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A MILLION young workmen straight and strong lay stiff on the grass and roads,
And the million are now under soil and their rottening flesh will in the years feed roots of blood-red roses.
Yes, this million of young workmen slaughtered one another and never saw their red hands.
And oh, it would have been a great job of killing and a new and beautiful thing under the sun if the million knew why they hacked and tore each other to death.
The kings are grinning, the kaiser and the czar-they are alive riding in leather-seated motor cars, and they have their women and roses for ease, and they eat fresh-poached eggs for breakfast, new butter on toast, sitting in tall water-tight houses reading the news of war.
I dreamed a million ghosts of the young workmen rose in their shirts all soaked in crimson ... and yelled:
******* the grinning kings, ******* the kaiser and the czar.Chicago, 1915.
The 1st electric wildness came
over the people
on sweet Friday.
Sweat was in the air.
The channel beamed,
token of power.
Incense brewed darkly.
Who could tell then that here
it would end?

One school bus crashed w/a train.
This was the Crossroads.
Mercury strained.
I couldn’t get out of my seat.
The road was littered
w/dead jitterbugs.
Help,
we’ll be late for class.

The secret flurry of rumor
marched over the yard &
pinned us unwittingly
Mt. fever.
A girl stripped naked on the
base of the flagpole.

In the restrooms all was cool
& silent
w/the salt-green of latrines.
Blankets were needed.

Ropes fluttered.
Smiles flattered
& haunted.

Lockers were pried open
& secrets discovered.

Ah sweet music.

Wild sounds in the night
Angel siren voices.
The baying of great hounds.
Cars screaming thru gears
& shrieks
on the wild road
Where the tires skid & slide
into dangerous curves.

Favorite corners.
Cheerleaders ***** in summer
buildings.
Holding hands
& bopping toward Sunday.

Those lean sweet desperate hours.

Time searched the hallways
for a mind.
Hands kept time.
The climate altered like a
visible dance.

Night-time women.
Wondrous sacraments of doubt
Sprang sullen in bursts
of fear & guilt
in the womb’s pit hole
below
The belt of the beast
~~~

Worship w/words, w/
sounds, hands, all
joyful playful &
obscene-in the insane
infant.

Old men worship w/long
noses, old soulful eyes.
Young girls worship,
exotic, indian, w/robes
who make us feel foolish
for acting w/our eyes.
Lost in the vanity of the senses
which got us where we are.
Children worship but seldom
act at it. Who needs
temples & couches & T.V.
~~~

We can do it on a sunny
floor w/friends & make
any sound or movement
that comes. Roll on our
backs screaming w/mirth
glad in the guilt of our
madness. Better to be
cool in our worship &
gain the respect of the
ancient & wise wearing
those robes. They know
the secret of mind-change
reality.
~~~

“Have you ever seen God?”
-a mandala. A symmetrical angel.

Felt? yes. *******. The Sun.
Heard? Music. Voices
Touched? an animal. your hand.
Tasted? Rare meat, corn, water
& wine.
~~~

An angel runs
Thru the sudden light
Thru the room
A ghost precedes us
A shadow follows us
And each time we stop
We fall
~~~

No one thought up being;
he who thinks he has
Step forward
~~~

Shrill demented sparrows bark
The sun into being. They rule
dawn’s Kingdom. The cars-
a rising chorus- Then
workmen’s songs & hammers
The children of the schoolyard,
a hundred high voices,
complete the orchestration
~~~

“In that year there was
an intense visitation
of energy.
I left school & went down
to the beach to live.
I slept on a roof.
At night the moon became
a woman’s face.
I met the
spirit of Music.”
~~~

An appearance of the devil
on a Venice canal.
Running, I saw a Satan
or Satyr, moving beside
me, a fleshy shadow
of my secret mind. Running,
Knowing.
~~~

The day I left the beach

A hairy Satyr running
behind & a little to the
right.

In the holy solipsism
of the young

Now I can’t walk thru a city
street w/out eying each
single pedestrian. I feel
their vibes thru my
skin, the hair on my neck
-it rises.
Big Virge Sep 2014
Choose ... WISELY ... in
The Company ... you keep ... !!!
cos' ... some ... will leave you

... " Facing Heat ! " ...

and may ... Even ...
put you to ... sleep ... !!!

"Trust me" ... believe ...
Everyone ... you meet ...
may not be ... "Sweet" ...
and may treat you ...
like ... " Butchers Meat !!! "

"Strip You" ... BARE ... !!! ...

Right to ... The Bone ... !!!!!

NAKED ... Yes ...
Without ... Your clothes ... !!!

******* shows ...
how ... that one goes ...
to buy that drug ...
Some ... Become ...
what we call ... " Thugs " ... !!!

People now ...
are ... Proper ... Cold ... !!!

Some will now ...
come in ... Your Home ...
and be so ... BOLD ...
to ... Steal ... from you ...
and do ... the things ...
They ... Should NOT do ... !!!

Here's a ... Story ...
that ... " Sadly " ... YES ...
is NOT ... " Untrue " ...

A guy I know ...
" Needed " .... workmen ...
in ... " HIS HOME " ... !!!

A ... Muslim chap ...
who ... YES ... is ... black ...

Chose ... some guys ...
who ... he had known ...
since they were ... lads ... !!!

He told them straight ... !!!!!

"Please don't smoke
inside the house
or stuff like that !!!"

They said ... "Okay" ...
but when my man ...
then left the place ...

Here's how things ...
then ... went astray ... !!!!!

When he ... came back ...
They ... Weren't Working ... !!!
or ... Robbing ... him ... ?!?

These fools were ...
..... " Actually " .....

.... " SMOKING CRACK " .... !!!!!!!!!!!

"Company" ... you keep ...
may be ... That Weak ... !!?!!

and may just ... Lie ... !?!
Rob You ... or ... CHEAT ... !!!!!

I've seen ... Some Cliques ...
who walk ... The Streets ...

Filled with ... "sneaks" ...
and ... Gangs of Thieves ...

Things ... They Do ...
Now ... Prove to me ...
That ... Company You Keep ...
can make your ... future ... ? ...
Somewhat ..... " Bleak " ......

My Destiny ...
Involves ... " NO SHEEP " ...
and has ... " NO NEED " ...
for ... " Fourty Thieves " ...

"Presidents" ...
or ... "Ministers" ...
Company ... they keep ...
are ... "Sinister" ... !!!!!!!!

They move with crews ...
with ... "Guns" ... in view ...

Now ... does that move ...
seem ... " Shrewd " ... to you ... ?

"Join the pigs then, Be a fool,
like gangsters, they pull,
Shady Moves !!!"

which simply ... Proves ...
Groups like ... These ...
Have Got ... " Issues " ...
and may not be ... ?!?
So Good ... for you ... !!!

I've said before ...
Walking ... " Alone " ...
is ... TOUGH ... for sure ...

So ... PICK ... Wisely ...
I do .... " Implore " .... !!!!!

Company ... you keep ...
may watch you ... BLEED ...
and that's something ...
Most Folks ... "Don't Need" ... !!!!!!

Friend are ... Those ...
who'll ... Stand By You ...
when ... "Bad Times" ... roll ... !!!

When ... I've had mine ...

I've heard ... Some Lines ...
that ... WEREN'T ... Refined ... !!!!!
and ... Proved ... there is ...

A .... REAL ... Fine Line ... !!!

Between ... " True Friends "... !!!

and those ... whose words ...
may ... CHOKE ... friendships ... !!!!!!
through words ... they quote ...

"Friends" ... like ... "These" ...
You ... DO NOT ... NEED ...

.... " BLOODSUCKERS " ....

who ... choose to ... Feed ...
off ... " Stronger Breeds " ... !!!!!

Their ... " Company " ...
Lacks .... " Energies " ....
Giving ... " Positivity " ...

..... " Ignorance ' .....

is what ... They ... PLEAD ... !!!

Well .... THAT ....
Just like ... " Their Company " ...
are things ... I've Learnt ...
to now .... " Dismiss !!! " ....

Have you ... Got ... ?
The Point ... of this ... ?!?

Friendships ... " Come " ...
............. and ...............
Friendships ...... " Go " .......

But ... " True Friendships " ...
come from ... Those ...
who'll be there ... when ...
The ... " Good Times " ... roll ...

But .... Also ... when ...

You're on ...

" Your Own " ... !!!!!

That's why ... Now ...

I walk ... ALONE ... !!!

NO ... Bad Vibes ...
and ... NO ...

"Tough Guys" ... !!!

Unless they're ... Ones ...
who'll ... Stand and Fight ...

" Day or Night " ...
Right By ... " My Side " ... !!!!!!

Just like .... I ....
would do ... for them ... !!!

My ... " True Friends " ...
are ... " Fearless Men " ... !!!!!
who don't ... " Pretend " ... !!!!!

We ... " Study " ... Yes ...
and ... " Comprehend " ...

and ... aren't ...
"Afraid" ... To Face ...

... " Problems " ... !!!!!

You ... May ... see us ...
on ... " News at Ten " ...

because we've ... dealt ...
with those ... Who ... ?

........ " SMELL " ... !!!!!!

and made ...
**** Sure ...

We ... CRAC/ked ...

... " Their Shell " ... !!!!!

Crews like ... THAT ...
Should ........

" Quell Themselves " ... !!!!!

Before they ... weep ...
or ... worse still ... BLEED ... !!!!!

So .....

" Heed My Words " ....

Read ... Carefully ... !!!!!!

Choose Wisely ... in ...

" The Company ...
.... You Keep !!! " ...
Indeed, a subject worth, writing about !
1

When lilacs last in the door-yard bloom’d,
And the great star early droop’d in the western sky in the night,
I mourn’d—and yet shall mourn with ever-returning spring.

O ever-returning spring! trinity sure to me you bring;
Lilac blooming perennial, and drooping star in the west,
And thought of him I love.

2

O powerful, western, fallen star!
O shades of night! O moody, tearful night!
O great star disappear’d! O the black murk that hides the star!
O cruel hands that hold me powerless! O helpless soul of me!
O harsh surrounding cloud, that will not free my soul!

3

In the door-yard fronting an old farm-house, near the white-wash’d palings,
Stands the lilac bush, tall-growing, with heart-shaped leaves of rich green,
With many a pointed blossom, rising, delicate, with the perfume strong I love,
With every leaf a miracle……and from this bush in the door-yard,
With delicate-color’d blossoms, and heart-shaped leaves of rich green,
A sprig, with its flower, I break.

4

In the swamp, in secluded recesses,
A shy and hidden bird is warbling a song.

Solitary, the thrush,
The hermit, withdrawn to himself, avoiding the settlements,
Sings by himself a song.

Song of the bleeding throat!
Death’s outlet song of life—(for well, dear brother, I know
If thou wast not gifted to sing, thou would’st surely die.)

5

Over the breast of the spring, the land, amid cities,
Amid lanes, and through old woods, (where lately the violets peep’d from the ground, spotting the gray debris;)
Amid the grass in the fields each side of the lanes—passing the endless grass;
Passing the yellow-spear’d wheat, every grain from its shroud in the dark-brown fields uprising;
Passing the apple-tree blows of white and pink in the orchards;
Carrying a corpse to where it shall rest in the grave,
Night and day journeys a coffin.

6

Coffin that passes through lanes and streets,
Through day and night, with the great cloud darkening the land,
With the pomp of the inloop’d flags, with the cities draped in black,
With the show of the States themselves, as of crape-veil’d women, standing,
With processions long and winding, and the flambeaus of the night,
With the countless torches lit—with the silent sea of faces, and the unbared heads,
With the waiting depot, the arriving coffin, and the sombre faces,
With dirges through the night, with the thousand voices rising strong and solemn;
With all the mournful voices of the dirges, pour’d around the coffin,
The dim-lit churches and the shuddering organs—Where amid these you journey,
With the tolling, tolling bells’ perpetual clang;
Here! coffin that slowly passes,
I give you my sprig of lilac.

7

(Nor for you, for one, alone;
Blossoms and branches green to coffins all I bring:
For fresh as the morning—thus would I carol a song for you, O sane and sacred death.

All over bouquets of roses,
O death! I cover you over with roses and early lilies;
But mostly and now the lilac that blooms the first,
Copious, I break, I break the sprigs from the bushes;
With loaded arms I come, pouring for you,
For you, and the coffins all of you, O death.)

8

O western orb, sailing the heaven!
Now I know what you must have meant, as a month since we walk’d,
As we walk’d up and down in the dark blue so mystic,
As we walk’d in silence the transparent shadowy night,
As I saw you had something to tell, as you bent to me night after night,
As you droop’d from the sky low down, as if to my side, (while the other stars all look’d on;)
As we wander’d together the solemn night, (for something, I know not what, kept me from sleep;)
As the night advanced, and I saw on the rim of the west, ere you went, how full you were of woe;
As I stood on the rising ground in the breeze, in the cold transparent night,
As I watch’d where you pass’d and was lost in the netherward black of the night,
As my soul, in its trouble, dissatisfied, sank, as where you, sad orb,
Concluded, dropt in the night, and was gone.

9

Sing on, there in the swamp!
O singer bashful and tender! I hear your notes—I hear your call;
I hear—I come presently—I understand you;
But a moment I linger—for the lustrous star has detain’d me;
The star, my departing comrade, holds and detains me.

10

O how shall I warble myself for the dead one there I loved?
And how shall I deck my song for the large sweet soul that has gone?
And what shall my perfume be, for the grave of him I love?

Sea-winds, blown from east and west,
Blown from the eastern sea, and blown from the western sea, till there on the prairies meeting:
These, and with these, and the breath of my chant,
I perfume the grave of him I love.

11

O what shall I hang on the chamber walls?
And what shall the pictures be that I hang on the walls,
To adorn the burial-house of him I love?

Pictures of growing spring, and farms, and homes,
With the Fourth-month eve at sundown, and the gray smoke lucid and bright,
With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning, expanding the air;
With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific;
In the distance the flowing glaze, the breast of the river, with a wind-dapple here and there;
With ranging hills on the banks, with many a line against the sky, and shadows;
And the city at hand, with dwellings so dense, and stacks of chimneys,
And all the scenes of life, and the workshops, and the workmen homeward returning.

12

Lo! body and soul! this land!
Mighty Manhattan, with spires, and the sparkling and hurrying tides, and the ships;
The varied and ample land—the South and the North in the light—Ohio’s shores, and flashing Missouri,
And ever the far-spreading prairies, cover’d with grass and corn.

Lo! the most excellent sun, so calm and haughty;
The violet and purple morn, with just-felt breezes;
The gentle, soft-born, measureless light;
The miracle, spreading, bathing all—the fulfill’d noon;
The coming eve, delicious—the welcome night, and the stars,
Over my cities shining all, enveloping man and land.

13

Sing on! sing on, you gray-brown bird!
Sing from the swamps, the recesses—pour your chant from the bushes;
Limitless out of the dusk, out of the cedars and pines.

Sing on, dearest brother—warble your reedy song;
Loud human song, with voice of uttermost woe.

O liquid, and free, and tender!
O wild and loose to my soul! O wondrous singer!
You only I hear……yet the star holds me, (but will soon depart;)
Yet the lilac, with mastering odor, holds me.

14

Now while I sat in the day, and look’d forth,
In the close of the day, with its light, and the fields of spring, and the farmer preparing his crops,
In the large unconscious scenery of my land, with its lakes and forests,
In the heavenly aerial beauty, (after the perturb’d winds, and the storms;)
Under the arching heavens of the afternoon swift passing, and the voices of children and women,
The many-moving sea-tides,—and I saw the ships how they sail’d,
And the summer approaching with richness, and the fields all busy with labor,
And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages;
And the streets, how their throbbings throbb’d, and the cities pent—lo! then and there,
Falling upon them all, and among them all, enveloping me with the rest,
Appear’d the cloud, appear’d the long black trail;
And I knew Death, its thought, and the sacred knowledge of death.

15

Then with the knowledge of death as walking one side of me,
And the thought of death close-walking the other side of me,
And I in the middle, as with companions, and as holding the hands of companions,
I fled forth to the hiding receiving night, that talks not,
Down to the shores of the water, the path by the swamp in the dimness,
To the solemn shadowy cedars, and ghostly pines so still.

And the singer so shy to the rest receiv’d me;
The gray-brown bird I know, receiv’d us comrades three;
And he sang what seem’d the carol of death, and a verse for him I love.

From deep secluded recesses,
From the fragrant cedars, and the ghostly pines so still,
Came the carol of the bird.

And the charm of the carol rapt me,
As I held, as if by their hands, my comrades in the night;
And the voice of my spirit tallied the song of the bird.

DEATH CAROL.

16

Come, lovely and soothing Death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later, delicate Death.

Prais’d be the fathomless universe,
For life and joy, and for objects and knowledge curious;
And for love, sweet love—But praise! praise! praise!
For the sure-enwinding arms of cool-enfolding Death.

Dark Mother, always gliding near, with soft feet,
Have none chanted for thee a chant of fullest welcome?

Then I chant it for thee—I glorify thee above all;
I bring thee a song that when thou must indeed come, come unfalteringly.

Approach, strong Deliveress!
When it is so—when thou hast taken them, I joyously sing the dead,
Lost in the loving, floating ocean of thee,
Laved in the flood of thy bliss, O Death.

From me to thee glad serenades,
Dances for thee I propose, saluting thee—adornments and feastings for thee;
And the sights of the open landscape, and the high-spread sky, are fitting,
And life and the fields, and the huge and thoughtful night.

The night, in silence, under many a star;
The ocean shore, and the husky whispering wave, whose voice I know;
And the soul turning to thee, O vast and well-veil’d Death,
And the body gratefully nestling close to thee.

Over the tree-tops I float thee a song!
Over the rising and sinking waves—over the myriad fields, and the prairies wide;
Over the dense-pack’d cities all, and the teeming wharves and ways,
I float this carol with joy, with joy to thee, O Death!

17

To the tally of my soul,
Loud and strong kept up the gray-brown bird,
With pure, deliberate notes, spreading, filling the night.

Loud in the pines and cedars dim,
Clear in the freshness moist, and the swamp-perfume;
And I with my comrades there in the night.

While my sight that was bound in my eyes unclosed,
As to long panoramas of visions.

18

I saw askant the armies;
And I saw, as in noiseless dreams, hundreds of battle-flags;
Borne through the smoke of the battles, and pierc’d with missiles, I saw them,
And carried hither and yon through the smoke, and torn and ******;
And at last but a few shreds left on the staffs, (and all in silence,)
And the staffs all splinter’d and broken.

I saw battle-corpses, myriads of them,
And the white skeletons of young men—I saw them;
I saw the debris and debris of all the dead soldiers of the war;
But I saw they were not as was thought;
They themselves were fully at rest—they suffer’d not;
The living remain’d and suffer’d—the mother suffer’d,
And the wife and the child, and the musing comrade suffer’d,
And the armies that remain’d suffer’d.

19

Passing the visions, passing the night;
Passing, unloosing the hold of my comrades’ hands;
Passing the song of the hermit bird, and the tallying song of my soul,
(Victorious song, death’s outlet song, yet varying, ever-altering song,
As low and wailing, yet clear the notes, rising and falling, flooding the night,
Sadly sinking and fainting, as warning and warning, and yet again bursting with joy,
Covering the earth, and filling the spread of the heaven,
As that powerful psalm in the night I heard from recesses,)
Passing, I leave thee, lilac with heart-shaped leaves;
I leave thee there in the door-yard, blooming, returning with spring,
I cease from my song for thee;
From my gaze on thee in the west, fronting the west, communing with thee,
O comrade lustrous, with silver face in the night.

20

Yet each I keep, and all, retrievements out of the night;
The song, the wondrous chant of the gray-brown bird,
And the tallying chant, the echo arous’d in my soul,
With the lustrous and drooping star, with the countenance full of woe,
With the lilac tall, and its blossoms of mastering odor;
With the holders holding my hand, nearing the call of the bird,
Comrades mine, and I in the midst, and their memory ever I keep—for the dead I loved so well;
For the sweetest, wisest soul of all my days and lands…and this for his dear sake;
Lilac and star and bird, twined with the chant of my soul,
There in the fragrant pines, and the cedars dusk and dim.
Glades and Creeks.

One day in a journey far far away,  the forest was speaking to a lone wanderer.
"I am quite the clean forest, am I not?." The forest whispered soothingly.
"Mmhm." Spoke the wanderer, passive by such an interjection.
"Of course. Thousands of forests have wilted and died under the hand of man. I remain lush and brimming to the birch with life."
"Where is my way out of here?" The wanderer asked, becoming quite needy at the thought of having to spend the night in that dung-infested greenhouse.

The forests name was Evergreen. Allot of forests were named Evergreen. This forest had just been sold cheaply to a large logging firm who would come and tear the ugly trees down. The proprietors of that sale was a tribe of Indians. The specific agent who devised and contracted the sale was named Nahiko. An Indian tribesmen who, like his ancestors could speak to the forest.

Indians were what Europeans called people from India and natives of America. Allot of Indians in America were killed for being Indian. When an Indian boy came of age, they would be thrown into a jungle and starve until they saw an animal spirit. This was probably prelude to eating said spirit animal while thanking it for helping him live on.

"I, Evergreen implore you to stay within my womb of plant and fauna."
"Hm." replied the wanderer. Not wanting to argue.
The wanderer took a seat beside a flowing creek on a rock. The creek lead up to waterfall, which in turn lead through a river that spanned for miles. The river did not speak as it was an extension of the forest, Evergreen. Down the creek was the old homes of the Indian tribe.
"Have you ever saved someone else?" The wanderer asked.
"My yes, of course. Everyone who is to enter without water or food is rescued by my charming animals! And luxurious streams. I am quite hospitable you see. There was a tribe who lived within me, they were by name called the Perchil tribe. But they had to leave for more. Hmph. As if anything up in that ****** town is worth more then me."

Further up the river, away from the forest was a town named "Milan". It was named after a kingdom of the same name in Italy. People in Milan spoke German. This was odd given Milan lay in south America, but not unusual given its history of being a port to German slave traders who came from a German colony called "Tanganyika" in Africa. The town was named Milan because the Germans wanted to appear more Italian. This desire was apparent in their most famous dishes "schnitzel Pizza" and "Pasta Salsiccia". Pasta Salsiccia was pasta in a sausage casing often served with tomato sauce and mashed potatoes.

Perchil was also a member of that Indian tribe. He was Nahiko's brother and had a family of his own. Perchil was born in Evergreen and educated in Milan. He had been fighting with Nahiko over the terms of sale of the forest. Nahiko had wanted to preserve the land of old tribe. Perchil was already drawing up plans to sell it to an oil foundry. Their land happened to be on top of a great oil reserve. That means allot of animals lived and died on that land millions or thousands of years ago. There body would dissolve into a black gooey liquid used to fuel heavy machinery. This machinery is used by logging firms to cut down not exclusively, forests named Evergreen.

The wanderer, feeling awkward asked. "So, you'd rather not want to be destroyed?"
"Oh, I am a forest and I do maintain a will of my own and wants. But I cannot rather things should be anything other than what they are. The world is a destructive place. It is disrespectful of its former home and ancestry. I know this. I have tried however, to ward off the workmen by scaring them with my animals. In the end I shall become a town or a shopping mall."
In 3 years time, the deed to "Evergreen plains, Milan" would be sold and used to build a shopping mall named aptly "Evergreen Mall". And the forests voice would be spoke out of loudspeakers, but in the form of either a pre-recorded message or announcement about a lost child. Nahiko and Perchil would be married in Evergreen Mall. Nahiko three times.

"Oh woe is me, I lament my lost brothers and sister forests who are no longer beaming and prideful of their enormous trees and crested riverbanks."
"Maybe they should have defended themselves better." The wanderer spoke, trying unsuccessfully to show concern.
"Well, I for one will never give up fighting the man!"
"Good for you." The wanderer then ate his lunch.

Three days from now, the forest would stop speaking to anyone who arrived within its borders and see the lone wanderer again. But this time, he would be protected by four glass windows inside a piece of machinery powered by black gooey liquid called a "harvester" which lifted up wood and cut it into easily transportable pieces.

"Do you, believe in god wanderer?" The forest asked, to strike up some conversation.
"I do believe in god. He's the reason I get up in the morning and assists me in supporting my family."
"I don't. I don't think I believe in god, wanderer. If he exists, how could he let something so beautiful as I and my brother and sister forests be turned into shopping malls and townships like Milan."
The evergreen forest had seen the name "Milan" as a city nearby on a poster which flew into the twig of its tree. The poster was now lying on smooth ground weighted down by a root, as so the forest can read it over and over again. The poster advertised Pasta Salsiccia at a local restaurant in Milan. It had appetizing pictures of Pizza with crumbed steak on it and Pasta filled Sausages.
"God once flooded the earth, destroying all forests and people for their misgivings. Maybe you misgave and people are your divine punishment."
The forest grew silent and whispered soft hymns of wind against the leaves and overgrown shrubbery.

The edge of the creek, where the wanderer sat on a rock had a hard sand that stretched out a few meters disappeared into the dirt. It was unusual to see a small bed of sand without any other visible placements of sand. The wanderer had been dumping it there, with permission from the forest so he could form a base to store his harvester. The forest did not know of the sands purpose, she thought it looked pretty.
"If I were god, the world would be nothing but forests!" Evergreen stated. The gentle words turning a harsher coarse crackling of branches.
"The world seems to be nothing but people right now. Maybe gods a man."
"Unlikely! If god was a man, he would certainly love forests enough to never cut them down."
"Hm." The wanderer was dissatisfied with this explanation, but didn't want to argue.

"Would you **** anyone who came into your forest, just to prove a point?" The wanderer asked, waiting pensively.
"Oh no, as I said. I cannot change what already is and certainly would not bloom the effort to try. Besides. I also know about those people and their weapons. When it comes to human beings, no matter how hard I fight they will always win. How they ever came to develop boom guns and ratatatat chainsaws I have no idea. If they came from my forest, people would certainly have never developed tools so cruel and menacing. But, I suppose Eden had her way for you. Even if it was, at the cost of all our kind."
"Yeah. No matter forest or person, people always win. I'll always be below some rich powerful man too." The wanderer felt melancholy for feeling unimportant. The forest felt the same melancholy for her life and the world.

Suddenly and finally, a noise came from the wanderers pants. He then picked out his phone, clicked it and took it to his ear. After two hours, the wanderer walked east and out of Evergreen forest. He visited her three days later in his noisy harvester. made to cut wood. He parked on his sand bed. The wanderer left his harvester and locked the door without a word. Evergreen forest was properly harvested of its trees in 3 years time. Never uttering a word or complaint. The painted marking on the harvester she saw everyday however, was her last thought as she disappeared. The word painted onto the door of the harvester, its operator. "Perchil."
I wrote this a while ago, it's my first short story. Tell me if you like it. And maybe, beseech me. Whatever. I dunno. BE GENTLE!!!
wordvango Oct 2014
I need to install a more cushioned floor,
in my house.

I am a floor covering pro-
install vinyl, ceramic, wood, laminate
tile( Ceramic or VCT) most anything,
I'll lay.

But, it ****** me off when I tripped and fell in my own house,
(Really I need new floors).

Workmen's Comp denied my claim-
for my broke *****-
Now, what will I lay?
RAJ NANDY Jun 2017
Dear Poet Friends, the Sphinx remains shrouded in myth, legend, and History. Modern research by archaeologists and Egyptologists have revealed some of its hidden mysteries. My research has resulted in providing you with a short & a balanced view about the Sphinx, keeping in mind the short attention span of my readers. Unfortunately, I am not able to post the Illustrative photographs here which accompanies my Sphinx story. Hope you like this story, thanks, - Raj Nandy, New Delhi.
            
         THE MYSTERY OF THE EGYPTIAN SPHINX

INTRODUCTION
Towering over the Giza plateau facing the rising sun over the
River Nile,
The Sphinx stands defiant for over four millennia, braving the
vagaries of weather and marauding time!
With a lion’s body and a human head the Sphinx remains
shrouded in part myth, part legend, and ancient History.
While the date of its construction, and identity of its face
have intrigued scholars for many centuries.
Today I shall tell you about this monumental and magnificent
structure,
Which stands as an iconic symbol of Egyptian architecture!
Man fears Time since he forever remains as it’s bonded
prisoner in captivity.
However, only few hours of freedom are granted to him during
his earthly sojourn, to live and love life with impunity!
But Time fears the Pyramid and the Sphinx, as they stand
defiant with their raised head;
As miniature symbols of eternity which even Time dreads!

MYTHS AND LEGEND ABOUT THE SPHINX
Many controversies and theories abound as to the identity
of its builders during ancient times.
Some say it was built by the people who came from Plato’s
lost ‘Continent of Atlantis’, prior to the Egyptians, way back
in time!
Others say it was the ancient Zulus who had inhabited the
wet and rainy Giza region with its great lake.
Around 8000 BC, during the close of the Great Ice Age!
But with changing weather pattern the Giza region later became
a desolate and a deserted area.
Yet no records or hieroglyphs survive, to make things clear.
The name ‘Sphinx’ is said to have been given 2000 years later  
by the enterprising Greeks.
Since in Greek Mythology there is a Sphinx, but with a woman’s
face, a lion’s body and with eagle’s wings;
Which guarded the entrance to the ancient Greek City of Thebes.
To the Greeks we owe the ‘Riddle of the Sphinx’ which asked all
passing travelers the following question:
“What is it that has one voice, and walks with four legs in the
morning, with two during the day, and with three in the evening
time?”  - about which those travelers had no notion!
The Sphinx devoured all those who had failed to answer, till the
Greek Oedipus confronted the Sphinx and replied,
That the riddle had described the three stages of a Man’s life.  
Since he crawled on all four as a child, grew up to walk on two
legs.
But during old age used a stick which became his third leg.
Hearing the correct answer the Sphinx is said to have jumped
into an abyss killing itself!

THE  SPHINX PROPER  
Modern Egyptologists generally agree, that the Sphinx had been
carved out from a single mass of limestone mound, -
Which dominated the Giza plateau before 2540 BC.
Built by Pharaoh Kufu’s son Khafre of the Fourth Dynasty.
Khafre was the builder of the second largest pyramid standing
next to his father’s Great Pyramid of Giza.  
While the Sphinx stands on the eastern most boundary of the
Desert Sahara;
Six miles west of Cairo, on the edge of Giza plateau.
It is 240 feet in length and almost 70 feet in height, aligned to
the Pyramid of Khafre behind.
The Sphinx lies on its hunches guarding the vast ‘City of the Dead’.
Where pharaohs mummified bodies lie deep within the pyramids;
To facilitate journey of their soul to gain eternal life and be
resurrected,
To join the Happy Fields of Osiris the Egyptian God of after-life
and death.

Great conquerors like Alexander and Napoleon had stood
dwarfed before the mighty Sphinx.
But to Napoleon we remain grateful for our knowledge of
Egyptian civilisation among other things.
For it was his soldiers who had discovered the Rosetta Stone
in Egypt in 1799, with its  bilingual inscription.
Written in Egyptian hieroglyphs and Coptic Greek, resulting in
the decipherment of the Ancient Egyptian pictorial inscriptions!

EXCAVATIONS AND RESEARCH WORK
The Sphinx had been buried by the shifting sands of the desert
many a time during past centuries.
While periodic restoration work continues to preserve it for
posterity.
American archeologist Mark Lehner and his team during the 1970s,
had analysed the bedrock under the mighty Sphinx.
They found natural cracks and fissures, and also narrow passage
ways dug by early treasure seekers!
His team climbed all over the Sphinx like Lilliputians over Gulliver, -  while mapping its structure entire.
It was found the Sphinx had been subjected to five major restoration efforts since 1400 BC .
While Mark’s dedicated efforts earned him a Doctorate in Egyptology at the Yale University.

Mark’s research also concluded that the visage of the Sphinx was
once painted in red.
While traces of blue and golden yellow decorated the ‘nemes’, the
Pharaoh’s brightly stripped head dress.
Controversies rage even to this date, as to whose features the
Sphinx’s Negroid face did actually represent.
While the disfigured nose of the Sphinx has given rise to many
speculations.
Was it the Muslim Arab conquerors, or a fanatical Sufi Turk who had tried to destroyed it as a pagan symbol!
Today I recall that the mighty 1700 years’ old statue of the Bamiyan
Buddha in Central Afghanistan.
Which was destroyed during March 2001 as a pagan statue by the
fanatical Taliban!
  
Mark feels that in all likelihood the Sphinx’s face was that of Khafre, with whose pyramid the Sphinx stands aligned.
While those ancient architects had arranged the location of the three pyramids of Giza and the Sphinx in conformity with solar events, - while choosing their construction site.
A settlement bigger than 10 football fields at this site was excavated,
Where the Sphinx formed an integral part of Pharaoh Khafre’s building complex!
This ‘Lost City’ of Mark Lehner had barracks, workmen’s quarters and kitchenette.
While remnants of diets found suggested workers were perhaps
rendering national service, and were not slaves.
No iron or bronze tools were found, only crude stone hammers and
copper chisels lay buried beneath the ground.
These copper chisels had to be sharpened at the charcoal furnace
frequently, for executing chiseling  work with artistry.

SIGNIFICANCE OF THE GIZA COMPLEX AREA
Mark Lehner and other Egyptologists felt that the pyramids, Sphinx, and the Temples Complex of Khafre was thoughtfully arranged,
For linking solar events and harnessing the power of the Sun God  
to resurrect the soul of the Pharaohs after their death!
This transformation not only guaranteed eternal life for their dead king,
But also sustained the universal national order, passing of seasons, the annual flooding of the Nile, and their people’s well being.
During sunset at March or September equinoxes when the sun appears to sink into the shoulder of the Sphinx, -
“At the very same moment the shadows of the Sphinx and the pyramids
both symbol of the king becomes merged silhouettes.
Sphinx representing Khafre as Horus the revered falcon god, offers with
his two paws to his father Khufu incarnated as Ra the sun god, who rises
and sets in that temple,” – as the ancient Egyptian’s thought.
Unfortunately  Kafre’s dream was not realised, since the Sphinx Temple remained unfinished as now we get to see,
As the Old Kingdom of Egypt finally broke apart around 2130 BC.
The desert sand began to gradually swallow up the Sphinx, till almost a thousand years later,
Thutmosis IV cleared the area, and introduced cult of Sphinx worship during the New Kingdom Era!
Rest is history, which has been already covered by me.

     CONCLUDING THE SPHINX STORY
The ancient Sphinx as Egypt’s iconic art,
Has captured the onlookers mind and heart.
Buried deep within its shifting sand,
Lies many a secret still unknown to man!
The Sphinx still beckons out to me,
Perhaps one day I shall get to see.
Today the Sphinx stares out at a fast food restaurant.
As it now faces a full frontal urban assault!
The rising water level of the Nile, tourism, traffic, and
air pollution, along with many urban constructions;
Make the authorities to worry about its preservation!
The Sphinx beckons out to man from eons past,
What is that secret it wants to share with us?
Perhaps it is about Environmental Degradation;
And the urgent need for Global Preservation!
                                                   ­        -Raj Nandy
ALL COPYRIGHTS WITH THE AUTHOR ONLY
“Build me straight, O worthy Master!
Stanch and strong, a goodly vessel,
That shall laugh at all disaster,
And with wave and whirlwind wrestle!”

The merchant’s word
Delighted the Master heard;
For his heart was in his work, and the heart
Giveth grace unto every Art.
A quiet smile played round his lips,
As the eddies and dimples of the tide
Play round the bows of ships,
That steadily at anchor ride.
And with a voice that was full of glee,
He answered, “Erelong we will launch
A vessel as goodly, and strong, and stanch,
As ever weathered a wintry sea!”
And first with nicest skill and art,
Perfect and finished in every part,
A little model the Master wrought,
Which should be to the larger plan
What the child is to the man,
Its counterpart in miniature;
That with a hand more swift and sure
The greater labor might be brought
To answer to his inward thought.
And as he labored, his mind ran o’er
The various ships that were built of yore,
And above them all, and strangest of all
Towered the Great Harry, crank and tall,
Whose picture was hanging on the wall,
With bows and stern raised high in air,
And balconies hanging here and there,
And signal lanterns and flags afloat,
And eight round towers, like those that frown
From some old castle, looking down
Upon the drawbridge and the moat.
And he said with a smile, “Our ship, I wis,
Shall be of another form than this!”
It was of another form, indeed;
Built for freight, and yet for speed,
A beautiful and gallant craft;
Broad in the beam, that the stress of the blast,
Pressing down upon sail and mast,
Might not the sharp bows overwhelm;
Broad in the beam, but sloping aft
With graceful curve and slow degrees,
That she might be docile to the helm,
And that the currents of parted seas,
Closing behind, with mighty force,
Might aid and not impede her course.

In the ship-yard stood the Master,
With the model of the vessel,
That should laugh at all disaster,
And with wave and whirlwind wrestle!
Covering many a rood of ground,
Lay the timber piled around;
Timber of chestnut, and elm, and oak,
And scattered here and there, with these,
The knarred and crooked cedar knees;
Brought from regions far away,
From Pascagoula’s sunny bay,
And the banks of the roaring Roanoke!
Ah! what a wondrous thing it is
To note how many wheels of toil
One thought, one word, can set in motion!
There ’s not a ship that sails the ocean,
But every climate, every soil,
Must bring its tribute, great or small,
And help to build the wooden wall!

The sun was rising o’er the sea,
And long the level shadows lay,
As if they, too, the beams would be
Of some great, airy argosy,
Framed and launched in a single day.
That silent architect, the sun,
Had hewn and laid them every one,
Ere the work of man was yet begun.
Beside the Master, when he spoke,
A youth, against an anchor leaning,
Listened, to catch his slightest meaning.
Only the long waves, as they broke
In ripples on the pebbly beach,
Interrupted the old man’s speech.
Beautiful they were, in sooth,
The old man and the fiery youth!
The old man, in whose busy brain
Many a ship that sailed the main
Was modelled o’er and o’er again;—
The fiery youth, who was to be
The heir of his dexterity,
The heir of his house, and his daughter’s hand,
When he had built and launched from land
What the elder head had planned.

“Thus,” said he, “will we build this ship!
Lay square the blocks upon the slip,
And follow well this plan of mine.
Choose the timbers with greatest care;
Of all that is unsound beware;
For only what is sound and strong
To this vessel shall belong.
Cedar of Maine and Georgia pine
Here together shall combine.
A goodly frame, and a goodly fame,
And the Union be her name!
For the day that gives her to the sea
Shall give my daughter unto thee!”

The Master’s word
Enraptured the young man heard;
And as he turned his face aside,
With a look of joy and a thrill of pride
Standing before
Her father’s door,
He saw the form of his promised bride.
The sun shone on her golden hair,
And her cheek was glowing fresh and fair,
With the breath of morn and the soft sea air.
Like a beauteous barge was she,
Still at rest on the sandy beach,
Just beyond the billow’s reach;
But he
Was the restless, seething, stormy sea!
Ah, how skilful grows the hand
That obeyeth Love’s command!
It is the heart, and not the brain,
That to the highest doth attain,
And he who followeth Love’s behest
Far excelleth all the rest!

Thus with the rising of the sun
Was the noble task begun,
And soon throughout the ship-yard’s bounds
Were heard the intermingled sounds
Of axes and of mallets, plied
With vigorous arms on every side;
Plied so deftly and so well,
That, ere the shadows of evening fell,
The keel of oak for a noble ship,
Scarfed and bolted, straight and strong,
Was lying ready, and stretched along
The blocks, well placed upon the slip.
Happy, thrice happy, every one
Who sees his labor well begun,
And not perplexed and multiplied,
By idly waiting for time and tide!

And when the hot, long day was o’er,
The young man at the Master’s door
Sat with the maiden calm and still,
And within the porch, a little more
Removed beyond the evening chill,
The father sat, and told them tales
Of wrecks in the great September gales,
Of pirates coasting the Spanish Main,
And ships that never came back again,
The chance and change of a sailor’s life,
Want and plenty, rest and strife,
His roving fancy, like the wind,
That nothing can stay and nothing can bind,
And the magic charm of foreign lands,
With shadows of palms, and shining sands,
Where the tumbling surf,
O’er the coral reefs of Madagascar,
Washes the feet of the swarthy Lascar,
As he lies alone and asleep on the turf.
And the trembling maiden held her breath
At the tales of that awful, pitiless sea,
With all its terror and mystery,
The dim, dark sea, so like unto Death,
That divides and yet unites mankind!
And whenever the old man paused, a gleam
From the bowl of his pipe would awhile illume
The silent group in the twilight gloom,
And thoughtful faces, as in a dream;
And for a moment one might mark
What had been hidden by the dark,
That the head of the maiden lay at rest,
Tenderly, on the young man’s breast!

Day by day the vessel grew,
With timbers fashioned strong and true,
Stemson and keelson and sternson-knee,
Till, framed with perfect symmetry,
A skeleton ship rose up to view!
And around the bows and along the side
The heavy hammers and mallets plied,
Till after many a week, at length,
Wonderful for form and strength,
Sublime in its enormous bulk,
Loomed aloft the shadowy hulk!
And around it columns of smoke, upwreathing,
Rose from the boiling, bubbling, seething
Caldron, that glowed,
And overflowed
With the black tar, heated for the sheathing.
And amid the clamors
Of clattering hammers,
He who listened heard now and then
The song of the Master and his men:—

“Build me straight, O worthy Master,
    Staunch and strong, a goodly vessel,
That shall laugh at all disaster,
    And with wave and whirlwind wrestle!”

With oaken brace and copper band,
Lay the rudder on the sand,
That, like a thought, should have control
Over the movement of the whole;
And near it the anchor, whose giant hand
Would reach down and grapple with the land,
And immovable and fast
Hold the great ship against the bellowing blast!
And at the bows an image stood,
By a cunning artist carved in wood,
With robes of white, that far behind
Seemed to be fluttering in the wind.
It was not shaped in a classic mould,
Not like a Nymph or Goddess of old,
Or Naiad rising from the water,
But modelled from the Master’s daughter!
On many a dreary and misty night,
‘T will be seen by the rays of the signal light,
Speeding along through the rain and the dark,
Like a ghost in its snow-white sark,
The pilot of some phantom bark,
Guiding the vessel, in its flight,
By a path none other knows aright!

Behold, at last,
Each tall and tapering mast
Is swung into its place;
Shrouds and stays
Holding it firm and fast!

Long ago,
In the deer-haunted forests of Maine,
When upon mountain and plain
Lay the snow,
They fell,—those lordly pines!
Those grand, majestic pines!
’Mid shouts and cheers
The jaded steers,
Panting beneath the goad,
Dragged down the weary, winding road
Those captive kings so straight and tall,
To be shorn of their streaming hair,
And naked and bare,
To feel the stress and the strain
Of the wind and the reeling main,
Whose roar
Would remind them forevermore
Of their native forests they should not see again.
And everywhere
The slender, graceful spars
Poise aloft in the air,
And at the mast-head,
White, blue, and red,
A flag unrolls the stripes and stars.
Ah! when the wanderer, lonely, friendless,
In foreign harbors shall behold
That flag unrolled,
‘T will be as a friendly hand
Stretched out from his native land,
Filling his heart with memories sweet and endless!

All is finished! and at length
Has come the bridal day
Of beauty and of strength.
To-day the vessel shall be launched!
With fleecy clouds the sky is blanched,
And o’er the bay,
Slowly, in all his splendors dight,
The great sun rises to behold the sight.

The ocean old,
Centuries old,
Strong as youth, and as uncontrolled,
Paces restless to and fro,
Up and down the sands of gold.
His beating heart is not at rest;
And far and wide,
With ceaseless flow,
His beard of snow
Heaves with the heaving of his breast.
He waits impatient for his bride.
There she stands,
With her foot upon the sands,
Decked with flags and streamers gay,
In honor of her marriage day,
Her snow-white signals fluttering, blending,
Round her like a veil descending,
Ready to be
The bride of the gray old sea.

On the deck another bride
Is standing by her lover’s side.
Shadows from the flags and shrouds,
Like the shadows cast by clouds,
Broken by many a sunny fleck,
Fall around them on the deck.

The prayer is said,
The service read,
The joyous bridegroom bows his head;
And in tears the good old Master
Shakes the brown hand of his son,
Kisses his daughter’s glowing cheek
In silence, for he cannot speak,
And ever faster
Down his own the tears begin to run.
The worthy pastor—
The shepherd of that wandering flock,
That has the ocean for its wold,
That has the vessel for its fold,
Leaping ever from rock to rock—
Spake, with accents mild and clear,
Words of warning, words of cheer,
But tedious to the bridegroom’s ear.
He knew the chart
Of the sailor’s heart,
All its pleasures and its griefs,
All its shallows and rocky reefs,
All those secret currents, that flow
With such resistless undertow,
And lift and drift, with terrible force,
The will from its moorings and its course.
Therefore he spake, and thus said he:—

“Like unto ships far off at sea,
Outward or homeward bound, are we.
Before, behind, and all around,
Floats and swings the horizon’s bound,
Seems at its distant rim to rise
And climb the crystal wall of the skies,
And then again to turn and sink,
As if we could slide from its outer brink.
Ah! it is not the sea,
It is not the sea that sinks and shelves,
But ourselves
That rock and rise
With endless and uneasy motion,
Now touching the very skies,
Now sinking into the depths of ocean.
Ah! if our souls but poise and swing
Like the compass in its brazen ring,
Ever level and ever true
To the toil and the task we have to do,
We shall sail securely, and safely reach
The Fortunate Isles, on whose shining beach
The sights we see, and the sounds we hear,
Will be those of joy and not of fear!”

Then the Master,
With a gesture of command,
Waved his hand;
And at the word,
Loud and sudden there was heard,
All around them and below,
The sound of hammers, blow on blow,
Knocking away the shores and spurs.
And see! she stirs!
She starts,—she moves,—she seems to feel
The thrill of life along her keel,
And, spurning with her foot the ground,
With one exulting, joyous bound,
She leaps into the ocean’s arms!

And lo! from the assembled crowd
There rose a shout, prolonged and loud,
That to the ocean seemed to say,
“Take her, O bridegroom, old and gray,
Take her to thy protecting arms,
With all her youth and all her charms!”

How beautiful she is! How fair
She lies within those arms, that press
Her form with many a soft caress
Of tenderness and watchful care!
Sail forth into the sea, O ship!
Through wind and wave, right onward steer!
The moistened eye, the trembling lip,
Are not the signs of doubt or fear.
Sail forth into the sea of life,
O gentle, loving, trusting wife,
And safe from all adversity
Upon the ***** of that sea
Thy comings and thy goings be!
For gentleness and love and trust
Prevail o’er angry wave and gust;
And in the wreck of noble lives
Something immortal still survives!

Thou, too, sail on, O Ship of State!
Sail on, O Union, strong and great!
Humanity with all its fears,
With all the hopes of future years,
Is hanging breathless on thy fate!
We know what Master laid thy keel,
What Workmen wrought thy ribs of steel,
Who made each mast, and sail, and rope,
What anvils rang, what hammers beat,
In what a forge and what a heat
Were shaped the anchors of thy hope!
Fear not each sudden sound and shock,
‘T is of the wave and not the rock;
‘T is but the flapping of the sail,
And not a rent made by the gale!
In spite of rock and tempest’s roar,
In spite of false lights on the shore,
Sail on, nor fear to breast the sea!
Our hearts, our hopes, are all with thee,
Our hearts, our hopes, our prayers, our tears,
Our faith triumphant o’er our fears,
Are all with thee,—are all with thee!
Maggie Sorbie  Nov 2019
Workmen
Maggie Sorbie Nov 2019
A note to my self
not to mingle
when the workmen's tools
are echoing

Wait
until they have gone
and the unsettling spell
is over and done
Carl Sandburg  Feb 2010
Salvage
Guns on the battle lines have pounded now a year
     between Brussels and Paris.
And, William Morris, when I read your old chapter on
     the great arches and naves and little whimsical
     corners of the Churches of Northern France--Brr-rr!
I'm glad you're a dead man, William Morris, I'm glad
     you're down in the damp and mouldy, only a memory
     instead of a living man--I'm glad you're gone.
You never lied to us, William Morris, you loved the
     shape of those stones piled and carved for you to
     dream over and wonder because workmen got joy
     of life into them,
Workmen in aprons singing while they hammered, and
     praying, and putting their songs and prayers into
     the walls and roofs, the bastions and cornerstones
     and gargoyles--all their children and kisses of
     women and wheat and roses growing.
I say, William Morris, I'm glad you're gone, I'm glad
     you're a dead man.
Guns on the battle lines have pounded a year now between
     Brussels and Paris.
Carl Sandburg  Feb 2010
A Fence
Now the stone house on the lake front is finished and the
     workmen are beginning the fence.
The palings are made of iron bars with steel points that
     can stab the life out of any man who falls on them.
As a fence, it is a masterpiece, and will shut off the rabble
     and all vagabonds and hungry men and all wandering
     children looking for a place to play.
Passing through the bars and over the steel points will go
     nothing except Death and the Rain and To-morrow.
I ASKED the Mayor of Gary about the 12-hour day and the 7-day week.
And the Mayor of Gary answered more workmen steal time on the job in Gary than any other place in the United States.
"Go into the plants and you will see men sitting around doing nothing-machinery does everything," said the Mayor of Gary when I asked him about the 12-hour day and the 7-day week.
And he wore cool cream pants, the Mayor of Gary, and white shoes, and a barber had fixed him up with a shampoo and a shave and he was easy and imperturbable though the government weather bureau thermometer said 96 and children were soaking their heads at bubbling fountains on the street corners.
And I said good-by to the Mayor of Gary and I went out from the city hall and turned the corner into Broadway.
And I saw workmen wearing leather shoes scruffed with fire and cinders, and pitted with little holes from running molten steel,
And some had bunches of specialized muscles around their shoulder blades hard as pig iron, muscles of their fore-arms were sheet steel and they looked to me like men who had been somewhere.Gary, Indiana, 1915.
Smash down the cities.
Knock the walls to pieces.
Break the factories and cathedrals, warehouses
     and homes
Into loose piles of stone and lumber and black
     burnt wood:
     You are the soldiers and we command you.

Build up the cities.
Set up the walls again.
Put together once more the factories and cathedrals,
     warehouses and homes
Into buildings for life and labor:
     You are workmen and citizens all: We
     command you.

— The End —