Submit your work, meet writers and drop the ads. Become a member
A Thomas Hawkins Jul 2010
Love and lust are fickle things
oft bought and sold for diamond rings
Sometimes confused one for each other
although not twins they could be brothers

I've tasted both and have to say
there has to be a better way
Connections made both near and far
could lead me to anam cara

A stronger bond that knows no end
anam cara is my soul friend
One who loves the essence of me
who opens my eyes that I might see

Who challenges me to look at myself
to read every book that sits on my shelf
My anam cara, my souls friend
awaits for me, round lifes next bend.
You are my "Anam Cara".
The eternal friend of my soul.
This we share together
is ancient and is whole.

We have no secrets,
each others light we share.
No time or distance can sever
this bond we have declared.

Our friendship is open.
Our trust is complete.
Our souls radiate together
as we accept one another
with no tarnish of deceit.
Copyright *Neva Flores @2010
Dedicated to Retrit - My Rena - Friend of my soul

www.changefulstorm.blogspot.com
judy smith Apr 2015
The Pakistan Fashion Design Council in collaboration with Sunsilk presented the fourth and final day of the eighth PFDC Sunsilk Fashion Week. Indeed the 8th PFDC Sunsilk Fashion Week marked the twelfth fashion week platform initiated by the Pakistan Fashion Design Council [with eight weeks of prêt-à-porter and four of bridal fashion] and was a direct manifestation of the Council’s commitment to sustainability and discipline within the business of fashion and the facilitation of Pakistan’s retail industry. Indeed #PSFW15 endeavoured to define and present trends for 2015, focusing specifically on fashion for the regions’ long hot summer months. Day-4 featured High-Street Fashion shows by the House of Arsalan Iqbal, Erum Khan, Chinyere and Hassan Riaz and designer prêt-à-porter shows by Sana Safinaz, Republic by Omar Farooq, Syeda Amera, Huma & Amir Adnan, Sania Maskatiya and HSY.

Speaking about the PFDC Sunsilk Fashion Week platform, Chairperson of the PFDC, Sehyr Saigol said: “With the 12th iteration of our critically acclaimed fashion weeks, the PFDC is always working to streamline our prêt-à-porter platform to make the PSFW experience more beneficial for all stakeholders in terms of show experience, exposure and ultimately, retail value. To that end, each year we look inward to find the best possible formats and categories to benefit the very trade and business of fashion. In this vein, we introduced 3 separate categories for Luxury/Prêt, High Street and Textile at PFDC Sunsilk Fashion Week, giving each entirely separate show space, times, audience exposure and viewing power. Our High Street fashion brands had been given a standalone show time on two separate days as early evening shows and Textile brands a separate dedicated day for Voile shows on Day 3 of PSFW 2015, a measured step to further highlight Pakistan’s textile prowess and high street fashion strength which are of significant importance to national and international fashion markets. As per past tradition, we continue to work closely with all our emerging designers and mainstream brands to help hone their collections for the runway through mentorship by senior PFDC Council members and with retail support through the PFDC’s own stores and network. We are grateful for the committed support of our sponsors and partners which provides us the stimulus to further enhance our fashion week platforms and put forth the best face of Pakistani fashion on a consistent basis.”

“The Sunsilk girl is an achiever, with an air of enthusiasm and positivity. Great hair can give her the extra dose of confidence so with Sunsilk by her side, she is empowered to take on life. Fashion is very close to this aspirational Pakistani girl making the PFDC Sunsilk Fashion Week a highly valued platform for us. We recognize PFDC’s efforts to promote the fashion industry and experienced and upcoming talent alike. Sunsilk has been a part of this fantastic journey for 6 consecutive years and continues to shape aspirations, taking contemporary fashion directly to the homes of consumers and encouraging them to script their own stories of success” said Asanga Ranasinghe, VP Home and Personal Care for Unilever Pakistan.

On the concluding day of #PSFW15, the Chairperson of the PFDC Mrs. Sehyr Saigol also made a special announcement on behalf of the Council and its Board Members, where she shared the Council’s plans to establish Pakistan’s first ever craft based Design District, a multi-purpose specialized facility that would assist in developing and enhancing the arts and crafts industries, which are an integral part of Pakistan’s rich cultural legacy. In addition to being a centre for skill improvement and capacity building, the Design District would also house a first of its kind Textile Museum.

The official spokesperson of the PFDC, Sara Shahid of Sublime by Sara also announced the official dates for the Council’s next fashion week, PFDC L’Oréal Paris Bridal Week 2015 which is scheduled to be held from 15th September to 17th September 2015.

Indeed the success of PFDC Sunsilk Fashion Week continued to prompt private sector associates to grow in their engagement of the platform to launch new marketing campaigns and promotional activities. To this end, the PFDC’s evolving partnership with Sunsilk grew exponentially this year whereby in addition to their title patronage; Sunsilk also took over the coveted PFDC Sunsilk Fashion Week red carpet and the Green Room/Backstage, as sponsors. This extension of their support is indeed a manifestation of the brand’s belief in and commitment to the platform. Also in continuation of their support for the platform, Fed Ex – GSP Pakistan Gerry’s International returned to PSFW as the official logistics partner, offering the PFDC a special arrangement for international designer consignments.

PFDC Sunsilk Fashion Week 2015 was styled by the creative teams at Nabila’s and NGENTS. Light design, set design, sound engineering, video packaging, choreography and show production from concept to construction was by HSY Events, front stage management by Maheen Kardar Ali, backstage management by Product 021, Sara Shahid of Sublime by Sara as the official spokesperson for the PFDC, logistics and operations by Eleventh Experience and photography by Faisal Farooqui and the team at Dragonfly, Hum TV/Hum Sitaray as the Official Media Partners, CityFM89 as the Official Radio Partners with all media management by Lotus Client Management & Public Relations.

High-Street Fashion Shows

The House of Arsalan Iqbal

The afternoon High-Street Fashion Shows on the final day of PFDC Sunsilk Fashion Week 2015 were opened by leading fashion brand The House of Arsalan Iqbal, who showcased a collection titled ‘Devolution Chic’. Inspired by street art across the world by various artists, European high-street trends and technique of quilting, Arsalan Iqbal garnered personal portfolios of graffitists from myriad urban cityscapes such as London, New York, Tokyo, Barcelona and Cape Town, juxtaposed with some unique in-house created patterns including those of Pac-man, calligraphic flourishes and aqua and tangerine bands and circlets. Based in chiffon, the ensembles were molded into voluminous structured silhouettes including draped tunics, edgy jumpsuits and wide palazzos dovetailed with off-white and ecru charmeuse silk jackets created with a revolutionary quilting process. Along with menswear pieces, the collection also included in-house footwear and jewellery made in collaboration with pioneering Karachi-based street artist SANKI.

Erum Khan

Designer Erum Khan followed next and made her PFDC Sunsilk Fashion Week debut with ‘The Untainted Shine’. The collection took its inspiration from the sparkle of twinkling stars, a walk on pearl dew in the morning and the enchanted glow which is produced when “a magic wand” is waved around the body, making it glow in a pearlescent white and exhibiting a jewel themed lustre on the body. With neat and straight structured cuts, Erum had used fabrics such as organza combined with silk, 3D flowers, patch work and antique katdanna in a collection which was based in a white colour palette. Trends highlighted in the collection were high waist skirts to button up pants and sheer long dresses. Acclaimed Pakistani musician Goher Mumtaz and his wife Anam Ahmed walked the ramp as the designer’s celebrity showstoppers.

Chinyere

Following Erum Khan, fashion brand Chinyere showcased its Spring/Summer 2015 High-Street collection ‘Mizaj-e-Shahana’ at PFDC Sunsilk Fashion Week 2015. An ode to the era of the Mughal royalty and their imperial aesthetic, the collection comprised of modern silhouettes and traditional embellishments with organza skirts paired with cropped tops, angarkha-peplum tops with embellished cigarette pants, sheer knee-length jackets paired with structured digital printed bustier-jumpsuits, diaphanous wrap-around boot-cuts and embellished boxy sleeves with soft A-line silhouettes. Chinyere also showcased ten menswear pieces comprising of waistcoats, jodhpurs, knee-length sherwanis paired with gossamer sheer kurtas. The colours used had been divided into a collection of distinctive Mughalesque pastels and jewel tones. The pastels included the classic marble ivory-on-ivory, the bold black, saffron, gold and ivory. The colour segments also included metallic gold and grey sections, with accents of bronze and black. The jewel tones included jade, emerald, ruby and sapphire.

Hassan Riaz

The concluding High-Street fashion show of PFDC Sunsilk Fashion Week 2015 was presented by Hassan Riaz who showcased his ‘Contained Shadows’ collection. Inspired by the diverse facets of the human soul that explore both the dark and light sides of human nature, taking into account yearnings, desires, and anxieties that make us distinctly human, Hassan had based the collection in summer twill, organza and summer denim in shades of blue and white with a gold accent to reflect upon his inspirations. ‘Contained Shadows’ made use of structured and drifting silhouettes, cage crinolines with corsets and bustiers with distinct trends featuring cropped tops, nautical accents, experiments with transparency and patchworks of metal mixed & matched with flowers.

Designer Showcases

Sana Safinaz

PFDC Sunsilk Fashion Week 2015’s evening [rêt shows on the fourth and final day was opened by premier designer label Sana Safinaz. Sana Safinaz’s PFDC Sunsilk Fashion Week collection was inspired by monochromatic structured looks with pops of color. The collection was based in luxe fabrics such as kattan, silks, fine silk organza and dutches satin in a colour palette majorly based in black and white with strong vibrant pop infusions.
Key trends being highlighted were the oversized T, constructions-clean lines, simplicity of cuts and effective embellishments.

Republic by Omar Farooq

Following Sana Safinaz, acclaimed menswear brand Republic By Omar Farooqshowcased a collection titled ‘Que Sera, Sera!’ (whatever will be, will be!). Omar Farooq had used a variety of luxe fabrics such as suede, linen, chiffon, cotton, cotton silk and wool silk. A collection for all seasons, the ensembles built upon the label’s signature aesthetics while providing a new take on contemporary menswear. Acclaimed media personality Fawad Khan walked the ramp as the brand’s celebrity showstopper.

Syeda Amera

The third Prêt show of the final day of PFDC Sunsilk Fashion Week 2015 was presented by designer Syeda Amera who made her ramp debut with ‘The World of Sea’. Inspired by love for the enchanting underwater, the collection was based in premium quality organza, jersey, nets and silks with delicate cuts and embellishments consisting of beads, sequins and feathers to reflect the collection’s aquatic theme. ‘The World of Sea’ featured a palette of aqua marine, scupa blue, powder pink, grey blue, tequila sunrise yellow, orange and lagoon green with trends that employed skirt layering, frills and ruffles and flared pants.

Huma & Amir Adnan

Following Syeda Amera, Huma & Amir Adnan showcased a joint collection for the first time at a fashion exhibition. Both Huma and Amir feel that as a couple they share their lives and draw synergies and their collection ‘Symphony’ was an epitome of how two people can revolve around the same concept in harmony, while maintaining their individual distinction. Showcasing both menswear and women’s wear at PSFW 2015, Huma and Amir had used a mix of fabrics, textures and embellishments with a complex collection of weaves, prints and embroideries in silk, linen, cotton and microfiber. The color palette included midnight blue, emerald green, wet earth, aubergine, ivory, old paper, turmeric, leaf and magenta. Key trends highlighted in the collection were long shirts, double layered shirts, printed vests and jackets, textured pants, colored shoes for men and layers of multi-textured fabrics, tighter silhouette, vests and jackets for women.

Sania Maskatiya

Designer Sania Maskatiya showcased the penultimate Luxury/Prêt collection of the evening at PFDC Sunsilk Fashion Week 2015. This S/S ’15, Sania Maskatiya took audiences on a fashion journey to ‘Paristan’ – a place of fairytale whimsy at PFDC Sunsilk Fashion Week. With a colour palette ranging from the softest shades of daybreak to the deepest hues of nightfall, ‘Paristan’ was a collection of playful, dreamlike prêt ensembles. Featuring luxury fabrics like silk, organza, charmeuse and crepe, the pieces followed the brand’s signature silhouettes, both structured and fluid. Beads and sequins embellished varied hemlines and multiple layering, all set against captivating scenes of mirth and magic. Motifs ranged from the sublime to nonsensical; friendly mice and naughty elves, clocks and teapots, flowering fields and star-filled skies, princesses and ponies.

HSY

Day-4’s finale was presented by acclaimed couturier HSY who showcased a collection titled ‘INK’; a collection inspired by Asia and specifically HSY’s journeys to The Land of the Rising Sun. INK represented the essence of Langkawi, Indonesia, Nagasaki, and Yunnan with natural and indigenous yarns, hand-woven to perfection. The collection featured the traditional dyeing techniques of Shibori from Nagasaki, Batik from Indonesia, and Gara from Sierra Leone infused with mackintosh, saffron, aubergine, eggshell, rosette, indigo and ochre. Created with the scorching sub continental summer in mind, INK channelled versatile hemlines to suit a diversity of younger, older, working men, women and homemakers alike.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/formal-dresses-brisbane
deanena tierney Jan 2011
I'd like to share a story,
A sad and tragic little tale,
About a silly, naive woman,
Who was so scared and frail.
Who finally found her anam cara.
Ah! But he lived so far away.
She vowed that she would meet him,
On a not too distant day.
But somewhere in the meantime,
She did meet another beau,
Who treated her so very well,
And a love of sorts did grow.
A love that offered comfort,
A safe place to lay her head,
And she began to wonder,
If she should stay with him instead.
But there was always a nagging,
A pulling , if you will,
And without her anam cara,
Her soul would not be still.
After so much time had passed,
She wrote to him to say,
"I really want to meet you now,"
"Could you come down my way?"
And she waited for many months,
But anam cara, he never replied,
She later learned, she'd waited too long,
Her anam cara had died.
The lesson of this fable friend:
Take a chance...and do not wait!
If you waste time, you just might find,
That you made your choice too late!
Amanda  Mar 2017
Anam Cara
Amanda Mar 2017
The nights breeze flows through my window.
It kissess my skin as i lay upon my bed.
My thoughts recollect to the night of being blessed with Anam cara, a night mirroring this one.
I yearn for another night like that.
More so a life like that, for having an Anam cara is to be home.
And i so long to be home.
Janette  Aug 2012
Anam Cara:
Janette Aug 2012
Wicked.....hovers,
Sleek, against heart’s beat;


Breath of night
Hot, skin-blushed flesh
Tongue-tingled, forged upon steel;


Black satin shivers beneath wildfire lips;
Slow danced in sweetened heat,
Writhing beneath the shimmer-gleam;


Tongues tie wings bruised with ecstasy
Sighed against masculine,
Wearing me wet....
An English Sonnet to Mo Chroi



Mo Chroi, Mo Chroi. My dearest guide through life.

You keep this fool alive, safe and sound.

I regret, Mo Chroi, I have lived amongst such strife.

And to you my friend, it seems peace I have not found.

Your voice I do evoke, for I am lost.

I have strayed off the path and into the dark, cold night.

Wisdom and Intuition, both thrown aside and I have paid the highest cost.

Everything I do now, Mo Chroi, is now a futile fight.

Please come back to me, Mo Chroi, I feel like such a stranger.

Would you even recognize me now? It's been days, years.

Loneliness, it would seem, has let in danger.

As time goes by without you, Mo Chroi, I have no company but tears.

Mo Chroi, Mo Chroi. Happiness you're now bound.

Mo Chroi, Mo Chroi, my old friend re-found.
You are my anam cara and compass, guiding me through love's winding lanes, each step echoing the ancient tales of our shared longing, forever in my favor.

A promise etched in the constellations, a celestial ode my dearest anam cara.

Our love a whisper carried by Dublin's winds, reaching across time.

The stars themselves bear witness to our timeless bond.

My heart beats with you, a rhythm woven into the fabric of our shared existence.

Each pulse, a whispered promise across time and space, echoing through the chambers of longing.
For CBM of Dublin sent with a million kisses
ANAM CARA
( Soul Friend )

the sun bursts
into the tiny room
seating itself on the sofa

the water boils
whistles impatiently
waiting for the human to make tea

she feels like an object
in a room full of objects
an object cursed with consciousness

milk gone sour
out of cigarettes
impossible to live without cigarettes

dashes barefoot
to the opening shops
out of her favourite brand

an impossibly old man
almost a living cartoon
turns the handle of a barrel *****

as if they had
being beamed down
from another century

the young Irishman
(she had heard him talking to)
the monkey in the red fez

when he was not
reading Hamsun's
The Hunger

the monkey yanking at
his manacled left foot
when he wasn't dancing

"Ahhh Anam Cara!"
he comforts the monkey
"Me monkey too in Chinese Zodiac!"

The Merry Widow Waltz
wafting above a tree
its music entangled in its branches

the barrel *****
erupts incongruously into
Abba of all things

she watches the Irishman
now from her bedroom window
a figure trapped in a painting

he reads all day
until the light declines
to help him

she wonders at what thoughts
roam inside his head
what images grow there

dusk comes quickly
as if it's in a hurry
to get day done

tiny stars nail the night
to the frozen sky
before morning tears it down

the Irishman
observes the lights go on
in all the windows  

he appears to be
outside of time
she wishes she had spoken to him

"Ahhh Anam Cara!"
she mimics his voice
comforting herself

not knowing what
the words mean
her voice touching their tenderness

he leaves
his Hunger behind him
on the bench

she pockets it
falls asleep reading it
dreaming of him

*

This was a park in Rotterdam as the evening declined and night came on...I was a very lonely young man. I was reading Knut Hamsun's THE HUNGER and just letting life stream past me as if I were a rock in a river. Then a barrel ***** with a monkey hove into sight and sound. I had never thought to have encountered such a thing as I had only seen them in films and it was as if it had squeezed through some wormhole and escaped into this future. It played all operetta interspersed with the hits of the day so surprising to have the Merry Widow one moment and then Dancing Queen the next. The old man looked as if he had been sculpted from pure sadness as did his monkey who wore a red fez and a dashing scarlet waistcoat. The incongruity of meeting a dancing manacled monkey dressed in human attire was not lost on me. It was like being in a scene from The Third Man and I expected to glimpse Mr. Lime at any moment as the night came on.

In the morning a barefooted woman from one of the flats across the road came and got some cigs and milk and stopped to look at me as I talked to the sad monkey in Irish. She smiled fleetingly and dashed back to her home. I had a sudden flash that maybe she was my soul mate and we were doomed to miss each other in that one mad moment. So I imagined her loneliness in her room and my loneliness in this park and how we we would never encounter each other ever again. And so my soul mate was to be this poor monkey as if we both recognised that we were both tied to this mysterious moment by a fake gold chain that let us dance but never escape the ***** grinder. I forgot the book when I was told the park was closing and the man and his monkey had long gone. I still had not finished it and it was only years later that I finally got around to its final pages.
brandon nagley May 2015
I seek not for one to penetrate me in intimacy's form,
I quest for one to pervade mine entity!!!!!
brandon nagley Feb 2016
i.

Forby thou art not,
I quiver from the
Cold; mine heart
Is running rapid,
There's anguish
In mine soul.

ii.

I wail out of mine
Bones, mine grave
Is looking close, I
Implore for thee,
Mine Jane, mine
Sweet. I implore
One day, thy eye's
I'll meet.

iii.

On the emptied
Street's of purgatory,
Mine sandal's art worn;
I beseech for just one kiss,
But there's nothing, mine heart doth burn.

iv.

Though through these trial's
And Tribulation's, I shalt
Hath patience; whilst I
Get bitten, by the demon's
I have been smitten. Ourn
Affamour shalt break down
Door's, wherein hell shalt
Shatter, we shalt reach the
Shores, O' I plore for thou.

v.

Mine eyeball's art sinking in, is this death somehow?
Mine body and limbs now doth trow; it's weathering
Away, I'm hanging on tight; I prayest thou canst saveth
Me, by the end of the night. And queen if I goeth, please
Knoweth mine amulet belongeth to thee, I wilt forever
Looketh down, upon thine crown, mine empress; mine
Queen.



©Brandon Nagley
©Lonesome poet's poetry
©Earl Jane Nagley dedicated ( Filipino rose)
Forby- is archaic for near.
Beseech means- beg... Same as implore pretty much.
Affamour- is a word I made up, it means (affectionate amour') or affectionate love....
Plore- also means beseech or beg. Archaic tongue.
Trow- means think or believe...

— The End —