New York City   

20/F/Texas    i started writing to learn how to feel again//i would love to hear your feedback

Never really fancied myself a poet, but the shoe fits from time to time.

19/F/Neverland    To overcome my fear of sharing, I decided to share. || I'm a sucker for great imagery and masterful lyricism *.* || I gladly accept …

"because writing is a soft and hard place all at once" - Yrsa Daley Ward

14/F/nowhere - and everywhere    heyyyyyyyyyyyyyy im insescure.

41/M/Milkyway    Just another daydreaming simpleton. I like it best here, because none of you know me, but could end up knowing me, better than those that …

18/F/Caribbean    trying to love the little things even if they're hard to love.

i always see an oasis -Indian writer

F/lost in the realm of Ink.    Proceed dear reader, because thats what you do. take part in my world for an hour or two

27/F    "I don't really know," I heard myself say. I felt a deep shock, hearing myself say that, because the minute I said it, I knew …

Leeds   

46/F/Ireland    Short, sometimes sweet, sometimes caustic, always sincere, but not quite all there.

40/F/Everywhere    Shes classy. .but a little off. Shes been writing for over 25 years. She dreams deep in to other dimensions and speaks to ones who …

34/M/Florida   

Non-binary/London   

F    Love don't even live here... That bitch don't even visit...

Nature Lover

F/North East    Lover of written words, a believer in the Lord Jesus Christ, with the desire to inspire.

18/M/U.S.A    composing in the shadow of love, the shadow of life, and the shadow of hate.

59/M/Las Vegas    Published BEST SELLER Author IMDB "The Loyal Disorder 1" and the "Ardor of a Poet "starting on my eighth novel "The Loyal Disorder 2" , …

F/California    All original work is my own, and copyrighted by Medusa, and A. Wild. unless otherwise credited. Medusa painting by S. Christian, my dear friend irl, …

Carthage, Tunisia    ‘For Bouazzi, Shelley’s rhetoric is “bound up with the human makeup” (11). This toughly elegant formulation articulates the book’s conviction that Shelley’s affirmation and disaffirmation …