I am clueless as to how I have dug a hole in this concrete ground, 60 feet deep. The dust I’ve been choking on does not bother me no more, layers piling upon my lungs like snow upon an exposed carcass. The slightest upheaval of my chest and tingling in my lungs reminds me that I still breathe. I’ve met scaffolds of bones down here. As I stare into their hollow sockets, I could never figure if they were ever esurient for something I held. They taught me how the ocean is never blue but only a de facto reflection of the sky. They said many mistook the sea for the sky, but never once mentioned the salt that contaminated their lungs-  the impetus that drove their feet 60 steps into the waves. A reconciliation it must have been. I doubt it made any difference, when their hearts were bleeding out; a pity it doesn’t make it any lighter. Down they sank.

I wonder if I mistook these soils for the sky. As I looked up, I realised that the sky only seemed further away. There’s something peculiarly comfortable down here, the little bumps on the walls and contours of the craters looked like jawlines of a new-found friend. The sun is so blindingly high in the sky. I preferred how sometimes I could see the man in the moon- shadows cast by imperfections on the moon’s surface. In the vague moonlight and scrawny silhouettes, the fact that the moon always has a dark side makes it tangible a thousand miles away. Sometimes, I lay on this wooden receptacle discovered upon excavation and gaze at the empty skies with my friend as he tells me what lies outside this trough. Happiness is a pack of hungry wolves and when they are done, you are left with only your marrows. I see things clearer down here, than above where they are smothered by smoke from the trees they burned to the ground. Sometimes the skies are dark with no hint of dusk, sometimes the sky is filled with white nebula; but most of the times, the days are shorter than the nights. But it never gets any darker down here.

I figured I could never mistake this hole for the sky. I was just chasing these broken pieces like I used to chase happiness. I have no idea how I’ve gotten this deep while trying to pick up these pieces that I don’t recognise. But the struggle tells me it’s real, and the pain keeps me awake. They say if you spend enough time with someone, you will fall in love. I guess that’s what happened between sadness and me.

I’m staying here.

Bathtubs don’t work for quantum suicide
But every time I take one,
A part of me dies

What was nice under the crescent aglow?
Drunk on stars, or the moon lit show…

Ash of night, cradled what was once mine,
The repertoire of ever-syncing- jawlines.
Puissant is the chalice, its exaltation shined so bright,
Bestowed liberation underneath the chatoyant light,

The open windows left  niveous  fogs-
Breathed -stained –air,  against crystal *****.


Alive and one, under the entire earthly tempo,
Together left her organic imprints of art nouveau.
Beneath the warmth and petrichor ground,
The Lord and Lady commence to be crowned.
...Tree roots sink as veins of gods.
The serpent whispers his mellifluous facade...


The sharp shove of love’s first arrow
Lover’s spit, a seed for cupid’s bucolic furrow.
Scripture of Solomon’s *** temple of doom
All within the nicotine-stained-blue-infrared-bedroom,

Velvet allure, bellies of vigor,
The cold point, the pulled trigger.
Dance of Thelma, ancient cults of non-lovers
Feasting north, under the Horned God’s antlers.
The concoction of the widow’s deviated lust
Skins alive, the excited wolf-mans’ husk…

The gun’s mouth ex hailed bullets of smoke
Piercing hot wounds became tender lilts in up word strokes.
Still, they brought, perforating ice knives through the chest
Catching fades perpetually, just until two came abreast.
The shadow dalliance and hair pulls leave those weary,
The anise flower seeds sanction the suffering query.

What was once so beautiful at night?
Forgotten, as I turned red-haired-heathen in morning’s sight

So I take my hot bath, inure in my offing.
Emollient paean of the porcelain,
...which is my skin
See you, my ethereal being,
In short time spring will be fleeting

that's it again
the artistry of the curling hell
the mark of what was destroyed
and for some reason used as a metaphor for life
I look in the mirror and I see long, lean, noble
like a greek god, or goddess, someone gender ambiguous
with hair framing my face and jawlines ever reaching up
my body is beautiful and I shouldn't destroy it
I celebrate myself, and sing myself,
like whitman,
there is this strange dark attraction to
standing somewhere leaning against the wall
with my hood up as I watch the stars become clouded
and that warm friendly scent fills my clothes where no one wants to go
it's like a forest, a forest of embraces and thistles
something tragic and suave and slenderly beautiful
the workers in the yard light up daily
just like my sister when she's hanging out
always happy
or my grandfather on his patio with the parrot on his shoulder.
he lets her drink coffee sometimes,
and lets me drink in the air of his breath mingled with ash always.
I am the rolled tobacco, just ready to be lit, inhaled, and blown away
flammable, quick to go,
filtered, my body a slim cylinder,
the heat at the end catching the eye of children
I want to be united with that which I personify,
unhealthy, but **** cool looking.
It wouldn't surprise anyone-
where there's smoke, there's fire, they say;
maybe that's why I've always wanted a cigarette.

We all want to be someone
carved into stone—
assured in our identity
by the admirer taken enough to
etch our jawlines into eternity
from the heart
of a marble slab.

If you work on me as Michelangelo,
I will proudly stand as your David.

The saddest day, it was yesterday.
Smoky sullen pushy congested lightless sky day.
Wrecked and weathered, gluey, obtuse and penned with
Melancholy and wanton desire. Wanting on and selling off

The Vampires and wretched thieves hibernating back in coach,
Seated in peacock-scoundrel dress. There's was the rudimentary
Yet pertinent foulness of childlike hatred, but they wore it under
Coarsely fitting suits to cover their hefty bags of ginormous fat.

Fatty ***** to scrutinize. Fatty ***** to wallow in the throes of
Dark fatty dementia.
Purses of alabaster filled with hemoglobin. Obfuscating zilch.
Scurvy on the arms, reptiles in their ears, and a million miles of
Stenchy, noisome, in glut. Wallowing, heavy and anti-professional.

Loff-less, un-catchy, unkempt, and in a clamor.
Boarish and obtrusive.
Gushy of anguish and the uncomfortable hide of rhino
Replaced for the swill excrement vetted porcine hocks of a
Kaleidoscope rich, aftermarket slug-pact for the bowels of
This century's egoes. Heavy on the cheeses, Cheetos, and Pathos.

In the hutch, a gaily brimming sunswept valley chimes
With the fruitful gaiety around the crowned Pantone TX1333 and Sienna heads that does keep. Homes are heavier, heaving the shrills.
Archaic muted cries of childhood, upsetted tummies serving at the Sighs of Lucifer. There are scoundrels here and in the underwear and in The water and under the water.

Frogs moo, chimney's weep, most other's Mother's have done true **** Jobs keeping their reared up to par with the others to avoid being Other'd. And our own language isn't being kept. It's undoing itself atop The bridges of mouths and the ridges of jawlines, and they have faded Swiftly, and no surrogate or custodial colloquialism has lived up to the Shadows and forethought of our greatest grandparents. And what has Your Jesus brought you except uncertainty, foul-play, and foul players And despondent and boarish chicas.

So now there you have this: brevity.
Another soft-tipped dactylic hand for undertaking.
By the end of days there will be the licking of butts,
Poor movies with Salma Hayek, and the lot of children's books
No children, not even these triplets will remember their fine names:

Tee, Bee, and Cee.
Crocus and sourdough lilies
Brimming over the nostril opera's of
These adopted gospels.
Only the ramparts of our literary apartheid and totally ******
Sexualness in kids and dults of all ages.

I fall in love with faces
down cliffs, down jagged seaside heights
strewn on the rocks, sunbathing on jawlines
pulled taut in sharp angles that cut my fingers
have you ever fantasized about the way
his lips would fall op en?

Her face is a continent
Her eyes are algae-brimming lakes swirled with sunlight
In their centre dark pools, you could dive for eternity
Tanned skin spans vast distances
And freckles mark capital cities
Her smile causes earthquakes but there is no one there to mind
Fine laughter lines form ridges that will later form mountain ranges
Degeneration will take over
Sharp cheekbones and smooth jawlines
Lose definition and second glances
A sea of fine hair, once a deep gold
Fades to grey and grows brittle with age
Time takes it's toll
It happens to all of us
But her eyes remain fathomless

I guess I don't exactly know what I want to be
I don't know what I think the definition of physical beauty is
Because there are people I see with very flouncy curly and glistening golden blonde hair
Then I see Asian girls with their glossy raven black locks
I see girls with STUNNING blue eyes
And girls with magnificent hazel eyes
I see two of my friends who have brown eyes like me, only they have these BEAUTIFUL maple eyes
I see girls with heart-shaped jawline
I see girls with rounder jawlines
I see girls with tiny waists
And curvy girls
I see girls with cute little smiles
And bright, wide grinning smiles
ALL OF THEM ARE SO BEAUTIFUL
I don't even know WHAT I want to be
I just know that I wish there were a celebrity
Who existed
Who was WILDY adored and loved by everyone
Who was successful and never criticized
Who was not necessarily UGLY
But was undeniably not particularly traditionally physically pretty
But her soul was LOVELY
Her personality was imperfect
And she ******* up
But she was still a GOOD PERSON
and her values and what was inside her was what made her so globally popular
Because maybe if I stopped seeing everybody as so unbelievably BEAUTIFUL
then I would stop CARING that I was so hideous
I just really wish
"Pretty" didn't have a definition
But varied
You could look at someone
And what each person found pretty
Was COMPLETELY different
because I care way too much
because I hate hearing that I am "pretty" when I so clearly am not
but it's even worse when I hear that I'm not
Or if someone edges around it by saying: But you are a beautiful person INSIDE
avoiding admitting that I'm ugly
I hate hearing about how ugly I am
because it reminds me
but I also hate hearing about how supposedly "pretty" I am
because immediately in my head
that little voice that sounds exactly like my own
except very cruel and sadistic
The mean-streak part of me
It whispers in my mind
THEY ARE LYING TO YOU
YOU ARE UGLY AND HIDEOUS
AND NO ONE IS EVER GOING TO CARE ABOUT WORTHLESS YOU.
BECAUSE YOU ARE NOT WHAT SOCIETY DEFINES AS PRETTY
YOU ARE WORTHLESS AND UGLY.
DON'T LISTEN TO THEIR PROMISES THAT YOU ARE PRETTY
BECAUSE YOU ARE NOT.
that is all I hear in my head.
or if I hear OH BUT YOU ARE A BEAUTIFUL PERSON INSIDE THAT IS MORE IMPORTANT
the voice whispers: did you recognize that? Hear it? See it?
They specifically avoided saying you were physically pretty
So whether they are right or not about what is more important, inner or outer beauty
They have still admitted to you
In an underhanded way
That you ARE ugly
they have confirmed what I have always told you
YOU ARE NOT PRETTY
YOU NEVER WILL BE
and do you know what?
I don't care anymore about what is important
I want to be physically beautiful
It's like when you just really want cake
it might be unhealthy
It might not matter
It isn't good to obsess over
but you JUST WANT IT
you want it so badly
and you can't function properly without it
until you have that desire given in to
but I can't tell them that anymore
so they don't have to lie to me to spare my feelings which makes me feel awful
or so they don't have to be honest and either tell me I'm ugly or edge around it by bringing up inner beauty and using a BUT before it
because that makes me feel even WORSE
I will not talk about it anymore
I will just let it dominate my poetry
because I must write
I must WRITE to keep it from consuming me
that is all I have
If I can't speak of the pain anymore
I must write.
that is my escape.

I used to like when he hugged me outside my car for
four minutes, how he wouldn't let me leave even if it
was cold outside and i was only wearing flip-flips, always
after our lips were red and chafed and my hair was a god-awful
mess on my head,

I used to like it when he listened to odd future, when he complained
about how ugly he was when I knew he was beautiful, how he was
worried that I would care that his skin was rough, that his skin was rough
that his skin was rough, but I loved his textures, his angles, his curves, never
smooth, never flat skin.

I used to like his baby cheeks and defined jawlines, how nothing ever mixed
with him, but he was milk and paint and oil. Baked potatoes with broccoli and
thyme, rosemary cloves.

I can't point out where all these things ended.

When I started to complain when he held me for too long in front of the door because
I told him he couldn't hold me in front of the car anymore. It was too cold.
When did my lips starting staying pink instead of red, when did
my hair start staying perfect, when was the last time I had held his hand
without being afraid of some boring, ridiculous reason, when was the last
time I laid in bed with him when was the last time I thought that he was the
best thing to ever happen to me, where do these thoughts go?

Overthinked, thanked, thunked? Did I wear beyond use, does my love have
an expiration date?