[A] is for
An
Archer with
An
Arrow through his
Adams
Apple, very
Applicable, to the
Ample
Amounts of
Amiable
Attitude,
Adorning his heart, in
After
Action
Attributes, that impart, the
Admiration, of
*******, in this
Acting out of
Arrogance bit. he is,
Astute, in his
Allure, and
Aloof, in the
Air, of
Aspiration, in which, he was
Alienated in the
Agony, of
Asking
Assassins, the
Aforementioned. lights, camera,
Action. recipe of the
Ancient
Admirals of
Avian
Aliens, that
Attacked, with the
Arms and fists, of
Arachnids, now
Aching to be
Activated in sudden
Allegiance to the
Answers, of the truth.
Accumulating wealth for
Anarchy's of
Abating
Angels in
Atrophied,
Alchemical
Academies of the ever
After life .. . of silence.
****** strengthens in these
Accolades of violence, in
Alliance to
Appliances
Appearing in the
Arson of
Apathy, happily, to
Anguish in the
Amputation of my
Abdomen, if it meant i'm a real
American, even, when, only
Ash, remains.
Acclimating in its remains
Attained, the
Articles of my pain, in
Affluent shame, next time ..
Aim... oak
[A]?

[B] is for the
Bah of
Black sheep, and
Big
Bit¢hes, fat cats,
Bombarded in the
Blasted,
Bastion of
Blackened
Benevolent
Blokes,
Berating the
Blasphemous,
Be-seech, of
Brains, to feel
Bad, about the
Blotching of
Binary codes, erroding, the
Blanked out
Books, of
Belittled
Bureaucrats,
Bowling
Back the
Bank rolls of
Betterment, from the
Back of the
Blackened
Bus, as i'm
Busting guts, in the
Bubbling
Butts, of *****
Benched, but
Beautiful, in the
Battle, in the
Bane, of existence.
Baffled, in the strain of
Belligerence, in
Beating the
Beaming
Butchery into
Billy's
Broken
Brains, in
Bouts, of
Battering
Bobby's for
Bags of
*******
Before, affording to
Build
Bombs, is just
Beyond
Breaking
Beer
Bottles on the
*******
Benefactors of
Boulder
Bashing with the
Beaks, of
Birds, with no
Bees. just a
Being, trying to
[B]


[C] is for the
*****
Courting the
Choreography, in
Computerized
Curtains,
Circumventing the
Cultured,
Contrivance of
Chromatic
Cellars,
Calibrating, to the
Contours of
Calamities,
Celebrating the
Cyclical,
Cylinders of
Cyphered
Calenders,
Correcting the
Calculations, of
Crooks
Coughing, in
Courageous
Coffins of
Canadians,
Collecting
Cobble stones, from
Catacombs, in the lands of the
Conquered,
Capturing the
Claps of thieves, sneaky
Cats, of greed. its
Comedy. oh
Comely, to my
Cling of
Cleanliness, and for your self
[C]

[D] is for the
Dip *****, as they
Delve
Deeper in the
Deliverance, of
Deviant
Deities,
Dying to
Demand
Dinner
Delivered in the throws of
Death,
Deceiving
Defiance of
Darkened
Dreams,
Demeaning that which
Deems the
Dormant of the
Dominant, to be
Demons of
Deviled
Devilry,
Dooming us for
Destruction.
Deploy the,
Damsels in
Duress.
Defiled and
Distressed,
Detestable and
Dead. in the thump of
Drums,
Dumbing down the
Debts of,
Dire regrets.
Dissect the
Daisies of,
Disillusion, in the current
Days,
Diluting night into
Dawn,
Disconnecting the
Dots of the
Dichotomy, and arming me, in the
Diabolatry, of,
Demonology, as i watch me
Dwindle away, the
[D]

[E] is for
Everything in nothing,
Eating the
Euphoric
Enigmas of
Enlightened
Elitists,
Exceeding in the
Extravagant
Essence of
Esoteric
Euphemisms,
Escaping the
Elegance of the
Elements in the
Eccentricity of
Eclectic
Ecstasy,
Exhaling, the
Exostential blessings, of inner
Entities, and renouncing the
Enemies of my
Ease,
Easily to appease
Extraterestrial
Empires,
Extracting the lost
Embers of
Enlightenment, in
Excited delight, but to later
Entice, the fight, and
Escape, like a thief into the night of
Everywhere,
Entering the
Exits of
Elevators leading no where, to
Elevate, this useless place,
Encased in malware in the
Errant
Errors of
Every man,
Enslaved, of flesh and
Entrails,
Enveloping the core of
Everything, that matters,
Enduring, the chatter, of
Evermore,
Ever present in
Everybody
Ever made to take
[E]

Funk the
Ferocity of
Foolish
Fandangos, with
Fanged
Fanatics,
Fooled in the
Fiasco of
Fumbled
Fantasies,
Falling through the
Farms of
Freely
Found
Fans,
Flying in the
Fame of
Fortune.
Fornicating on the
Fallen
Fears of
Fat
Fish getting their
Fillet of
Fills.
Feel me in the
Frills

Granted with
Generosity.
Giblets of
Gratitude and
Greed,
Greeting the
Goop and
Gobbled
Gore,
Gleaned from the
Glamour of
Ghouls in
Gillie suits,
Getting what they
Got
Going, in the
Gratuitous
Gallows of a
Game
Gaffed by
Giants.

Hello to the
Horizon of
Hellish
Hilarity, in
Hope of
Happy, to
Heave from
Heifers, to
Help the
Hemp
Harshened
Hobos in
Heightened
Horror, to
Honor the
Habitats of
Hapless
Habituals,
Herbalising the work
Horse, named
Have Not, in the
Haughtily
Hardened
Houses of
Happenstance.

Ignore the
Ignorant
Idiots, too
Illiterate to
Indicate the
Indicative
Instances of
Idiom in the
Irrelevant
Inaccuracy of
I,
In the
Intellect of
Idle
Individuals,
Irritated with the
Irate
Illusion of
Idols
Illustrated upon the
Iris,
In the
Illumination of
I.

******* the
Jobless
Jokers, and
Jimmy the
Jerkins from their
Jammie's, in
Justified,
Jousting off the
Jumps, in
Jokes, and
Jukes of
Just
Jailers,
Jesting for
Jammed
Jury's to
****
Judgment from the
Jitter
Juiced
Jeans of
Jesus.

**** the
Keep of
Khaki-ed
Kool aid men,
Kept in the
Kilometers of
Kits,
Kin-less
Kinetics,
Knifing the
Knights of
Kneeling
Kinsmanship,
Keeling over the
Keys of
Kaine, with the
Karmic
Karate
Kick of a
Kangaroo.

Love the
Levity, in the
Luxurious
Laments of
Loveliness,
Lovingly
Levitating in
Level,
Lucidly.
Living in
Laps, of
Lapses,
Looping, but
Lacking the
Loom of the
Latches
Locked with
Leeches of the
Lonely
Lit
Leering of
Lightly
Limbs, that
Lash at the
Lessers in
Loot of
Lost letters,
Lest we
Learned in the
Lessons of
Liars.

Marooned in
Maniacal
Masterpieces,
Masqueraded as
Malignant
Memorization's of
Motionless
Mantras, but
Merrily
Masking
Mikha'el the
Mundane, who is
Musically
Mused of
Monsters,
Mangling the
Monitor, but
Maybe just a
Moniker of
Marauders.

Never to
Navigate the
Nautical
Nether of
Never
Nears.
Not to
Nit pic the
Naivety of
Nicety.
Notions
Neither take
Note
Nor
Name the
Noise of
Nats in the
Nights of
Neanderthals
Napping in the
Nets of
Ninjas

Ominous in the
Obvious
Omnipotence of
Oblivious
Obligatory
Opulence,
Of
Other
Oddly
Orchards
Of
Offices,
Ordaining
Orifices in
Offers of
Ordinary
Ordinances in
Option-less
Optics,
Optionally an
On-call Oracle, in
Optimal,
Overture.

Perusing the
Pestilent
Pedestals of
Personal,
Parameters,
Pursuing the
Petty
Plumes of
Piety with the
Patience of a
Pharaoh,
******* on the
People with the
Penal
Pianos of
Port-less
Portals, in the
Paperless
Points in the
Palpal
Pats of
Pettiness.
Poor, but
Prideful.

Quick to
Qualify the
Quitter for a
Quick
Quill in
Queer
Quivering of
Quickened
Questioning,
Queried in the
Quakiest of
Quandaries.
Quarantined to a
Quadrant, of
Quagmires.
Questing the
Quizzing of
Quotable
Quartets.

Relax in the
Relapse of
Realizations, and
React with
Racks of
Rolling
Rock to
Rate the
Rep of the
Rain-less.
Roar in
Rapturous
Rendering of the
Random
Readiness in the
Ravenous,
Rallying, of the
Retinal
Refracting of
Reality.
Realigning, the
Righteous
Rearing of the
Realm, and
Retrying.

Steer the
Serenity in
Sustainability, and
Slither through the
Seams of
Slumbered
Scenes.
Secrete the
Solo
Sobriety of
Sapped
Sassys,
Salivating upon a
Slew of
Stupidity,
Steadily
Supplied in
Stream,
Suitably
Slain in the
Steam of
Sanity.
Sadly, i
Still
Seem,
Salvagable.

Topple
The
Titans in
Tightened
Terror.
Torn
Territories
Turn
Turbulent in
The
Teething of
Totality.
The
Telemetry of
Time,
Tortured of
Torrent
Theories,
Told in
Turrets of
Transpiring
Terribleness, from
Tumultuous
Tikes unto
Teens,
Trading
Toys for
Tea.
Thrice
Thrusted upon by the
Tyranny of
Tanks.

Unanimous is the
Ugliness in the
Undertones of
Undreamed
Ulteriors
Undergoing the
Unclean in the
***** of
Utterly
Upset
Users,
Uplifting the
Unfitting
Ushers in
Underwear-less,
Ulcers,
Undergoing the
Ultra of
Uberness.

Venial in
Vindictive
Viciousness of
Vindicated
Venom,
Venomously
Vilifying the
Vials of
Villainy in the
Veins of
Vampires,
Validity of
Valuable
Violence, is
Valiant in the
Vaporous
Vacationing of
Vagrant
Vices.

Why
Whelp in the
Weather
When you can
Wave to the
Whirling
Wisps,
Whipping Where the
Whimsical Were
Way back in the
Wellness of
Whip its,
Wrangling my
World,
With
Waterless
Worms, as
War shouts are
Wasted in the
Wackiest
Walks of
Waking
Wonder.

Xenophobic
Xenogogue, of
Xenomorphic
Xeons, turn
Xyphoid, in the
Xenomenia of my
X, my
Xenolalia of
X, to
***. im lost in the
Xenobiotic zen of
Xerces, on a
Xebec to the
X on the map.
Xenogenesis, in the
Xesturgy of my
Xyston
Xd

Yelling
Yearned from
Yelping.
Yard
Yachts
Yielding, to the
Yodel of
Yeah
Yeahs, to the
Yapping of
******
Yuppie
Yoga
Yanks, over
Yonder.
Yucking it up with the
Yawn of a
Yocal.

Zapped from a
Zone i
Zoomed with
Zeal in the
Zig and
Zag of my
Zapping
Zimming
Zest, upon a
Zombie-less
Zeplin.
Zealot,
Zionist, or
Zoologists,
Zeros or ones, just
Zip your
Zip locked. and
Zzzzz
Zzzz
Zzz
Zz
Z
Zero

3:15am

<•>

unlike a first kiss, a first love,
the premiere awkward first coupling,
which when one recalls it
appears with ever increasing fuzziness (intentionally?)
or not at all, so much so that making it up based on
fleeting hazed glimpses of unmemorized dreams
just to have an “official entry in the cloudy memory,”
is a semi-necessity for regaling...nobody

but you never forget your virginal
projectile vomiting

there is even an emoji for it,
a hurling curling celebration

like a computer reset,
a confessional admission
that includes your own original
original sin,
a purging so complete,
it is a rebirthing of sorts,
a human do over

(c’mon c’mon get on with this, this
no kiss, a most undeserving bizzaring poem title choice)

each and every time I draw forth
the words on the in sides of me
they are ejected with force comparable,
my body rejecting l'étranger,
who’s now escaping

no first kiss, miss, no laughing at one’s first tumbling fumbling,
there is no smiling recollections sweet,
a cover up for your exciting intimation initiations faint revisions

but your first writing!

given up and out in a ejection burst,
a needle in the arm, gunshot
fluids *******, spit out,
without malice aforethought,
and this your last writing

this one, yes, this one.
comes quick, rough and inelegant,
expulsion combustion leaving you
panting on the cold floor you emptied
but
sorta of whole, a clean sheet, so to speak,
swearing you’ll never do this again,
must be an easier way,
to just slow secrete it holy,
or give up the drug of writing
raven forevermore nevermore

nope-u-dope

the vision of a long ago rabbi,
being burned to death slowly
by the Romans, wrapped in
dampened torah scripture scrolls
to lengthen the burnished burning,
a vision burned into a
very youthful boy’s consciousness,
the holy black ink hand drawn letters flowing
from martyr’s mouth, flying heavenward
this fresh within,
a childhood image primal mind,
is ways present
as each letter typed, formulating mathematically,
based on an artificial intelligence theorem,
that updates itself with every missive,
until the new poem is
projectile released in
a single ***** bursting,
purging of the urging

and guess what,

it just happened again

4/27/18

~for Sky, whose poems endearing found me, in her brazen ways,
which is what poets do~
https://hellopoetry.com/sheepskyny/

Large, billowing willow trees surround a small meadow, leaving no way to get out. Their branches hang to the ground, the wind whipping them lazily. The green sprouts and leaves on the tips of the branches drag on the ground softly. The trees are so packed together that no sight can be seen through the trees, no escape at all. No one can enter, and no one can leave. The bark is brown, deep crevices made in its skin. The limbs skim over the ground, swaying ever so slightly. On the limbs hang nearly invisible webs spun by clever weaving spiders. The bright green grass wraps around the bark, swaying in the lazy meadow. In the middle of the meadow floats a high overhanging cliff, no part of it truly connected to the ground. Vines cover a structure, obstructing what the structure truly is. Bright pink and blue flowers decorate the vines, adding a serene feeling to the floating island and a floating smell of nectar is carried by the wind. A waterfall flows through the middle of the gates, the cool pure water falling into the pond directly below the waterfall. The pond is covered with ripples, although nothing seems to be obstructing the surface of the pond for the moment. Below the surface flows gentle weaves of seaweed, rainbow colored fish swimming between the strands. They would jump up, spreading small rainbows on dew drops into the sweet tasting air. The cloudless sky seems to sparkle in the setting sunlight, spreading pink and red strips across the sky. No birds fly in the small expanse of visible sky, yet a small nameless tune is heard, the wind carrying it all around the trees. The tune is light, and filled with what can only be known as joy.

The tune begins to change, losing the quality of light and joy and changing into a tune of sereneness and calm. The wind carries it through the meadow, pushing it against the dark trees. The leaves begin to fall, staining the ground at their feet different shades of red, gold and orange. The lost foliage does nothing to deter the packed trees from blocking any view outside of the circular meadow, leaving it in seclusion. The grass is turning into bright gold strands, folding unto itself as it sways in the gentle wind. The wind tastes like apples, although there is no fruit on the trees. The wind continues to flow, picking up the leaves and scattering them away from the base of the trees. The pond is covered with a few stray leaves, the ripples from said leaves turning and spinning as if they were dihedrals spun by small children. A harvest moon sends out a bright light, casting a rainbow onto the waterfall. The forever flowing waterfall continues to cascade down from the floating island as the rainbow continues to color the water. The rainbow fish’s scales have turned deep colors of red and gold, and they continue to break the surface of the pond, jumping to and fro. The vines still cover the cold, metal gate, blood red flowers covering the island in stunning beauty. The meadow seems to secrete a pleasant smell, sending waves of comfort and  tranquility to every blade of grass and falling leaf.

The grass disappears from view as the ground is covered in white, cold powder. The branches on the trees dip from the weight of snow and ice, their limbs brushing the ground in small sweeps. The crisp, biting wind does nothing to help the swaying, and instead blows across the ground, sending small flurries of the snow upwards bound. It circles around the frozen waterfall, every drop of purified water hanging in place, frozen in time. The island itself is covered in snow and white flowers, their color unadulterated. The vines seem to be dead, no longer living as they were before. The secret of the gates seem to be revealed, although barely. The gate remains locked, but the vines are cleared enough that the fenced in area can be seen. The area in the middle of the island is glowing, brightly colored with the beginning of the waterfall, the rainbow fish swimming in the small pool of water. The trees that are in the fenced in area are bright with life and colors, shining as if they were in the midst of spring and not winter. Petals from the flowers that decorate the vines and trees gently fall, landing on the icy surface of the pond. Silence invades the wintry meadow, crushing upon the meadow with great strength as the wind howls silently. The sky is pure black, the only light seen is the glistening stars, all shining as brightly as the northern star. Bright strips of rainbow appear in the sky, the aurora waving like the waves of the ocean themselves. Softly, stealthily a small tune is heard to only those truly lost in the meadow’s power. The tune is filled with what words can only describe as confusion as joy and peace meld with depression and war, hatred and love weaving in and out of the tune like a needle and thread. The tune is suddenly broken, and the meadow disappears, leaving nothing behind but darkness and emptiness until the cycle repeats another day.

I
Colonel Zaev(1), our commander,
Lived seventeen years in Angolian land.
There are no Luanda’s(2) experts better
Than him- he met its ambassadors two hundred
Times. He smashed UNITA(3) and weakened SAR’s (4)
Power. He supported Fidel Castro(5)
And he became famous for counter-attacks.
The Angolians call him Victor-Pastor:
He does always set the young on the right path:
Aoi!

II
Roberto Holden6 was the foe of Neto
He was a monarcho-tribolist.
And he happened to declare vendetta
To foes. His aim’s to banish socialists.
He invited China’s instructors to teach his
Soldiers the skill of fighting retreating under
Kifangondo(7), he’d not swiftly yield positions
Colonel Callan(8) retreated farther
With him. He was a cruel and fearless
Rascal, he was good at arranging ambush in
Woods. He fought hand-to-hand many times
But he was taken prisoner by the Guard
He declared political indifference but the court
To his grief didn’t believe him so that
Then he was quickly and publicly shot.
Aoi!

III
Savimbi Jonas(9) continued that war
Robin Holden quitted his Motherland –
It’s hard to revise views. What’s to be done for
Tearing a half away for his Fatherland?
He went to America, got a Baptist,
As preacher – he was the lost’s lecturer.
He didn’t wish just to be a pessimist
He wanted to live till times more fair.
Savimbi Jonas founded UNITA –
He made up his mind to go underground
MPLA’s detachments were defeated
By the Cubans but they were free quite
For diversions in the city. A new spiral
Of resistance began – two ideologies’
Confrontation took place and in final
It did cost life to many people for this.
Aoi!

IV
Our Victor Zaev, the commander
Of marines often trained us tirelessly
And all of us were not up to laughter
In gas-masks. We loaded incessantly
Our guns, we crossed the equator, anyway
In a moment Poseidon glorifying
By recompense. We stuck to the right fairway,
Neptun’s Day(10) became a great undertaking.
Aoi!

V
Coming to Luanda was usual rather,
The port’s scenery was bright, beautiful.
“Well, beauty!” exclaimed Igor, a warrant officer,
Zaev added: “It’s, brothers, very wonderful!”
Our councilor climbed up a deck as
Head of the Soviet military legation
He tried to explain the situation to us
Continuous seemed to be his Head’s duration.
Then the Cubans’ crew met us, their commander,
Did happen to know Russian at his fingers’
End. He valued the bearing of our landing
Force. And he was called Francisco Ortis.
Aoi!

VI
Here Agostino Neto came with
His suite consisting of twelve grandees
The President was cordial and gay. This
Day was marvellously fine, in his
Speech he praised the ******’s guard arranged
To meet him. He’d not fail to give his regiment
For it. “What an array!” admired said
Antonio. And at this moment
Tanks floated forward out of the hold
To display Agostino manoeures
Antonio began to sweat: old
Allies can always surprise friends, of course.
The Angolians were invited to dinner
And contented officials were standing
But “No!” was Neto’s serious answer,
“We should return for the fight’s resuming!”
Aoi!

VII
We reached Kanton on cruisers. A warrant
Officer cried: “Sound urgently bells”
The Angolians didn’t let us on to the port,
We anchored no outer roads. What was else?
Mattheu Kureku visited us then.
The President of far mountains of Benin,
And we’d appreciate his being of those men
Who were as modest as Ibn- Sina.
We displayed him gifts and even more
Than we wanted: hand- to- hand fight,
The landing force’s landing to the shore.
Mattheu said us his warm good- bye after that.
Aoi!

VIII
Soon we headed for Luanda, how
Long an action had been fought in its suburbs
And suddenly we saw a fishing scow
Six fisher- men were rowing in the ocean’s
Water catching the sight of us they began
To row faster knots increasing as
If punishment waited them but the race did happen
To be transitory. But cruisors’ powers
Are not boats’ powers equal and at last
We caught them, their fish fell to our lot.
The fish’ reserves were enough for a month.
We said with thankfulness: “Thank you a lot!”
The meeting was pleasant for them and us.
Aoi!

IX
Suddenly came order of the day:
To bring in an identification prisoner. Stas
A secrete service man, volunteered. Anyway,
His own fist was of the bull’s head’s size.
And Grigory, head naval petty officer
Then did volunteer to follow Stas.
“Well, who is else?” were the sailors asked after
It. Silence. It’s better to live on deck. At last,
Watching this the captain himself intervened
In it. His bas was heard even in far hold: “Oh,
You, cowards, I’ll feed you to whales, mind it!”
And phrases were not necessary any more.
Thus six more sailors gathered together – they were
Superheroes as if they were handpicked
The detachment of sound, strong men. Chernomor
Himself would take them so quick-witted.
There are not more safe people in the fleet,
There were not, there won’t be, indeed!
Aoi!

X
Here the scouts came down from the deck and they
All went so deep into a foreign land
A hundred verst’s was their sailing away
From the port. Ships from their Motherland
Were seen. Their commander
was the major lieutenant
And he said: “Motherland is calling us!”
In the fleet he was just called Kostya Brandt –
He did lead the scouts bravely forwards!
Aoi!

XI
The detachment marched into woods being dense,
The jungle were rustling around Luanda. It
Was raining cats and dogs, there was entrance
There, there was no exit for retreat!
They covered their necessary ten versts
More on that day they heard their foes’ voices.
They thought: it’s, perhaps, one of hostile posts.
A good luck attended them! The members
Of UNITA waited for them ahead
Savimba knew of Brandt’s group so dare –
Devil. He was warned by an Angolian friend,
The general had friends everywhere.
Aoi!

XII
Even Kostya Brandt didn’t know it
And he led his vanguard through a marshy path
Sailors were like brothers in the detachment.
Everybody was ready to sacrifice
Himself! And suddenly they saw in front:
Tents standing in forty meters from them and
And something went pit- a pat in Kostya Brandt
And he stretched his hand to a pistol hard.
They stole up to the last one, went into it:
It was empty, there were only playing- cards
There: and perhaps it seemed to them far, indeed?
On the ground there were three machine-guns.
Aoi!

XIII
Meanwhile Savimbi Jonas gathered troops
And he made such a speech when warriors gathered
Together: “We’ll die for freedom as heroes
We do not want another Motherland!
We will repulse all the Cuban occupants
We’ve recently sacked all the colonists!
The Soviet landing force’s scouts
Are going here. Near are the communists!
We’ll organize ambush for them behind the tent –
I’m sure they will go into it a at once.
I was informed that there are less than ten
Of them. We’ll **** the foes at once
We’ ll win because there are much more of us”
And selecting one hundred and forty men,
The strongest ones, Savimbi encircled the scouts.
Aoi!

XIV
“Well, that’s all, forward”, Kostya said strictly
The tent’s bed- curtains having half- opened
By his hand. But suddenly he was slightly
Taken aback- he saw foes get in his road
And he did cry: “We shall die for Russia-
Not disgracing ancestors or the Motherland!”
He stepped forward like a sent messia
He had no right to run away like a coward.
Aoi!

XV
Ours defended each other by backs hard
The battle was hot as it was hand- to- hand.
Two sides’ supporters did not know fright
This region was home for the partisans. And
Brandt fought as an ancient lion Neimeyan –
No pistols’ bullets could reach him at all.
He was a mighty, stately warrior European –
UNITA’s terror and poets’ idol!
The partisans had also a strong warrior –
He was called Manuel by Luanda’s citizens
When hunting he became a hero of yore –
He could hit varios marks without miss.
He took aim at the lieutenant’s back so that
A sharp bullet could pierce his heart. He pressed
The sear. And it did hurt Konstantin and
Shroud overshadowed his consciousness
And a celestial disk burning low, meciless
It’s opening a picture before his eyes:
His own mother’s meeting him and he is
Whispering her: “Mum, I’m going to the skies ”
And fell onto the ground Kostya breathless:
People’s blood was shed as the river around
But ours fought desiring nevertheless
To be gone with foes in the palace. Wounded
Stas’ll hit and three of them’ll fall without
Life’s signs. When he hits on the right–eight
Of them’ll fall at once although there are a few
Epic heroes all of them are heroes dead.
The dead can’t be responsible anew.
Aoi!

XVI
They all were dead. There were
three times more foes
Ours and UNITA collected the dead.
And that very day happened to be worth
A week. Bitter news of blood that was shed
Killed us. Our ship was anchored for five days more
We covered Cuban troops from the sea there.
On the sixth day we sailed from the shore,
Painful grief left an after- taste in their
Mouths. And Victor Zaev, our bold
Colonel, was silent in painful sadness,
He had done the last deed for the dead of old.
He presented them with rewards: “For service”
Putting them on each of coffins. All the ******
Were standing being in their low spirits.
Aoi!

XVII
Thus the song of Luanda came to an end
We paid our duty to military Motherland.
We’d drawn up and the commander said:
“Fine fellows! I wish your life to be quiet!”
Then he sailed not a little, I must say.
He waged war in seven companies. “Glory!”
Cry we to him in Navy Day today.
That is the end of the Luandian story.
Aoi!
The Civil war in Angola represented armed confrontation between
quarelling with each other groups: MPLA (People’s movement for
Angola’s liberation, the Labour’s Party), (port.Movimento Popular de
Liberaçao de Angola- Partido de Trabajo, MPLA), UNITA (port. Uniao
Nacional para a Independencia, Total de Angola, UNITA). The war began
in 1975.
1.Victor Zaev is the main hero of the given poetical work, he is an
invented personage;
2. Luanda (port. Luanda)- Angola’s capital;
3. UNITA – see above;
4. SAR – South African Republic;
5. Fidel Castro – Fidel Alejandro Castro Rus; he was born in August,
13, 1926; Biran, province Oriente , Cuba. He’s a Cuban revolutionary,
party and political figure, Chairman of Ministers’ Council and Chairman
of the State Council of Cuba (president) in 1959- 2008 and 1976- 2008.
6. Roberto Holden- Holden Alvaro Alberto (port. Holden Roberto;
January, 12, 1923, Mbanza- Kongo(its former name is San- Salvadordu- Kongo)- August,2, 2007, Luanda). He was also Jose Gilmore, an Angolian founder and many- year leader of the National Liberation’s Front (FNLA). An active participant of the war for Independence and of the Civil war in Angola. He’s a conservative monarcho-tribolist, anticommunist.
He was a member of the Angolian Parliament.
7. “…under Kirfangongondo…” – this battle was from October, 23
until November,10, 1975 in Angola. It was the first common victory of MPLA and the Cubans.
8. the colonel Kallen… – he is also “colonel Callan, a British service
man, corporal of parachute troops’ regiment’s corporal.” He’s an ethnic
Greek and Cypriot (Greek. Kώozaç Γιώργιoν). He’s a participant of the
Angolian’s Civil war, on FNLA’s side. He was executed according to the
court’s sentence in Luanda, on July,10, 1976.
9. Savimbi Jonas Maiheiro, (August, 3, 1934- February, 22, 2002),
an Angolian political and military figure, a partisan leader, the rebel
movement’s founder and the political Party UNITA’s founder from
March,13, 1966 to February, 22, 2002. He was an active participant of the
Angolian war for independence and of the Civil war. He was candidate
for President in Angolian elections in 1992. He was a prominent figure
of Cold War and world anti- communist movement.
10 Neptun’s Day-Nepptun’s holiday, sometimes it’s called “Neptun’s
Day”. It’s a water show. Sailors founded this tradition after their crossing
of the equator.

{2018}


ПЕСНЬ
I
Наш командир – полковник Виктор Заев(1)
Семнадцать лет прожил в стране Ангольской.
Страну Луанду(2) он отлично знает –
Встречал раз двести местное посольство.
Разбил УНИТА(3) и ЮАР(4) ослабил,
Поддержку оказал Фиделю Кастро(5)
В контратаках. И себя прославил.
Зовут его ангольцы Виктор-Пастор:
Он молодых советом наставляет.
Аой!

II
Роберто Холден(6) был врагом для Нето –
По убеждению – монархо-трайболистом.
И объявил противникам вендетту,
Поставив цель – изгнать социалистов.
Он пригласил инструкторов Китая
Учить своих солдат уменью драться.
Под Кифангондо(7) в битве отступая,
Он не хотел стремительно сдаваться.
С ним отступал назад полковник Каллэн(8) –
Головорез жестокий, но бесстрашный.
Засады ставил он в лесах умело,
Не раз бывал и лично в рукопашной.
Но был пленён он гвардией. И вскоре
Всем заявил свою аполитичность.
Но не поверил суд ему на горе –
Он был расстрелян быстро и публично.
Аой!

III
Савимби Жонаш(9) ту войну продолжил,
Роберто Холден родину покинул –
Переосмыслить взгляды очень сложно:
Как оторвать Отчизне половину?
В Америку уехал, стал баптистом,
Как проповедник – лектором заблудших.
Он не желал быть просто пессимистом
И до времён хотел дожить до лучших.
Савимби Жонаш основал УНИТА –
Борьбу свою он перевёл в подполье:
Отряды МПЛА кубинцами разбиты,
Но для диверсий в городах – раздолье.
Второй виток пошёл сопротивленья –
Противоборства двух идеологий.
И жизнями платило населенье –
Война тогда коснулась очень многих.
Аой!

IV
Наш Виктор Заев – командир морпехов -
Тренировал нас часто, неустанно:
В противогазах было не до смеха -
Мы заряжали пушки беспрестанно.
Пересекли в один момент экватор,
Прославив Посейдона воздаяньем,
Наш путь лежал на правильный фарватер.
Нептуна день (10) – большое начинанье!
Аой!

V
Приход в Луанду очень был обычным,
Пейзаж портовый – яркий и прекрасный.
«Ну, лепота!» - воскрикнул Игорь-мичман.
Добавил Заев: «Это, братья, классно!»
На палубу советник наш поднялся –
Глава советской миссии военной.
Он обстановку дать нам постарался,
Поскольку был там, кажется, бессменно.
Затем кубинцев встретила команда –
Их командир знал русский в идеале.
Он оценил всю выправку десанта –
Франсиско Ортис команданте звали.
Аой!

VI
Вот Агостиньо Нето подошёл
Со свитою двенадцати вельмож.
Был Президент приветлив и весёл,
И день был удивительно хорош!
Он похвалил матросский караул,
Поставленный наверх его встречать.
«За них бы полк отдать не преминул, –
Антонио сказал, – вот это рать!»
Из трюма танки выплыли вперёд –
Маневры Агостиньо показать.
Антонио пробил холодный пот:
Союзники умеют удивлять!
Ангольцев пригласили на обед –
Чиновники довольные стоят.
Но Нето отвечал серьёзно: «– Нет,
Нам возвращаться надобно назад!»
Аой!

VII
На крейсерах в Катону мы приплыли
И крикнул мичман: «Склянки срочно бейте!»
Но в порт ангольцы нас не пропустили –
На якорь встали мы на внешнем рейде.
Затем нас посетил Матье Куреку –
Сам Президент из дальних гор Бенина –
Заметим в дань ему как человеку –
Он скромен был как мудрый Ибн Сина.
Ему мы показали все таланты –
И даже больше, чем хотели сами:
Бой рукопашный, высадку десанта.
Матье тогда тепло прощался с нами.
Аой!

VIII
И взяли курс мы снова на Луанду –
Велись бои давно в её предместьях.
Вдруг видим мы рыбацкие шаланды –
По океану плыло ровно шесть их.
Завидев нас, они быстрей поплыли,
Узлов прибавив, будто ждёт их кара!
Не долгими, однако, гонки были.
Любая лодка крейсеру не пара!
Догнали их. И нам досталась рыба –
Запасов тех на месяцы хватило.
Сказали мы признательно: «Спасибо!»
И после встречи всем приятно было!
Аой!

IX
Нежданно вдруг пришёл такой приказ:
Любой ценой доставить языка.
Тут вызвался морской разведчик Стас –
Его кулак был с голову быка.
И главный корабельный старшина
Григорий захотел идти за ним.
– «Ну, кто ещё?» – спросили. Тишина.
Уж лучше быть на палубе живым.
Тогда вмешался лично капитан –
Был даже в дальнем трюме слышен бас:
– «Ну, трусы! Всех скормлю сейчас китам!»
И больше не понадобилось фраз.
Так набралось ещё шесть моряков –
Супергерои – все как на подбор –
Отряд здоровых, крепких мужиков.
Их взял бы даже Дядька-Черномор!
Надёжнее людей на флоте нет
И не было, не будет и вовек!
Ушло в разведку восемь человек.
Аой!

X
Вот с палубы разведчики сошли
И углубились в даль чужой земли.
На сотню вёрст от порта отошли –
Уж не видать родные корабли.
Руководил всем старший лейтенант.
И молвил он: «Нас Родина зовёт!»
Его на флоте звали Костя Брандт –
Он храбро вёл разведчиков вперёд!
Аой!

XI
Отряд вступил в дремучие леса –
Вокруг Луанды джунгли шелестят.
Льют воду каждый день тут небеса –
Зашёл туда и нет пути назад!
Прошли они ещё десяток вёрст,
Услышали чужие голоса.
Подумали: возможно, вражий пост –
Счастливая настала полоса!
Унитовцы их ждали впереди.
О группе Брандта сам Савимби знал –
Его ангольский друг предупредил:
Имел везде знакомых генерал.
Аой!

XII
Сего не ведал даже Костя Брандт
И вёл отряд болотистой тропой.
Любой матрос в отряде был как брат.
Готовы все пожертвовать собой!
И вдруг увидел каждый впереди:
Стоят палатки метрах в сорока.
У Кости что-то ёкает в груди
И к пистолету тянется рука.
Подкрались к крайней и в неё зашли:
В палатке пусто, карты на столе –
А может, померещилось вдали?
Три автомата было на земле.
Аой!

XIII
Меж тем собрал Савимби Жонаш войско
И речь сказал собравшимся такую:
– «Мы за свободу все умрём геройски,
Ведь не желаем родину другую!
Дадим отпор кубинским оккупантам –
Прогнали ведь недавно колонистов!
Разведчики советского десанта
Идут сюда. Уж близко коммунисты!
Устроим им засаду за палаткой –
Они войдут в неё, уверен, сразу.
Мне донесли: их менее десятка.
Возьмём числом: врагов положим разом!»
И отобрав сто сорок самых сильных,
Пошёл Савимби окружать разведку.
Аой!

XIV
«– Ну, всё, выходим!» – Костя молвил строго,
Палатки полог приоткрыв рукою.
Но только вдруг... опешил он немного,
Когда врагов увидел пред собою.
И закричал: «Умрём же за Россию –
Не посрамим и предков, и державу!»
Шагнул вперёд, как посланный миссия –
Он не имел бежать позорно право.
Аой!

XV
Стояли наши все спиной друг к другу,
Был жаркий бой, поскольку рукопашный.
Из двух сторон никто не знал испуга –
Для партизан был этот край домашним.
И бился Брандт как древний лев немейский –
Его не брали пули пистолетов!
Могуч и статен воин европейский –
Гроза УНИТА и кумир поэтов!
У партизан был тоже сильный воин –
Его луандцы звали Мануэлем.
Он на охоте сделался героем –
Без промаха стрелял по разным целям.
Прицелился он лейтенанту в спину,
Чтоб сердце пуля острая пробила.
Нажал на спуск. И больно Константину,
И пелена сознание затмила.
И тут картину взору открывает
Небесный диск, на небе догорая:
Родная мать с войны его встречает,
А он ей шепчет: «Мама, умираю…»
Упал на землю Костя бездыханно:
Людская кровь лилась вокруг рекою.
Но бились наши – было им желанно
Нести в чертог жизнь вражью за собою.
Изранен Стас: ударит – лягут трое,
Направо стукнет – лягут сразу восемь.
Богатырей хоть мало, все – герои
Погибшие. А с мёртвых долг не спросят.
Аой!

XVI
Все полегли. Врагов – в три раза больше.
Забрали павших наши и УНИТА.
И день тот был иной недели дольше.
Мы были горькой новостью убиты.
Ещё пять дней на якоре стояли –
Мы части Кубы прикрывали с моря.
На день шестой под вечер отплывали –
Осадок был от тягостного горя.
И Виктор Заев, наш полковник смелый,
Молчал угрюмо в тягостной печали.
Последнее для павших сделал дело –
Он «За отвагу» им вручил медали.
На каждый гроб он положил награду –
Все моряки в унынии стояли.
Аой!

XVII
Так завершилась песня о Луанде.
Отдали долг мы воинский Отчизне.
Наш командир сказал тогда команде:
– «Вы молодцы! Желаю мирной жизни!»
Он по морям потом немало плавал.
И воевал ещё в семи кампаньях.
В день ВМФ кричим ему мы: «Слава!» –
На том конец Луандского сказанья!
Аой!
{31.12.2015}

Гражданская война в Анголе представляла собой вооружён-
ное противостояние между враждующими группировками: МПЛА (Народное движение за освобождение Анголы – Партия труда (порт. Movimento Popular de Libertação de Angola — Partido doTrabalho, MPLA), ФНЛА (порт. Frente Nacional de Libertação de Angola,
FNLA) и УНИТА (порт. União Nacional para a Independência
Total de Angola, UNITA). Война началась в 1975 году, а завершилась
в 2002 году.
1. Виктор Заев – главный герой данного поэтического произве-
дения, вымышленный персонаж;
2. Луанда (порт. Luanda) – столица Анголы;
3. УНИТА – см. выше;
4. ЮАР – Южно-Африканская республика
5. Фидель Кастро – Фиде́ль Алеха́ндро Ка́стро Рус (исп. Fidel
Alejandro Castro Ruz; род. 13 августа1926; Биран, провинция Орьенте, Куба) – кубинский революционер, государственный, политический и партийный деятель, который являлся Председателем Совета министров и Председателем Государственного совета Кубы (президентом) в 1959 – 2008 и 1976 – 2008 годах.
6. Роберто Холден – Холден Альваро Робер-
то (порт. Holden Roberto; 12 января 1923, Мбанза-Кон-
го (тогдашнее название – Сан-Сальвадор-ду-Конго) –
2 августа 2007, Луанда), он же Жозе Жилмор (порт.José Gilmore)
– ангольский политик, основатель и многолетний лидер Национального фронта освобождения Анголы (ФНЛА). Активный участник войны за независимость и гражданской войны в Анголе. Консерватор, монархо-трайбалист, антикоммунист. В 1992 – 2007 годах– депутат парламента Анголы.
7. «…под Кифангондо в битве…» – это битва при Кифангондо,
которая произошла с 23 октября по 10 ноября 1975 г. в Анголе и стала первой совместной победой МПЛА и кубинцев.

8. «…полковник Каллэн» – настоящее имя Костас Ге-
оргиу (греч. Κώστας Γιώργιου, англ. Kostas Giorgiou; 1951 –
1976), он же «Полковник Каллэн», Colonel Callan – британский военный, капрал парашютно-десантного полка. Этнический грек-киприот. Наёмный участник гражданской войны в Анголе на стороне ФНЛА. Казнён по приговору суда в Луанде 10 июля 1976 года.
9. Савимби Жонаш – Жо́наш Малье́йру Сави́мби (порт. Jonas
Malheiro Savimbi; 3 августа 1934 – 22 февраля 2002) – ангольский политический и военный деятель, партизанский лидер, основатель повстанческого движения и политической партии УНИТА. Лидер УНИТА c 13 марта 1966 по 22 февраля 2002. Активный участник ангольской войны за независимость и гражданской войны. Кандидат в президенты Анголы на выборах 1992. Видный деятель Холодной
войны и мирового антикоммунистического движения.
10. «Нептуна день…» – Праздник Нептуна, иногда –
«День Нептуна». Водное представление. Берёт основы от тради-
ции моряков при пересечении экватора.

Translator - I. Toporov

In Kitale
A town in Kenya,
Lived an English man
His name was Lord Hitchcock
He owned over a thousand acres of land
He took for himself
During colonial times
He had hundredfold of workers
Hitchcock had very beautiful wife
She was called Queen Victoria,
They had two sons;
Hitchcock junior and William,
He had a passion for work
He always woke up at ****-crow
Only to retire back at chick roost
Natives of Kitale had respect for him,
They secretly envied huge udders
That his five thousand fresian cows had,
They also loved him,
For he killed the flying snake,
That had terrorized natives for years,
Hitchcock just pointed a long stick
At the flying snake,
The stick which looked like cooking wood,
Then smoke and thunder came out
Only to see the snake coming down
Tangling like a rope
And fell down in a thud!
It is when the natives gave him a new name
Mango wa nandemu; meaning the snake killer
Natives also had an issue with him;
He likes putting  mucus in his kerchief
And then put it back into his pockets
Instead of throwing it a way
Direct from the nose,
His nose were slender and long
They wonder why he could not used it
In proper thrusting away of the mucus,
Men folk on his farm were always day dreaming
Of any chance to have *** with Queen Victoria
As the women folk too fancied of William
Marrying their daughters,
His favourite worker was Onyango,
The Luo man from shores of the lake
He liked Onyango most
Even  he promoted him
To be a tractor driver
Other than cleaning the cowsheds,
The gossip was that maybe Hitchcock was full,
Or not circumcised like Onyango
Hence is passionate preference Onyango,
But no, they don’t knew,
The germ was in Onyango’s workmanship
Onyango worked like a donkey,
Onyango also had a beautiful daughter
Her name was Ilingling Atineo Nyarpondo,
But workers on the farm called her Atieno,
It is Hitchcock who broke her virginity
A secret which queen Victoria knows not,
Hitchcock just popped in at Onyango’s shack
One after noon, after Lunch
He found Onyango, Atieno and the mother,
He didn’t talk a lot,
He only ordered Onyango and his wife
To go out and hang around
For him to have Word with Atieno
Onyango walked out minus haste,
The wife followed suit, after cautioning Atieno
Not to disappoint the Lord; Hitchcock,
A minute never passed,
Before the Lord took Atieno into his arms
He carried her to Onyango’s bed
And effectively penetrated her,
Sweetness gripped both of them
Hitchcock on his ******
Began to  moan like an aphrodisiac animal;
Atienoo! Atienoo! Atienoo!
In turn Atieno also screamed
Like a caged monkey;
Lord! Lord! Lord!
We are on my father’s bed,
Onyango and His wife
Were out keeping sentry
Lest Victoria finds Hitchcock
In the act of deflowering the ******,
When he finished,
He called Onyango and the wife in
Then he warned them
To keep the mouths shut,
Or else he ejects them from the farm,
And indeed they kept mum,
Hence the friendship
Between Onyango and Hitchcock,


Hitchcock never like two of his workers,
Josef Sasita and Wavukho Masafu
He didn’t like Sasita because of one reason;
Sasita brought along his brother to work
His brother was called Kalenda
When Hitchcock was taking the master roll
He asked Kalenda to say his names
Of which Kalenda said his two names;
Kalenda Sasita,
Of which Hitchcock never understood
As these two names are a Kiswahili sentence
Meaning it is lunch time at end moth,
Hitchcock understood Kiswahili very well,
He thought Kalenda was implying for a pay
And Lunch Allowance
When he had only worked for three hours
It was not lunch time neither was it end month,
Hitchcock was overtaken by anger
He slapped Kalenda with all energy in his arms
Kalenda fainted and collapsed like a dead bird,
Sasita thought the lord had killed his brother
He began wailing, he boxed Hitchcock
More than five hundred jabs
in a couple of minutes,
Then Sasita got off on his heels,
Running away at a speed of a kite,
But unfortunately he was arrested
By a white police and brought back to Hitchcock,
Hitchcock flogged Sasita two hundred strokes,
And ordered Sasita to resume his work,

Hitchcock’s detest for Wavukho
is due to nothing else
Other ceaseless malingering,
Wavukho always takes
a minimum of an hour
Every time he visits the toilet,

So Onyango is the only guy on the firm,
A boon to which Ndiema, farm worker,
Is very jealousy of ,
Ndiema believed Onyango is using charms
Or love potions or Voodoo to lure the Whiteman,
Otherwise how can Whiteman love a black worker?
With such passion in the way Hitchcock loved Onyango,

One day Ndiema approached Onyango
He asked him the secrete behind his fortune
Onyango became sly and lied,
He told Ndiema that it was only magical charms
He was given by his late mother,
That made Hitchcock’s heart to swell with love
For him and his family,
Ndiema believed on the first hearing,
He became selfish and begged Onyango,
To give him the charms also,
So that he can also enjoy the Whiteman’s love
Onyango accepted to assist but at a fee,
A fee which took Ndiema salary of two months,
Then Onyango brought Ndiema a ***** of an Alligator,
He told Ndiema to put it in his underpants,
Every time he goes to work,
Ndiema complied,
That morning Ndiema woke very early,
He walked to his work station
Very happy and confident
Sure of enjoying the Whiteman’s love
Given the voodoo under his pants,

At ten in the morning Hitchcock called Ndiema
To join him in repairing the maize miller,
Ndiema was a hand boy, a toto,
Ndiema was to hold the engine
As Hitchcock tightened the nuts
But the engine was oily with grease,
Ndiema’s hands slipped every time
Hitchcock tried to tighten the nuts
Hitchcock got irritated,
Especially by the papyrus cowboy hat
Ndiema was wearing,
Hitchcock cautioned Ndiema to be serious
By tightly holding the engine,
But when Hitchcock began tightening
The engine again,
Ndiema’s hands slipped
And the engine moved away,
Hitchcock punctuated this with a nemesis;
He jabbed Ndiema with an art of Olympiad boxer,
It was one tremendous fist
The fist of the century,
When Ndiema wanted to cry
His five teeth jumped out
And when he said I am sorry my lord
He woffled; iywi mwu sovwi lodwi
Hitchcock clicked and walked away,
Ndiema walked home
With a humongous gap in his bucal cavity,
Ndiema reached home and went to bed
His wife, Chepsuwet was already aware
She only prepared porridge for him
As he had no teeth to munch solid food,

When Hitchcock reached home
He found his two sons in a strong fever,
They were panting like desert dogs,
He asked them what was wrong,
Both boys began shedding tears
In torrents like river Euphrates and Tigris
Flowing across the Garden of Eden,
What is the problem?
Hitchcock roared,
The big boy then featfully responded;
We were given sugar cane to chew,
We were given by Ndiema the farm worker,
It was yesterday in the evening,
That is why we are sick,
Ok,
Hitchcock nodded his head,
He took his whip, made of wires and rods
With a sting at the end,
He jumped on his horse
And shot off to Ndiema’s place
At the speed of forty five kilometers per hour,
He found Ndiema trying to swallow some porridge,
Come on Ndiema! Roared Hitchcock in full voltage
Of ire, anger, fury and mad petulance,
When Ndiema came out
Hitchcock pulled out his whip
He flogged Ndiema terribly
They were strokes and strokes
Strokes fell on Ndiema’s back
With a sharp sound like a thunderclap
Ndiema cried like a baby,
Begging for lord’s mercy
Chepsuwet looked on in fear,

When Hitchcock jumped on his horse
And went away clicking, frothing in anger
Like the waters of river Nile
Departing Lake Victoria to Egypt,
Ndiema was on the ground
Writhing in pains from the flogging,
He sobbed and sobbed,
And finally he mumbled;
Witchcraft don’t work against an Englishman,
His wife Chepsuwet did not understand.

Do you want to know a secrete?
A tale of foolish lies?
About how you will be worshiped, all you have to do is die?
Hold up a gun,
Polish your shoes,
Don't forget, spit and shine.

Do you want to know a secrete?
Make yourself a hero?
Ready for this simple mission?
Take your gun, and your uniform,
Take that man from his family,
Ignore the pleas from his family,
The children lie,
They pretend to cry,
His mother sobs,
But it is your job.

Do you want to know a secrete?
Come back a hero?
Set your family and your future for life?
All you have to do is guard that truck.
Tell the girl to stop,
Shoot anything that moves before that,
She does not listen?
All you have to do is press it.
This aren't tears running down her cheecks,
That's not fear in her eyes,
She knows what your about to do,
No confusion about how she dies.
She attacked you, that is all,
She drew her gun, you drew yours,
She was not a child,
She was a women,
No fear in her eyes,
As she fell to the ground,

Walk over to her body,
And plant the gun as proof,
it is not lying, she would have done it anyways.
In her arms you see?!
She did have something!
See you did not lie!
Just do not look into her eyes.

But what is this?
Why try and look?
You will not find anything but a corpse.

But what is this in her hand?
A knife? A gun? A ticking bomb?
No...
What is this?
'Tis not a gun, or a bomb, not a knife to stab someone.
In her hand she held a photo,
Of her mother and her brother,
And other smile of a man,
Is it her father? Is it her uncle?
no
It is the man you took away,
The man who now lays
On the ground beaten and hurt,
All because you had your orders,


It was her father, foolish one,
He was a brother, a very fun one.

It was a mistake they said to say,
He attacked you, you could not look away.

But she lays here in your hands ,
All she wanted was to understand,
Why you took her idol away,
A man who would never hurt or slay,
Only because you had your orders,
What does that mean for all the others!?

All she wanted was an answer,
She never ment any harm,
But why does she lay on the ground?
A precious child, sent from above,
No more than 5 years spent on this planet,
Yet everything she cares for has been taken.

So tell me why?!
Why did you **** her father!?
He never hurt anyone,
Yet you hurt him,
Beat him with guns and sticks,
Had the audacity to *** on him for humor?!
He is but a man like you.
So why hurt not only him, but his kids and family?

Are you better than him? Is that why?
He is just trash,
No need to explain why.
Now you go back home,
A Hero Of War
For taking a little girls father,
And treating him like dirt,
For staining your hands with an innocent souls blood,
Nothing more than a simple Coward !
Look at your daughters eyes and imagine her asking why.
Why they took her fathers life,
With no explanations, leaving her to wonder why.
Then one day she gets shot, all because she saw that man,
Who her fathers life ended by his hand,
And lays on the ground with an unanswered question hanging from her lips.

*Please Mister ,I want to know why