Whenever I begin to write a verse,
   I rarely know quite how the work will end;
I try to keep my subjects somewhat terse
   and use the form to make the scansion bend.
I find the meaning somewhere halfway through
   the writing process, where it's leading me;
and try my utmost not to overdo
   the metaphors and sappy imag'ry
(for sentimental verse we hardly lack
   among the countless writings of our time).
I speak of love, but more so I stay back
   and think of other matters for to rhyme,
and when I reach the end and writing's done,
it's not long ere the next work is begun.

It seems to me a sorry thing,
   the damage that a love can do;
for all the joy that it can bring,
   it seems to me a sorry thing,
since whilst a heart it maketh sing,
   it promises to rend it too -
it seems to me a sorry thing,
   the damage that a love can do.

*******. Quit melting
my mind away, and cleaving
myself from myself.

*******. I'm losing
track of what I used to be,
all because of you.

*******. You're killing
me slowly, not with toxins,
but with my own mind.

*******. You've got me
hooked, confused, and lost inside,
outside my control.

*******. *******, you
self-destructive, sadistic
******* of a drug.

On the shore he perches daily,
body wrecked and curled.
Through his hand
there streams some sand,
drawn down unto the world.

As twilight sinks, he gives a wistful
glance toward the sky,
as tales and tears
of eighty years
still now adorn his eye.

Soon he picks himself on up, and
shuffles west, forlorn,
and no one knows
quite where he goes -
he's always back by morn.

He's seen a lot and lived his years
defined by time's demands,
and with regret,
like sand, he's let
his life slip through his hands.

So on the shore he perches daily,
fingers fixed, unfurled,
and for his bruises,
slowly loses,
bit-by-bit, his world.

lately, all
of my
veils have
evaporated,

laying bare
once-hidden
vistas and
emotions,

leaving me
open and
vulnerable to
either being

loved by you,
or simply
vanishing into the
ether.