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Randy Johnson Feb 2018
Gordon Ramsay decided to pay a visit to Mel's Diner.
When he criticized Mel's food, Mel gave him a shiner.
Now Mel wears an eyepatch because Ramsay jabbed him in the eye with a fork.
He hated Mel's beef and had to have his stomach pumped when he ate Mel's pork.
Ramsay didn't like the waitresses so he told Mel that they had to go.
After years of faithful service, Mel fired Alice, Vera and Flo.
Flo was so angry that she was chomping at the bit.
She told Mel and Gordon Ramsay to kiss her grits.
Ramsay finally had to give up on Mel because his food is so terrible.
Ramsay's job is to help restaurants but he can't perform miracles.
This poem was inspired by the 'Alice' TV show
‘Apocalypto’ is a film set in a Maya civilisation and consists of a story that takes place in one tribe and how a passing tribe affects them to a degree of destruction. The story unfolds in a linear way of storytelling which is basic but still effective. From director Mel Gibson, the director of ‘Braveheart’ and ‘Passion of the Christ’. An underrated director of sorts but a great one nonetheless. Overlooked due to his acting career, he has been holding back on us as a director.

The characters are set to be living a Mayan life and go about their days behaving as such but are rather generous and civilized for such an old race of people. They live peacefully and secluded until they interact with another tribe which brings about their downfall. And the way in which a Mayan civilization might go about solving problem as common as a natural disaster. Through sacrifices to the God's as a way to solve problems and mass results. Very accurate to the Mayan culture as well as the entire movie taking place without one word of English, all dialogue being said in the Mayan language. Another credit to the film.

The directing style for this film is beautiful and flawless to say the least. No shaky cam used or hand held cam either. All fluent movement of the camera to create a great story, one that flows naturally. The use of camera angles is creative and different, using tilted angles to convey a certain mood and straight framed shots to convey another mood.

The performances stand out as a huge positive, the actors who I have honestly never heard of give Oscar worthy performances. Mel Gibson uses unknown actors as not to compromise the film by the status of the actors. These actors and actresses give a hard performance based on body language and quiet moments, the enduring task of learning to be emotional through a foreign language. Which is why I would guess Mel Gibson used local actors who are more aware of the Mayan language than American actors.

The set design is truly Oscar worthy in this film. The Mayan temples and tribe lands are captured perfectly in the sets for this film. Well build and suited towards the amazon environment. As well as good filming locations, using the wonders of the amazon rainforest as an advantage.

In final thoughts, I believe that Mel Gibson is a stunning director with an eye for detail and a beautiful visual director. A director that can produce great work. ‘Apocalypto’ to me in the near future will become a period piece masterpiece. A tale of survival and dedication that will live on through the ages.

Rating: Film - 8.4
Personal - 8.9
For those who love film.
Damaged  Mar 2013
Mel Mel <3
Damaged Mar 2013
Thanks for being here for me.
Thanks for being a friend.
Thanks for being a reason my life did not end.
Thanks for dealing with me when no one else would.
Thanks for encouraging me and telling me I could.
Thanks for not kicking me when I was down.
Thanks for never failing to turn my frown upsidedown.
Thanks for caring.
Thanks for sharing.
Thanks for doing all that you do.
But most of all,
thanks for being you.
Mateuš Conrad Apr 2020
working "backwards" from something already
started in: collateral and the chicken scratching exercise...

how can you not have a hard-on
for mel gibson's beard...
in... the professor and the madman -
detailing the... etymological events
surrounding something more dear to me...
than the pslams of king david
or the: wisdoms of king solomon...
the wisdom: thus derived...
after a man becomes: ostensibly...
bored with a harem...
that would become the blueprint
of envy for future men of the world...

alexander the great...
muhammad...
           it's not a bible... it's a...
dic-tio-nary... stop the press...
pluck all the feathers from all the magpies
in the land... tell Xerxes to stop
whistling at the sea and...
can we just stop with the b.d.s.m.
of the waves?

        head: rotondo! spin ****** spin!
anything in the "pejorative"...
god... this moloch of grammar of a deity...
we need to ensure there's a scrutiny
of each and every, yes: every word...
we need to sieve them through
the categories!

i put to mind:
     it's a comparison of catchphrases...
the war hogs cite it as:
collateral damage...
the civilian will rummage and pluck out:
the... "rhetorical question"...
can... you... put... rhetoric: to a question?
can a rhetorical question:
actually exist... like a unicorn can?
oh wait... kangaroo yes...
a platypus... oh a double yes...

can you... can you... "rhetorical question"?
what the hell is a rhetorical question:
if not, something akin to a fashion statement...
of the calibre: a short-black-'un...
a coco chanel mini-skirt...

what is... a rhetorical question?
a question is, i hope...
something that manages to endorse
the dialectic...
and anyone who engages with a dialectic
will / or should know:
there's no rhetorical question...
when being asked:
one doesn't... "somehow"...
find a magic plot of a forest with smurfs...
and goes off on a tangent speaking...
persuasively...
a rhetoric question isn't a question
at all...

        collateral damage among the war hogs
is a rhetorical question among the civilians...

the story of professor james murray
and dr. william minor...
and to think... the alienists (psychiatrists)
at the time thought that...
enforced regurgitation...
could animate the body to conjure up
an already exhausted soul...
what ancient romans did for masochistic pleasure:
bulimia in the rudiment of:
a fork of fingers agitating the throat
and subsequently the oesophagus
to: bring back... what was already in fractions...

some call it soul, some call it x... y...
that... indispensable will: for animation...
to perform the 80 year old (in total) magic trick
of being: immune...
to the ills and forgivings of others...
a standard praise of solipsism...
as a thought-experiment... nothing more...
from which one can...
come and go as freely as one can vote
in a democracy...

come when summoned... leave when...
not made into any greater necessity other than:
to make fair of the count...

truly: a hard-on for mel gibson's beard...
some can claim ***** envy...
i have beard envy...
like to-hat envy when someone is 5'11"
and i'm still the same old 6'2"...

rhetorical question... i always found questions
to be... of a... dialectical nature...
i can hardly think of a rhetorical question
or rhetorical answer...
a rhetorical question implies:
the questioner has more to say...
than the person intended to answer...
i can hardly anyone burn through oration
when being posed a question...
a question: per se... is not something one
can be certain about: esp. when giving a reply...

a rhetorical question is a k.f.c. mouse urban
myth... a bit like collateral damage:
did we destroy a bullet making factory?
no... but we killed some civilians...
or some sort of entreating variation of worshipping
the drugging and bullet dodging machinery
of: cold the bullet bit...

how can you pose a rhetorical question?
is someone about to make a rhetorical answer?
robots would behave within rhetorical confines
of being asked an absolute:
error message - replying with an absolute yes / no...

a rhetorical question would beg
for a ore rotundo: with a voice filled with assurance...
the question is imposed...
with a curiosity... at best: with doubt...
uncertainty... at worst: with a negation:
waiting for the wrong answer...
but no dialectic is ever to be established
working from a rhetorical question...
a socrates would be:
the dialectical surgeon...
the affair of the question doesn't go beyond...
whoever is questioning:

oh!           oh!
a rhetorical question is... not for someone
to address the question...
but a pursuit of the questioner to continue asking
question...
a rhetorical question is... to further the lineage
of questions... to be therefore "rhetorical"
is to inquire more... rather than reply with
a rhetorical certainty...
a rhetorical question isn't a question...
it's a cascade of questions...

******* and the myth of the gateway...
after **** i did the next best thing...
i rediscovered bourbon as ms. amber...
that once you watch just a little bit of it...
you will turn toward finding out more graphic
content...
so... me looking out for the most *******
music: combichrist... :wumpscut,
vomito *****...
                  *****... graphic... *******?
or... gloryhole ***** *******...
               or pregnant women: so *****...
       or japanese gravure models...
"problem" with japanese models...
              *** bots? aren't they here already...
with these porcelain mannequins?
touch a hand it breaks or fizzles into...
ash...
  as happens when you've been at "it"...
puritanical victorian von krafft-ebbing...
i sometimes know what the ******* is for...
i hardly think it necessary to listen to what's
"moral" from circumcised... gentile...
north-h'americans...
                    jerking off since aged 8...
brain rot started way back... in 1994...
which is before the internet...
   gateway... my ***...
         japanese gravure and Agnolo Bronzino...

who needs "more"... when you have a mel gibson
beard-envy!

the chair can remain a chair...
but there's a termite colony wriggling in it...
i don't need to see it...
i just need to hear it...
combichrist: like to thank my buddies,
    today i woke to the rain of blood...
                   all pain is gone...
       cheap thrill seeing heaven:
better tamed - attempting to listen to the litanies
escaping hell...
a written word in hell is like...
     because the hands are being crushed
in monkey-wrenches and there's Spinoza
cackling...

   who needs more ******* and ride-me-timmy
the horses' laugh when music can
compensate... and otherwise find the better
kind of: the feeding outlet...

a rhetorical question: is that for the answer to
be tinged with rhetorical gravitas?
no... then every question socrates every posed
what a rhetorical question:
and the concern for dialectics is a dummy...
which is probably true: reading what sort
of answers those put under the scrutiny give:
is response...

i must be wrong: a rhetorical question:
is not simply a question...
a rhetorical question could perhaps give
the person answering a spark of rhetoric...
a rhetorical question should:
by default... provide you with a rhetorical
answer... but all it does is...
further a second question...
and a third... a fourth...
    so more for the "famous" dialectic...
when all that seems to happen...
one only becomes a rhetorician: via question...
rather than merely: talking...

the rhetorical question is therefore
the basis of "dialectics": which is no basis for
dialectics per se...
it's the persuaded question-prone antagonist:
who is hardly the narrator...
and the answer is always the same:
shut up! i'm talking over you...
i'll just disguise this whole affair in a question
and minor answer cited: a perfectly well
equipped yes: or no... will suffice:
or a nod of approval worded...
                  socrates the bane of sophists
and rhetoricians...
a subtle project... you are not interrupted...
when to stress an invocation
of fake curiosity: by asking a question...
the sort of question...
a rhetorical question... that will not usurp
your original: intent monologue of sophistry...

an echo is all the rave when it comes
to a rhetorical question...
a rhetorical question feeds of: yes / no answers...
and there i was thinking that a rhetorical
question implies:
whoever answers... will break into
a rhetorical answer... verbatim the quran
akin to a hafiz! nope...
a rhetorical question is a punctuation mark:
one hopes... of what a rhetorician would usually do...
when having a voice in the congregation
of docile elders...

socrates: the elder... found an audience
among the athenian young... because?
        he stressed that rhetoric had to have overtones
of questioning: without really questioning...
what sort of "dialectic" is there to be had:
what: dialogue...
when... the dialogue leaves one side with
a narrator and protagonist semblance?
and the characters: ergo? are nothing but nail-heads
for the hammer to plough through?!

oddly enough... Plato ****** off Socrates so
hard... that Socrates became...
the first non-hasidi...
to be circumcised... by pursed lips...
yep... Plato ****** off Socrates' *******:
right off... thinking the phallus...
was in the no-man's land of comparsion
to a chicken drum-stick!
antagonism: of how favourable the "dialogues"
are cited...
i've had a similar experience...
i really don't know what this... "e-prostitution"
is about...
before the internet... i am probably one of
the last few who blushed when buying a magazine
at the newsagent with all them *******...
and: curated ***** hairs:
less of a chin and more...
the pelvic "hubris" / canvas...

                 brothel: tick...
strip-club: tick...
              what's given everyone a hot-cross bun
shivers...
          "never paid"... but otherwise paid:
for the insinuation...
and the insinuation was: a date...
look at it as... no ******* dysfunction...
and no money for a date...
straight back into the salt mines
and trench digging... no time for honey:
oh boobie and frankly my dear:
i don't drown herrings...

       a rhetorical question is also a compound-misnomer...
yep... the idea of a rhetorical-question
is a compound-misnomer:

take me on a chain to the goblet...
pay the extra to rid the matter:
seven tongues instead of one...
gorging on the inquiry of Gomorrah...
to better couplet to the banquet of *****!
that ***** treat us Gomorrah civically dutied:
as worse than rats and shadows...
and the plebs just entertain...
       what would ever come from
the mouth of ***** as:
       prized bulls of drag-queen story-hour...
shame those without foreskins...
comparison...
a o.k. to be gay...
                what's date-night?
is that... something -esque having coupled
a mahjong with a niqab?!
why don't all the muslim women take
the best route... join the surgeon mask-equipped
crowds... and no... simple forget the hijab...
donning the full niqab?!
why?!

who needs seeking more depraved *****
beside... Bronzino and japanese gravure models...
and all that elasticity of:
electricity passing through an iron maiden
via... combichrist: sent to destroy...
hardly "destroy": cultivate...
recycle... call the parasites into hubris *******
haitus...

also "in response" to: the kinks and the...
"celibate" priesthood...
        because: you know, the kinks and all that:
******* music and fine detaiks of:
when the butcher will be cited...
looking at a slab of meat...
and calling a harem of pigs...
that floral... pinky tidbit "in the middle":
avert your eyes:
how god's finger touched adam's...
and via what...

it doesn't come more ******* than...
drinking lukewarm whiskey...
that i can stand...
but if anyone's drinking ***** not suberged
into gomme syrop consistency...
there's: should we say...
a... "spot of bother"...

              i wouldn't mind...
that bourbon as a quiet distinct perfume
associated with brothels...
and it's just that...
          but... e-prostitution: for the "tease"?
the wrath of adam:
sort of ******* in between:
when the ****** brigade comes along
and stops at thge madonna-***** complex?
i'm scratching my head:
either i'm thinking of a ? or my i.q.
one internet sight should be in existance...
dedicated... to the unabashed puritanism
of dogs licking their genitals...
because: a priori: who would have "known"...

and also to chronicle the sights and wonders
of... KMFDM stand-out tracks...
but a sight levereging "*****" of...
dogs teasing testicles with "prudence"
of a... the fastest waggle in all of: "arizona"...
chant!
chant! F.S.A. - which makes it more and less:
"united"
   the federal states of h'america...
     number 1 subscriber...
albert razin...
    is this... is this... what "integration" looks like?
like hell i'll give up what's
festering knee-deep at the rim...
i'll talk english just fine with
the natives... but when the natives:
tell me that:
true integration is a complete whitewash
of your "former" identity: you
integrate by "forgetting" your mother tongue...
i have... this juggernaut... craze-fit in
my eyes...
   then, why, don't, you, send, me,
a, postcard, from france: IN FWENCH!
this global mantra of: english solves everything...
not unless you're of a Dutch or
Scandinavian origin...
you have already learned this...
"lingua franca": this l'inglese...
lucky for the WELSH! who are you...
you anglo-saxon globalist mongrel?!
where is your anglo- counterfeit bypasser...
UND... wohin ist ihr Sachsen?
and where is your saxony: saxon?
have i an axe to better grind?
           jude-nomade-mischling!
you're no better than your claim!
ficken-jude-sächsisch-anglo-anlage-gehenvolk...
all this: for the insomnia parade?!
24 / 7 news reels?!
         alles diese... für was?!

if they only spoke two languages...
perhaps... less retards spreading the "crown":
licking ice-cream tubs...
open / the end... closed: also the end...
verzögernzüchtung...
          ******-breeding...
        ­                i have to admit... it sounds as crisp as:
gin
                                   &                        tonic...
and lapses into epilepsy...
because the "hierarchy" says: such words...
such words: no no: with a BIG no-no
when used...

                here too, i... will ****...
on every prematurely demented kin of moi...
because... the hierarchy of termites and of ants...
dictates so... while the congregation of:
man and ape... isn't sure... what animal is worth
borrowing a metaphor from!
to... "progress"...
like little **** and please staging all that
copernican ******* ever did...
the surgical masks...
shot dead in the Philippines
for not wearing one... "stigma" and the niqab...
at least the cherries on these cream-pies...
could at least turn proper ortho-and-doxing...
with a niqab...
pwetty pwease...  

all the airs and graces...
some nut would have made it this far...
Kierkegaard as proof...
"you don't think before you speak":
i rather, i much rather entertain
the freedom to think... and extend this freedom
into writing...
before i have to eat my own *****
when having to place editorial pressures
on having made video content...
i much prefer the ignoble citation:
and the devil has had these hands busy-bodied...
and all the blessings to the devil for that...
because...
is there such a concept as:
an idle tongue?

               i don't know:
i would like to, though...
live a month's worth of living...
on a salary of a... h'american...
             preacher...
under communism:
no brain-drain...
not best of the best will ever rise...
but at the same time...
so too will not the mediocre...
i thought it could be cited at:
the meek shall inherit the earth...
   talk about a disparity between
the meek and the mediocre...

if only i was the "correct" pronoun
to want: but i do...
have the capacity and enough excuses...
to start donning...
corsets and... high-heel shoes...
then again: if i joined the army...
nothing stand-out...
not uniforms to stand out within
a caste system... uniforms for
the napoleonic era... and that noting me as...
quick-off-the-mark...
suregon of the needle... and quiffs...
until the wehrmacht period...

  ha! the poles on horseback: "once upon a time"
looked bewildering...
the charge of the Krojanty...
well... horses do not seem that bad...
the poles on horses...
when back west...
you had the Dutch... on bicycles...
oh sure... the horse was somehow the "joke"...
but the bicycle was...
   like the pope appeasing the fuhrer...
and "they" would wonder:
        who's who....
the bicycle is gone...
who's who on the left-over peddlestool?!
postman pat proof:
  i think i oops... forgot to detail
the whole idea and economy with...
licking something... beside...
   that quick-and-made-essential:
              amnesia rubric count... which was?

yep... the poles on horseback look
and will forever look more ridiculous...
than... the dutch defence...
on... ha ha! bicycles!

read my proof: am i... "integrated"
is my: english not a word salad:
the scrutiny will come from someone sobering
up from an irish heritage...
is there a niqab or a bindi or a turban on me?
is my language still a word salad?
am i, integrated... "enough"...
not enough i dare say...

       well... about time these natives
learn some postcard and tourisms' worth
of second lingo... italian would be just fine...
since... they are still... hung up on being
so pround of being the afghanistan of the roman
empire...
          and... where is afghanistan when is comes
to... the house of saud and arabia?
i'd grovel... for that kind of goat herders...
and... pashtun poetics!
   queen of the floral: no **** mind to spare...
and if only this wasn't...
rummaging in essex...
more for the cause! new york!
n'aaaaaah...
                
                        i speak for the devil i speak
in about 12... with variations of invocation...
but this is not god speaking...
i am... not a monolingual pre-nomad arab taste...
sitting on a coal-**** turning liquid into
oil: "all of a sudden"...
Melissa Blair Apr 2013
I can't stop to chat
Sorry, I'm really busy
There's so much to do
I'm getting quite dizzy

Wallpapering, painting
And a whole lot of chores
Along with scrubbing and replacing
Handles on doors

Carpentry's enjoyable
A skill that I relish
But it tires me out
So for a break, I'll wish

Got a five minute break
Rush a quick cigarette
And a well-earned coffee
Then back off to work I set

Packing my boxes
And many a bag
Put them all in the attic
So tired, it's a drag

Hoovering all day
Kitchen needs cleaning
For the fourth time today
Then the garden needs preening

Make something to eat
To recharge energy
Sit down for a moment
With another coffee

Then it's time to go shopping
For food, drinks and more
Come back to yelling
As I walk through the door

"Mel, help me out!"
"Mel, pass me that!"
"Mel, clean the carpet...
The pup crapped on that!"

"Mel, make a coffee!"
"A sandwich might help!"
"Then get back to work!"
I can't help but yelp

Back to more painting
And scrubbing the halls
Cleaning the windows
And papering more walls

Then rest for a while
With a lovely big meal
To end the working day
And help muscles to heal

I'm aching all over
And I can't seem to sleep
So restless and sore
The job-pile's too steep

Toss and turn all night
I'm going insane
But I have to get up in the morning
And do it all again
Tom McCone  Mar 2014
the catlins
Tom McCone Mar 2014
dunedin. friday, three, afternoon.
set from home under a blue sky
with full& prepared pack,
a somewhat empty stomach,
and a necessity to get away from the city.
hiking boots tread asphalt down to the depot,
where, in thirty-seven minutes punctuated
by plastic seats grafted to a wall
and a mildly disjunct group of small or
big-time travellers, the naked bus
pulled in, a hematite centipede
crawling into the lot. it was a bus,
no complaints. all others' bags
stowed, twenty seven bucks outta pocket
and swung into the front-right-window seat,
bid a farewell to the beat-down
pub across the road and onto the one-way
merging into a highway and outta
town the dark bug skittered, on
schedule or something resembling it.
behind the driver, the sun came through
around the beam in the window. warm patterns
laid on skin, the countryside's broad expanse:

cylindrical bales of hay scattered about
paddocks, dark late-autumn florets of flax
on roadsides, plumes of white smoke from
bonfires in townships as small as a thumbnail,
hedgelines of eucalyptus, pine; russet streaks
through bark of single gum trees stood
off-centre in fields. sticky-wooded hillsides
punctured by fire breaks roll almost forever
and back. the rushing sound of passing cars
through the 3/4-golden ratio of the driver's
ajar window; twenty-first century mansions
verging on out-of-place. saplings emerging,
bracketed, through verdant grass patches.
museum abbatoirs. toitoi like hen's plumage
lining drainage ditches. another Elizabeth st-
(how many could be counted out by now?) tidy
front yards and milton liquorland through this
small town. an everpresent tilting sun. fields
of flowered nettle. s-bends through pancake layers
of hills. a delapidated gravel quarry at stony
creek. deer farms, sheep farms, bovine farms, alpaca
farms (favourite); another bonfire seen down a
long gulley; a power substation, all organized
tangles. a two-four 300m before the bridge into


balclutha. 4.40pm.
across the road into the i-site
two friendly ladies circle locations
to make (got a car) or try to make (on foot),
offering a ride in half an hour,
leave it to chance.
across another road, drifter's emporium
(that's the name, no joke) got a knife
to open up cans- bought no cans, brought
no cans, still nice to have one anyway.
down the road, 200ml from unichem, waste
no time, turn ninety degrees, cross a
railway, then outta town in a sec. first
photo: half highway, half clutha river. fine
shot. sit down, watch the water couple mins,
head down the road. red-black ferns radiate
under willows down the riverbank. metal
bumper-bars keep legs on, the road rolls
gentle turns, diverges from the river. stick
to the former, faster that way. no intentions
of hitching. just wanna walk. and walk. and
walk. guy yells out a car window. envy,
likely. who cares. apple tree hangs over
a dry ditch. pick a small one, gone in
a minute. probably ain't sprayed. been
eating ice-cream dinners more often'n
not the last coupla weeks- isn't much
the stomach won't or can't handle anymore,
anyway.

odours of decay from the freezing works.
seagulls sound out nearby.
typical.

down the road, the reek of death fades
out. back to grass. sit in some of the
tall stuff, under a spindly tree. put down
some ink, a handful of asst. nuts. 'bout
thirteen fingers of daylight left. no idea
if the coast is further than that. little
care. down the road the land flattens out,
decent sign. the junction was a fair bit
past reckoned, though. flipped a chunk
of bark (too lazy to get a coin out) to
figure whether the coast was worth it. bark
said no, went out anyway. gotta see the sea,
keeps you sane. past a lush native
acre or two- some lucky ******'s front lawn-
changed mentality, slung out a thumb (first
time). beginner's luck, kid straight outta
seventh form pulls over in a mustard-yellow
*******' kinda beach-van. was headin' out
to the coast, funnily enough. had been up
in raglan (surf central, nz), back down with
the 'rents now, though. out kaka point, only
one of his age, he reckoned, no schoolhouse
there, just olds. was going to surf academy,
pretty apt. little envious.

the plains spread out and out, ocean just
rose up out of a field. there's nothing
more perfect. gentle waves stroke the sands,
houses stare intently out at the mingling of
blues. one cloud hovers so far away it doesn't
even exist. down the other end of kaka point,
back on solid ground, walking into a gorge, laments
about not choosing the coastal route. but owaka
is the new destination, bout 11ks, give or take
(5ks later, sign says another 15.. some give). nothing
coulda beat that sight anyway, stepping outta
a van onto that pristine beach.

entry: gorge route to owaka. seven.
late light painted the tops of hills absolute
gold. thought maybe this way ain't so bad. beside a
converging valley, phone got enough reception
for dad to get through. said in balclutha coulda
got a room with a colleague. too far out now. lost
him in the middle of a sentence about camera film.
surprised to have even got that far. road wound
troughlike through the bottom of the gorge, became
parallel to a cute little stream. climbed down chickenwire
holding the road in place, ****** in it (had to).
clambered back up, continued walking as the occasional
campervan rolled on by. took a photo of the sun perched
on a hilltop, sent it to mel. dunno why. anxieties
over the perfect sunrise picture came frequently,
a goal become turmoil. the gorge flattened out,
and soon in countryside my fears allayed. round
a corner in picturesque nowhere, found my shot.
sat in long grass. stole it. sighed. ate a handful
of nuts. moved on. {about eight}

dark consumed the surrounding gentle-rolling hills,
nowhere near owaka, which was probably the tiny bundle
of lights nestling a little below the foot of a
mountain in the distance (not too far off, in
reality). near the turnoff to surat bay (was heading
there, plans change) a ute honks. taken as friendly.
a right turn instead of a left, farmsteads lit
up in fireplace tones, the sound cows make at
dusk. it got colder. would one jersey be sufficient?
hoepfully. stars began pinpricking the royal blues of the
night sky in its opening hues. eight-fourty-ish slugged
back about 3/4 of the syrup, along with half of a box
of fruit medley (so **** delicious), in light of dull
calf aches becoming increasingly apparent. needed
to walk a helluva lot more. ain't one for lettin'
nothing get in the way of that. lights in the distance
became the entry sign for a camp-site. no interest,
head on. past another farmhouse, stars came out in
packs. three cows upon a slight hilltop. next junction
pulled left a good eighty degrees and was on the
straight to owaka. less than two minutes later,
a dog-ute pulled to a halt and offers up a ride down
most of the stretch. didn't say no.

still stable, as two pig-hunters tell
of their drive back from picking up a couple
pig-dogs somewhere north. they were heading
out bush to shoot, thought they'd seen
another guy they'd picked up a couple weeks
ago, who'd taken 'em out somewhere they
couldn't remember. paranoia grips, but
the lads are fairly innocuous. they say it's
dangerous out here, gotta be ballsy walking
middle of the night, no gun, no dog,
all by yourself. wasn't worried, got nothing
to lose anyway (still, this sets helluva
mood). by a turnoff a k outta owaka, dropped
off. said probably all that'll be open there
is a pub, if that. bid luck and set their way.
above, the whole sky is covered with shining
glitter. down a dip and turn, **** in the
middle of the road. an ominous sign indicating
the outskirts of

owaka. approximately 9.40pm

my head loosens as i approach. the lights
form across a small valley i can't verify
exists or not between dog barks i mistake
for the yells of drunkards and lights
pirouetting from cars behind me. i slow
down i don't want to do this.

owaka is terrifying. plastic.

the street corners thud like cardboard. i
walk past a garden of teapots, a computer
screen inside the house glares through the
window pane bending breathing outward. there
is nobody here, still there is a feeling
like there's people everywhere, flocking
in shadows. a silhouette moving in a
distant cafe doorway. the sound of teeth,
of darkness fallen. thick russian tones
sound from a shelf of a motel. eyes
everywhere, mostly mine. i stop only round
a bend and down near a police station, yet
feeling no more safe, sitting in a gutter to
send mel my plans, to tell myself my plans.
i want to be nowhere again. i am soon nowhere.


out of breath, out the other end of owaka,
the sick streetlights fade into comforting
dark nestled between bunches of indistinct
treelines. the feeling of safety lasts but
twenty minutes, where another dip in the
road leads through a patch of bush, in which
gunshots ring periodically and laughter and
barking rings through. breaking down, it takes
five minutes to resolve and keep going. ain't
got nothing to lose, anyway. boots squeak like
diseased hinges all down the road. hadn't
noticed beforehand, the only thing noticed
now. an impending doom hangs thick like fog,
the thought of being strung up like an
underweight hog. walking faster and
not much quieter, the other side of the
bush couldn't have come sooner. the fear
lasts until the gunshots are distant nothing.
still alive, still out of breath, still
fairly ****** up, there's no comfort like the
sound of nothing but the occasional insect's
chirp. vestiges of still water came around
a corner and just kept coming as the golden
moon sung serenity all over. finally, a peace
came to rest over the landscape. sitting by
the road with a clear view of the moon's light
sheathed in the waters, the stars above wreath
a cirrus eye to watch over the marshland
plants leading into the placid waters of

catlins lake, west. ten fifty-one.
crossing a one-way bridge over a river winding
its way into the lake, another turning point
decision arose: continue down the highway
along the river, or head straight out and
toward the coast again. having resolved to
make it to a waterfall by dawn, and the latter
offering a possibility of this, the decision
made itself. turning back around the other side
of the lake, the road wound a couple times
up a gentle ***** out and up from the valley
at the tail of the lake, and into a slightly
more elevated valley. the country roads ran
easily and smooth, paved roughly but solid.
not a car came by for kilometers at a time.
lay on the road past a turnoff for quarter
of an hour letting serenity wash over, the
hills miniscule in comparison to home, the
sky motionless, massive thin halo about the
moon. walking on, night-birds called from
time to time (no moreporks, though. not until
dawn), figuring out how to whistle them back.
a turnoff to purakaunui bay strongly
considered and ultimately ignored; retrospectively
a great call, considering the size of the detour.
hedgerows of macrocarpa, limbs clearly cut
haphazard where once they'd hung over the
road. occasional 4wd passing, always a 4wd,
be it flash new or trusty old. you'd need
one out here. have no fun, otherwise.
monolithic pine-ish hedge bushes, squatting
giants. once, a glimmering in the sky, a
plane from queenstown (assumedly) almost
way too far to make out. the colossus of
the one human-shaped shadow cast down
from the moon to my boots. how small
a thing in this place. swamped out by
the beauty of this neverending valley.
breathless.

the road turned, not quite a hairpin,
but not entirely bluntly, a welcome
break from the straight or gentle
sway, and five minutes turned to dirt.
had to lay down again- legs screaming
by this point for rest. still, they
had nothing against pressing on. dad
taught me to just keep going. that's
the thing about walking. stop for a
little bit and you're good to go
again. pushing for the fall was probably
overkill, but no worry now. dirt road
felt so right after a good 20+ks of
asphalt, only infrequently punctuated
by roadside moss or thin grass. it
was as if beginning again (well,
kinda, if only with as much energy).
having downed only a litre of water
(leaving only half a litre more), a
litre of fruit juice and about 100
grams of assorted nuts since more
than twelve hours ago by this point,
it should have been a shock to
still be going by this point. don't
really need that much anyway, though.
gone on less for longer. hydration,
anyway, was the least of all worries,
the air being thick with water, ground
fog having been laid down hours ago.

up the dirt track, more cows. they make strange
sounds at night. didn't know anything yet,
though. that's still to come. a ute swang past
going the other way, indiscriminate hollers
from the passenger-side window. waved back
cheerily. so far from anything to be anything
but upbeat now. not even the heavy shroud of
tiredness could touch that, yet. the track wound
on forever. was stopping every half-kilometer
to stand and stretch, warding off the oncoming
aches. the onset was unwieldy, though. didn't
have long. past a B&B;, wondered whether anyone
actually ever stayed there (surely would, who'd
not revisit this place over and over once they'd
discovered it?)- certainly would've, having the
cash (apparently parts of "lion, witch and the
wardrobe" were filmed here. huh). further on, the
road turned back to seal, unfortunately, but
with small promise- surely, at least fairly
close by this point. turning a corner, a small
and infinitely beautiful indent against the bush,
a small paddock bunched up against it, stream
wound against the bases of trees, all lit by
the clear tones of a now unswathed moon, sat
aside the road. it was distilled perfection.
it was too much, just had to keep goin' or
risk shattering that image. next turn was
a set of DOC toilets, an excellent sign. must be
basically sitting on the path entry now. searched
all 'round the back for it, up the road, nothing.
not entirely despondent but bewildered, moved
forward and found a signpost. the falls were now
behind? turned around and searched even more
thoroughly, quiet hope turning to desperation
by the silent light of the moon. finally,
straight across the road from the toilets,
was the green and gold sign, cloaked in
darkness under clustering trees, professing
a ten-minute bushwalk to the

purakaunui falls. saturday. 1.32 am.**
venturing into the bush by the dull light
of a screen of a dying phone, the breeze
made small movements through the canopy. it
couldn't have been any more tranquil. edging
way through the winding cliffish track through
dense brush, the sound of a trickling stream
engorged into a lush symphony of water. crossing
a single-sided bridge across an unseeable chasm,
twinkling from the ferns behind became apparent.
turning off the dull light, the tiny neon bulbs of
glow-worms littered the dirt wall risen up about
half a metre, where the track had been cut out.
my heart soared. all heights of beauty come
together. continuing down the path, glow-worms
litter the surroundings and the rushing of
water comes to a roar. at a look-out platform
above the falls, nothing can be seen save a
slight glisten. down perilous steps (wouldn't
be too bad if you could actually see 'em) the
final viewing platform lay at level with the
bottom of the falls. they stood like a statue
in the dark, winding trails of thin white wash
through the shadows hung under trees. left
speechless from something hardly made out, turned
around and back up the stairs to where the
glowing dots seemed their most concentrated.
into the ferns above, clambered through and
around moss-painted tree trunks and came to rest
a couple hundred metres from the trail, under
a fern, under a rata. packed everything but
a blanket from nan into the bag, laid it out
on curled leaf litter and folded up into it,
feet too sore to remove 'em from boots, curling
knees up into the blanket and tucking a hand
between 'em to keep it warm. only face and
ankles exposed, watched the moon's light trickle
through canopy layers for a few hours, readjusting
tendons in legs as they came to ache. sleep (or
something resembling it) set in, somewhere
around four.

some time slightly before six, the realisation
that my legs had extended and become so cold that
they'd started cramping all the way through hit,
coupled with the sounds coming through the bush.
thank you, if you made it all the way through :>
Ryan Hodges Nov 2012
High Anxiety
takes another look at the sprawling quilt of life
weighed down by pounds of gear
and wonders if leaping from the plane is worth the ride
aar505n  Dec 2014
Dark Melody
aar505n Dec 2014
Please Mel, sing your melody.
Don't die on me.

You are my Great Dark Hope.
Stars shine darkly above you.
Your smile removes all doubt and fright
Oh Mel, might you come out and sing tonight?

I have denounced my father for you.
Blasphemy is just for me because
just an ounce of your *******
is all I need.

So sing Mel, sing to your darkling.
Bring me to where the water meets.
The dark moving water of the night's river surround us.

I think it unwise
until I look into your dark eyes
and it tells me otherwise.

So sing to me Mel,
sing your dark melody with purpose.
Bring me down beneath the surface.
Bring me down and drown me.
something a  little darker
Mel K  Oct 18
Do I know you?

Susanna Berlinski
Luckily, no.

Mel K  
Why do you say luckily?

Susanna Berlinski
I consider you lucky for not knowing me.

Mel K
Care to explain?
I mean , you obviously know of me since you know my general location is on joburg .

Susanna Berlinski
White folks don't stand a chance in South Africa against the A.N.C.

Mel K  
Oooooohkay so your a racist?
Katherine Ann Dec 2013
It has been 268 days, 1 hour, and 27 minutes since you left the world Mel.

I felt you the other day,
As the leaves were changing their colors
I felt you the other day
Just like the trees feel the breath of winter upon their backs
and Fall inevitably turns to Winter
And the leaves disappear
And just like the leaves fall to the ground and get carried away
So do my memories of you
One at a time, I’m losing them
Since the day you died, fall has been in season
I had a tree full of brilliantly colored memories
And as time has passed on
The weather is having its way with my mind
No season lasts forever
And this one,
I wish it would
Because every day brings me another 1440 minutes
Away from your existence
I’m forgetting.
The first to go was your smell
So I held on tighter to every moment I spent with you
I wrote them all down, you know.
But my mind doesn’t understand how badly my heart needs to hold on
I’m forgetting
Your voice.
Your eyes.
Next it was your laugh
And all your little corks that I held so dear.
It’s been a while. Hasn’t it?

I felt you the other day
Without even thinking of you at all
I just knew you were there
Looking down at me
You know, sometimes I sit for hours
And focus solely on you and try to remember
And I torture myself
With the thought of you being gone
Until I feel a little bit of comfort,
And in that comfort, I know you are there
But as of late,
I don’t feel better
Sometimes I sit for hours and cry until I can’t see,
Until I can’t breathe,
Until I can’t speak
I have to.
Because if I don’t,
Then it makes me ashamed
I feel guilty
For forgetting to miss you.
I miss you everyday
It’s just sometimes, it hurts harder one day than it does the next

I felt you the other day
I felt your presence in mine
It was comforting
And shattering
I’ve learned that the wound never really heals
We just find a stronger medicine
I felt you the other day
As I sat in the red chair that people you didn’t know
Decided to dedicate to you
As an act of kindness so that we’d remember you
It’s been here for 218 days, and a little change
I’d like to burn it and pretend you never left
I’ve noticed that it’s easier to talk to you during the night-time
When I’m looking at the stars
Because it’s easier to remember when it’s darker
The sunlight just distracts me

I’ve breathed a million breaths since the day you left
Inhaled life and exhaled the stale air that somebody else
Will fill their lungs with
Yesterday is gone and tomorrow hasn’t happened yet and
I’ve spent today missing you
Today turns into yesterday
And tonight bleeds into tomorrow
And I’m still denying the truth
That you’re gone

Your voice will never reach my ears
Your heart will never pound upon your chest
Your breath will never pour into the atmosphere
And you've left us all here
and maybe we’re resentful cause none of us were ready
Goodbyes **** the passion out of you
Put your reality on pause while the world continues spinning
They take your breath from you
While reality drowns you and your lungs give out.
And you end up panting for breath
As you choke back the sobs that the world needs to hear

I sat next to your grave today
And the wind, made drunk with your presence,
Breathed against me
We talked, you and me
I talked
And you listened
I saw your mom
She told me that “you’re better off than we are”
And maybe you are
But it still makes me bitter
I’ve heard that nothing is destroyed,
everything is just transformed
So the trees are cut down and thrown in a fire
The logs are turned into ash
And blown away with the wind
Your shell is resting 6 feet below me
Flowers are growing
The grass has come back
You are in them
And that is eternity

And I hope you went
With a smile
I hope it was as easy and as quick as
Leaning back in a chair the color of the sun
while listening to lazy piano music
Can we reverse time?
Or has the timing been assigned?
Every moment has a purpose
Maybe death is misunderstood
Grief can cloud the mind
You roam free, no longer confined
Your destiny no longer follows a design
Wherever this journey took you
Don’t forget to paint the skyline
With your presence

It’s a little unfair and a little unclear
As to why you had to leave
How can life be so cruel?
It’s hard to believe
That moments turn to memories
And some memories turn to regrets
Regrets turn into lessons
And lessons paint vignettes
That become your background
Just a part of your past
We may be through with the past,
but the past is not through with us

Life changes and seasons go on
People pass away
Memories live on
Sceneries shift
Faces are interchanged
Life keeps on keeping on
And hearts get maimed
Human connections
Are all that truly remain
The fragile beats of the heart
Never stop when you’re in pain

— The End —