play,
Across eighty-eight keys of wood and ebony,
In perfect, scale, rhythm and harmony.
Decipher the dots and dashes,
And break all the rules,
once you know all the clashes.

You could learn,
From the masters of this game,
Probably Beethoven,
Who played it with honesty and power;

Or Chopin,
Who played it with delicateness,
And poetry;

Or even Liszt,
Who played without hesitation,
          And to woo women;        
        
Or Rachmaninoff,
Who used his sizely hands,
To the fullest,  
Using clean moves and precision.

There are many masters of this game,
But I promise,
                     It's the only game which will keep you,               
Entertained.

*Till the very end.
Pianists are wonderful people.
Lisztomania!
Third Eye Candy May 2013
the klaxon carols of your grief belie the golden pipes of your madness.
the cherubs embedded in your lost happiness
slip through cracks in your voice. James Joycean.
the fugue, your discord dims, seeps through the gauze
of your field dress. your wound holds the root note
oozing Rorschach ~ Rachmaninoff
jungian etudes allude
to a deep you at the bitter end
gnawing on sweet bones to marrow sip
from the holy grail and -
a humble pagan ***. i greet you at the airport, barefooted.
found you
talking to a cloud
in your blue sky *****. it was shaped
like an anvil cloud in your iris
watched as you forged
lightning bolts -
fit to hinge
heaven's
door.

we had the same flight at two different altitudes.

and i loved you more.
zebra  Jan 2017
Sadomasochism
zebra Jan 2017
for some
their sexuality
is intimately tied
to curves and licks of pain
and their own
abject destruction
trussed, ornate
for a brutality
that accentuates
****** lucidity
in the dark caverns
of a perforceive mind
and o so willing body
which
like bruised piano keys
in a triumphant concerto
of ecstasy
aspires
to be played hard
like Rachmaninoff's
beaten ivories
finding immense pleasure
in constant crises
stretched
between the entwined
demand of desire
and the need
for a
a depraved ritual
of exquisite subservience
imposed
by an idyllic master

sweeten the world
my darling
honey machine
industrious slave
bend my beloved
like the weighted ridge pole
are you ready to break
oh princess
of cruel inflictions
that intoxicate
with onerous dark thrills
the sway of your writhe
where pleasure is piqued
by perfect suffering

blood glitter paradise

she beckons
from hells shadowed doorway
enter my love

enter

— The End —