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  Mar 2018 Fullfreddo
Nat Lipstadt
35,088 feet over Nebraska,  

(Nebraska-imagining me climbing a ladder, me upwards, Jacob’s angels coming down, off to a high school All Saints wrestling match in a cornfield town)

a place not on my bucket list, just a blue bias of an eastern stater’s unknowns, a sure sign of how much he doesn’t know

reading Patti’s slender volume “Devotion”

slender like her body, some would call it a wiry woman's
sparse but directed, connective, word-worshipping,
old familiar strangers she delivers to you that you have never met, her phraseology striking me and strikingly beautiful simultaneous

scan it and understanding instantaneous
she asking,
why do we write?

her answers are fine copper wire threaded
into a coil and I close it quick cause the loving ****** desire to
plagiarize such an oddly gorgeous offerings is overwhelming;
I feel the wire words piercing my temple, intending to
emerge out the other side, a decorative symmetry,
I don’t own

my need to script some cursive on my smooth body parts,
on my god-given papyrus, always at the ready,
is a methadone itch, a dulling urge needy for fulfillment,
that needs satisfying but me, soundly second rate,
write like the flip side of a hit vinyl record, no one is expected to play, fulfillment meets futility

thus the title is a modification of a Patti light touch

my alchemy never made any gold and my present presence now over Iowa a reminder that my prescriptions are 1200  evacuations; they are negative commandments,
proscriptions, not prescriptions

do not write, do not wrong words with a middling diffidence,
hide your face and put her words on a shelf above your head
hard to reach, so you do not be tempted

why do we write?

“All seeking an emptiness to imbue with words.  
The words that will penetrate ******
territory, crack unclaimed
combinations, articulate the infinite.” Patti Smith

disambiguation she relieves us of uncertainty
my combinations over Waterloo, Illinois
are ordinary smokestack gray, a spewing wastage,
the angels conforming that my words Cain-fail,
my confession
meets no one’s standards, not even mine

7:07pm Central Time
march 25 2018
  Mar 2018 Fullfreddo
Smoke Scribe
all poems write themselves, following plans that are drawn only
as the poem goes along, neither leading or following, but
carrying the writer along as first violin, a VIP passenger,
the first viewer, a consultant but not a conductor

a poem is written based on what has happened
a poem is written based on what was hoped to happen
a poem was written based on what could never happen
but is so well imagined that it is more real than if it happened


I willingly tell you I will not tell you which is what, for there is no difference between them for the writer, the first passenger,
though undeniably fully aware of the quality of the ware
that is proffered, plottered or just perchanced

perhaps you are thinking, but of course,
this is the way,
the way of all of us,
the way it has and will be and no
disclaimer needed for no believable claims are made

perhaps
for the weave is oft tight, tight as near-truth, and so well imagined, it wraps the first passenger in a cloak of skin
that actually feels, though cloaks cannot feel,
but belief is easily eased

there are no lines or lies in my writings
there are no definitions and
perception is only your truth


Therefore,
my poems are splats and drips.
you make them into paintings that hang
in your own private museum
but authenticated by me as
first viewer,

3/13/18
1:09am
  Mar 2018 Fullfreddo
onlylovepoetry
why my existence was just one unending question?

even in the formless and endless pitch black (his HP alias),
could hear Him smile and communicate:
if not You, then who?

We love your dreams where answers run wild like an
Oregon waterfall,
only you understand that the whole world encapsulates into:

love thy neighbor as thyself!

which must be recited as a poem
standing on one left leg

then, smiling,
god extended his only finger, touching each of mine eyelids:

sleep, friend for we need your questioning dreams,
your faith unfurled and unfulfilled
for in your unending inquiry
is all of our
in the beginning, our anti-matter rooted creation,

the Holy Dark
2/19/18 3:06am
http://www.seraphicpress.com/rabbi-hillel-on-one-leg-me-too/

n the beginning God created the heavens and the earth. 2 Now the earth was formless and empty, darkness was over the surface of the deep, and the Spirit of God was hovering over the waters.
  Mar 2018 Fullfreddo
Poetoftheway
she writes me from Paris

wanting a command,
exactement comme moi
all her own.
to scribe.
in “a style with strength”

exactement comme moi
exactly like me

where the ideas percolate
for the precise gestation period
and the birth-born poems a-coming
without and within silent no belabored pain,
making the child appear as if it was only waiting
already, on its own good time. for saying thank you
for your patient waiting and who is really in
command?

when the overwhelming light orders “write”
I am gone from yesterday and the safe of picayune
does that sound like I am in
command?

you wish to command?

join the navy, the army,
become a paratrooper,
command in poetry is illusory,
for it comes from the bell tower rage of madness
of what my ancestors planted and bequeathed genetically,
and I have wasted the better half of a century appealing for
relief and making it clear who commands and who is the
“poetoftheway” slave

rejoindre la marine, l'armée,
devenir un parachutiste,
commande en poésie est illusoire,
car il vient du clocher de la rage de la folie
de ce que mes ancêtres ont planté et légué génétiquement,
et j'ai gaspillé la meilleure moitié d'un siècle attrayant pour
soulagement et en précisant qui commande et qui est le
“Poetoftheway" esclave

exactement comme moi
exactly like me?

exactly.
Fullfreddo Jan 2018
as well as I know the colors of my blood, my guts, my words

yours,
they, were the first words, my eyes read this day

mine,
this, my last belief, as my heart thundering beats

come summer,
we will write together side by side,

the windy, invisible, indivisible
words composed will permanence survive

that will be our true benchmark
of lives well lived,
forever preserved,
death defeating words

you,
help me to
see too well,
so laughing shouting,
you,
fine woman-poet,

I know thyself
  Jan 2018 Fullfreddo
Left Foot Poet
<!>
inspired by a conversation with Maira Kalman


******* a name, adopt a persona, let my fingers do the talking,
place the instrumental sharp point tip upon the blankety blank paper,
maestro baton raised, coordinating,
the first sound, the vocal chords trembling,  
the first thought, the ultrasound image, entrance of a first violin,
coalescing into, into the initializing single primary phonation,
the stinging geometry of chance at last,
throwing  down the gauntlet, glove slapping, and the
tendons tense, the mouth opens, release and indentation,
a letter's curvature, a black and white downward stroking,
a sign is televised, revealed and released

a one way only sign

time bends knee, gravity suspended, terror morphs to
expelling rapid firefights of imagery needy for spacing,
even pauses mid-word  leave just this:

where is the in in
intimate?

are you the in in
inmate,
or the jailor at the gate?

you swear never again

until committing once more,

a sentence commutation, by committing a first sentence,

and the greater toll taken and paid for,

and the in in in-nate,
questions your sanity

happily


<•>

9/17/17 10:55pm
  Jan 2018 Fullfreddo
Nat Lipstadt
My Night with Art Garfunkel


some years back wrote a poem titled
My Night with Paul Simon,^
so it seems that in time,
this his companion’s piece would find me,
reaching its own due date, the timing right,
indeed, perceived, by the muses
that this one, the poet who cannot sing,
needs urgently another soft poet’s voice,
to come to me at night, and so it came to pass last night

a regaler, the teller of tales, both of us looking admiringly upon what was our youthful appearance that only we see in a vintage Murano mirror

the where the why, no matter, just two NYC boys
in their declining years reminiscing about growing up
in Queens, telling tales with no need for exaggeration,
too old for that, for old men lying is always sadder than sad and the truthful stories are not stories, but harmonies

the voices are worn soft, the worse for wear, and the velveteen
is two shaded where usage has reduced the weave, and sunlight has discolored but not discouraged the aging agents

we exchange verses, the swapping of our ****** fluids,
I do not share my prior pope paul adventure,
a separate but now equalized recording

he signs his new book for me,
full of reminisce and new verses

and I am thinking
Art for art’s sake, or art for Art’s sake
or both

wistful higher and higher notes that can longer be reached
of no consequence,
for the body is the work and the work is from the body

let’s take a selfie I ask, but a polite demurral hints of better a preference remembrance of things the way they were, in the past, but I snap a quick photo and it resides on a Facebook entry, unless the muses deleted it without telling me

(which they do quite frequently,
hoarding the best I made all for their elusives elfish selfish-selves)^^


Dec 5, 2017 10:20pm

<•>
^
https://hellopoetry.com/poem/387251/my-night-with-paul-simon/

June 2013

^^
https://hellopoetry.com/poem/747333/the-elusives/

June 2014
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