A bushel of love is a lot of love,
to hold in your heart for someone.
And since your heart can't hold it all,
it spills out and touches those you hold close.

Amazing thing about love,
as a friend once said to me.
You can't hold on to it,
and the more you give, the more you receive.

It's a funny thing this love,
builds tolerance where there is hate,
builds laughter where there is anger,
builds joy where there is fear.

I wonder how many need more love,
how many starve for it.
I wonder what the tiniest bit of it
could make happen for a lonely person.

A tiny bit isn't a bushel, you know.
But given away it will overflow another bushel.  
Bringing light, happiness, peace, and joy,
just from something, you can't hold onto.

Don't speak to me of those droughted days
when you reigned over me for twenty years.

Your dark clouds planted themselves
above my garden like seeds wanting
to rebirth a strangled youth.

I sickled down row after row:
your bindweed, your choke pear.

Purple flowers strung about my neck;
those bitter fruits, I swallowed whole:
a peck of yoke, two bushels of anguish.

Daddy takes me to the greenhouse,
behind our rotted trailer, deep in sovereign backwoods.
Marsh voices, thick like tupelo honey.

The coo of a loon, hiss of a cottonmouth, shiver of a snapping turtle.

The silver of swamp lilies lip the land in wild haze,
a veil of ochre moss tickles my nose like gauzey ginger ale
and soil clings to my ankles like a lonesome hound.

Daddy’s greenhouse is a shed, a haven.
A milieu of magic and fleur-de-cannabis
where pixies pull my curls and gnomes dance
under mushroom parasols.

My hands dip into a hollow of muddy earthworms.
I feel akin to the yellow blood of a butterfly
or pale jade of perplexing geckos.  

Daddy is a shaman.

He trims holy blooms that come from spirits
who sing in the wind like the whippoorwill at dusk.
Snipping sticky bushels, he pads tufts into his pipe,
carved in the shape of a sullen armadillo.

I watch him inhale.

                          His breath
                                               stiff
                            as a braid of mangroves.

                      He exhales a ligneous cough.

                              I don’t mind,
                                                   much.

The sun bakes down heavily on a plastic micro planet in Orlando, Florida
where crowded trams drop American bushels of tourists into an alien world.
Quickly fantasy comes alive
through a corporation of disguise.
The workers mask themselves in a drapery of familiar life
-like costumes to charm little children’s hearts.
They smile wildly, carving a clear dimple line on the but of their cheeks. Walt’s Disney World
must have driven every one of America’s circuses out of business.
The flying trapeze is too elegant,
people now want to be strapped in,
buckled up and whipped around
to forcibly experience the true velocity of entertainment.
Even the participant’s attire is geared for this third world oblivion. Neon ***** packs rest like bloated kangaroo pouches
on fat sweaty old lady’s round hips, their plump fingers
holding on to leashed harnesses reined to their child’s small chest.
This is vacation,
strangers of people in massive conglomerations
with confused expressions and burnt faces.
Even the food seems wickedly unnatural,
like an artificial order of burning plastic and sour dough surprise.
Waiting is the enthusiast’s pastime as parades
of anxious voyeurs are captivated by a trance
fixation of lights and whistles.
They line up like schools of lemming,
plunging on rides,
one by one.

This is the place
Where memories are made
And dreams come true

Boaz, overcome with weariness, by torchlight
made his pallet on the threshing floor
where all day he had worked, and now he slept
among the bushels of threshed wheat.

The old man owned wheatfields and barley,
and though he was rich, he was still fair-minded.
No filth soured the sweetness of his well.
No hot iron of torture whitened in his forge.

His beard was silver as a brook in April.
He bound sheaves without the strain of hate
or envy. He saw gleaners pass, and said,
Let handfuls of the fat ears fall to them.

The man's mind, clear of untoward feeling,
clothed itself in candor. He wore clean robes.
His heaped granaries spilled over always
toward the poor, no less than public fountains.

Boaz did well by his workers and by kinsmen.
He was generous, and moderate. Women held him
worthier than younger men, for youth is handsome,
but to him in his old age came greatness.

An old man, nearing his first source, may find
the timelessness beyond times of trouble.
And though fire burned in young men's eyes,
to Ruth the eyes of Boaz shone clear light.

I pray to the sun god a lot. For warm skin and fresh basil.
You pray to the stars. You pray for the sky like a yawning mouth. You pray for my father. For my sister and the parts of her she keeps hidden. You pray for people who are terrible at hiding, too, who leave themselves open, ripe as peaches. You pray for fall this year, for the harvest, that it will be consummate and yield bushels and bushels.
You pray that you won't forget anything important: keys; your mother's birthday; how to just keep breathing even though you're convinced your heart is shrinking. And you pray that you will live your life loosely, forever outside. You pray for that tightness in your chest to go away and stop bothering you at night, and for a scythe like they used to use for farming.
You pray that God is real. The Sunday school God who loves you and killed off his protagonist so that you might live like a soldier, unsure of what you're fighting for, but fighting nonetheless.
You pray that God is real but you have serious doubts about any creator who allows colorblindness and then makes the world and the sky and girl you love look like this.

The Harvest of Life Exchanging Itself

     “May I help you?” – More busy in my voice than hurried. A woman points to a quart of peaches she's been studying.  “Sure of herself.” I had been thinking,  “She won't buy anything else.”
Such delicate fruit—one at a time they must be placed in the brown paper bags. I've gotten quick at it.  Then the Standard: “Couple of those are pretty hard yet; Leave 'em out overnight in that bag, and they'll be ready to eat... Anything else?”

     “No nothing more,” small shake of her head.

     Late afternoon at The Farmer's Night Market in Scranton-- the intense bustle of of the early day over –  with its frenzy of bills and change and bags; a new line of faces every sixty seconds, waiting to be waited on.  Questions, peering, turning the fruit to see if one side's as good as the other, and it always is as the Michaels sell only premium fruit at their stand, where I've been “City Help” for two years.

     “No, we won't have cider till after Labor Day when the Miltons come in.”  Funny, I'm starting to sound like a farmer – even know the apples by their different tastes, appearances, and order of ripeness.  There are summer apples, fall, and the winter keepers; and a smaller, rather homely variety, MacCowans, are the best for eating.  I like Cortlands myself.  They remind me of making pies with my mother – the smell of dough and apple skins – the little scavengers waiting for the cores

     The customers have thinned now, scurrying like loaded pack mules – off to their trunks and station wagons.  I can even read their minds!  They're planning dinners, canning pickles!  Roasting corn for cook-outs, planning novel ways to prepare the bounty.  I know these things.  I've been a customer for twenty years from mid-July till Thanksgiving.

     Wiping my sweaty forearms on my jeans, I try to get rid of the prickly-itch of peach fuzz – small price to pay for the afternoons's sweetness.  Then leaning back against some crates, I watch the edges of the canvas shelters flap – storm later?  This place, I was thinking, not much changed from the markets a hundred years ago-- the gathering of life to exchange itself.  We city folk – dependent, fume breathers and asphalt beaters.  Machine-like, silly with wealth or lack; paying, playing, dining out – driving our bad-*** cars toward some goal – never enough – just to wait for old age on the steps of “check day”  Not that farmers don't have their desperate years.  Weather can't be trusted, and there's always the hosts of gnawers, crawlers, and rotters – the unexpected that comes with living things whether cows or turnips.

     I've seen it here: life exchanging itself.  The early yellows and greens of lettuce, squash, beans, and berries; ripening to August corn, tomatoes, and feathery bunches of dill.  Then descent with cooler days to pears and apples, corn, and squash. Late September brings the Indian corn and pumpkins, cider, bushels of potatoes, frosted concord grapes, and zany gourds.

     With the return of Standard Time, come the bare bulbs that light the stands of produce.  At Ruth's the sign reads: “Order Your Capon Here.”  There are hams and roasts and sausage for stuffing.  The winter apples – “Stock up NOW!”  Ideas for holiday decorations; recipes exchanged.  Bushels and bushels for the canners!  And, one farmer sells those branches, heavy with scarlet winter berries for the city doors...  “We close the Wednesday before Thanksgiving”  I always buy those berries.

Good-byes are brisk and sweet – cold breath steams the air.  City and country marking their seasons –  their lives by the market.  The warm greetings of July, “So good to see you again!”
...Marking their lives.  Our children grow so much between the markets.  Generations exchange.  This co-op started eighty years ago, 1939.  For so long, it was the last and only, farmer-owned, open-air market in Pennsylvania.  

     Generations born; some pass or retire in the winter.  Nancy never seems any older than her smile.

     The vegetables always look the same – they're not.  They are the children of last year's veggies.  I suppose if I were to come here for the first time, I would think everything hereå has always been this way.  And, perhaps, I wouldn't be so wrong.  It really didn't seem so different or so long ago in late October when I first watched the farmers huddled around kerosene heaters in parkas, rubbing their hands together, drinking soup and coffee to warm them – stamping a little – pulling off their gloves, reluctant to handle the freezing change.

     “Can I help ya?”
     “Yes... Where's the best place to store potatoes for the winter?...I'll take that one...Yeah, You got it!”

     Dust rose from the spuds, tumbling from the basket to paper bag, and I propped them in my red wagon on one side of my infant daughter.  She was bundled in a plaid wool blanket and wedged between the corn and apples.  Her cheeks were pink with cold in the midst of orange, red and yellow – the colors of life exchanging itself.

i.
the Hibiscus is the paradisiacal
armistice of quagmire and wind:
leave it there anchored to Earth.

ii
when it rains, it bows to no one;
when it genuflects to no bird,
  it trills on the red of the moseying hour—
nobody sees the Hibiscus.
  only the children of the vandal.

iii.
last summer we had makeshift
bubble machines and in the high-rise
  of the twilight's cradle, we ran
viciously against the humdrum town
  blowing bushels of laughter at
the dreary populace — the brooms
  to a sweeping rustle, unsettled dust
mounting the ether.
         we hurtled across the
infantile roads like they owed us something finitely attributed
     to our locomotives.

iv.
  the Semana Santa had gone by
and the season, no matter how promisingly redolent with emollient brush
   of wind and laboring silence, held
no reprise — the Hibiscus,
   it is not alone in the quiet verdigris.

v.
  somewhere amid the hubbub of city,
there is a pendulum of line biting
   the shore of waiting repeatedly.
only steel scaffolds erected and no
   flagrant scent aroused. peregrinating
in the haloed hour, the nascent furl of
    belch from vociferous iron-clad beasts
in all of EDSA

   and when i look at people around me
they look like gumamelas, finally,
    yet i am

        not coming home.

a late harvest in Brigadoon
plucked from good earth
by strong hands
hauling
uphill, until
a gentle
*****
rewards
a stiff
back; easing
a grateful
burden
that levitates
famine

[ bushels ]

now
ziggarats
in a root
cellar

a Sumerian skyline
of parsnips and rhubarb
with fennel minarets

where Gilgamesh slept
in a pantry of pagan loot
underneath a corner room
at the very back
of a round
house.

where four seasons bunk with an almanac

mason jars of pickled beets
breathing their own blood
hanging gardens from the ceiling
of the Underworld
like fliers of missing children
on telephone poles

i go outside and wander off

you stay home

On a Sunday evening right inside Cartwheel Theatre the crowds somehow ignored the curtains as their spectaculars turned into their favorite pair of googly eyes
They set sight and aimed towards a rather refined looking gentleman with a marble pebble tie

Ah! Adonis! Then crowds were astonished!

The audience suddenly collapsed into a bore as their actor had a lead role of having a smile like open doors towards thick fields and bushels of grains and having a long right arm of direction pointing towards the lazy boys and reclining girls

Ah! Adonis! Whatever happened to the curtains?!
"this is a repetitive act!"
"I've heard of this before!"
"why are the old acts better than this week's?"
"predictable!"

Adonis noticing all eyes aimed at his cheek bones sang; "it is not I! I pity you who lost their recognition to the real show paid all your life to take a peek at a rather fragile fellow pale as I am, I beseech you; go beyond this curtains and forever stand in awe!"