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 Nov 2015 maybe marc
Maria Etre
Come with  me
and I'll show you a world of possibilities
I'll just take off your glasses
and the let the sun kiss your eyes
refreshing your sight

Come with
and I'll mend your heart
with honey to sweeten each crack
changing your hatred to sweet nostalgia

Come with me
and I'll paint a pure reflection
that'll amplify your imperfections
that'll highlight the flaws
and portray a new vision of beauty

Come with me
and I'll hold your hand
through the world that you already abhor

Come with me
and we will pin the clouds to our
feet and float weightlessly
carelessly

Come with me
and we'll discover a planet
where society has not yet tarnished
all forms of cliche

Come with me
and we'll write novels
on city walls
narrating stories that will bring people together
or tear them apart

Come with me
and we'll show them
how beautiful it is to dance
with no wrongs or rights
just mere human elation

Come with me and
we will hop from one star
to the other, exploring each
bright possibility

Come with me
and I'll show you
what you don't see

come
with
me
 Nov 2015 maybe marc
r
He stuck two sticks in the mud
Forked like a moccasins's tongue
To hold both poles while we smoked
Camels we stole from the coal
Truck man and drank homemade
Wine swapped for a knife and a dollar
To the drunk up the holler and a can
Of sweet corn ten years old still dusty
And rusted but the trout hit it hard
Anyway like slow flies on a slow
Golden Saturday a long time ago.
In memory of my brother Barry.
My feet are still marked
With ghosts of mosquito bites
From that evening on the dock

They itched after I left
Gnawing reminders
I scratched, leaving scars
Six faded spots like old freckles

It wasn't that night
When you asked
But it was that night
When I knew

The next day you said it: Should I leave her?
I said yes, selfishly
But I never relished your gnawing sadness

I never wanted you to hurt

Silly me
I thought you might add two more words:
Should I leave her
For you?

Instead I'm the one with the scars.
it is funny, you will be dead some day.
By you the mouth hair eyes,and i mean
the unique and nervously obscene

need;it’s funny.  They will all be dead

knead of lustfulhunched deeplytoplay
lips and stare the gross fuzzy-pash
—dead—and the dark gold delicately smash….
grass,and the stars,of my shoulder in stead.

It is a funny,thing.  And you will be

and i and all the days and nights that matter
knocked by sun moon jabbed ****** with ecstasy
….tremble (not knowing how much better

than me will you like the rain’s face and

the rich improbable hands of the Wind)
the rose
is dying the
lips of an old man ******

the petals
hush

mysteriously invisible mourners move
with prose faces and sobbing,garments
The symbol of the rose

motionless
with grieving feet and
wings
mounts

against the margins of steep song
a stallion swetneess    ,the

lips of an old man ******
the petals.
it is at moments after i have dreamed
of the rare entertainment of your eyes,
when(being fool to fancy)i have deemed

with your peculiar mouth my heart made wise;
at moments when the glassy darkness holds

the genuine apparition of your smile
(it was through tears always)and silence moulds
such strangeness as was mine a little while;

moments when my once more illustrious arms
are filled with fascination, when my breast
wears the intolerant brightness of your charms:

one pierced moment whiter than the rest

—turning from the tremendous lie of sleep
i watch the roses of the day grow deep.
somewhere i have never travelled, gladly beyond
any experience,your eyes have their silence:
in your most frail gesture are things which enclose me,
or which i cannot touch because they are too near

your slightest look easily will unclose me
though i have closed myself as fingers,
you open always petal by petal myself as Spring opens
(touching skilfully,mysteriously)her first rose

or if your wish be to close me, i and
my life will shut very beautifully ,suddenly,
as when the heart of this flower imagines
the snow carefully everywhere descending;

nothing which we are to perceive in this world equals
the power of your intense fragility:whose texture
compels me with the color of its countries,
rendering death and forever with each breathing

(i do not know what it is about you that closes
and opens;only something in me understands
the voice of your eyes is deeper than all roses)
nobody,not even the rain,has such small hands
If
If freckles were lovely, and day was night,
And measles were nice and a lie warn’t a lie,
Life would be delight,—
But things couldn’t go right
For in such a sad plight
I wouldn’t be I.

If earth was heaven and now was hence,
And past was present, and false was true,
There might be some sense
But I’d be in suspense
For on such a pretense
You wouldn’t be you.

If fear was plucky, and globes were square,
And dirt was cleanly and tears were glee
Things would seem fair,—
Yet they’d all despair,
For if here was there
We wouldn’t be we.
Humanity i love you
because you would rather black the boots of
success than enquire whose soul dangles from his
watch-chain which would be embarrassing for both

parties and because you
unflinchingly applaud all
songs containing the words country home and
mother when sung at the old howard

Humanity i love you because
when you’re hard up you pawn your
intelligence to buy a drink and when
you’re flush pride keeps

you from the pawn shop and
because you are continually committing
nuisances but more
especially in your own house

Humanity i love you because you
are perpetually putting the secret of
life in your pants and forgetting
it’s there and sitting down

on it
and because you are
forever making poems in the lap
of death Humanity

i hate you
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