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 Aug 2016 Marcus Collins
Mikaila
Lost in the dark again
So vast and clear
It could be space
Stars winking, feet uncertain for a moment on the ground
I look up
I look out
And there is nothing and no one.
But we have
Been here before.
Down the darkened drive I walk
Unhurried
For I have long since learned
How hard it is to fear the things of the night
If you are one of them.
The blackness parts like mist before me
Stirring, inky,
And I pass through it like a ghost
And it sizzles along my skin like black water.
Maybe in the day you could make me kneel,
Maybe you could wring tears from me,
But you are of the light.
Your eyes dance sunshine
Your hair holds gold now, and red.
You smile and turn the lights on
Everywhere at once.
But I walk and darkness follows me like a faithful hound,
Its black eyes glittering, its breath silent, hot and cold at once.
I can with impunity walk among the filaments of fog that stand in the air when the moon sinks into the velvet curtains of the sky
And I can look at you now, paler in my mind, smaller than you seemed.
Here, now, no matter how I may have loved you, you cannot scare me,
For your light, although it brought me joy, was never my light.
Here it can be snuffed like a flame, a sudden brilliant candle which came
Unprepared for the chill.
It was reflected, dancing, for a moment
In the depths of me, like sunlight glinting off minnows in the shallows of a fathomless lake
And briefly I craved it- as all dark things briefly do-
Something golden and warm, something like the way laughter sounds, something so foreign and so new.
But here I am now at the bottom
And I am silent,
And my joy in what I am is something different, darker, fuller, like the smell of soil after rain.
Not tremulous, not fearful,
This is a wild, ancient joy,
This is the joy of a creature which knows it can live in the dark,
Something which has been buried time and again
And still, perversely, breathes.
Something which has learned to feel its way
With the same small, sensitive hands so often burned and battered by embers and shards of glass
Shed by loves which burnt to ash and shattered, suddenly and violently, to little more than dust.
This is the slow-smiling joy of something which has gradually become, through unwilling struggle, very hard to ****,
And with almost smug relish it looks upon anyone who quails at the night
Or starts at the sudden breaking of a twig in the dark.
This is the complex, lonesome joy of the wolves as they howl at the moon.
It is my power, to walk softly through the darkness and let it touch me,
Throw back my head and feel its coolness raise the hair along my arms.
To be free from fear in a place built from it.
And this is the reason I can walk away from you and your tempting light:
You held me briefly in your arms,
But I hold in me an echoing darkness, great and terrible, and it croons to the night,
And although that night is brutal and cold to the bones, it does not ask me to be different.
And although it may swallow me
At least will swallow me
Whole
Unsullied and as I am
Unchanged, unchangeable, unapologetic-
Full of everything you ever ran from
And full of all the reasons that,
If you're so scared,
You should run faster.
 Aug 2016 Marcus Collins
Mikaila
There is something beautiful about two sad people who agree to hurt each other.
Something comforting.
It is a comfort only very damaged people understand- the tacit agreement to cause pain, and to receive it.
Pleasure is for people who have what they want.
But for those of us who are starving, ours is best peppered with suffering.
Being with someone who understands that carries its own worth-
I don't want you to make me feel good.
I couldn't stand it if you did.
I don't want you to touch me gently, or ask if I'm alright, or stop to look into my eyes.
I am starving, and so are you: I want your teeth.
I want you to make me hurt. And I want to hurt you.
I want you to hurt me because I'm not him, and I want to hurt you because you're not her.
We want to see each other suffer because we are starving and we need to feel that someone else is.
Don't hold back. I want you to lower me because I'm too good for her.
Don't love me, don't caress me. Dig your nails in. Drip candlewax on my stomach.
One step down from torture is all I can stand in the way of human connection, when it isn't her.
Punish me for looking at her like a baleful puppy tonight, even as you waited in my room with your soft skin and your sharp teeth.
There is nothing you can do that will be too violent, too brutal, too sadistic.
I don't want to be loved right now.
I am too raw.
I want to be touched. I want to be ruined. Leave marks. Smear lipstick.
Lower me because I am
Too
****
Good for her.
Let this heart know on no uncertain terms that its needs don't matter.
Help me **** it. Help me pin my demons to the bed and make them writhe, and I will do the same for you.
Let's exorcise our loves tonight and banish them to hell.
Let's tell our skin that it is irrelevant.
Let's say "*******" to the things that bind us. I will cut your heart out for him.
I will kiss your scars, not to heal them but to remind you that when you put them there you fought for something, something we both fight for now.
Hurt me. Fight her. Do it for her.
Do it for her because I'm not good enough to hurt.
Do it for her because I'm TOO good to hurt.
Crush me.
You could boil me alive and it wouldn't make up for her, so at least leave me bruised.  
I will give you what you need, and you will give me what I need: not love, but contact.
Please,
Let my heart know on no uncertain terms that its needs
Don't
Matter.

There is something beautiful about two sad people who agree to hurt each other.
 Aug 2016 Marcus Collins
Gidgette
What does your heart cost?
Can it be bought?
Not with money
That's a silly thought
A million kisses,
Maybe two
Gentle carresses
And "I Love You's"
Late night laughter,
Secrets whispered and kept
Promises of smiles
No tears to be wept
"How was your day?"
Asked with care
The complete reasurance
That I'll always be there
What does your heart cost?
I'll pay any price
Just to hold your heart
And see love in your eyes
I met a man.. that I believe..I have dreamt into existence.
He spoke life into my dreams, dried my tears, when I cried from my ever healing soul, planted lavender below my window sills, surfed the ups and downs of my complicated moods and patiently waits..

He's the constant, I never knew was real, the strength that keeps my back from bowing, the gentle...that soothes every doubt.

He's the description of what Love..is truly meant to be.
Copyright © Natasha Ivory Evans 2016
Im convinced, that the most powerful force on earth is Love.

Love. I fell in love with life.
Given the opportunity to open my eyes to a sunrise across a white sandy beach. Beaming rays rising, lifting my heart from the ache that devoured it these last few years. Love. I fell in love with the rain that fell upon my face as I danced with a stranger in the streets at nightfall..washing away the age I carried after my last heartbreak. Love. I fell in love with laughter as I allowed myself to wholeheartedly laugh from the belly and simply let go..being fully present with the smiles surrounding me and falling into the freedom of acceptance..
Love. I fell in Love with God again... as I soaked up all of the beauty that surrounded me...feeling the fabrication of each of these moments.."meant to prosper and not harm"
As I let go of the guilt of life's stumbling blocks.
Love. There's simply nothing..like authentic, genuine, pure, honest, real, absolute love.
It Heals, holds, lifts and reconstructs the heart, instills hope in the hopeless, fills the gaps where life's afflictions wear deep, and creates a warm invite of compassionate approval and a kindness so generous...it literally revives the Soul
I wrote this after arriving home from a vacation to Honolulu, it was much needed and the time of my life.


Copyright © Natasha Ivory Evans 2016
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