my father was a
pretty perfect guy,
beloved by most
and especially children.

He was a ‘gallant’ (gaaa~laant)
of european extraction,
who tipped his homburg
and greeted everyone by name,
forgetting none and
who was related to whom,
or their distant cousins
in Kansas City,
with whom he stayed
when he was a
traveling salesman,
in 1933.

My only complaint,
was and remains,
he never went with me
to Yankee Stadium,
saw the emerald green
diamond miracle
in the Bronx hidden,
as he, small businessman,
worked six days a week,
and had no time
for juvenile sports pastimes,
otherwise, he was my
All-American…

Otherwise, he was perfect

how do you paint water, or clouds?

I could read poetry for the brief,
of my of remaining life, however brief,
and never be satiated, of love, and streams of water,
never stilled, always running in patterns that exist,
but for milliseconds, admired by clouds born in, of,
a moment of re-formation that is perpetuity long:
unending shape shifting, like the freedom of flowing water
currents, forming, reforming and unthinkable, nay,
inconceivable that human eyes or their spoken words
could capture their shiny white foamy essence

But of love, that we can do, paint, design, recreate its
endless loops of undulations, like the radiating circularity
of a pebble dropped gently to its burial sight in a quiet pond.

Humans know, understand and excel at clasping and grasping
at the synapsing of human cells from differing bodies: the
exogenous erogenous of human touch that like the clouds
and the water, who could paint that, who capable of capturing
said sensations that wrack and enliven the body with invisible
interior chemical reactions. I cannot. Thankfully better men and women have treatised  their entreaties to the powers of the universe and been rewarded with the skilled delicacy of weaving human tapestries, the milliseconds of connectivity, eclectic and electrifying of different currents and differing amperage’s forming and reforming like water moving, just  like the clouds changing in response to the externalities of wind and gravity and all the forces of nature that encourage us to study and stare at these flows, hoping to entrance them into standing still for but a moment, and instead, mesmerizing us into standing motionless for hours in awe of their freedom.

Love’s undulations too mesmerizing, and freezing us into
place, or alternatively caucus to run endlessly arms extending,
flying though not airborne , rocketing us upwards while feet never budging, but finding good wards, masterful metaphors to recreate and thus to share the fabulous mystery of this thing we know as love.


2:58AM
Friday
jul 22 (jewel 22) of the 23rd year of the 21st Century.


O.L.P.

"I see you there, I would know you anywhere.
(Both smile and laugh)
You have changed very little. Care to Dance?
(She takes his hand, and they go arm and arm.
On the dance floor they closely embrace and
it seems familiar.)

"Your perfume or maybe that is just your
scent, brings back pleasant fond memories
of you and me parked out on the bluff
in my '58 Chevy, just two kids in love
kissing 'till our lips hurt. Though a little
time worn around the edges, we still move
well together". (They laugh.)

(Close to her ear he whispers)
"I hope your life has been good, that you're happy.
That you lived some of the dreams you had back
then. My own memories are flowing, I suppose that's
what reunions are about, this is my first one, a bit
remiss, I guess, plus living 700 miles distant.

We were good together back then, wow, 60 years
ago, father time is an elusive fleeting old thief,
steals our youth and gives us grey hair and
wrinkles in return, not even a fair trade."

(Entwined they slow dance to the oldies for
an hour, neither wanting to let go caught up
in the mood. He looks into her eyes and says)

"I must admit my feet hurt; can I buy you a cold
drink while we sit, perhaps you will catch me up
on your Life's adventures since 1963?"
(She smiles and nods her approval, kissing him
lightly on his cheek.)