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Maggie Emmett Apr 2016
~ To *****, on the death of our mutual friend John Keats ~

What steadfast equilibrium
Can border vastness of grief?
Nothing ever becomes as real
Till it be experience.

Life’s fragile day is done for Keats
Imagination his belief
His Monastery, he its Monk
Beauty’s spell, fervent relief.

He died in Rome mourned by so few
Bright star, by none more than you
He hears your tender-taken breath
Ever feels soft fall and swell.

If warm,  wind plucked purest  harp
Words from tranquillity have sprung
Then Nature’s might and awe arouse
World’s sheer grandeur will be sung

Yet will black shadows cross the land
Swarming clouds of  Erinyes
Snatching this poet young and sweet
More mortal than his poetry.

© M.L.Emmett
In the style of Horace Odes Book I . XXIV
John Keats corresponded warmly and lovingly to *****.
Keats fans may find inclusion of familiar language and ideas here...
Maggie Emmett Apr 2016
(On the death of a daughter)

The death I must pronounce upon
For you, parents, the wait was long
Across this land unjustly tried
Your silence only proof you lied.
In pitch darkness, dragged overland
By Dingo jaws and human hand
Guilty and gaoled, she would have read
In her sixth year, were she not dead
Just six weeks, never spoke a word
Now flies the night, free as a bird
Over deserts ochre and red
On Uluru she rests her head
Wakens and plays in sunlight stark
Darts in rock shadows, cool and dark
In Rainbow Spirit surely trust
She lies lightly in sand and dust.

© M.L.Emmett
In the style of Martial in Epigram 5.34
Refers to the death of Azaria Chamberlain near Uluru (once known as Ayres' Rock)
Entry into John Bray Poetry Prize 2012
Maggie Emmett Mar 2016
The air is slow and still
faint puttering of the last barge
shunting coal downstream

city on the edge of sleep, settles
city on the edge of night, darkens

stretched steel and stone relax
cooling to a grey relief

reeds and sedges ripple
under bridges
and on the edges of the river

city in the gaze of moonlight, sighs
city in the haze of moonlight, slips

in the steady wash of tidal waters
and the brackish water of the estuary
come the bodies from the shore.


© M.L. Emmett
I was born in Reading, a town straddling the river Thames. It is an ancient river...
Maggie Emmett Mar 2016
almost
at breaking point

almost
fleshed out of existence

she caresses
the white hospital cup

as if it were
a soft-feathered fallen dove

frightened and waiting
for a chance to fly again.

© M.L.Emmett
Observation & imagination
Maggie Emmett Mar 2016
In the seventies
we brought back silks and saris
hot with colours
that shocked the nights
Punjabi embroidery
on cheesecloth kaftans
mirror glittered skirts
that were spun with light
Kashmiri shawls
and Afghani dancing dresses
arms full of bracelets
silver and brass
enameled and etched
and singing with ***
rings of Ivory, sapphire and jet
necklaces of jade and threaded apple seeds
rain forest timber bowls
white marble boxes from Agra
with precious inlay stones
our little Taj Mahals
we wandered the globe
like a magical village
of lovers and
and came back
with backpacks of dreaming
and hope.


© M.L.Emmett
Maggie Emmett Mar 2016
My lover’s eyes no longer navy pool
bleached paler by years of beating sun
His nose over ****** dominion rules
and skin with liver spots is overrun
A dandelion man, confused and tall,
a long thin stem and a puff of white hair
Unsteady gait, joints need an overhaul
the crack and creak of cartilage wear
His views are fixed and often dogmatic
expressed in cold voice with power and force
He never cares to be diplomatic
preferring a more a belligerent course
Yet, he is my love and ever shall be
as long as the tides rush in from the sea.
Shakespearean Sonnet form
Maggie Emmett Mar 2016
Miss Haversham has shaken
off the cobwebs and the deadly dust.
tore down the tattered curtains
moth-eaten and frayed
She’s flung open the windows
thrown away the detritus of decay
into the path of passing winds
napery tossed down to the garden.
Even the mice have run for cover
as she tears off the raggedy sheds
of stained satin and be-ribboned lace.

She stands naked in the barren room
Estella has prepared a soothing bath
perfumed rich with oils and fragrant attars
to steal the acris stench of unwashed years
coaxing the arid brittle crust away
saving the soft delicate skin beneath
viciousness, sloughed smooth
and vengeful purpose passes.

She is reborn a Botticelli Venus
standing in an open shell
long hair shining and wrapping around
her creamy skin, voluptuous
curvaceous, slippery with life
newborn yet wiser for the years
of reflection, ready to deflect
romantic nonsense and live
free and breathe again.

© M.L.Emmett
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