I dream about writing you a love poem
One that is not misted over.
One that is not about him
But you, my beloved,
Because you are the only thing that I have ever wanted and I am tired of being so shy.

But this is hard.
This is even harder than  I thought it would be.
I am staring at the her at the end of my first sentence and trying to figure out how it will sound when it finally breaks free from lips.
I imagine it will coat my ******* strange new liberation and we will both rejoice.

 I refuse to write of you equivocally
And blend you into a neutral they
Or let yet another poem fall to chagrin.
I will not let shame cast shadows on our glorious love
No declararion of the truth could ever be an aberration.

So I write this love poem to you.
I do not scribble you deep into the binding or dust you lightly across my untruthful words.
I want to stain these pages with the red ink with our love.
You are not my secret to keep anymore.
You are the color I want to paint the sky.

I sit in my seventh grade health class
*** ed freshman year
My twelfth grade english class
And they talk about ****.
They talk about it like it's an idea
A textbook definition
A rare shadow of society
That doesn't happen to real people
At least not people you know.
They act like there is only one way it happens
It's either a creepy forty year-old man who comes into your bedroom uninvited
Over and over again.
Or, as you grow up,
A boyfriend or date with whom you are, in their opinion,
'Stupid' enough to get drunk with
Passed out on a bed
Your clothes are like weights that anchor your heavy soul.
Maybe my form of abuse was different
As I was in his bed
Which felt more like a coffin full of spiders
As spirits plucked every last bit of life from me
Like guitar strings.
He was not a crusty old man with years of experience molesting children
He was my beloved fourteen year-old cousin
Who had struggled with Aspbergers his whole life.
I had looked up to him regardless.
How could I hate someone who was sick?
How could I hate someone who may or may not have
Understood the severity of what he was doing?
He only molested me once
But it molded my impressionable mind
Like silly putty
From then on I only fell for men
Who had bloodstained hands
And crooked smiles.
It is no wonder that at sixteen
Even after I had dealt with the aftermath of his hurricane
Another boy took advantage of me
And left me seldom sleeping.
It is no wonder that I did not recognize his abuse right away
Or that even though I knew he had wronged me
I would not call it assault.
It is no wonder that instead of press charges or tell my parents
I chose to avoid it
Confiding in my therapist only because I was backed into a corner
Treading quicksand all the while.
The harder you fight, the faster you sink.
After I told about my molestation at fourteen
My parents, although they were extremely supportive,
Told me to keep it quiet
Not to tell everyone.
Their intentions were exceptional
But they made me believe I had something to be ashamed of
When I realized this wasn't the case
I screamed at the top of my lungs
Shouted across the valleys
I was going to be heard
And when I joined forced with others who
Had dealt with similar events
Our ashes piled together
Created a smoke signal so vibrant, so immense
That people had to intentionally avert their eyes in order not to notice it.
We are not the bruises of society
For you to poke and **** at
To see how much our wounds hurt.
We are not for your corrupt education system
Your industry
That you can choose to use for your campaign
Just when our stories are marketable.
These stories do not all look the same
Different chapters
Different pages
Different font styles.
My story is mine
And I do not get to pick and choose
Take my assault off the shelf just when it looks pristine and proper
I live with this everyday
And just as burn victims still have marks that remind them
Of the incident
I still have pieces of me
That struggle with this event on a daily basis.
But I choose to use it in a way that makes me whole.
I cannot change the story
But I can change the ending
And I accept the fact that it will never be a porcelain doll
But it is my battle scar to show as I please
I am a survivor
That is my bragging right
And no one else's shame.

the curves on my
frame are the lines of
a sketch bent slightly
too far; i'm an awkward
angle in geometry
class no one dares to
find and this tiny black

dress is revealing too
much in too little
time. the whispers of
crisscrossed marked
thighs and starry knees
swirl before me and i'm

gone, disconnected. they say
black is slimming but
i've never felt more
potent and i hope
to god no one can see
right through me.

formal dances aren't
ideal for the invisible.

I cut myself again for the last time the night before last, proceeding to fall asleep, hoping I wouldn’t open my eyes this morning.
Waking up to a floored mascara line so straight down my cheek, I didn’t know tears could glide so unbent.
Ruler aligned cuts stand ***** like railroad ties over the flesh of my wrist.
I walk around, careful because I’m concealing a secret that only I can possibly know.
The bracelets hugging the veins in my wrist are nothing but a fashion statement working to disguise the cuts that haven’t yet turned to scars.
I walk around, half hoping someone notices, but still praying they don’t.
The feeling as if everyone around me can hear the thoughts whispering inside my head as they grow louder the more I try and look someone in the eye.
Can they see that the dam inside my eyes broke and was put together when I focused on keeping the blood contained from my wounds?
Gambling with the idea that the people I walk by and next to and towards know that I tossed and turned too many times to remember.
Risking and hoping the **** Band-Aids won’t draw attention to the damage I’ve done to my skin,
Until I take them off, allowing the cuts to breathe,
To heal into scars.

Do you know how many times my mother coughs so hard in an hour that it still surprises me she hasn’t lost a lung?

I wonder if all the money that she spends at the gas station on that tiny cardboard box was saved instead of spent, if she could manage to pay the bills before the late notice arrived in the mail.

How many times do you think she tries to quiet the change being pushed around the tabletop as she counts out the quarters, the dimes, the nickels, the pennies before she has enough to slide the coins across the counter at the station?

How many times is her anger thrown at me because nicotine is absent from the house?

I can only imagine the color inside her chest, protecting her lungs with a black tar after too many years of flicking a flame to a thin white candlestick stuck between her lips.

The house smells of smoke and the yellow filter lines the walls, around the frames that hang themselves by nails.

I clean the mirror and see the paper towel golden from the lingering tobacco.  My clothes reek of a stench so strong no amount of perfume seems to be enough.

I’m paranoid that every time I’m in a room of people and someone mentions that it smells like smoke, if they know I harbor such a scent that I pour it off second handedly as if I inhale the drug too.

I open the mailbox and the temptation to “lose” the coupon booklet addressed to her grows stronger.

The business cards labeled with a barcode on the back subtracting a dollar off when you buy two packs strengthens the urge to scrabble up the silver coins or summons the question, “do you have five dollars? I’ll pay you back when I get paid on Friday.”

Friday never comes.

I often think about how much longer it will be until all the money spent on tiny cardboard boxes will be split between tobacco and medical bills.

How long can you smoke a pack a day and still be cancer-free?

And I wonder how it’s fair to watch your mother gamble with her life each time she places a thin cigarette between her lips.

Russian roulette with cancer is a game she’s become too good at.

I write your name
                              in red
   sunlight
seeps through bottles
          on a windowsill
   margarine kaleidoscopes
         on legs

naked for a change
(early summer risky business)

Floorboards yawn
     under the weight of our stories
   I take showers
        as well as baths now
   Can't be twenty-one here
older   shush you couldn't tell

   Roll my finger
   make your piano tingle
like when our wrists
    bump together
    when spines crackle
on books bought yesterday
    this city   bubbles
        all fiction

You think
monochrome
     makes you look better
     camera   snap   done
jazz sashays around the room
    head out a window
hear people as nosebleeds
                    scrabble about

You flirt
        (what a discovery)
like flowers in a vase
   orange juice   bagels
ten-plus-ten toes

     (A moment
where your eyes ache
     into mine)

I hop
stepped jumped
into this mess

     you know as well as I do
     what a delectable
mess we are in