New York City   

20/F/Texas    i started writing to learn how to feel again//i would love to hear your feedback

Never really fancied myself a poet, but the shoe fits from time to time.

19/F/Neverland    To overcome my fear of sharing, I decided to share. || I'm a sucker for great imagery and masterful lyricism *.* || I gladly accept …

"because writing is a soft and hard place all at once" - Yrsa Daley Ward

14/F/nowhere - and everywhere    heyyyyyyyyyyyyyy im insescure.

38/M/Milkyway    Just another daydreaming simpleton. I like it best here, because none of you know me, but could end up knowing me, better than those that …

18/F/Caribbean    trying to love the little things even if they're hard to love.

i always see an oasis -Indian writer

19/F/lost in the realm of Ink.    Stories and poems lay here The question is what are you ready to hear?Are you ready to face the force of change Are you ready …

27/F    "I don't really know," I heard myself say. I felt a deep shock, hearing myself say that, because the minute I said it, I knew …

Leeds   

46/F/Ireland    Short, sometimes sweet, sometimes caustic, always sincere, but not quite all there.

40/F/Everywhere    Shes classy. .but a little off. Shes been writing for over 25 years. She dreams deep in to other dimensions and speaks to ones who …

34/M/Florida   

Non-binary/London   

F    Love don't even live here... That bitch don't even visit...

Nature Lover

F/North East    Lover of written words, a believer in the Lord Jesus Christ, with the desire to inspire.

18/M/U.S.A    composing in the shadow of love, the shadow of life, and the shadow of hate.

59/M/Las Vegas    Published BEST SELLER Author IMDB "The Loyal Disorder 1" and the "Ardor of a Poet "starting on my eighth novel "The Loyal Disorder 2" , …

F/California    All original work is my own, and copyrighted by Medusa, and A. Wild. unless otherwise credited. Medusa painting by S. Christian, my dear friend irl, …

Carthage, Tunisia    ‘For Bouazzi, Shelley’s rhetoric is “bound up with the human makeup” (11). This toughly elegant formulation articulates the book’s conviction that Shelley’s affirmation and disaffirmation …