Submit your work, meet writers and drop the ads. Become a member
Sam Mar 2020
You know those days --
those sad, miserable, sucker-punched in the heart, sort of days --
when all you want, is for the tears to well out of you?
for your tears to flow, so that at least something comes out?
But it's as though you have no more tears left in you.
Your well is all dried up.

It's a bit like my heart, actually,
The way it's dropping,
so
     far
           down
                       in my chest.
(I'm almost worried it'll disappear.)

And I have friends.
I have these wonderful, beautiful, friends of mine -- I have people.
But it feels
                     as though
I am glass.
                     fragile.
                     see-through.

And no matter how I want
                                                   to scream, "HELP!"
the words stay sticky, stuck,
                                                   in my throat.
And in the end, well.
I'm back all alone.

But I am still breathing.
       I am still living.
                still wanting to keep on doing those things.
More than anything, I want to push
that darkness,
that fear,
that lingering sadness, swallowing me whole into its abyss --
I want to push it far, far, away.

But all I can do now, is ask:
"How do I get out of here?"
Like that little lost child, whom I have not been in so long.
And hope
for an answer
that will not come.




-- original, typed in romaji --




Korewa,
Nakitakutemo, nakitakutemo,
Ikiru kotoga zenzen mazushikutte,
Mou, namidawa nai.
tte iu kannji.

Nannka, kokoro ga sukoshi zutsu
"chi-nn" to ochiterumitai.
Soshite, tomodachi ga donnani itemo
Jibunnwa fuyou no gurasu
Mou, toumei mitai ni natte
[Tasukete] to iitakutemo
Kotobawa nodo ni tsuikotte,
Owariniwa mata hitoribochida.

Demo, mada ikiterushi,
             mada ikitai****,
Kono kurosa, kono nayamiwa,
Tookuni oshitai.
Daga, maigo no kodomo no youni,
[Douyatte kokokara deruno?]
toshika kikenai.
The English is a translation of something I wrote a little less than a month ago, other title suggestions welcome. I was having a not fantastic day, so the original was in Japanese. As Hello Poetry doesn't yet allow for kanji characters, I've typed it here using romaji.
  Feb 2020 Sam
Moni
Look into my eyes.
Don't tell me you are fine.
I'd rather watch you break down and
Cry
Listen to you tell these ugly lies.

Let your words
Break into sobs
And let me watch as your once red tears
Turn clear.
Please tell me why you
Still do this to yourself.

Don't tell me what I want to hear.
Tell me why you break down.
Tell me what you feel
And the things you fear

Tell me how you got stuck
In this rut.
Let me listen
And don't think you're the burden
On my shoulder.

You should fear for youself
More than you do me.
You should be free
From these mosnters in your head.
But they keep dragging you down.

You need someone
But you keep running
Until you're all out of breath.
I'll try to help and try to understamd
But you'll just keep runing until your death
To my friend. I wish you could get better.
Sam Feb 2020
You make cookies in the night time, as the sky goes from dark to black.

You take out your ingredients: your flour, butter, sugar, salt;
you measure them less carefully than you should
throw in an extra touch of cinnamon for flavor.

You look at the consistency, at how much (too much) butter there is,
at the way chocolate melts on your fingers,
oven heat wafting in your face.

You mix and match ingredients, crack an egg,
try not to think about how you've been here before.

Your first batch goes in, eight gloops of batter in what should hold four,
and you pace around, make yourself another cup of coffee.
Try to avoid the fact that you're only hurting yourself.

You're on batch seven, cup five, when you switch to water,
when enough batter has been made you can start to wash the dishes.
And still, here you are: late at night and washing dishes, alone.

(And the familiarity is making the hole in your chest sink down,
lower and lower -- like it wasn't low enough already.)

If there was a checklist, it would go:
  1. Have you been eating consistently?
       (No, not proper meals. But I'm trying.)
  2. Have you been sleeping well, or enough, lately?
       (No, not really. But it's inconsistent, so at least there's that.)
  3. Have you recently had a panic attack?
       (Yes. Yesterday. Twice.)
  4. Have you been feeling miserable or unspeakably sad, lately?
       (Yes. I've spent the past three days on the edge of tears, but that's fine.)

You finish the dishes, and you arrange them, neatly,
pull on the oven mitts again and take batch eight out of the oven.
Your podcast has ended so you take out your earphones, one batch left,
and the silence of the air around you is
stifling.
              suffocating.

(You did this for a year, once.
You had an abundance of baking ingredients,
                      an empty house,
                            an inability to sleep.
You asked your friends what baked goods they liked,
and then you'd give them as birthday presents.
Because you had the time.
Because you didn't have to think about buying a gift.
Because it gave you something to do with your hands.
Because seeing your friends' faces light up, even just for a moment--
                            it thawed the misery, just a bit.)

Your eyes sting, but you don't cry, as you turn the oven off,
start to stack the cooled cookies into tupperware containers.
You scrub and scrub at your cutting board turned cooling rack,
until only a hint of chocolate imprint remains,
look at the creations you've made,
and try to feel proud.
Sam Jan 2020
The first time anyone without your blood flowing through their veins kisses you, you’re seventeen.

It’s a hug, a quick peck on the forehead – there is nothing romantic about it.

The only time you kiss anyone back, it’s exactly a year later, same person, the same action reversed.

It means goodbye, means I’ve missed you; I’ll miss you – there is nothing romantic about it.

(These actions, both of them, happen under dimly lit streetlights early in the night, promises best kept.)



Growing up, your grandfather, on holiday visits, peppers your face with kisses. His whiskers scratch your skin, and you laugh, pull away because you’re ticklish. Your parents infrequently bestow side kisses to your cheek; your grandmother does the same. Your other relatives hug you when they see you, and you take it with the good grace you’ve been taught.


You grow up in a country where you have two parents, and a chasm of cultural differences.

There is an unspoken rule: you do not touch people in public, do not kiss or hold hands – it is shameful.

There is an unspoken rule: hugs are for children, the youngest and most fragile – the strong stand alone.

There is an unspoken rule: friends are acquaintances, and family is blood.

(the word, I love you, here, is sacred. It’s for married couples, to say to each other out of view of public society. It’s for mothers to whisper down to their babies as they clutch them, still young enough to cradle. It’s reserved for pages in books of sappy romantic novels; it is not for every day use.)


Visiting your extended family a continent away during breaks, you accept hugs out of instinct, common practice. Your parents, at home, give you good night rhymes and packed lunches; walks to the train station and lessons on how to ride a bike. They do not say we love you, we are proud of you; do not smother you with hugs or prevent you your independence – they do none of these things until you are older, until you live in a different country with less rigid societal expectations. (Dad helps you make swords out of paper and cardboard and mock fights with you during the day; Mom’ll come up to tuck you into bed, scold you for reading past lights out – it does not mean they love you any less.)


The first time anyone you aren’t related to hugs you, you must be 12. Maybe 13.  

It’s sudden and unexpected, but you go to an international school, now, and so it keeps on happening.

By 16, you can be reasonably expected not to flinch away, but it’s a close thing, a learned thing.

Your friends keep on at it though, and you don’t hate the contact, just don’t much understand it --

It’s comfort, you learn, holding someone close. It’s comfort, this contact, something meant to steady you.



People around you let the words “I love you” fall from their lips, like they are not precious things, these casually tossed away pieces of emerald. ‘Love ya,’ they say, teasing and joking, so you bump shoulders and smile and never say the words back. (Here is the thing: you are 13 and smiling falsely, you have moved through three schools and eight living spaces, you lose friends as you move and know better than to ever think they will stay with you.)


But here you are, just shy of 17, your friend for the past three and a half years moving away:

You stutter over the words until you manage to say it, the phrase rolling out unevenly -- your friend rolls her eyes at you, but you follow with, I’ll miss you, say, keep in touch, mean all the words that come out.

Here you are, 17, realizing what good friends you have left, these friends you’ll be leaving behind.

So you say I love you and mean it, cling to them until you have to go – in another year, you will do the same, as they let you slot back into your place like the puzzle was never deconstructed at all. In another year, you will throw your arms around each of them, smile wide, that touch of desperation gone.

But there is a year, before that:

A desolate summer where you practice your German on unsuspecting grocery store cashiers, cry yourself to sleep at night when the gut-wrenching longing of homesickness feels too much, because you miss that country you used to call home, you miss your friends (and you’ve never had anyone to miss so terribly before.)

You have a pack of postcards, because your dad writes them, because you’ve collected them from art museums here and there, blank, waiting to be used. It is still summer, your friends are busy doing interesting things, too busy to check social media accounts, so you go old-fashioned and you write.

Hi, or Hello, you start every single one: how are you?  

You use up all the space on the back til your handwriting is almost microscopic, talking about castles, skirting around your grocery store visits, mentioning grades and what classes do you think you’ll get next year?, talking up the Capri-Suns you won’t drink, but found in novelty at the supermarkets anyway.

Love you and miss you, you end them all, heartfelt.

These are your friends: they respond in kind, through letters and pop-up cards, water-colored self-fashioned postcards and long-winded texts. These are your friends, still: you do not lose them.


You hug people more easily now, more casually, if still rarely.

You have old friends, a dent in your post-card stash alongside new ones.

You say I love you, sometimes, to people when you mean it, when your heart feels so close to bursting –

You stay quiet, others, because that has meaning too.
Sam Oct 2019
It's raining outside like buckets
                                  - - - like hard and fast and almost even
                                   - - - like rain you'd best not be caught in
                                    - - - like the beginnings of a terrible storm
except there's no thunder, no lightning.

It's just rain, and you are inside, safe with a soft blanket
(you are not scared and shuddering
  you are not crying and wishing not to be alone
  you are not holding in choked breaths, hugging yourself tight.
)

it is raining, and it rains most days, here.
the trees around you are so green, like nothing you're used to.
you have a room to yourself, and no one who loves you who lives close.
(and you think you might love it here.)

this, where you reside, this is not a place you can call home.
(not when your heart still yearns for the place you grew up, so long ago.
  not when most of the people that make up your family live oceans away.
  not when you have just barely lived here a month, not quite yet.)
but -- but -- this place, it feels safe.

you can't remember living anywhere where all you felt was safe, before.
you - really - don't want to let that go.
  Oct 2019 Sam
mel
recognize
the untold power
in your own strength
plant seeds in the hurt
where others threw dirt
use your tears
to water the cracks
your heart once lacked
because
those are the places
your light shines through
your darkness is a reminder
that all you’ve ever needed
is radiating from you
Next page