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Mateuš Conrad Oct 2016
it's understandable, they confused by complex bilingualism as schizophrenia; oh sorry, it's not actually a scary word, before people start to theorise the mono-lingual pre-maturity of a condition that affects older people, they should seriously begin to listen to what a person is saying; there are tales of surgeons leaving surgical equipment in bodies during surgery... well... at least the physicality of such blunders is more pronounced than leaving regression variations of negated ease (disease) in man... (uncouple that compound and you'll find the subtler alternative)... when psychiatrists make mistakes it's not a heart surgeon making a mistake, the mistakes psychiatrists make are far more profound, given the nature of the mistake being seemingly trivial in comparison... yet these mistakes make our mental life worse by disrupting the narrative, psychiatry, being a science, primarily disrupts the (cognitive) narrative; it's hard enough to find yourself in your mind, let alone a worthy narrative that you encompass... it's hard to reemerge with a good enough narrative when you're branded like an ox, a ******* during the height of Christianity, or registering a car for road tax... it's ****** hard.

so they (i've lost the paranoia additive of this pronoun
a long time ago) thought my bilingualism
was worthy the label of schizophrenia...
well... d'uh, isn't bilingualism a split-mind scenario
in itself?
                    bilingualism is more complex than you think,
it reaches to the depths of each language,
it's not a multilingual acquisition, a polymath hooray!
it's bone deep,
                        bone deep, it goes as far into identity
as all conceivable points of psychological architecture;
which is why my bilingualism was so well
established that i became a bit difficult to society:
my upbringing was to match the difficulty -
i was never supposed to utter a single intellectual
disparity, given my stature i was supposed to be
a manual labourer - a position i'd have gladly undertaken
but (see my earlier entries), but...
                                i never really felt a need for
an animosity toward the English -
                                           i loved everything about England
(or at least London) -
                                                 i left my native country
early enough to sponge-up the new culture,
                   but of course when our family was applying
for citizenship we were the obscure minority,
                 after the floodgates opened and the less
creme of the crop entered these shores,
       i was forced into a spiral reinvention, i was no
longer was the British termed "exotic"...
exotica, hmm, funny how i imagine things exotic as
things in sunny places, slaves in the Caribbean,
the platitudes of certain African Savannahs...
something Voltaire might find befitting to write about
like he did in Candide - there's this neurotic passage in there...
                the passage to India... a book i'll
never read: why? can't be bothered, the t.v. series *Indian Summers

does it for me;
                                  plus i do like cooking curry,
so there's the f                        u                            to take-away
curry...           i have an arsenal of spices and i bomb Kashmir
with whiffs of the stuff...
                                    that part of my is what the intended cultural
assimilation was intended for: the rest? n'ah ah.
                               what spurred me to write this poem?
Heidegger's concept of someone moving and integrating
into a different culture: to be honest, the country i was born
in was uniquely pressed to turn its habitants into nomads -
      it was a town primarily based on the steel industry -
now it's a town of pensioners - the steel industry fell to ruin
and people had either the choice of: elsewhere in Poland,
or abroad.
                                    still, things were much nicer
   when the barrier was up... selfishly said? i agree, but then
i had enough air to breathe as a sole artefact of the ethnicity,
and a good enough reputation as a person needing to
persistently learn... had i been a crook? well, now i find
my ethnic background elsewhere, in a near mythical place
in Scandinavia - not that i want to, but i don't actually
have an atypical (a typical) physiognomy of a Slav -
so that's a plus...
                                     but what really spurred me on
was what Heidegger describes as the threshold and indeed
the essence of integration: to learn the language,
to use the language, nothing but language in terms of
being considered a certain noun - in this case, British;
so this is a German perspective from the 20th century...
the British perspective in the 21st century?
                         kinda like **** Germany...
language? forget it... you can speak with a ****** accent
and even ******* grammar... what's at work here
is ethnic cleansing, on a spiritual side of things -
language can rot in hell for the English, what they want
new citizens is to: a. eat fish 'n' chips
                                  b. talk ***** when *******
                         c. lick the **** of Americans
          d. have a sense of moral superiority because of
                    that poncy accent that's becoming a dodo
       e1. forget their mother tongue
         e2. only speak English in private
                            f. respect the Muslim attire but
        to never respect fellow European's concerned
                           about many other things
      g. amongst other things...
so it's not enough to learn the ******* language, that i have to
become a ******* serf? oh wait, i have some spare change
in my pocket (puts hand in a trouser pocket and takes out):
the *******!
                                  or how you find yourself
in an imploded British Empire, go beyond London and you
enter something less resembling a global community
and more a national socialist set of self-evident dicta
wrecking havoc to your senses.
                              and all this from a humble background?
well: freaks and mutations sometimes happen...
                    being born near to the date of Chernobyl doesn't
really help to counter the argument:
           yes, even in Poland, the effects were felt,
my great-grandmother remembers streaks of radiated trees
and un-radiated trees in the park -
        the radiated trees were born... a strange kind of rainbow...
and yes, i do take the **** out of **** Germany
while talking about it and Jewish mysticism -
                                Malachi the arch-heretic (who introduced
a polytheistic concept that does not fit in with monotheism:
reincarnation) -
                            oh look:      something came out of this
conviction that told me to duly apologise to the concept
of the two late monotheistic religions:
                             on your own, can't be bothered -
Christianity was always going to be more image orientated
(after all, the crucifixion is a good enough image)
   and Islam was always going to be more word orientated
(something to shout about, actually, to just shout it) -
the Judaism i found?
                              not being circumcised and what not,
not adhering to the religion as such?
  the lord of the rings and harry potter...
simple... how?
                               please make oaths, swear, use profane
language... maybe that will make your actions less profane
and this isn't 19th century Victorian society event where
people talk polite but play ***** according to the escapades
of Dorian Gray...
                              i'm still adamant that auto-censorship
of a name (the name, i.e. ha-shem) does wonders for your
vocabulary - oath, **** **** ****, words are actually:
                or conjunctions, and this means you can use them
to destroy the barricades of fluidity -
                                 do we really need to say certain names?
Islam says the name all the ****** time,
        Christianity doesn't even know the name of the father:
Jules?                      Jason?                Jeremiah?
                                           can't be Yves...
                   and did 1st century fishermen write?
wasn't that a rebellion against the literate Pharisees etc.?
             so it's pretty much like the harry potter / lord of the rings
rule: Sauron
                       designates the tetragrammaton
   and the necromancer designates ha-shem...
                                                or...
         Voldemort designates (as above)
              and tom-riddle                   blah blah...
oh i have actually washed my hands clean of two most
populous religions in the world -
                            i can't believe that so many people can be
right about something,
                                    would i desire to argue to this
to the grave? not really, i prefer to look at it as a chance fancy,
my real concerns are based upon the question:
   why would bilingualism, ever, be treated as a case
of schizophrenia?
                                           perhaps the language is too
difficult to follow, perhaps i'm reciting a poem by
                           half caste by john agard -
but this **** isn't skin deep, i can't blow the sax in a liberating
transcendence of slavery, or do that other form of
rebellion -
                    &nb
Harriet  turned back off the intercom and stood in the office for a few seconds.  What have we done?  I can't believe I let my ten year old son be the vessel to that thing.  I can't believe we were stupid enough to summon that thing thought Harriet.  Harriet walked out of the office and back to the worship area where Evil was waiting.  
"Why do you have a look of concern on your face Harriet?   What did you think I would be like?"  asked Evil.  "I didn't know what to expect" said Harriet.   As Harriet and Evil stood eyeing each other the members of Sinister walked in the worship area.
"I'm glad you all could make it.  Now sit down" said Evil.  A stocky middle aged man walked up to Evil looked down at him and said "I don't take orders from children."  with a smile on his face Evil broke the man's leg in half by giving him a front kick to his knee cap.  The stocky man hit the floor and screamed in agony.  The members of Sinister watched in horror as Evil wrapped his arms around the man's head and broke his neck.  He then proceeded to rip the man's head off and throw it out the door of the worship area.
"Now if everyone would please listen to me very carefully.  The person you see is not Levi.  I am Evil.  Your priest summoned me and I answered his call.  The vessel you see is Levi but I am Evil.  All of you may address me as Levi" said Evil.  The members of Sinister looked at each other but didn't say a word.  "Sit down.  You all thought the Book of Evil was something to play with and that I wasn't real.  You put the cult Sinister together to pass time and have fun.  I am very real" said Evil as the members of Sinister sat down.  "Your High Priest use to run the show but from now on I'll be running the show.  You may now return to your rooms until I call for you again" said Evil.
All of the members of Sinister stood to their feet and returned to their rooms.  When all of the members of Sinister were gone Evil looked at Harriet and said "I need for you to update me on world events.  I need to know what's going on around the world."   "You need to watch the Visual View Screen.  The Visual View Screen is a device that show us World News, entertainment shows, movies, and music.  What you need to watch is world news.  Follow behind me" said Harriet.
Harriet led Evil out of the worship area and to a room where there was a Visual View Screen.  She turned on the Visual View Screen, turned the channel to the world news, and the two sat down and watched the world news.
"That's it right there.  It's amazing how Scientist and Bio Engeiners come up with things" said Evil.  "What's it?" asked Harriet.  "Don't you just love war?  Your species create genius ways to **** each other.  They created a virus and a cure to for the virus.  The building where the virus is kept is under quarantine.  We are going to release the virus and live in the underground city designed to keep the Scientist and Bio Engeiners safe if the virus ever got loose.  Once the virus **** everyone on planet the members of Sinister will reemerge from the underground city and I will create a new world" said Evil.

Written by Keith Edward Baucum
Emma Erbach Jun 2013
Let's spend a week forgetting to be lonely.
I'll fly into Knoxville, drive east
until the roads run out. No one goes
to Harlan County unless they have to.
The mountains are giants, here, they almost
disguise the desolation-- the pieces
of people that got caught
when the mines collapsed.
You tell me to be careful, as if
this isn't my country, too.
As if I wasn't born with dirt beneath my fingernails.

I like how you treat me delicate.
I like to pretend I'm a flower.
You touch me like I'm breakable.
I want to protest that I'm not, but I'd be lying.
Look at me like you mean it, like I'm
the only clean water
you've drunk in weeks. The wells
have been choked with weeds.
So leave bite marks on my back as you
burn the brush.
There is a sweetness in me if you can find it.

Let's drink like teenagers; make sloppy love.
I want to *** at the same time and then lie around
giggling and smoking cigarettes.
Pull the blankets off the bed and trail them
through the house until we've ****** in every room, twice.
Let's build a pillow fort, drink cheap
wine out of mason jars, and then **** so hard
it falls down around us.
I want you to lose hours in me, whole days,
come up for air next Tuesday and we'll
cook breakfast at midnight. You make me so hungry.

Tell me about your childhood, tell me
the one thing you asked for every Christmas
and never got. I wanted
an Easy-Bake Oven. I wanted to play normal.
Tell me all the things you got but didn't ask for,
never wanted, didn't deserve.
I'll run my teeth across your earlobe
and let my hips listen to all the words
your tongue never learned to say.
We are both still just babies.

I like how you scare me.
How sometimes you hold my wrists together
when you tell me I'm beautiful
so I can't wriggle away, because you know
I've never been good at accepting compliments.
I can count the number of nights
we've spent together on one hand, but the months
of distance take more than just digits.
I used to think you hated me.
I used to hate myself for it.

I know the darkness in you. Three days down
in the mine with no canary and me just waiting
for you to reemerge.
You always seem to find your ways out of it.
I like to think of myself as a lodestone; you tell me
not to get arrogant, that being wounded and beautiful
aren't interchangeable, but I believe
they both can make us strong.
I want to write poems with my fingers
on the small of your back,
leave scratch marks as a reminder of
how far I've come. You make me forget to be sad.
You teach me not to take myself too seriously.
I want to be your canary.
Follow my voice out when it gets dangerous.
I'll only scream when I mean it.

Get a little lost in me. Undress until
I can feel the heartbeat in your **** reverberating up my spine.
So run your tongue down
my torso; forget to breathe, while you
Tell me the things that scare you.
Show me your seams. Somewhere beneath
all this rock there is a gold mine, so trace my veins
like a treasure map. Maybe someday
they will lead you home.
Kiernan Norman Jul 2014
I found it while unpacking boxes of old books in the basement.
It slipped out of a Spanish to English
dictionary that I probably smuggled out
of a middle school library ten years ago
and haven't opened since.

I knew what it was, of course-
whole years were spent with bad posture
listening to substitute teachers and CCD carpool-drivers
lecture about the bold beauty and senseless frailty
that was youth.
Their bodies were at once tense and earnest.
Their voices were at once condescending and pleading as
they sang deeply of the space we blindly occupied and
they fiercely missed.

My understanding of youth was a
sepia-streak stumble through tall reeds below an open
sky; taking clumsy steps on sea-cut feet
and one day regretting not passing enough
notes kept folded in pockets or taking
enough pictures of the faces whom I ran beside.

Youth, obviously, is subjective-
It can be teased up or sculpted-in tight
in relation to circumstance.
In my own mind youth is a cool breeze,  glory days thing- like prom night or my first kiss.
Really each took place years ago but, since they didn’t
carry the weight or sheen I was told they should,
I still sit tight and wait for them.

They will find me eventually.
They’ll arrive a loud booming from a furious sky that births open-prairie rainfall that quiets my
teenage sadness as I sit shotgun
in some boy’s pickup and we race
a  cornfield to the Wyoming border.

The fact that I’m in my twenties is irrelevant.
The fact that I live in New England, where corn is imported and gas is expensive, is not worth noting.

So when, in the basement among the books I've hoarded and arranged around me like armor,
I saw my golden-ticket youth slip
out between pages and waft slowly down, I let it  hit the ground.
I could have crushed it with a sneakered sole
like a cigarette or crumbled it into nothing with shaking fingers.
I could have let it careen down between damp paperbacks to
the box’s bottom and know for certain it
would never reemerge.

But, surprisingly, I didn’t want to.
It was light and lovely in a way I would have never guessed.
It wasn’t as sticky as I thought it’d be.
In fact, as I flipped my hair forward and
double-no-triple knotted the bouncy, silky strings
(Strings that felt more like existing than regretting)
at the nape of my neck- a smile so severe I thought I'd crack found it's way to me.

My youth will never be something I flip through
like a catalogue and miss and cry out for. I will never
be haunted by it nor will I conjure it
around a fire while trying to make a point.
I won’t tell ghost stories about my youth
to bored kids because I am not going to let it die.

I saw it today. For the first time I could touch
it and smell it and I realized it didn’t have to be
the sarcophagus of who I was,
but instead could serve as the shifting
and stretching prologue to who I will be.

I’ll let it hang loose and light from my neck.
Its colors will fade in the sun and its beads will
probably warp as it trapezes altitudes and climates.
It will dull and tarnish.
It won’t stay pretty but neither will I.

I’ll gladly sacrifice any lace and filtered polaroid memories
and oft-repeared stories of my youth; kept behind glass and propped up among rags at a museum exhibit,
for the low belly excitement of closing my eyes today and not knowing what I'll see when I open them tomorrow.
I'm sick of being told I'm blowing it.
Joan Karcher  Aug 2012
Excavation
Joan Karcher Aug 2012
emotionally drained
past calling back
echoing all around
haunting and foreboding
threatening to reemerge
or is it just past expectations
past fears,
that I place over the present
though these words
are frighteningly familiar
too close to heart
to ignore
too close to past pain
past insecurities
to not worry,
not worry that it is
all too true
not worry that
the pattern will continue
that it really is cause of me -
the mine shaft is
closing all around
Ian Cairns Jul 2013
Unintended circumstances brought me back
Where the wild things are. Or were.
Youthful images reemerge as I traverse my old home.
A senseless vagabond roaming former lands
With bittersweet observations and nothing short of good intentions.
Old landmarks remain, others disappeared as I did.
My room remains open and lonely with tidied sheets
And outdated athletic apparel scattered throughout.
A sign that my presence here is obsolete.
I've been dreading this day for some time now.
Not due to my father's underwhelming support
Or my mother's overbearing nature.
I've been dreading this day because of the monsters under my bed.
They don't exist anymore.
I'm not afraid anymore.
My biggest childhood worry vanished the minute
I stepped foot out of the house for good.
So when I stepped foot back into my room to fall asleep
I gave one last look where my nightmares once resided.
Just in case I had fooled myself into becoming one of
The vast majority of adults too mature for childhood villains.
And then it happened- my innocence evaporated from my body.
My sophisticated eyes were no match for my former foes.
I had confirmed the last traces of my youth had been eliminated
From my very existence- migrating under mattresses around the block.
So all I can do now is lie here and reminisce about
Where the wild things are now.
Kasandra Cook  Mar 2013
Stairways
Kasandra Cook Mar 2013
What is it about stairways?
An image of promise,
Or is that mystery?
Cascading in slanted light,
Tempting us forward,
Upward
Delivering us to romanticized paradise
Or ornamented haven.

To sanctuary disguised as a sun dusted bedroom,
Where doubtless, is a hidden love
Of the sort that once uncovered,
Will ever follow us.

Or maybe to dark wooded rooms,
Glowing with strings of frosted light.
Indigo ceilings and charcoaled walls,
Lit up

Or a creaking hallway that will usher us
To chipping french doors with a glassy view,
Where we will glimpse a new and equally hopeful vista.

Perhaps enchantment
In the form of rolling, dark green gardens,
With another Stairway that is their own, but is
Descending,

And which, at its very sight, we can feel tugging at our hand;
Breeze itself, defined and determined
It will be an alluring yet familiar pull.
Luminescence between our fingertips.

The sight a vow that will pull us down those steps
Cool stone alive with mossy cracks, that curve, disappearing from view
Laying us down to wonder,
Only in a moment to reemerge in the clearer eyes of our mind.
Where surely, round the corner, we will just be able to make out that the steps are met
With an unclouded, rosy woodland.

The aspen encompassment of a measured and ghostly chemistry;
Flourescent tree line and rocky hem,
Savage and most lovely,
If we only have the courage to climb or to descend them, a perceptual promise awaits,
An ended hunt.
The perfect tincture of Wilderness and Refuge,
That will make us feel the scope of our existence,
without ever having to doubt whether we are safe.
Shiva  Feb 2013
Damage
Shiva Feb 2013
Years of brutal bruising
In my brain
Tired of the pain, but I see nothing else
Without pain, I'm nothing
Too comfortable with hurt, longing for the dark
To reemerge angry, broken and scarred

Shift.
Nastia Armilde  Aug 2014
One
Nastia Armilde Aug 2014
One
In the last quarter of the twentieth century, much of the world sat on the edge of an increasingly expensive theater seat waiting for something momentous to occur. Christian aficionados of the Second Coming scenario were convinced that, after two thousand years, the other shoe was about to drop. And five of the era's best-known psychics predicted that Atlantis would soon reemerge from the depths. To this last, Princess Leigh-Cheri responded, "There are three lost continents…we are one: the lovers." In whatever esteem one might hold Princess Leigh-Cheri's thoughts, one must agree that the last quarter of the twentieth century was a severe period for lovers. It was a time a time when romantic relationships took on the character of ice in spring, stranding many little children on jagged and inhospitable floes. Nobody quite knew what to make of the moon anymore

Consider a certain night in August. The moon was so bloated it was about to tip over. For more than an hour, Leigh-Cheri stared into the sky. "Does the moon have a purpose?" She inquired. The same query put to the Remington SL3 typewriter elicited this response: Albert Camus wrote that the only serious question in life is whether to **** yourself or not. Tom Robbins wrote that the only serious question is whether time has a beginning and an end. Camus clearly got up on the wrong side of bed, and Robbins must have forgotten to set the alarm. There is only one serious question. And that is: Who knows how to make love stay? Answer me that and I will tell you whether or not to **** yourself. Answer me that and I will ease your mind about the beginning and end of time. Answer me that and I will reveal to you the purpose of the moon.
-La Dispute, One
I believe you cared no I’m positive you did
because the way you used to look at me makes it impossible to mistake it for anything but love
the way your eyes would search me
looking as if they were trying to remember every inch to reference in
the short moments we were apart
your hands were so kind back then
every movement of them was so intentional
and a complete extension of your heart
I remember the trail you followed from my eyes to my feet
the way you breathed me in
the way you completely enveloped me
it eased every muscle every complete inch of me
you had this talent to calm me down
some impressive manner to slow time down
I was so in love...I was so completely yours
I never doubted it for a minute
I hate that I’m writing in the past tense, and I hate that I remember every move you made
because each memory that passes through my subconscious leaves a
reoccurring stinging pain
a cringe and another deep breath to try to expel any
good thoughts of you any illusion that the past is actually the present
I refuse to allow my dormant thoughts of you to reemerge
an endless process to keep you locked in a place where I can't remember
I continue to fail ...and this failure kills me
every second i can feel you gone.
I can feel this hole expanding within my chest
trying to fill the gap you left with an endless stream of comfort disguised with immorality
they last for a moment but they stop the pain
ever so slightly for one moment
a moment of relief in a my world of complacency
I love you more than I can bare
But once again I must remind myself,
those days are gone.
KM Abbott Sep 2016
I just want to let her sleep.

Let her rest
        so she can reemerge a warrior against
        the gilded masochism
        and misogyny
                of the office.

        so her perfect vessel combats the encroaching infection
        and she can breathe deep and strong
        and snort in the lifeblood
                of the dawn.

        so she can see despite our return to dust
        there is yet so much
        and she must live in ecstasy
                of the moment.

        so she can reap the reward of a long deserved slumber
        and lose the swollen circles and pains of defeat
        and shake the anxieties
                of her heart.

Let her rest
        so she can come alive.
Let her rest
        so she can come back.

Just,
        let her sleep.
Eric Martin  Jan 2017
The Scourge
Eric Martin Jan 2017
In me there is a scourge
That I have tried to purge
But instead of fighting its evil urge
I become one with it and merge
Hoping it will never again diverge
Or take me over and reemerge
Just some rhymes I wanted to write down in a stanza so I could save it and maybe delete this and use them later.

— The End —