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fields of lavender
as far as the eye can see,
in rows of scented purple
growing insatiable idiosyncrasies,
our minds are a rich, deep soil
and the children of our thoughts
run free,

run free
and light,
run free
and careless,
like a river to the sea.

the heart is programmed
to be broken,
to let in the light,
and the earth in us is woken,
our heart will open,
it will open,

when we take in our first
breath of this heaven.
when the time is best described as
"the morning muddled middle"

for it is the middle of the night,
and yet,
we have crossed over the midnight divide,
the new day is well commenced,  
but the prevailing dark sky says,
not quite yet!

this journey,
from the bed to the head,
is an abbreviated 20 steps,
you fall out of one,
unable to recall,
hours of vivid dreams,
now only scraps of script,
visions, whipped into the void
of the current blanket of a
night cosseting silence

in return for this
adventure travelogue,
you are granted free access to the top of your skull,
where apparently,
a new set, a fresh combo,
has been delivered, not by Amazon
not by messenger, not by the USPS,
but by your own,
fermenting, fermenting, formidable,
yawning
brain cells
and a poem appears,
wholly holy complete
space, typed and neat,
and falls from your lips,
filtered by your eyes
with no hesitation,
"and not a trace of farewell

and this miracle,
is no miracle at all,
for it is routinized,
a daily occurrence,
the mystery of it
long gone,
The How,
dissipated, disappeared,
and delivered unto
You

your obligation, your need,
your urgent pungent
purging,
is strifeless,
and you owe
but you have no idea
to whom or what
to thank for this
bestowing

is this poem a stowaway?
or did it pay for its passage,
in cash, by credit card,
or barter ?

if by barter,
what did I surrender?
what item or thing of great value did I trade
for this permissive missive
that was created
for the soul purpose,
of being shared?

it's birth was painless,
the cutting of the cord,
was never felt!

and within minutes,
it went from birth to babe,
child to adolescent,
young adult to middle aged,
to now,
a senior senile senatorial
presents itself fully formed,
weaned wise and wizened
and served to you
on white porcelain dishes,
with black cutlery

so fresh, so hot, so new,
that you are the first
or perhaps the last,
even the only
to ever taste it…

I ask for your forgiveness,
though invited
on this journey to this meal
and it's many courses
and its mirrored ball of
disco discourses,
it is signaling,
like a wise fool frantically waving,
enough!
telling you that you
have arrived
at an ending,
that we each name,
Our Destination


so be it
so be it
so it be

now a shared property

<>
            

  NML


April 15, 2025

labor commenced
at 2:27 AM
and the poem~baby
with all its limbs, all its senses,
was delivered to you,
its adaptive & adoptive
parents
at 3:22 AM

so good night, good day
and good luck!
Ah, Pradip,
once more, like a 1000 times before,
you submit title, demanding a poem,
daring me to author it's entire body & cell structure,
give it a native language birthmark, and a history unique,
even a name

Un fair!

Is it only me that you burden so, I doubt it.

Each of us has the right to the small tinys, things we see,
the embellishments of our lives,
filling our hives with pure honey,
and letting the other others peek
over our shoulders, as we write to each other,
always one more time until there is no more time

Do words have any boundaries?

How is it that words can cross the seas, the mountains, all the while,
interjecting the fullness of their import?

What time is it you ask?
Here, not yet 5 AM, and once more, here again, roused from sleep after vivid dreams, and finger pointing of my poetic life responsibility to complete this task, you gave me unasked, but know me too well, for well they rang like a bell in the brain,
a burr in the bed,
a gun to the head
Each
and all commanding,
fulfill me!

Do words require a passport to cross oceans? Do words have citizenship?
Why does entry into a different country require each time, a new poem?

yes, the house is dark,
I am alone, but not really…

The words that are conscripted to be issued, in this missive, fall so easily from my lips, that it is as if they were already there,
MRE's
?
pre-prepared, "meals – ready – to eat, "
for voyaging to the Indian continent, not caring if they came alone, or with my body in their person possessed

How is the little granddaughter?
Does she command you to write poetry too?
Does she write poetry too?
Does she learn English as well as her native tongue?
How do you tell her that you love her, celebrate her,
and that her fame and escapades are unkempt  
by real geographical boundaries,
and travel around the world?

Ah, You see
I have charged you now with responsibility!

Ah, the tables have turned, now boundaries must be crossed again with a passport issued from a foreign land (foreign to me anyway),
And I wonder and wander, when they arrive, how will I know,
commit them to memory, and love them with all my heart forever?

Praddip!
Go for one of your walks on quiet nearly empty roads, see the old people beside them, doing the things that old people do,

and memorialize these moments,
you do
so well, so fine, and let the other onlookers hear them spoke, in every language, so many love poems to life, we do not lack for any,
but always, always, always,
demand and require,
n e e d
(he howls)
one more!

Time: 5:1 2 AM
Eastern standard time
New York City
By the Atlantic Ocean
On an island surrounded by water,
That 1,000,000 or more every day pass by,
And here,
h e a r not the flow,
lost amidst
the blaring megaphone of silences
of
city noises, city words, cityscapes, human miracles, and tragedies, it cannot be.
that
I am
the only one so burdened!
And by well traveled poetry,
so un burdened

This semi private, totally public,
Love now,
Love note
is complete as of 5:16 a.m., and after a quick review, will be sent on to you, for submission of a unique-passport for
with its very own
valid entry stamp

nml
please, as usual, advise any typos (toe matoes)
How did the first poet come about
Which feathered friend
Unlatched his tongue
Pitching his wits to sky of views
To detect fire of flowers
To discern the link of above and below
To reflect on drift of words
To visit invisible nations
To conceal his creative nucleus.

Before the transformation
He must have been an ordinary man
With sleepy ears and shrouded eyes
Mundane like the face of afternoon
Whether by chance or divine decree
He was crowned by feathers of Simurgh
And given a plot of sky to wander
To sing of morning and of night
To sing of colors, of trees, of flight of birds
Of taste of wine, of berries, of hazelnut
To sing of wings of life
To relieve the pain of confinement
To reveal the crack of cage
To become paragon of originality
To settle in heaven of finesse
And brandish hell at the oppressor.
Lawrence Hall
Mhall46184@aol.com
Dispatches for the Colonial Office

                            Your Poems as Love-Letters to God


          Gregariousness is always the refuge of mediocrities, whether
          they swear by Soloviev or Kant or Marx. Only individuals
          seek the truth, and they break with those who don’t love it
          sufficiently.

                 -Doctor Zhivago, p. 9 in the Pantheon edition


You live, you have lived, and you will live
And because you live you will engrave your life
In elegant scansion, in noble lines
That shape chaos into beauty and truth

Not into metal or rocks or wood
But flung into Creation in gratitude
For the sacred life you have been given
For the strength of your love and thoughts

Each little line is a gathering-gift to God
Baptized in the Jordan and in the Hippocrene
To God, and to the Muses who smile on you
And to great Mysteries beyond the stars

Each little line is a gathering-gift to all
To read in the light of seven sacred lamps
The wisdom of patience and pilgrimage
Beside the banks of the river you know

You live, and so you write, you must, you must:
For there is meaning in tumbling in the grass
On a summer day that will live forever
Helped along in your written remembrancing

You live an eternal meaning in the why
Of laughter and puppy-kissings and grass-stained jeans
And that is why you must write it all down
For others in intellectually-sharpened rhythms

You live an eternal meaning in the why
Of love, of deeper kissings in the dark
Emotional confusions gone crazy-wild
Until they are sensed through crafted verse

You live an eternal meaning in the why
Of recruit training and sometimes war
The joys of learning wisdom from great books
Tentatively shaping your own new knowledge worthily

You live an eternal meaning in the why
Of leafy springs and apple-green summers
Golden autumns and winters of blue
Writing them as hymns of gratitude

You live an eternal meaning in the why
Of children in a home modest in wealth
But rich and layered in love, work, and prayer
“Is this poem about me?!” Oh, yes, child

You live an eternal meaning in the why
Of lonely nights, hospital stays, mistakes
Disappearing dreams, disappointed hopes
Memories of friends buried in the dust

You live, you have lived, and you will live
And because you live you will engrave your life
Love-letters as your gift to Creation
In nomine Patris, et Filii, et Spiritus Sancti
for she
<>
"I choose to love you in silence, for in silence I find no rejection.
I choose to love you in loneliness, for in loneliness no one owns you but me.
I choose to adore you from a distance, for distance will shield me from pain.
I chose to kiss you in the wind, for the wind is gentler than my lips.
I choose to hold you in my dreams, for in my dreams you have no end"

Rumi
<>

writ in a time, for when
there is never enough,
and yet,
always, waves of too much,
needy for
filling feeling fulfilling

We must learn,
be self taught to:

"Leave a tender moment alone
You got to leave a tender moment alone
Leave a tender moment alone
Leave a tender moment"

ah the tender time is nonetheless
rightly and wrongly
rightly now,

for I have stumbled,
overheated, sweaty, from the night bed,
at 4.30am into another darkened toom,
and I have smacked~stumbled into
Rumi
and her

our paths continuously intersect,
in the same but
in different cities, continents,
and yet,
diffident, differing,
we silently choose
never to close those lady~last few miles
and tie the knot of
eyes, skin, lips
the instruments
that transmit thousands of
neuronal explosions that
seal the deal

so we write in poetry,
in silence broken by the gentility
of fingertips soundlessly
and yet,
boundlessly rocking,
explosively soundings of
tap tap tapping

my music mocks me,
it is definitively god interfering,
advising, conspiring,
wiring into my brain
better lyrics,
idealized notions,
exactly appropriate
and appreciated

with the lyrics urging me on,
and that we must be
self taught to:

"Leave a tender moment alone
You got to leave a tender moment alone
Leave a tender moment alone
Leave a tender moment"

but my heart trembly refuses,
insightful informing
that now,
now! is
the moment to exchange
vows of words,
though un spoke,
they require
written completion
through
& though
apart, alone,
to finally out loud confess
what has always been known, only to each other,
to be
so real

and yet*,

we will never exchange
these sentiments
in out loud words

but though this be lacking,
it will never
diminish
their  ultimate
intimate
truthfulness

and I ask,
is this a poem?

surely
it is that, and
so much more,
an essay, a letter on
invisible NML stationary,
a heart carving in
an oaken barrelling of
ancient vintagery

and that interloper,
Him again,
eavesdropping
on this private communication,
insists that I draw deep
from her favorite
singer~songwriter,
words that say it better,
that for real seal the deal,
in the saddened perfection
of total, enwrapped,
silence:

"Hello darkness, my old friend
I've come to talk with you again
Because a vision softly creeping
Left its seeds while I was sleeping
And the vision that was planted in my brain
Still remains
Within the sound of silence"

and
it is time
to finish this task,
it is exactly one hour,
no time at all,
to complete a love poem that
is/was complete,
even before its
composition
and yet,
is never to be be familiar with
the finality of
completion
<>

postscript:

I taste your private shed tears,
hear the howling sigh,
but most of all,
'tis the explosion of
a deep smiling creasing
your lips,
spreading in all directions
saying and stating:

at last, at last!
a lasting, a confessional to you god,
though,
a through and through
silent
jubilation
                                              ­             nml

April 8, 2025
530am
New  York  City
excerpted lyrics from Billy Joel and
Paul Sumon
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