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False Poets Feb 2018
complexity bias

how you love to criticize my poems
as too long and overly complex

poor me, I’m no genius, don’t prosper by exploiting
unrecognized simplicities, rather deconstruct the
intricate complexities that I flatter myself are the me-sinews

Writing is a **** temptation -
we focus on the 10% that is complex and ignore the easy 90%

perhaps this once I will surrender my bare bones
put aside the rich, satisfying of cave diving, urban spelunking
word caressing tongue verbiage rich tapestry exploring -

give you the plane of plain where nestles my destiny: nesting near motionless where the couch is my kingdom and cold cereal is
easily digested and there are no consequences

I am a member of a discriminated-against minority
we have no charismatic leader, no marchers anywhere, and government programs say
hey you’re free white and twenty one plus, get the crap out of
our faces,  you useless piece of rhymes with **** and includes dirt, though I shower twice a day to keep myself occupied

25 years old, a high school dropout, of course I’m white,
my occupation is playing video games and making sure
my supply of opioids is adequate in these great United States
where I was born

there are fewer jobs than none that my application survives
a first glance discardation, and now my disability preempts
any demand to pretend there is gainful employment in store in
my future

this reductio ad absurdum is a technique to expose the fallacy,
ah what’s that you say no interest in hanging about,
on your way out, of course, of course,
we are the wrong flavor of downtrodden

my life is simple - simplistic in its a chaotic entropic way,
order slowly declines into disorder

my rituals are a fight against slip sliding down, falling off the
the Herzog continuums
and the poems are desperate hand holds to prevent my
going, gone under

so forgive me if I tax you without possessing not the
requisite taxing authority

you hone in on the obvious disparities and my contradictions

resenting my sending you this bill of extravagant length

compose with me and a mean will be located and to sleep I go,
perhaps to undress my dreams and explicate the wealthy multiples of complexity in the simplicity of a junkies life
pitch black god8 May 2018
are you generally happy?

a semi-innocuous query
now actualized as a two sided bladed poker,
hot stabbing me smack dab in
the chests hollow crown bullseye,
continuously,  as in all life long, and eternal longing for a
“yes”

it fits inside a pubescent aged wound that
refreshes with every breath;
a life long struggle for an accurate definition,
be a general of genuine happy,
that alone would deliver, bringing on bright day satisfaction

as a human, one operates on parallel continuums;
slide slipping on well oiled poles that over the years,
their lengths, increasing with add-on extender poles
formed by
twisty turny slips and falls of sundered hearts and sad loves,
marriages nicknamed Titanic, children found and lost,
complications responsibilities that are denied meeting the words  
  “The End”

a life that many would envy, questioning what’s wrong
with you dude, are you blinded to the riches yours,
reality is
shoulders permanently bent, a spine that’s held together by
spit and solder and curved by wearying wearing longing for
a straightness that is also called crooked unobtainable
and a piece of a peace that comes and goes
like a highway billboard that you pass too fast to be fully read

the body is corroding and worser yet to come and that’s a hand
you selected - luck of the self-selecting-drawing -

the opioids of the mind offers are rejected

the clarity of painful self exploration valued overall -
the place where the poems come from,
and go to die,
a landscape of a scene repeatedly visualized
but never been and never left,
the crazy contradictions come in two flavors;
vanilla smiles and chocolate weeping of tears that have
etched pathways cheek-chiseled

the city is a struggling strife for most,
the next red line on the side
of the measuring cup  and
everyone has a cell, a credit card,
and a measuring cup
<•>
here I stop can’t finish  
someone missing alerts me
to their real worlds troubles
making my complaints super superficial but
the silent running of the stilleto
cuts shallow
repeated hourly
the cut color,

pitch black
demon girl  Dec 2013
opioids
demon girl Dec 2013
you only needed two more.
just a couple and you'd be alright
three more because its been a long day
take six with you;
you'll save the rest for later
or finish them off before 2pm

...47, 48, 49, 50.
i counted them all
so very proud of you
we were going to do it this time

but i was gone
and you were desperate
telling yourself, "this is the last time."

next time i pick up the bottle
it looks different than before
i count out six
ignore the obvious again

and we will try again
and we will do better
and we will starve your beast
until it shrivels away inside of you
because you're my daddy
and addiction can't have you
Existential me Feb 2018
I am tired.
Tired of the greed, the materialism,
the artificial realism.
Medicines to cope, false hope..opioids
the killer dope.

I am bored.
Bored with the faithless optimistics, party goers bathing in that sea of chaos...politics.

I am tired.
Tired of the hunger, and the homelessness that at times feeds glory seeking kindness.

I am bored.
Bored with the phones...the internet.
Allowing people to interact without having to connect.

I am tired.
Tired of the why and the what for,
lies of peace masking the truth of war.

I am so very tired and bored but
mostly with me.
More so with myself than with other people, politics and technology.
Sometimes I wish life would just set me free.
Thinking too much...
Michael Marchese May 2017
Addicted to this strain of pen
The pain and rain embraces melt
Away in her oblivion
Still numb to opioids she felt
My love at last is laid to rest
In unrequited sleepless nights
And answers of indifference
To questions of my greatest heights
Free-falling fears I left behind
To see depression's comatose
Was riddled with my lucid mind
Still hers was what I craved the most
A stronger drug I've yet to find
Jade Mar 2019
I had my first kiss at the cinema, the contour of our silhouettes illuminated by the glow of the rolling credits. He tasted like Altoids and cigarettes, an ambivalent concoction of ice and fire. At one point, I'd bitten him by accident. Whether this was a manifestation of inexperience or (seductively, with heat in her eyes) hunger,  I'm not sure. But, sitting there in the thrill of My Something New, I was certain of one thing: this was a red carpet moment, the stuff of silver screens and glimmering Hollywood starlets and rows of type writer ribbon waiting to be transposed into something theatrical.

After the film, we sat outside a cafe a block over, the fever of summer adhering to the back of our necks like (giggling) misplaced hickeys. Smoke corkscrewing from the end of his parliament, he told me how John F. Kennedy was addicted to opioids. I couldn't help but think back to earlier that afternoon when he first admitted to being a smoker. How he'd asked me, "Is this going to be a problem for you?" hesitation rising up his throat like bile.

I smiled because 'Everyone's got their poison," I replied.  

And poison? Well, there's something so strikingly poetic about it, don't you agree?

(beat.)

JFK must have been Marilyn Monroe's poison, I think.

"So," I offered, "What do you really think happened to Marilyn Monroe?"

"How do you mean?" he said between drags of his cigarette.

"I mean was it really an overdose or--"

"Was it an assassination?" he interjected.

"Mhmmm."

Another drag of his cigarette.

"As they say, the simplest answer is often the correct one."

"Maybe. (beat.) But what makes for the better story?"

After two weeks of courtship, he took his leave. My mother's obvious, unwarranted disapproval was, perhaps, a source of anxiety for him. Me being freshly eighteen, he was also concerned about that (sarcastically) whoppin' three year age gap. (beat.) Not fully buying it, are ya?

Well, neither did I.

Here's my theory: his feelings (or lack thereof) were the reason he called it quits. And instead of being a man--instead of being honest, instead of owning up to the true nature of his intentions--he spun some relatively believable excuse. A coward's way of removing himself from a situation he doesn't want to be in. Surprisingly enough, I wasn't as disappointed as I would have anticipated, had I foreseen the end of our fleeting romance.

I was (beat.) fine.

It does make for a great story, after all. (wryly) But you knew that already.

Because for every Norma Jean, there's always a Marilyn Monroe.

Tell me then--who are you?

(beat.)

Girl curtsies, transitioning into a tableau of Marilyn Monroe's iconic pose wherein she attempts to hold down her dress as the air from a nearby subway grate threatens to expose her undergarments.

Lights fade out.

{Fin}
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(P.S. Use a computer to ensure an optimal reading experience.)
Olivia A Keaton Sep 2016
first it was all about pain
now I actually take you to gain
the sensation that makes me high
boy I'll tell you, with you I swear I can fly
you make me feel like I'm eight feet tall
but honey let me tell you the worst part is the fall
but is it worth it they say
every time I take you I don't know if I'll see another day
so no it's not worth it
but I can't help it
I'm an addict
so don't make the same mistake as me
don't take opioids and good your health will be
For health class at school we have to write why people should not take opioids and get addicted. This is a rough draft I'll edit later
Cedric McClester Nov 2017
By: Cedric McClester, Copyright (c) 2017

Am I dating myself
With these words out my mouth?
See, I remember a time
When we flashed the peace sign
And called one another
Sister and brother
Seems we’ve gone sour
On acquiring black power
And black on black crime
Is the new paradigm
When we look in the mirror
It becomes much more clearer
That we hate what we see
Although that shouldn’t be
Remember freedom marches
Before the golden arches

Then ****** entered in
And we start popin’ our skin
Before we shot it straight into our veins
Which probably explains
Why we regressed
Long before the present opioid mess
It was ****** first,
But then it got worst
So let me take you back
To the era of crack
When a nickel or dime
Could trigger a crime
And what really hurt you
Is the women who lost their virtue
But I’m not absolving the men
Who’d engage in all kinds of sin

I remember gangster rap
And how that set the trap
Which brought the stress and strife
From tryna live that gangster life
Then the East Coast West Coast war
That didn’t exist before
Remember when Biggie and Tupac were friends?
Instead of how their story ends
They’ire a classic group today
But I remember when NWA
Used to pull out all stops
When they sang **** the cops
And chronicled their lives
Called their girlfriends and their wives
All kinds of ******* and ******
Then would dance down on all fours

Now let me bring you up to date
Would it be wrong for me to state?
When it was our problem alone
It was the prisons we were shown
There was little sympathy don’t cha see
When it  was just you and me
Who said they had a problem
There were few out there to solve ‘em
But opioids are everywhere
And it’s a disease now, so I hear
That crosses all socio-economic lines
Now there are many telltale signs
It’s now called an opioid disorder
Past the inner city border
And the word is harm reduction
Instead of out and out destruction






















Cedric McClester, Copyright © 2017.  All rights reserved.
John F McCullagh May 2013
Their names will not be on the Wall.
It’s of the ghost patrol I sing.
Veterans of an unloved war.
Men from the age of Kennedy and King.
They’re dying now by their own hand,
by opioids or shotgun shell.
Some are dying by the glass-
As alcohol kills just as well.
They are victims of their memories,
deprived of sleep that will not come.
Post-traumatic stress some claim
Is the reason they have come undone.
See them sleeping on the streets-
a half drunk bottle in their hand.
The members of the ghost Patrol,
the pitiable legion of the dammed.
a poem about the forgotten veterans of Vietnam.  As a group they have among the highest percentage of suicide in the United States. Inspired by a George Jones song "Wild Irish rose"

— The End —