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brandon nagley Jul 2015
Where have all the flowers gone, long time passing?
Where have all the flowers gone, long time ago?
Where have all the flowers gone?
Young girls have picked them everyone.
Oh, when will they ever learn?
Oh, when will they ever learn?

Where have all the young girls gone, long time passing?
Where have all the young girls gone, long time ago?
Where have all the young girls gone?
Gone for husbands everyone.
Oh, when will they ever learn?
Oh, when will they ever learn?

Where have all the husbands gone, long time passing?
Where have all the husbands gone, long time ago?
Where have all the husbands gone?
Gone for soldiers everyone
Oh, when will they ever learn?
Oh, when will they ever learn?

Where have all the soldiers gone, long time passing?
Where have all the soldiers gone, long time ago?
Where have all the soldiers gone?
Gone to graveyards, everyone.
Oh, when will they ever learn?
Oh, when will they ever learn?

Where have all the graveyards gone, long time passing?
Where have all the graveyards gone, long time ago?
Where have all the graveyards gone?
Gone to flowers, everyone.
Oh, when will they ever learn?
Oh, when will they ever learn?

Where have all the flowers gone, long time passing?
Where have all the flowers gone, long time ago?
Where have all the flowers gone?
Young girls have picked them everyone.
Oh, when will they ever learn?
Oh, when will they ever learn?
Beautiful song sang in 60s telling truth of war sadly all true....
They are silent and beautiful,
gorgeous in in the white halo,
cemented in a beautiful terrazzo,
baring the names of fallen soldiers,
the European soldiers that fell in Wars;
second and first and the heinous silent wars,
i hope this  is why they have a proverb; white sepulchre,
only baring the white dead, only chiefs but no dead Indian.

Common wealth graveyards are all over in Africa,
in India , panama , Latin America and europe,
the active fronts in which the allies fought ******,
they are beautifully placed in silently posh areas,
in langata when in Nairobi, in Mbaraki when in Mombasa,
in Matisi  when in Kenya, In Namusungui when in Lodwar,
They bear horizontal silence with white names engraved
on their beautiful face shouting the glory of European empires,
which provoked the evil sense in the heart of the king's horseman
in Kenya, in the city of Nairobi, to steal the graveyard lands,
he made them his urban home with an uppish courtyard,
for him the dead white neighbours are better than in-corruption.

I walk around the commonwealth graveyards,
in the all quarters of erstwhile British empire,
looking for the names of African soldiers ,
who died in thousands fighting for the queen
the royal bloodied woman of England;Elizabeth,
Looking for the sons of Ethiopia who stood with
the second duce Benito son of Mussolini,
fighting for ******,for Shintos in the European war,
i have seen no name of any African,
I have not seen Wandabwa wa masibo,
who was conscripted into the first world war,
Along with his father Biket wa Khayongo,
Biket back after seven years in 1918,
carrying Wandabwa's Belt,
Wandabwa died in the field,
Where was he buried, he is nowhere
Not anywhere among the soldiers in cemeteries,
I have not seen Nasong'o wa Khayongo,
who was conscripted in 1940,
to fight against ******,
he was conscripted on his nuptial evening,
even before he had had the first ***,
with his new wife, he went  away crying,
he never came back, his name is  nowhere in the  graves
the commonwealth graves that bare names of the fallen,
Fallen soldiers, but they all bare white names in the black world.

you come to Africa, Kenya, Nigeria, Malagasy,Egypt,
whatever the geographies of Africa, and you keep keen,
you hear someone  is called Mr. Keya, or Madam Keya,
or you come to Bungoma county of Kenya,
you meet a man  that is of the circumcision age group,
Known as Bakikwameti Keya, Bakinyikewi Musolini,
Keya is  subverted sound for Kings african rivals; KAR
the African sound for  KAR is Keya,
in reference to mass conscription of Africans
into the  KAR, to fight ******,
A child born during that time is Keya,
A man circumcised during  the time
is in the age group of Keya,
A simple lesson in regard to our people,
taken away to fight the colonial power
and left to died and rot away in the bush
with a simple courtesy for ceremonial burial,
that come along with the death of soldiers,
who passed away in the battle field.
the flesh covers the bone
and they put a mind
in there and
sometimes a soul,
and the women break
vases against the walls
and the men drink too
much
and nobody finds the
one
but keep
looking
crawling in and out
of beds.
flesh covers
the bone and the
flesh searches
for more than
flesh.

there's no chance
at all:
we are all trapped
by a singular
fate.

nobody ever finds
the one.

the city dumps fill
the junkyards fill
the madhouses fill
the hospitals fill
the graveyards fill

nothing else
fills.
Elena Facchinei Jun 2013
When I think of B a l t i m o r e…
I think of heads hung
​​​low;
Tides-- refusing to flow
Closed minds & troubled eyes.
Smoke in the faces of children
Who didn’t ask to be born in
Bus exhaustion
or Natural Caution.

“Ain’t nobody happy here.”

The streets creep
With tar that seeps
Along broken glass jars
(in brown paper bags, which I need not say-
for the people can’t stand-
the memories that stay)
The faces rot!
With frowns
And heads pointed

down.

Bus stops.
Endless amounts
Of cops >
Along
Graveyards & graffiti art:
Children fussin’ at each other for getting’ smart

Girls
Goin’ to class
To brush their hair
& stare
-into the mirror // rorrim eht otni-
to paint their faces
pace-less
because they think [know]
that’s the only way to make a name
in these places

Full
of
ageless, strugglin’ sameness

graveyards
&
graffiti art.
Moe May 2013
All those eyes
Slowly shedding their skin
Making small circles around each other’s
Substance
The look it seemingly undresses the nights
Ghosts
A blood fest of fists surrounds your head
The aroma of darkness covering my placenta dreams
An empty gun
Lays adjacent to the rooms open view
While in distracted light there appears my punch-drunk sanity
As it devours (all) the shadows
An uneven floor that injects my blood stream with dust and hollow words
Stumbling over you was the answer to my loss of hope
Like running thru graveyards and speaking in silence through tiny pinhole
Mouths and forever living and not finding what may be in stored
The afterglow of solitude
The disjointed smiles that grasps for air
Under your enormous wings of blame
My tonic suggestion to incubate my after birth words
A stillness of heart that shackles
A memory and mortar apprehension I have not escaped
In the long hallways of your past
My own blank stare dissolves in the sunlight
Then it was you
Inhabiting the smaller cracks of my skin
Taking my hurt and
Willingly
Being beautiful in the madness of blind faith
A sordid ball of ugly lights which glisten
And down the path where it leads
To me
You can place your gift to the dead crowd like
Unraveled wire touching your lips
A severed look of ignorance
Beings of soft shells
And broken by spinal cord modifications
The lustful grasp shrouding your heart
Makes its way taking shortcuts through graveyards
Terry O'Leary Dec 2013
Ill-fated crowds neath unchained clouds: the Silent City braved
against a sudden flashing flood, unleashing lashing waves,
which stripped its stony structures, blown with neutron bursts that laved.

Its barren streets, although effete, resound of yesterday
with chit-chat words no longer heard (though having much to say)
since teeming life (at one time, rife), surceased and slipped away.

Within its walls? Whist buildings, tall... Outside the City? Dunes,
which limn its frail forgotten tales, in weird unworldly runes
with symbols strung like halos hung in lifeless, limp festoons.

Above! The dismal ditch of dusk reveals a velvet streak,
through which the winter’s wicked winds will sometimes weave and sneak,
and faraway a cable sways, a bridge clings hushed and bleak.

Thin shadows shift, like silver shafts, throughout the doomed domain
reflecting white, wee wisps of light in ebon beads of bane
which cast a crooked smile across a faceless windowpane.

Wan neon lights glow through the nights, through darkness sleek as slate,
while lanterns (hovered, high above, in silent swinging gait),
whelm ballrooms, bars, bereft bazaars, though no one’s left to fete.

Death's silhouettes show no regrets, 'twixt twilight’s ashen shrouds,
oblivious she always was to cries in dying crowds –
in foggy neap the spirits creep beyond the mushroom clouds.


No ghosts of ones with jagged tongues will sing a silent psalm
nor haunt pale lips with languid quips to pierce the deathly calm,
nor yet redress the emptiness that shifting shades embalm.



The City’s blur? A sepulcher for Christians, Muslims, Jews –
Cathedrals, Temples, vacant now, enshrine their residues,
for churches, mosques and synagogues abide without a bruise.

No cantillation, belfry bells, monastic chants inspire
and Minarets, though standing yet, host neither voice nor crier -
abodes and buildings silhouette a muted spectral choir.

A church’s Gothic ceilings guard the empty pews below
and, all alone amongst the stones, a maiden’s blue jabot.
The Saints, in crypts, though nondescript, grace halos now aglow.

Stray footsteps swarm through church no more (apostates that profane)
though echoes in the nave still din and chalice cups retain
an altar wine that tastes of brine decaying in the rain.

Coiled candle sticks, with twisted wicks, no longer 'lume the cracks -
their dying flames revealed the shame, mid pendant pearls of wax,
when deference to innocence dissolved in molten tracks.

Six steeple towers, steel though now drab daggers in the sky!
Their hallowed halls no longer call when breezes wander by –
for, filled with dread to wake the dead, they've ceased to sough or sigh.

The chapel chimes? Their clapper rope (that tongue-tied confidante)
won’t writhe to ring the carillon, alone and lean and gaunt –
its flocks of jute, now fallen mute, adorn the holy font.


No saints will come with jagged tongues to sing a silent psalm
nor bless pale lips with languid quips to pierce the deathly calm,
nor pray for mercy, grace deferred, nor beg lethean balm.


Beyond the suburbs, farmers’ fields (where donkeys often brayed)
inhale gray gusts of barren dust where living seed once laid
and in the haze a scarecrow sways, impaled upon a *****.

Green trees gone dark in palace parks (where kids once paused to play),
watch lifeless things on phantom swings (like statues made of clay)
guard marbled tombs in graveyards groomed for grievers bent to pray.

And castle clocks, unwound, defrock with speechless spinning spokes,
unfurling blight of reigning Night by sweeping off her cloaks,
and flaunting dun oblivion, her Baroness evokes.

The sun-bleached bones of those who'd flown lie scattered down the lanes
while other souls who’d hid in holes left bones with yellow stains
of plaintive tears (shed insincere, for no one felt the pains).

The wraiths that scream in sleepless dreams have ceased to terrify
though terrors wrought by conscience fraught now stalk and lurk nearby
within the shrouds of curtained clouds, frail fabrics on the sky.

And fog no longer seeps beyond the edge of doom’s café,
for when she trails her mourning veils, she fills the cabaret
with sallow smears of misty tears in sheets of shallow gray.

The City’s still, like hollowed quill with ravished feathered vane,
baptized in floods of spattered blood, once flowing through a vein.
The fruits of life, destroyed in strife... ’twas truly all in vain.


No umbras hum with jagged tongues nor sing a silent psalm
nor lade pale lips with languid quips to pierce the deathly calm –
they've seen, you see, life’s brevity, beneath a neutron bomb.


EPILOGUE

Beyond the Silent City’s walls, the victors laugh and play
while celebrating PEACE ON EARTH, the devil’s sobriquet
for neutron radiation death in places far away.
hospitalflowers Jun 2013
I've never understood benches in graveyards.
we sit on them and grieve over a lost life
that we can no longer see.
I wonder if the dead sit by us
and grieve over the life that we
are wasting as we sit next to them.

maybe the benches are for the dead.
maybe it's so they can sit beside us
and comfort us when we cry out their name.
I wonder if they sit there and think,
"why me? why am I here and not there?"

maybe the benches are for the living.
maybe it's so they can sit down when
their bodies are too weak to stand.
perhaps it's because it makes them
feel closer to their loved
one's permanent home in the earth.
I wonder if they sit there and think,
"why me? why am I here and not there?"

I've never understood benches in graveyards.
maybe we sit there next to ghosts
with common interests
and no way to comfort each other.
maybe the benches are there so
the living and the dead can
ask the same questions
and wonder the same things
and from worlds apart
not feel so alone.

a.d.
taylor rice  Apr 2017
graveyards
taylor rice Apr 2017
Graveyards

Graveyards, scary
at night, scary at day,
Takes your breath away.

a dark and gloomy place,
where people hold their breath,
if they don't the dead creep
up on them, and they're gone

scary at night, scary at day, takes
your breath away.

to visit friends and family,
plant flowers and basely
Leafs, for they give them good
Luck.

scary at night, scary at day, takes
your breath away.

to say hello, or bid farewell,
To say good morning, or goodnight.

the dead, yes there scary and hidden,
but they have untold stories, and legacies,
For they're the forgotten of many.

a dark and gloomy place,
bid your farewells, watch out
you could be next, as the graveyard
Whispers in the wind, you leave,
Graveyards.
ugly men burning their bay leaves
in pots of static gardens
underneath all this cement
your past is looking at you indecently
so change the words around you
you can shift their meaning
its all a game and no-one's winning
your tired emotions accent your poetry
umbrellas are scars that carry symphonies in their hearts
you held my hand as we welcomed god back into our skylines
her face is as familiar as the stars
we originated from
with ulcers open in quiet hurting
your youth are wordless and distrustful of angst ridden authority
in unsuspecting situations love’s vacation is ending
her wedding gown got quite *****
since she literally spent her entire honeymoon
wandering idly into banks of muddy water
humanity is worthy of justice and sweaty romance
i breathe your flesh into my bottle
and we take boundless walks upon the clouds
that straddle mountains, graveyards and cemeteries
fresh from wading in the rice fields
i peeled you a ripe banana
under pressure your sweater came off
and revealed a perfect metric for us to emulate
your eye sockets are two umbilical chords
and your voice is a curved sword that cuts through fear
like the moon slices through the sky
i have held all of this inside for far too long
and now it comes shattering forth
spilling itself over every page
every letter an escapade almost as long
as an Eskimo's pilgrimage to safety
Mateuš Conrad Feb 2020
there should be easier ways to buy jazz records...
perhaps i should be more familiar
with black literature... perhaps will alexander
is not enough... oh god: i just stepped into
a reverse psychology faux pas...

  again...

there should be easier ways to buy jazz records...
but clearly there aren't...
for years and years i sat on the tube as it rolled
between leytonstone and leyton...
they now have a grand mount... for the new graves...
prior to... the graveyard stretched...
almost the entire distance from one station
of the central line to the next...

i did plan to go into london before
lying myself to sleep... once upon a time i would
go all the way... into tourist central...
i'd go and do the usual... tate modern...
tate national...
i even dressed myself for the occassion...
well... "dressed"...
does a dog change its fur...
i had to capture the sensation of wearing
the same clothes for long enough...
washing, personal hygiene -
change of t-shirts... of course...
but today i was going to buy myself some
jazz records...

i couldn't just hop on the bus (when was
the last time i used a bus -
rather the centipede of my own legs?
you never forget to swim or ride a bicycle -
when was the the last time
i used the tube?) -  and just head to the shop...

that would be so boring...
and i'm not a female to window-shop either...
what ensured a diversion?
immaculate timing...
   walking up to the bus stop...
a girl... probably 16... sitting and waiting...
bus pulls up... i gesticulate: ladies first...
and she gives me a smile...

that decided... winter! it's winter!
and Freya's daughter took a needle's eye
and brought me before the altar of my original
whim...
jumped on the 66 bus and then on
the central line... newbury park,
gants hill, redbridge, wanstead,
leytonstone... leyton... and onto st. patrick's
roman catholic cemetary...

just before spring comes...
to find the absolute nadir of winter -
perhaps autumn is when romance novels
are written about death...
but i much prefer graveyard in winter...
i would have gone further into london:
but those jazz vinyls are not going
to buy themselves...
plus... i find graveyards... well...
hardly morbid... i like them because...
esp. the roman catholic ones...
have statues... and...
well... who wouldn't want to see
a museum of statues: al fresco!

reiteration - because i can't mumble
or metaphor myself or make this succinct...
graveyards are museums al fresco...
whoever was the sculptor... of the crude stone...
the second artist... the weatherer has also
done his bit... coy wind... a splattering
of "paint" with rain...
the... basking in the sun...
the drop in temperature...
i like to see the "other" artist at work...
give me this one life's span a peek into
the deeds of this almost eternal sculpture
baron...

whether god or: death personified...
               the theological god can return to his
origins story... the sun the moon the stars
the: what came first the chicken or the egg...
what came first... the spiderweb or the spider?
pointless hamsterwheel questions:
a priori this... a posteriori that...
museums are stuffy... they might hold
under their roof... in pristine vacuum...
the Elgin marbles... but i want to visit a museum
that breathes! these gravestone statues...
breathe! if you're not careful enough...
you might see a wandering eye...
as if someone transcendent has touched them...

graveyards: museums al fresco...
and in winter? and it's your typical sodden...
overcast... london clepsydra of drool and dire
and the scent of wet dog fair...
and there is no chance to intoxicate yourself
with the decomposition of autumn's fall:
banquet of leaves... and that sickly sweet
botanical scent of decay...
it's winter and raindrops become piercing
needles of sensation...
you wouldn't even dare... to blink.
                    
- of course i had to take a few photographs...
it would be weird if i didn't...
once upon a time even death was due
man's concern for beauty...
in these grave statues... whether it's a 1000th
jesus or some obscure saint...
whatever it was... it was certainly worth...
imitating a ******... getting all wet with
goosebumps on the ******* sack tickling you...
no hard-on... whenever you'd want
to gasp and spew some variation whale
sonar: morse onomatopoeia: coy cooing an ooh...

so back on the tube and to the record store...
****... need to ****...
to the pub and half a pint of guinness...
again: a woman's smile is so up-lifting...
and that surprise as you're only there for half
a pint... up the stairs to the toilet and...
out the pub...

the thing about buying jazz records...
why would i buy a gramaphone...
if i didn't intend to only buy jazz records for it?
why buy, modern vinyl?
the thing about buying jazz records...
you need to know a few names...
you always look at the... "starring"...
i know there's another term for what i'm
looking for... "starring" is easy...
and it's in no way related to the word:
repetroire... but it is french etymologically:
although mutated from: ensemble...

i'm pretty sure there is an english equivalent
to ensemble: which is not "starring"...
accompanied by...
                 that sort of mid-way introductory
statement by the vocalist...
on the piano we have...
on the guitar we have... and each band member
does a little accent impromptu:
accent impromptu: which is not a full-on
hair-metal solo 2 hour slow bbq **** chicken
strutting send-off into the stratosphere...

never mind... can't a white guy just appreciate
jazz... i'm tired of the sycophants of classical music...
including charles bukowski...
the japanese have covered this sycophancy
and elevated it to virtuosity of the drum-kit
monkey... fair play...
but jazz never allows you to... over-think...
anything... a head without thought
and all that sea of feel...
logic is over-rated... i like my cushion of
the antithesis of descartes: res cogitans in that
i find pleasure... in res vanus...
- and classical music is over-thought...
to me at least... it's a falling piano of notes
and no breather... no feel for bass drums or pause...
for an accent of sorts...
no real idiosyncracy - beside the idiosyncracy
of the oeuvre...

jazz says to me: i don't want to over-think:
not-thinking...
it's as simple as that... i hardly think a cat
allows that onomatopoeia: meow...
i hardly think a dog allows that onomatopoeia:
bark / woof... to enter and govern his mind...
this imitation of being: surrounded
by beings with complex prompts and
a car-wreck of sounding verbiage...
hardly a woof or a meow to be "deconstructed"
in those furry-heads of theirs...
how does a sax sound in my head...
when i can't hear a sax outside of it...
i'm not a composer... letters would congest
the sponge... soapy water instead
of live-young evian... pristine cool and crisp...

drums and all their ambience...
when there's the intro by the horn...
before the protagonist sax takes over...
sly little horn...
jazz... i don't like to over-think not-thinking...
classical music?
i tend to over-think not-thinking...
with jazz i can never over-think not-thinking...
because: feelz... and what-not...
it's hardly an armchair of apathy...
it's hardly a sofa of tolerance...
it's a cushion for a head that sometimes
feels like a tonne of lead...
and the air doesn't become water: "magically"
to even wish for a sinking sensation...
blurps of bubbles no...
there's only the almighty fall or an explosion...

feelz... (this will be addressed...
the Z... in german... that i do promise...)

- again, not again, again... i can't buy the same old
stale **** narrative behind the slave trade...
there's a jack of spades in here somewhere...
no blacks in h'america: no jazz...
it's that simple... god forbid where i'd be at if
i were to still praise the suffocating confines
of classical music...
this is classical music to me...
this is... everything that's suffocating about
Bach's innovative polyphony...
polyphony sure... but what jazz allows and
what classical music doesn't...
it's hardly called a solo if only the piano gets
it... a chopin or a liszt...
any... famous violinists sharing the stage
with the pianists... the piano is the only instrument
that's allowed a solo: proper...
but in jazz... you can get all the instruments
in the ensemble given a fair share...
no africans coming over to h'america...
no jazz... instead:
       pirouettes in corsets and crinolines!
ugh...
               liberated into: chain-smoking
and giggling why pulling an imaginary chain
saying: choo! choo! this train has nowhere
to stop... beside a tomorrow...
and should tomorrow come...
                                      that's still only a gamble!

jazz because there is no singing...
            well... 'my funny valentine'... chet baker...
better known on screen as ethan hawke...
astronaut... thespian... at large chameleon...
dat dere: the disappointment from
having chamelon leather shoes...
that will riddle... should ever a pair be made...
no fluorescence no change in the weather...
just at the time of the killing...
would the pigment remain: "thus desired"?
well... i don't know what the muslims
and the yids have against pork...
i'm pretty sure most standards of belts
and shoes are... made from pork skin...
which is... well... leather...
perhaps they should don the orthodox ***
yom kippur statement of running
into the synagogue wearing sneakers!

just saying... porky pink and whitey sneaked
in with a guitar and a piano...
sonny clark also tip-toed on the black
and white cascade...
                                  interludes from absence...
or the myth of the custard -
               it boils like a voice unearthed from
mud... tinged with surprises of a canary...
gloating glutton of the stove...
               jazz in the kitchen,
jazz in the bedroom... jazz in the living room...
jazz sitting up, jazz sitting down,
jazz drinking a hop-heavy lager...
jazz sober...
                                        it's not jazz:
because i live in new york and i have a feel
for the romance with frank o'hara and all things
gay and otherwise cosmopolitan...
romford is probably like hull...
and i'm the antithesis of phil larkin...
my verse is more scribbles and scrabble than
his neat: your parents ****** you...

jazz is a rebellion akin to 'my parents ****** me'
when they fed me a classical music diet
as a child... rock guns 'n' roses grunge and punk
were minor rebellions: teasing pop...
but nothing to match to the diet of classical music
ingested early on in life...
                          jazz was and is, though...

- when buy a jazz record... you have to look for
the usual suspects...
sometimes you look what the lead protagonist
is playing... after hearing Grachan Moncur III's
avant-garde... i'm not convinced...
but there is a list of the usual suspects...
evolution just reminded me of everything
i didn't like about eric dolphy's out to lunch...
but there's a list of usual suspects...

'i can't believe i almost bought a vinyl of a c.d.
i already own... money jungle by duke ellington...
good that i didn't...'

the usual suspects of an ensemble alternating:
eric dolphy, paul chambers, freddie hubbard,
sonny clark, joe chambers, herbie hancock,
john coltraine, sonny rollins, kenny burnell,
art blakey...            wayne shorter...
what would probably become equivalent to...
sitting through a ****** movie...
but otherwise finding the end-credits more
entertaining... the ******-movie of what's not
remembered as that golden fleece of mid-20th
century nostalgia...
i once placed my nostalgia in h'american
hippy culture... come to think of it...
i guess my nostalgia is: the coming out of
1950s america and no quiet going the full mile
into beatnik poetry recitations with jazz
in the background...
no one would **** the poets:
instead the jazz musicians...
                     somewhere cowering under
an umbrella sown together from moth wings...
assuring himself a lightbulb was
the sun... evidently no formality of language
genesis: dear sir / madam
exodus: yours sincerely / yours faithfully...
and all of this... in between?

                         shoes shoes...
two jazz records is hardly an extravagance...
these days...
oliver nelson - the blues and the abstract truth...
sonny rollins - the bridge (jim hall on guitar)...
well... because sonny rollins and: colossus...
24 quid...
                why am i supposed to remember
the slave trade... am i a native of these parts?
i thought i was the "dumb ******" industrial n-----
joke? don't shoot the messanger...
do i look like i've just killed your grandma'
by playing a ******* harmonica?
not everyone is going to be listening to rap...
what jazz gave rap... isn't gonna give
that easily for me to ingest... *****-nilly...
sonny rollins... looks like a well attired man...
even if it is 1963... perhaps my own ambitions are lax...
i'm the son that wouldn't become
his father... and he was always the son
that was going to overshadow his father...
and that leaves me with my paternal grandfather...
all that remains to be said...
by my maternal grandfather: we has a hard worker...
well... stick that as an epitaph for
anyone without an epitaph on their grave...
i'm sure those dates will look like
candy dripping from a ******* rainbow
any day soon!

thighs, legs in total, comic sanskirt of the brains
between the gallows of *******....
and hands: all those geisha hands...
are the erotica canvas for my no-thrills
genocide *****-and-tic canvas work of a tissue...
because... even if i "cant get any"...
any is just as plenty...
i shared a moment in a supermarket with
a guy who was buying...
wine and bread... honest to god...
he was buying wine and bread...
i missed the last supper and that magic
of a philosopher's stone of:
the wood of all metaphors...
that great driftwood of history...
the postage stamp of contemp. african
get-togethers in europe...

                       an eric dolphy or an bobby hutcherson
on cymbals... "vibes"
   ("vibes" could also be made synonymous
with a prog rock artifact...
a Hammond E-112 ***** too)
                            could work...
the cymbals or the xylophone or whatever
that elevator muzak attache is...
could work... in synch...
on something like grant green's idle moments...
as forrest gump would have said it...
the gi(t)ar is in symbiosis...
but please no horns no sax...
well... sax ever so slightly...
just below the drums...
most certainly beneath the bass...
keep it clean with the guitar and the piano...
only then... some sort of equilibrium...

otherwise what's 120 quid?
something my hands can touch and the sort
of money that i would never spend:
how much vinyl can a man eat
before he realises... this **** isn't liquorice!
from pocket to pocket...
from hand to hand...
                  i never gave that money 10 quid
short with a box of chocolates or a bunch
of flowers... so i guess...
that's money best swept under the rug
of daily needs... flowers wither and chocolate...
eh... chocolate...
                                it's not the thought
of liquorice when playing a vinyl record on
a gramophone... anise amber anise amber anise...
cinnamon and...
and and and and... the raven hair of
bulgarian prostitutes... fingertips...
if only the tongue could read braille...

       i'd ensure that if i went into a brothel
i'd spend a good ten minutes moving my fingertips
ferocious against a brickwall...
some might say: i wanted to experience
of feeling oysters under my fingertips...
when caressing the otherwise sandpaper of skin...
and time...

beer becomes an elevated circumstance
of some leftover whiskey...
and this... cameo cinema of my memories...
yes... rubbing my fingertips against
a brickwall... before walking into
a brothel...

- the germans have been lying!
they have another "secret" letter in their arsenal...
although they will not outright admit it!
perhaps the ß (eszet) is interchangeable in
younger brother ßaß (saxon) english...
surprise: surpriße!
                
             most of the arabs flock around
the nationalflaggehandelsflaggeparteiflagge...

perhaps there was an S-to-Z-to-S-to-Z
interchange bound to the ß...
aber...

wo alle straßen enden...
                     hört unser weg nicht auf,
wohin wir uns auch wenden,
die Zeit nimmt ihren lauf...

         yep... that german "z"... which is more like...
a "russian" c... a ****** c... most certainly
a wet snare sizzle of... a ... Ц...

   das herц, verbrannt...
                   im schmerц, verbannt...
so цiehen wir verloren durch gas graue
niemandsland.

              then again... that all depends which german
dialect you're talking about...
and that russian spy ц is most certainly missing
upon a: schwarzdeutsche
             richtigerdepflugdeutsche rendition of:
zu...

and that's the compensation dynamic...
i'll reach into the zenith of jazz...
but come into the nadir of german army songs...
i'll squeeze a horn but then
come and drop a stone dipped in honey
into a hornet's nest...

              perhaps i haven't been the best
tourist when it comes to the concentration camps...
but i have visited the mass graves of the germans
from the first world war around Ypres...
and i have been to the graveyards of the allies...
a sparrow or a robin always seems
to sing each individual german soldier's lot
in the graveyards of the sleeping en masse...
the silence always breaks...
seeing how they were piled up...
                 compared to the individual graves
of the allied soldiers?
it's almost like going to see the end product
of the contracetion camps...
              a heap of bodies readied for a mass grave...

let's not riddle a liking for folk songs into this...
folk songs are non-negotiable details in all of this...
a black man can call another black man
a n-----... well...
i might as well call another white man...
carelessly and with ridicule... a ****...
sorry... hehe... "oops"... a... naцi...
                                                                a нaци...
         beware the german Z given the ß und Ц...
eh... don't mind the S... it's hardly a caron (š) S...
you'd need to compound -sch- into the whole affair...
and still the east germans would write
ich... их... but... somehow make-out to say:
isch... iś... which is not a caron (š) S...
nor saшa...            it's... somewhere "in between":
                                 š   ś
                     via rammstein's ich will...
well... it's not french... so there's no grave S
          to compliment... so... das ist das... yener...
                    
so much for a friday night...
              before the altar of Moloch...
and his resurrection... busy body demon deity
of the abortion clinic...
and these are the old gods united
under the single Mammon facade of the semites...
Moloch is alive and well...
perhaps the babies sacrificed to him
are not still-born or otherwise...
perhaps the strain of the argument from
the conservatives whispered a retort for me
to utter: that each ******* if a microcosm
genocide... i will not utter the name...
call it an elevated sort of superstition...
or rather... i don't have to say the racial
slur... because... i'm pandering to
                                   porцellanmenшen -
that's two russians "spies" in already...
                                       regarding the иɐzᴉ...
at what point...
                                     under what authority...
it's a **** good metaphor though...
"metaphor"...
          that Moloch is awake once more...
as a deity in his own right -
no longer the "fallen angel" in the pantheon
of semitic gods brought to heed...
before ha-shem.
the
Mitchell Feb 2013
Goodbye Prague, to a city I never thought I'd know.
Goodbye Prague, to a heaven that is lined with shattered beer bottles and stamped out cigarettes the junkies and the hobo's here still manage to get a  few puffs out of.
Goodbye Prague, to a hell that was once hovering with the feelings of control, manipulation, and more control, but now is twirling top speed to a land unknown.
Goodbye Prague, you seductive ***** with your cheap liquor, beer, and cigarettes, smelling of aged mahogany mixed finely with an acidic burst of fresh *****.
Goodbye Prague, I do not know when I will see you again, but I hope that I do and that I never grow so old that I forget you.
Goodbye to your abstract animals smeared black, screaming in the exploding summer sun. Goodbye to freshly cut pigs heads and cow flesh, hanging in your storefront window, tempting every passerby like the *****'s of Amsterdam.
Goodbye to every cobblestone that shines after a fresh rain or snow, slippery to the newcomer, an annoyance to the amateur, thoughtless to the old timer.
Goodbye to the potraviny's stocked with two crown marked up ***** and space vegetables shaped and colored in a one and only kind of vernacular; without you, I would have half-drunkenly stumbled home towards dreams of menial headaches and shadowy beer or perhaps to The Oak to drink alone.
I scream so long through faint puffs of carbon nicotine clouds made illuminated by the icy orange street lamps 800 years old glow!
I scream so long to late metro's and early trams!
I scream so long to the roaring rocks who reflect the faces of aging clocks!
So long to passed out bums and unforgiving metro officers. So long to dollar fifty beers and the fear of getting deported. So long with counting silver crown to make even, seeing my math prowess has lessened. So long embedded needles and bottle caps deep within the snowy cobble. So long listless wanders all their money thrown away until the month of May comes to knock on their door. So long alleyway romance 100 crown notes and old men in their rickety fishermen boats. So long sad masked faces who in their forward march sit stunned seeing fortune picks only some. So long through the grey mist stabbed with neon signs that attract the youth and the mad. So long to the feeling everything I had to say was the wrong thing. So long to feelings of foreign familiarity whose ball and chain were slowly starting to rust away. So long in song to the player's of Riegrovy hill whose voices I just couldn't stand. So long I've come to understand everyone's got a choice to live or wish they did. So long to the wide swept hills of Petrin, where angel's of lore go to rest atop dusted fresh snow, among the dotted new born vine. So long to the sound of wet metal against metal, a scream of order carried on the blue man's shoulder. So long to a city whose architecture reminds me of old men's faces and whose color reminds me of elderly women's dresses. So long to smoking in front of children without a second thought for their health. So long to racism that is wicked, but grunted genially - the executioner smiles at the accused - the gravedigger's weep for the dead - the ant makes a break for a hill not his. So long forlorn love whose only remedy for a cure is the beer sitting in front of you. So long to wondering what's going on in the world, when all I want and got is what's right in front of me.
Farewell Prague, you shadowed street walker, a cloak of stars around you, finding all that owe you  your due.
Farewell Prague, you in the morning eyes half mast, snow crunching underneath stony white.
Farewell Prague, miss-handler of crooked time pieces stating the obvious, ignoring to blame bluntly on youthful alcohol abuse.
Farewell Prague, you took me up the hill and through the woods where ravens, black as gutter ice, crackled down at me like showers of New Year's fireworks.
Farewell Prague, you gave me peace where I once thought I was unable to have.
Farewell Prague, you befriended me, then ordered me a shot that made me cough, then ordered me a beer so we could sit and truly feel what it is to sit and wallow in our time here.
Farewell Prague, you entranced me with view after view to a city to stubborn to die.
Farewell Prague, I leave you like you would leave me.
Farewell Prague, to your fat snow flakes that drop into wide eyed children mouths, tasting of iron whiskey rye, though they do not flinch at the taste.
Farewell Prague, I leave you with a hush of a whimper, bitter as the cold, and indifferent as the server's over at Cafe Lourve.
Farewell Prague, with a thousand miles of graveyards, where ghosts barely have the strength to weep.
Farewell Prague, I admit I never knew how to love until I came to visit you.
Farewell Prague, as I stare out your cracked and smoky tram windows, my thoughts not my own, shop windows and naked, screaming men, their cigarettes bouncing in between their lips like a jack of spades on smack, where at last we see that life is only a worth a **** if lived.
Farewell Prague, I see the cards there on the table and you're winking at me while I stand at the backdoor, and what's more, there's a secret you've got to give that I refuse believe.
Farewell Prague, to your open sore catastrophe of society, KFC on every block, and Starbuck's on every other, and on the other other are the lined' wino's shaking open handed and spread for a case of cardboard vino.
Farewell Prague, to the nasty smoker's in trams that just stopped caring.
Farewell Prague, to a city rhythm generated by an ignorant originality and uniqueness, where the same has no name and the the plain jabber on about their jobs in their pretty blue jeans.
Farewell Prague, because to say goodbye would mean we don't have that friendly tone.
Farewell Prague, I see to sacrifice oneself for the comfort of the elder or the opposite fills me with agitated obligation stationed in a vessel older than I've ever lived - yet I know it, for it is me.
Farewell Prague, you are a lost lullaby caught in the wind of an elastic multi-colored pin-wheel, shining riches of the rainbow into the eyes of children, who all whistle when they snore.
Farewell Prague, a button upon the Earth, like every man.
Farewell Prague, a love song sung in the depths of a damp grey hall, rivers all around, so the sounds too much to drink were outlandish in high emotion, juvenile commotion.
Farewell Prague, we were young - not caring about the future, but of course, with worry in our hearts for worry is a sign of human being human; yet, still, we asked nothing of one another and you gave and I gave and you took and I took and we walked underneath one another's blanket's until we were no longer cold and the winter showed to be just an annoying individual at the party.
Farewell Prague, to your lack of complications, making simplicities acceptable again.
Farewell Prague, to the snow that never stops falling, all while slumbering within dream until the seam is ripped so the old can die.
Farewell Prague, I've shined every marble staircase and washed every tram window; you owe me nothing because I like you.
Farewell Prague, to the long nights bleeding away at the table alone, the lady fast asleep, lit by the dim orange glow of the twisted streetlights below.
Farewell Prague, to the long nights forgetting pains of existence and accepting every solution to ward of resistance.
Farewell Prague, our long talks and hovering walks, always forcing me to balk.
Farewell Prague, at last you got the praise you have always deserved.
Farewell Prague, to hot humid nights filled with *** and butter in the summer and cold bitten cold of ***** and juice a la winter.
Farewell Prague, to bad service but good drink and food.
Farewell Prague, you curious tale the bravest man would waver to say.
Farewell Prague, to bridges galore and more dead leaves then wrinkles on my crooked face.
Farewell Prague, at night the sheen of liquor wears off only if you let it be so.
Farewell Prague, to all the those lonely mornings bent head into book on the way to work.
Farewell Prague, how long till you grow to be young again?
Farewell Prague, how long till I admit my defeat to you?
Farewell Prague, how long until I accept I'm the last fool in this world?
Goodbye Prague, the last soldier is standing, but the war is not yet won.
Goodbye Prague, to your hazy stars glimmering and shining for an indebted audience.
Goodbye Prague, the sun breaking through ink spilled colored clouds, the birds chirping, the dogs barking, and us wondering where we started.
Goodbye Prague, your churches are empty so the sins of man run rampant and at last the prayers of men go unanswered; we now abandoned to fend for ourselves.
Goodbye Prague, the puncturing purity of your ways make me giggle in delight as I listen to the cool piano man play; his eyes on the horizon shattering like toppled china.
Goodbye Prague, at last there is a time where we both get what we want.
Goodbye Prague, the verandas are chilled with the dew of winter and the snow glitters like bitter diamonds as the fool tips his hat to shy away the sunlight.
Goodbye Prague, every rain drop that fell upon me was a gift you can never take away.
Goodbye Prague, the fool adheres to agnostic rules but the cruel here see no reason to sue.
Goodbye Prague, I think therefore the dust of escape reflects the waves of the river Vlatva.
Goodbye Prague, to your lack of vowels.
Goodbye Prague, when the night wavers hear the Beherovka weep into its own glass, love leaving her forever making no note to Kissy.
Goodbye Prague, tram driver's unforgiving in their merciless need for schedule.
Goodbye Prague, the last homage to the war standing like a shining diamond neath chipped and shattered rubble.
Goodbye Prague, a listless memory mentioned only in drifting dream.
Goodbye Prague, every loving glance smelling of freshly poured beer over newly fallen snow.
Goodbye Prague, to your hardness, your beauty, and your madness.
Goodbye Prague, your days wet with rain, stricken by sunlight, reflecting white emerald into the window panes of passing trains.
Goodbye Prague, at last you got what you deserved.
Goodbye Prague, now I can weep and say I have trampled upon your cheek and slunk through your veins and trudged through your blood and skipped through your hair and saw every line - both sought after and nought - you have acquired through time.
Goodbye Prague, there is no reason to get excited, you are free.
Goodbye Prague, I see the silhouette of the trees that line your hills and I am forsaken to see the leaves turning from jovial yellow greens to disregarded and disparaged furnaces of dim fire reds and browns.
Goodbye Prague, the people within you deserved all of the credit.
Good Prague, the people outside of you deserve what ever they believe they do.
Goodbye Prague, you family to families with common sense and love rampaging through your barley stained veins.
Goodbye Prague, perhaps there is nothing under your rubble, maybe already all is lost for everyone, everywhere, but maybe, you living the simpler life, can show all that life can be so.
Goodbye Prague, you gave me letters, words, lines, commas, apostrophes, and dashes, paragraphs, pages, and eventually, a story; I leave you marked.
Goodbye Prague, an old friend whose hand I shook but knew would one day turn my back on.
Goodbye Prague, the bite of your cold generosity and your bustling love leaves man with nothing but to bike back with no chance of triumph.
Goodbye Prague, street cleaners clean up your wear and tear from the mothers and fathers that bore you, some 800 years ago; ageless, you loom longer than they would like.
Goodbye Prague, battling sleep as the ***** raps for more and more, none that the man has.
Goodbye Prague, the night is curling in as the wave crashes to the short and I am the lost sun looking for a place to rise, trying to get to the sky.
Mateuš Conrad Feb 2020
i kept but one name-given namesake -
finally!
now it has become clear:
the german definite article -
die: implies definite article plural -
der: implies definite article singular -

i've become prone to german songs -
more than i'd like -
but i'd sooner die than have to recount
'hej hej sokoły' -
as the only folk song my ear was lent to...

an hour well spent:
a sudoku puzzle and some workhorse
germanic folk -
or listening the pearls and wisdom
of shane macgowan:
point being: the words come from
the tooth -
but only the french and the irish girls
can pull off... wearing short hair like
she'd be a boy...
perhaps those physiognomy details
of shy and porcelain:
faces that were only ever kissed
by the moon - the hair was was only
ever combed by the wind -
and she can come among the brothers
as a amber nectar gem ruffian in disguise...

sinead o'connor, alizée jacotey -
how the hell does tuba büyüküstün come
into the mix? ever so slyly...

bbc4 : 'when it was unpolular and unfashionable
to be irish in england'...
"unfashionable"? the drunken paddy -
the respectable ireland and its own...

conrad - conrad of masovia -
perhaps i just liked the names given unto me
that i chose not to be confirmed
at the brentwood diocees -
all whole lot of it: with a bishop clad in thistle -
the surname was always insignificant:
paperwork -
but at least the names allow you derive
meaning -

poor you alexander -
no minor roles to attach yourself to -
beside the glaring obvious...
st. levi: my former...

- i have only met one woman who ever
wanted to fiddle with my beard -
does it matter that she's my grandmother?
itchy fingers reach in and
pluck out a quartet of violins...

lie eines tambours:
die toten, die toten des regiments
(the dead, the dead of the regiment)

der tod in flandern:
der tod reit't auf einen kohlschwarzen rappe
(death rides on a coalblack horse)
in flandern reitet der tod
(in flanders death rides)
der tod reit't auf einem lichten schimmel
(death rides a pale horse)

teutonic marching party hum:
no wagner! murmurs and mumbling of disgruntled
baritone:
rataplan don diri don!
back from the east and there was
no cleavage to the british ways...
there was always the old one,
the alles vater of germanic roots and rot...
even in multicultural Loon'don...

but now know of the definite article distinction
in german:
der tod: definite singular...
die tod: definite plural... ja! jetzt isch sehen!

fa'lalala... fa'lalala... tamtaradej! tamtaradej!
niemec norweg duńczyk szwed!

a television - a phone no one rings -
all the blessings of the age -
better still - ghost in a skeleton suckling off
flesh - or staging: no soul welcome...
congested and freed from the loitering of
labour -

i would hardly imitate the irish as the dogs
of the british - sinking teeth into gaelic -
i would -
but since i do not have to...
i'd lend my ear toward speaking:
father german - of what this british brat
is worth...
father... alt-vater ßaß!
tease him, or tickle him...
give him a peacock as a gift for the missing
eye...
watch the crow zeppelins come knowing
how to knock...

i very much believe in a linguistic integrity
of a people - a language is beside the waving of
the flag - perhaps i am inclined
to skin of the supposed irish that do not
speak a word of gaelic: more so...
if they have tatoos on their skin?

the welsh have been given a strict overlord -
even though the english claim they
are the one *****-slap shy of donning
a gimp suit...
loud mouths from scotland...
but nothing in their native spreschen!
exfoliating "orthography" glaswegian...

oh but i would be willing to succumb to
this leprechaun sing-alongs...
i'm a workhorse of folk -
i need the drums and the vocals will do the rest -
no need for bagpipes -
or fiddling or dread the banjo...
old continent yawns...

who is the father of the english?
when the english start to... become too over-confident...
arrogant and atypical islander mentality that
doesn't borrow anything from the isolationism
of the Faroe Island people?
the forbidden fruit of the same language
being spoken "across the pond"...
unlike island dwelling people...
who want to be left alone...
strange... that so much media attention must
be given to a people:
that clearly do not want to be left alone!
who said the british didn't just generate
4 years of journalistic pay-cheques for
newspapers and other outlets?
stalling tactics... feeding tactics...
feed the propaganda hogs who will
gobble down anything and regurgitate with
an alistair cambell at the fore...

i was expecting to read some keneth koch,
listening to something beside german folk songs...
solving a sudoku...
and finally deciding... it would be worthwhile
to invest almost 30 quid in a complete works
of this poet...
one thing i've noticed...
the price of books has gone up dractically!
i once thought: paying 30 quid for heidegger's
ponderings VII - XI and II - VI is a bit steep...
but not all the poetry books i want to buy
cost just as much!

30 quid... em... that's almost a carton
of cigarettes...
and i've been hoping to save up to visit a brothel
and forget something:
of no immediate concern...
but poetry books were never this dear to buy...
i was rather spontaneous when
making a recommendation: kenneth koch...
perhaps i should read some more
before i buy this kilogram's worth
of compressed forest of a book...

but that's all the way into a tomorrow's
sitting before: this will never become
a Balzac 14 coffee work-ethic output...
writing: making sure the reader
has no chance to reflect -
nothing to introspect with or for...
then again:
what's any of this supposed to do
with: beside the reflexive?

man's transcendental love will never compensate
for the pragmatic love of a woman
in need for a, kettle...

shady lots of the unforgiving blue-snippet
of jazz and all the better:
that could happen that didn't originate
with british punk...
1960s screaming girls -
1970s and the boys could come around...

yeah, i've been to Ypres - where as pseudo-children
we played hide-and-seek trade-offs
in the trenches...
where the anglo-spreschen graveyards
have signatures: names -
and individual graves...
the german graves? the german graves
of 1st world war?
wilhelm! are you listening?!
apparently the jews were also
trafficed into the slaughter camps...

i have stood in the graveyards
of the germans - the en masse graves sites -
i have witnessed the silence of these graves...
camaraderie of the dead...
nothing of which the english
would ever learn...
in the graveyards
of a "communal"...

the mass graves of the fallen german
"hitlerjunge"... alles im schwarz...
keiner im khaki: senf hinter abendessen!

i stood in the graveyard of the world war
german en masse graveyards...
no sparrow will sing: when the dead sing among
each other...
i will not visit the slaughterhouse
of auschwitz... the cow-towing...
i will not bow before those that were naive...
but i will nonetheless...
succumb to the idiots...

and the Helmut: die eisenhelmkopf: knock-knock...
echo? echo?
among the english...
one is supposed to reach toward
loving the german
(then again one isn't);
feeling indifferent to this lot...
not being quiet the h'american expatriates
they could have been...
old father sax...

the world can heave: settle for the concentration
camps...
i must savor the bounty found in
german en masse graveyards from
the first world world war
if any slaughterhouse is willing to open
its gates to an esque auschwitz...
so be it... but the graveyard
to the youth of germany, wilhelm youth...
camaraderie: freundschaft-im-tod

mutter-tod!
i need not see the concentration camps,
i've seen the graveyards of germany from
the first world war...
if you've seen one sardaine crammed closure
ground...
and the silence...
what does it matter, regarding the people
so naive?

vier! 4th! alternatively: fear!
the mass graves of the youth under Wilhelm
in the vicinity of Ypres...
that acidic silence...
piquant...
and i am supposed to visit the concentration
camp the slaughterhouse?
what will always die
with being naive... trust... and love...
and disinhibition and...
lingua franca ergonomics of
selling stale wood in the form
of antiques...

i know one way of failing to integrate
into english society...
look down... learn some german...
learn what the old father spoke when
he started to brew these unforgiving children
of the chandelier maze...

i'll be singing these germanic folk songs...
x-ray flag of cornwall -
teutonic - black cross upon the white flag...
muslims nearing jerusalem -
old pagans of lithuania
remnants of the golden horde having settled
in ukraine's crimea -

best felt: of what it feels to be alive,
in england...
tinging the old ****** with a dalmation specker
full blodied worth of:
zee ols: germanicus inhibutus -
because there's not need for *****...
as far as the british go...
in... ***** first: welcome! the conquering
par'tayh!

******* soft-ball dodgers and ****-*******
pinzetteblödsinnausweichmanöver:
ease a coming... you *******
weiser herr misers!
lovecraftian video vermont
aenemic *****-liquor...

poetryfoundation.org poet:
is he / she dead?!
they're dead? they're dead?!
oh thank god there's a dead...
and body worthwhile to **** with...
because safety... safety...
and no bit of h. h. holmes
will ever grace the pish-poor pasrty...
party... oops...
******* yankies...

horror is a fetish...
poor croat poor yugoslav...
unless you mention
the serbs and the balkan "muslims"...
high-brow expectation -
until i am willing to meet
not meat...
my fore-bride... death...
honk honk!
i am more than willing top die
via the swizz affair than all this,
******* fawty towers agony...
pristine and puritanical...
the living better excused to live...
enough to buy them life insurance...
and, otherwise... the remains of
dead willing to pop the cork...

the sane always have their: two pence shave
worth of flip: they know-it-how...
the sane will alway know what to write
about insanity...
problem? when the insane write about sanity...
and the mole-hills and whatever it left
becomes the windowlicker down-dyndrome
chop-suey "oops"?
retro-****: or simply: re-...
the sane have authority over the insane...
what happens when the insane have a crab-bite
on the concept of "sanity"...
people elsewhere also die... no?

sanity that requires grey-matter peep-show
peoples to run miles for:
the dying auntie and her cancerous loved-up
"french"...
the sane speak of the insane
i almost forget: the insane would never
speak about the sane... because...
it's nostalgia: papa roach:
between angels and insects...
as dostoyevsky said:
for angels... the sight of god's throne...
for insects... something associated with
succumbing to soap opera and itchy ***
disinhibitions...

why would i visit these concentration camps?
living in western europe first world war
was more important than the 2nd world war...
i've visited a german world war I mass grave...
why would i subsequently visit
the remains of a concentration camp?
a site near Ypres where no sparrow
will cling to branch or to song...

for no reason: don't tease... stop teasing...
if you life is all mud and mediocre and
soap opera... stop teasing!
i will not visit a concentration camp...
appeasing the hebrew...
only when... the graveyard of the en masse
dead of german youth is visited from
the 1st world war...
where... bullet, mud...
fingerprints not welcome...
citizens non-anon...
auschwitz and death the addressee...

the sane and their stipends concerning insanity!
but then one diagnosis falls foul...
and the straitjacket jack starts speaking...
oh! oh then!
the usual story...
the usual *******-become-bells-and-church-uvulas...
and the rest is just a cry, a sigh,
a boring reminder of the british raj...

learn some german...
the peasants will retain theirs with some velsh...
and that's how you
react to be... "leisured with a caption
of being measured via
the focus of having a father"...

liebe: zu nicht lassen gehen...
liebe: das alles ich können behalten!

i rather speak some german on these isles...
this is not ******* h'america...
this is the old continent..
england serves for *******'s worth of nothing
when it is excused to speak german...
while english is relegated for chinese tourists...
and... the faroe island farmers of sheeps' **** and wool...

it's not like you'd expect to become welcome
these days, or any other days...
as a tourist or as a ******* trader...
of "goods"...
made in chine is the broker's deal to begin with...
on the broken bone signature...

i too thought the english were prized on
giving stipends on how:
how to best keep things cordial...
champagne, oysters... the eton mess...
a good round of polo and ******* wacking...
no?

i do admire the early exits of the suicide prone...
i would too...
but i do crave... for the platic 20 quid banknote...
and what would become of charles III
should he chose a different name...
and i really wish that lizzie lives her most...
but then... her current grin is already
tombstone... and she...
well... she's bothersome in that she's pradictable...
and that's boring and bongo-bongo boorish...

****'s sake: two popes teamed up to try
and topple her off the throne and play snooker
into a dead-8 with her crown...
better speak some german: for jokes...
among... the british... that did live through
the 60s of the 20th century...
but... will never relive the same cushioning
of history to somehow "compensate"
the rolling stones dinosaur of the:
most welcome pensioner rock & zimmer framers...
roll with that sort of shaky stephens
park-on-eire-n-son?

just drop the delayed nuke...
we're all done and b.b.q. readied
recounting what's interpreted as "trauma"...
superiority / the messiah complex
of the english...
but you speak a word of german...
you think a word of german and...

do these people care, to, remember,
their, natural, neighbourly...
competitive streaks with the fwench?
it's just like "us"... the polacks with the russians...
with the germans...
i too thought that the ukranians were
better represented by competing with
leftover mongols of crimea.

— The End —