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It was a hot summer night
Nearly ninety, I'd say
When out back of Giovannis
The Bluesman sat down to play

He pulled up his crate
Took a sip from his flask
"This here's my med-cin"
"In case someone happens to ask"

He started a story
That we'd never heard
We're the folks of the street
And we followed each word

It's a tale of James Withers
A man in need of a hand
But to us on the street
He was the Sand Castle Man

The bluesman strummed gently
He didn't want the words to be lost
For this was a story
That had a hell of a cost

You see, James the sand man
Lost a life to the sea
His grandson, young James
Drowned when he was just three

Each day James went down
With his grandson in tow
They'd make castles together
Some fast and some slow

One day the pair
Were  at the end of the pier
When a rogue wave hit hard
And took what James held most dear

His grandson...swept out
Lost at sea, never found
They searched for three weeks
But the poor boy was drowned

James kept a vigil
Every day on the beach
He'd look out on the water
His heart out of reach

He kept making sand castles
As he did with young James
With shells and old driftwood
And he gave them all names

He'd have non-existent armies
Fight non existent wars
In his hard packed sand castles
He carved windows and doors

There was make believe dragons
In pools by the sea
Guarding make believe princesses
Who no one could see

There were turrets and moats
And each day he'd build one
To be lost to the tide
As the days work was done

Each day a new castle
Each day a new war
But, nobody knew
What he was building them for

The tide would come in
And would sweep it away
All that hard work
Gone at the end of the day

But, each morning he'd come
Build one more for the tide
With invisible armies
To flow away for a ride

People would watch him
Make the castles of sand
With imaginary soldiers
In imaginary lands

The bluesman sang soft
Took a sip once again
From the flask on his hip
It's just medi-cin

The crowd didn't stir
We were like moths to the flame
As we heard the bluesman
finish his tale about James

I asked him one morning
If he ever would end
Building castles of sand
He said, Bluesman, my friend

I know that each castle
Will be washed out to see
And I hope that my grandson
Gets a message from me

I make each sand castle
Like we both used to do
I come back every day
And start another anew

It helps with the closure
I send my soul to the sea
And I hope that my grandson
Knows they're for him made by me

He finished and thanked us
And we went on our way
All of us changed some
From what the bluesman did play

Next time I'm out wandering
And see the castles of sand
I'll know what he's building
Now...that I understand
From grey plaster dwellin’s they come to us
fer enough sun t’ melt their lollies but
after sun-burnt migrations, some remain
as they can choose our shacks fer their castles
and their spawn breaks the spines on each weaver
and fer their red-faced fuss ‘e is broken.

The ‘ermit crab too takes ‘is leave broken.
The ‘ome ‘e made now closed to all of us
Not passed by ta’ooed ‘ands o' net weavers.
The painted shells still litter these streets but
suited slugs paint gray on our small castles
till only mockin’ shades of age remain.

“Shave off, *******’ll pick till none o’ yer remain”
screamed mad John as relaters “fixed ‘im” broken
into some plastic ‘ouse from ‘is castle.
‘ow ‘e used t’ tell those old tales to us
'o the deep places and the things there but
they ‘ad ‘im by the gills, poor old weaver.

Spines down, in nets made by ‘is own weavin.
we did it to ourselves, we can’t remain
Wi’ nets o’ money, o’ *****, o’ smokes, but
black flags still fly, bein’ bent never broken.
Cross-bone attractions will be left as us
‘eld by those who took away our castles

Stormin’ beaches to kick down our castles
the sandy ‘oles and ‘ides of those weavers.
Sellin’ our anger like lug, dear to us
cast from the sea of us that will remain
‘ook lipped, ring-eared, ink-stained and not broken
nothin’ t’ be fixed and no-one changed but

In come those nets, I ‘aint been caught yet but
that gray, that London gray sweeps my castle
away where the concrete can’t be broken
t’ reach lug beneath dried surface weavers
as gulls break beaks t’ peck at the remains.
yes, we’ll eat each-other if they take us.

Take enough of us, and leave shell castles
no ‘ands to ‘old jolly Rodgers and sing
‘appily swear, or dance on tables but
**** that.
A sestina, using phonetic language, on the immigration of Londoners on my seaside home (a weaver is both a spiny fish and a fishing net maker).
Midnight Beech Nov 2015
I found a strand of hair in the sand
from yesterday or maybe the day before
or before that, it's hard to remember anymore
the days suffocated by the rememberance of the waves
ourselves buried in the sand

Oh, the endless grains of sand!
of this chilly lonely Mexican beach
it's hard to un-remember what we built
what has now whithered in the autumn gusts
the castles have crumbled

we built them from sand, from scratch, from hand
added sweat-salt-water to strengthen the palaces
placed them near the shore or else it was no fun
let waves ride the moats and brush against the walls
prayed the castles would last the night

as we danced through the smokey fog
bathed in crimson candlelight
and sang until our harmony
resonated with the crash of the waves
and the constant being of the beach

we slept to remember and woke to forget
buried our regrets in the sand
and washed our hands in the water
and then ran to our castles
and prayed they had lasted the night

and sometimes they had, and sometimes they crashed
but now I see it didn't matter in the end
because none of them lasted forever
and no one remembered anything anyway
and beaches are only for vacations

though I am not a man who forgets ecstasy
or sees any need in leaving the beach
or likes the way the leaves look during autumn
or wonders what else there is but the sun
or needs to love the way most people love

so I lie on this beach, alone, sand to my knees
watching the waves graze over castle graves
finding seventy degrees to be too cold
carving my name in the shore
and watching the ocean erase what I've made

as I wrap this blondish strand around my finger
and try to remember who you might have been
and who you might be now
and if I met you in the sand
and if we will ever meet again

though, surely, we will not
because of course I am not still in the sand
a man needs to feed his family doesn't he?
as he wonders if he'll ever come back
or if the castle walls will last

it's too easy to daydream these days
office walls cloud ambition
and coffee cups burn my tongue
and early mornings swallow all my beliefs
they don't let me sleep, but I still dream

of a time when only waves tell time
as they curl in and out, but stay in the same place
so that we never age and only dance
make castles of sand with our fragile hands
watch them last, watch them crash

burn our memories in bonfire pits
but know that since time does not exist
each moment can be lived just like the sand
endless and amorphous and warm
and our harmonies will match the sound of the waves

and love everything but need only the sun
and sleep to dream and wake to love
and pray the castles last the night
but care not if they do
because there will always be another day

as I bang my claws into the walls
of this ******* cubicle, my head
aching from all this ******* coffee
my chest in a butterfly knot
my skull in a maze

it's hard to breathe here
the air isn't as fresh
and my lungs don't want to much
and my heart doesn't want to pump
my blood, which has gone stale now too

as I clench my fists, squeeze out my rage
knowing this is it
un-remembering the waves
praying the castle walls will last the night
but knowing my place

because beaches are only for vacations
and after all, it was only sand
and after all, these are only hands
and after all, I am only man
and after all, I am only sand
Sibyl Vane Dec 2013
Mountain peaks, city streets
More nomadic wanderings
Airplanes' flights to far away
You are gone but it all stays

Kisses goodnight and goodbye
Oceans deep and dark and wide
Singing sweet lullabies
As headlights fade into the night

Like sweet dreams that haunt your sleep
Chased away by morning rays
Broken glass glinting in the dawn
Spoiling all of our sweet dreams

Sand castles that wash away
Ocean's rapture steals them day by
Day by day by day
All gone and washed away.

Day by day by day

Traffic lights and drunken fights
The tick ticking of every clock
Spin away as the music plays
Build your castles that wash away.

Like sweet dreams that haunt your sleep
Chased away by morning rays
Broken glass glinting in the dawn
Spoiling all of our sweet dreams

Sand castles that wash away
Ocean's rapture steals them day by
Day by day by day
All gone and washed away.

Tomorrow as today

Watch the clouds passing in the sky
As we sing more lullabies
The moon and stars are oh so bright
But we forget to shine.

Day by day by day.

Sweet dreams of sand castles
As everything washes away

Day by day by day
Tomorrow just like today
winter Jan 2014
Castles in the sky
Overtake my vision for miles
They seem so close
Yet they climb still higher
Pieces fall off, come to the Earth
Bless us sweet castle, your bricks bring birth

Castles in the sky
Dark and non inviting
May bring young children nightmares
But over life are more enticing
Floating high above the wars
Inhaling sunshine through their doors

Castles in the sky
Filled with life and destruction
I open my heart to thee
My lungs fill with obstruction
Closest to me, this form of it
Soul- leaving body in a blue, endless pit
Olivia Kent Sep 2015
Castles in sandpits.
Feet that wander.
Seaward as seawater meanders.
Buckets of plastic.
Containing fresh water.
Probably not.
Forks with spikes on Tyne side.
Professing weird knowledge.
Bending round edges.
Breaking down hedges.
Crumbling castles made of tactical fairy steps and freaky dreams.
Huge construction.
Rubbed together butter and flour.
Carefully, even lovingly, put into ramekins.
Everyone's named Paul or George.
When creating castles made of sand,remember always.
Pride always comes before a fall.
Ready for baking.
And the ball flattened the castles,
Squashed like malleable putty.
Sandcastle in sandpits.
Paul was a self destructive shot.
George, well now, he is not.
Just in case, both be forgot.
(c)Livvi
st64 Aug 2013
sweet-dreamin'
a whole life
the world's a stuffy place
keepin'
lv...away




Down the street you can hear her scream, you're a disgrace
As she slams the door in his drunken face
And now he stands outside
And all the neighbours start to gossip and drool
He cries oh, girl you must be mad,
What happened to the sweet love you and me had?

Against the door, he leans and starts a scene,
And his tears fall and burn the garden green

And so castles made of sand fall in the sea, eventually

A little Indian brave who before he was ten,
Played war games in the woods with his Indian friends
And he built up a dream that when he grew up
He would be a fearless warrior Indian Chief
Many moons past and more the dream grew strong until
Tomorrow he would sing his first war song and fight his first battle
But something went wrong, surprise attack killed him in his sleep that night

And so castles made of sand melt into the sea, eventually

There was a young girl, whose heart was a frown
cause she was crippled for life,
And she couldn't speak a sound
And she wished and prayed she could stop living,
So she decided to die
She drew her wheelchair to the edge of the shore
And to her legs she smiled, you won't hurt me no more
But then a sight she'd never seen made, her jump and say
Look, a golden winged ship is passing my way

And it really didn't have to stop, it just kept on going...

And so castles made of sand slips into the sea, eventually*





st64, 24 augussy 2013 ... a mild ole (still-time ...) saturn-day
smasher-lyrics...cool song!

James Marshall "Jimi" Hendrix (born Johnny Allen Hendrix; November 27, 1942 – September 18, 1970) was an American musician, singer and songwriter. Despite a limited mainstream exposure of four years, he is widely considered one of the most influential electric guitarists in the history of popular music and one of the most celebrated musicians of the 20th century.
In 1961, Hendrix enlisted in the US Army; he was granted an honourable discharge the following year. In 1963, he moved to Clarksville, Tennessee, where he played numerous gigs on the chitlin' circuit.

In 1967, Hendrix earned three UK top ten hits with the Jimi Hendrix Experience: "Hey Joe", "Purple Haze", and "The Wind Cries Mary". Later that year, he achieved fame in the US after his performance at the Monterey Pop Festival. The world's highest paid performer, he headlined the Woodstock Festival in 1969 and the Isle of Wight Festival in 1970 before dying from barbiturate-related asphyxia at the age of 27.
Inspired musically by American rock and roll and electric blues, Hendrix favoured overdriven amplifiers with high volume and gain, and was instrumental in developing the previously undesirable technique of guitar amplifier feedback. He helped to popularize the use of a wah-wah pedal in mainstream rock, and pioneered experimentation with stereophonic phasing effects in music recordings.



sumtime-entry: gonna come cryin'

playin' you my mean ole axe
gonna be whippin' up a crackin' storm
come on, you sweet thang
hand 'em smiles to me
hackin' them steamin' strings with me teeth
and rakin' these nails 'cross your back...ooh

you gonna come cryin' to me, sweetheart o' mine
and layin' your body over me
my flickin' fingers gonna find you
yeh..mind your hidin' away

(hey, fry me up some brinjals...while I make some coffee)

oh, I gonna be wipin' them tears away
and you're gonna come flyin' my way
don't cry none
don't you fret none
world, she is crazy

we gonna go ridin' em purfling-waves, too
'cos I'm-a madly in love with you!






Jimi Hendrix - Once I Had A Woman
http://www.youtube.com/watch?v=LVUlzNXxljg&list;=RD02W3JsuWz4xWc
manas  May 2020
Castles of sand
manas May 2020
Castles of sand,
on a magnificent beach.
With stroll of Time,
great heights they reach.
A palace of dreams,
with towers of smiles,
Here lurk emotions a Bit too coy
like love Madness and infinite joy.


Castles of sand,
That live no more.
Destroyed by waves,
pounding sea shore.
From oceans of reality,
with waters of jealousy,
Bring winds of grief-
from Gulf of hypocrisy.

Castles of sand,
standing once again.
Resurrected from fall,
and its endless pain.
Rebuilt by hope,
Strengthened by belief,
decorated with faith
and secured with relief.

Castles of sand,
On a sea swept shore,
Waiting to fall,
And relive once more.
More poetry on Instagram-> sorted_manas_stars
follow back poets only
Julian  Jul 2016
Hip Service
Julian Jul 2016
Hip Service
By Julian Malek

The zeal of cobblestone tolerance arrayed in fashionable hues masquerading as crimson secrecy, elevates the tide of man but some boats leak in their foundations. Therefore a cork to every exuberance and a triumphant torch for every sorrow lives onward in collective time. Larks that abound because prescience and PUGET sound, that brown has become the new orange which in turn prowls as a concealed swarthy black. To antagonize the willful and frenetic pace, a prodrome of lasting but memorialized disgrace. Should I move to a state by first or last name, or is the final appellation worthy of much more lasting fame. I scurry down the aisles, bemused by shimmering tiles and the beguiled audiences who see much in my limitation but doubt little about my debited elation. Ringmaster Barnum, how much horticulture is needed for assured superstardom, how many cloisters must we evacuate from the incendiary plumes of a metaphorical Harlem..  But know that no virtual reality can supplant the reality that does truly exist, or at least our time is too infernal and purblind to resist. Carrey the tops of mountains in the humor of wellsprings and fountains, we engage a menagerie of egos lilting of an etiolated pragmatic concern. Evicted from paradise, littered with say-cheese demise ensnaring three blind mice eaten alive by snake-eyed vice. To feel good without incorporated tyranny, we must see blue and red as alternatives to the same destiny. A world that reckons with the futilitarianism of pacified malcontent and astroturf monikers that lead the impressionable into a slaughter shed. Established or not, any enchantment under the sea must include fishes once a pastiche of me, but to them I avoid their courtesy flush and never even faintly blush as my egalitarian statements are lavish thrush.

Five TO Won baby one in 99, everyone here aboard the titanic stays alive, you got your boat baby and I got mine, gonna make it with babies numbered in surreal primes. Halt the slots game the nines, a stitch in time is going to turn out to be Mine. Flanger goals, girded piles, liminal like an aborted Harry Styles, we climb mountains we issue tithes, and the turmoil is etched into 45-notched bludgeons and two-tucked knives. Excuse you, where have you been all day, have you been sauntering in a gentle rain or a genteel pain, have you wallowed beyond the mires of doubt and ranked above David Blaine. I hope you tell me of your magic tricks, rather than your other flicks endeared I stand to fight an ineradicable itch. But if not, you placid pond dented by so many rocks and so many ripples give your heart over to me, before I clinch the special Olympics *******, we ran, we span the homespun garments of your left and right hand, but death is a specter that ghoulishly carouses along the carousel terminal disease we call life. I beseech your deepest affection and want to console you for your deepest struggle, to be there every time wed with time rather than a throttled scuttle. Moons make you guarded but maroons leave me desiccated, don’t ever let that wilted flower die, always water it with a rich but gentle ties and widened deck for all to at once marvel and pry.  Monsters of Mars Attacks once flanked my bed, as though the **** brain scared every gooseflesh and restrained every frisson of mystery. I lampoon myself for those cold Dark Knights and the protection ended by the plight of the poor mattering nothing to the deliberately internecine rich. I struck gold in a valley somewhere, an oxymoron of paradox that now you have the privilege to dock, to stay aboard to be a vessel of peace less widely deplored. Even if we don’t sprout wings, we garner the exactitude of measured things and our glass elevator though easily shattered by the glower of enslavement is actually our vista to heaven or listening to brethren tingles for rich mans trinkets and other things. For humanity deserves a legend and a princess, a regimented desuetude and a flanged lust but in our mistakes wildly flouted in momentary moments we become purified by the temptations of an alabaster palace.

***** the left-field wisdom of a pragmatic paragon ellipsis in prison, slip between the cracks and let my suburban muse become your urban ruse. To enchant a caged world beyond a reality delicately and deliberately unfurled. Squirming toads on highways enchanted but dead, are graves for the blue becoming purple in every dignified red. Gainsay assaults me with platitude, a repeated hitter quit on the first bunted ball into foul-line territory. Those gripes are swiped right in all circumstance no matter the plight. The pronged hearing of a trident sensitive to ambient collection, and suddenly we are all in the mad house even though the house of profaned pain is much worse. Glimpses of gambits that gambol for nickels in transit as occult grenades and known dice waddle through without artifice or device, and the laughter and slaughter that trains collegiate minds, differs no more than the tropes of a glamorous violence articled in sordid rhymes. This surfing movie means so much more than Surf Wax America pristine in limited but sacrilege nirvana. Teen spirits smell muskier than 90s pop dreams, the grasp and grunge of gouged eyes becomes a mummified staid, a scarecrow to those who disobey. Childhood flashes with blinding light, and new sight illuminates darkening blight, A blight eradicated only by two magazines and including one that houses the bullets that ***** themselves between death and comatose dreams both within astral sight. Littoral harbor on a seaside town, a shanty with a brackish gown that glides the gourmand to the cosmopolitan eatery on the outskirts of lost & found. But forever lost in embonpoint and forever gained in chavish that exonerates the gaunt, the etiolated prince in heart becomes irrefutable marrow in minded souls.

If I am a spy you are an ESPY, and if I cry than you are a baby,but since neither are the case my wiseacres will cultivate lava lamp dreams for a new generation and suddenly Boston bets on Harvard, but who knows of this piped blather squirming for relevance rather than voguish but temporary chatter. My regatta knows how to swim, my life now knows how to cringe and yet still win and in stilted plays of bungled sincerity the God of peace reminds us of our transcendent personalities. That we in sincerity top the barnacles of invention a novelty but a rarity. But the guillotine quill of emboldened unscripted parvenus ruthless in their eager dues, outdate and outlive the sued swayed blues that indemnify Clinton and make the atomic dog an amazing Winston hill a church often in sheltered disuse. Imps and urchins sting the sentiment, cloy the alimony of repentant betterment, but neither touches the gilded skies of pleonasm striving for raspy disguise as to dissuade further diatribe investigation. Lurking in those scared days of youth, the gore of unalloyed horror scourged me with a limp, that compassion itself could ever become a gimp. Now years later athletics better and scoring goals making the mildew sweat and the years wetter, not a global warming that can be alarmed by global mourning. Take peace at heart if distanced spears of separation make Idiocracy as a pastiche look exceedingly smart. And spar only with the true antagonists bridging malevolence with expedience. Killjoys sure, will joy even more sure, but still boys fluttered heart stopping dead at a stop-watched alarm the worst tragedy of our sordid sort. Give an African Child a real home rather than a spatial roam, a palatial desiccation of momentary Jonas Brothers snapping back at captives with sexualized foam.

Narrative blinds shuttered in an Island among mountains hardly ever wiser to sanitize the sanitarium among the wasps of stung power. Police crumple their uniforms as they prowl down the avenues, looking for misfits and widened platitudes. Somehow that the vigilance of those corrupted by their very career choice, look even worse when megalomania of private is the limelight of public, to their defense few turrets I can muster but castles in the sky will be the apartheid judge. Those that cling to virtue to eradicate Porsche-driven faked or real deaths at the most breakneck speed, that Fast & Furious operation if disclosed completely would turn the Shire of the ring into the hatred curtailed by a song in Sing-Sing. Immunity must not Yoda implore, that livery Liverpool marooned on islands can also to deplore the R.E.D. and still whet the sharpened stead and the fly-by-night Manchester United alights like militant peer pressure for wranglers in tights. But beating the Beatles at a game of Walruses and egg-shelled eyeful towers likely impedes rinkside hockey from anything over bellicose ballyhoo…it exists as a transient fixated glower. But who knows about soccer speculation when love is the transcendent temptation, when nest-egg hens rather than neglecting rig Bens of clockwork and clocked words designed arise better for their token ken. Do I must repeat the subtext of submarines, yellowed as though ugly unused as though unseen, as though the quixotic earthquakes of tintinnabulations Avatar dreams. Wafted souls console the disheartened thoughts of a dashed dream that Berlin hates more than a Furor’s unbridled and useless scream.
Demotic clips slinging from the bedridden silence of a token moon and its token friends, swimming in a shore of ambiguity whether history mellows or whether its furor melts away momentary doubts. I want to avoid the sting rays exorcised by due providence and become the amalgamated talents gentry and of course the upstart swagger of Jack Dawson. But with the psy-op going on, the people manipulated on all sides of a gray picket fence will the relationship bloom without muttered dissent or pretended smiles. Will we take upon the shuffled shuttle and dig with shovels deep-rooted Christmas trees and toast our lives to Dos Equis. We may never go out of style, but the treacle of illuminated imagery when divorced from sentiment bristle shows a swagger that prioritizes rather than amalgamates all love. I love being brash and brazen and honest because when she finally ditches the grandstand of delayed frenemies fandoms of other tinsel decorations without any substance beyond meretricious thrill. You want a roller coaster on some days, but most often you want the nutcracker to elope to secret hiding places. Swim with adventure not just in love, not just in affection with the starlight now matter how luminous, sixpence all the richer is no centuries any poorer and we could be that gilded couple of star and screen and if we ever have to scream, let our screams unite us in passion, rather than a milquetoast deference to pedestaled beauty. but of course the end times don’t laugh at your crumpled wizened relapse. Not out of convenience wed by a discriminating genetic harvest moon but a deeper engagement that flatters when stylish and bristles when romantic but never defiled, never riled of specious pretense. Promise me that you will always remember me in my flaws and my faults, in my scause factory destructions and the penults of PEN-ULTIMATE wisdom that comes before the grace of God in the annihilation of passion for eroded omission. If your goal is to be remembered, check that out…but the most admirable goal is as the propinquities of souls dusted in the wind returning to a spring equinox of passion and if you find in yourselves reservations do not depart from sacred land, and never jilt me because of a boisterous and menacing friend. You are everything to me right now, and I Hope this persists despite the vicissitudes of star-favored afflictions mixed with utter benediction without the pontification of stilted Benedictines  or rather the hyped ludic effrontery of termagants being made of younger and younger women. Leave it at this ,32 leaves the royal secret in royal hands and the Knights Templar and us we altogether hold hands, if only a prelude for a masquerade ball. But the stilted embarrassment of crestfallen time, let that be relegated and emphatically lets embrace what is like to not ever need a real white horse to get back into your favor, because we never go out of style we can brandish the best elements and reject the sentiments of the too newfangled and the too stodgy. We in our crenellated pleonasm can eager ride the lightning to another tomorrow and another yesterday and if even not that, we virtually make an indelible impression of embroidered love not too distant in ivory towers and not to vulgary( catering to popular sentiments) to become a trash glam movement. We soar, others deplore but let their purblind doubts render them blind to our burgeoning love.

Forget the brisk trees dangled in the wind on winding paths through haunted forest or remember them because of ghoulish fortress but with our apotropaic lamp we can avert most evil and call the rest fun and gains and shun but fames never profaned, never inalterable a destiny to magical to be some whimpered catcall. Or we could linger beneath lambent street lights disguised as though wilted garb, attrition of circumstance waiting patiently for the matinee and the vintner to escort us beyond the garb of pretense in a city so abundant with it that it deserves castigation. But I digress, a beachside cliff overlooking tepid waters tumultuous in their power but august in their noises, the cadence of love will sing a half-moon bay on full-moon nights and we will frisk each other like grasping at straws of permanent tracks trammeled of the elite and a sidetracked basque bet. Trim those antlers and instead grow metaphorical wings, to us we all sing but few can match your elegance and everyone would be crazy not to see your ennobled age and together thrilling songs to emulate thriller in sales we will collaboratively sing.
Haughty sneers from lifeless lycanthropy straggling furtively along the pastiched sidewalks of grime, livid because they can’t share the lingering limelight, with as many guarded perks of privacy clambering like a hive of snarky sharks. Lets ditch the big town dreams in terms of posh and stature if only for a caressed moment beneath the unadulterated stars and if you find spars **** to the extent they are amiable than I say guess what my name is Lars! Or wait a second, paused in the big city spotlight our stenciled hearts will guide whatever progeny is yours or mine or ours together we will sing the most comforting lullaby, and caves no longer must we abide. Yearn and earn every inch, as I gripe with my delicate saddened pinch but I think the innuendo speaks . Ripen with our trips to Napa, long afternoon sunsets swim in our hearts as we taste the vanguard’s toast on elegant wine.I console with entreaty to disavow the omen of that San Franciscan church October 2008, the doom implied by Einstein, the raillery of a world grinding down the endless decadence of a railed future inalterable in destiny or partialy amenable to widespread coquetry.

Forget those rumbles in your past that made you feel partial to insecurity and learning the ropes you transcended all and live in all eternity. Thimble and brook, tolerant of all those tokes I took your rebellious side flattens the yeast of Exodus raspy in its begrudged clapping. But the Pharaoh of the modern world sheltered me under his prickly thorns, shielded me from the sickly things that life adorns. We have the numbers on our side, the weight of destiny on our shoulders, dedicate yourself to yourself and I will preen the most vibrant wisdom and love will leap like Apollo across all borders not for camel-****** hoarders. We are culminated destiny in the wings of the best daydream
Life, Love and No Mathematics to God and Gain

— The End —