Witchcraft and wine
it comes so naturally,
and now that you’re mine
I’m going to actually
try my best not to lose it.
If there’s a bomb then I will defuse it.
If there’s an offer I’ll just refuse it.
If there’s a card to play I’m going to use it.
Because you’ve got me under

Your blanket of stars and mysteries,
connecting our scars and histories.
In parked cars both sighing mystically
and back to the park where I was to shy to try anything.

Sorcery and scotch
you put me in a trance.
If you took it down a notch,
I just might stand a chance
that I’m not going to lose my head,
even with my cheeks burning red
getting brighter as you quietly said
“I’ll meet you tonight in our bed.”
Depriving me of slumber

With your healing touch and cosmic skin,
I’m within your clutch and freely giving in.
It’s too much and you have yet to begin,
removing my crutch and cleansing me of each sin.

I was warned of street magicians
and cautioned with tales of gateway drugs.
To not take my eyes off no matter the conditions,
because that’s when they tend to pull rugs.
“If you fall for one,
you’ll fall for them all.”
But this time I’m done,
I think it’s last call.

With your witchcraft and wine,
you make it look so divine.

Rejection
With a side of
Self torture
It’s no one’s fault
It didn’t work out
You quietly ignore
Today as before
Not even sure
If you can see the door

The moon leaves the night
to find the sun,
the sun leaves the day
to find the moon
and I stand in the shadow
they pass between them.

if the reader
falls in love with the character of a book,
their love can be eternal.

he can over and over re-read
each part of his beloved.
he can just stop for a while
and gently touch the mirage.
he can even ****** a piece
and carry it for a lifetime.

but what happens
if the character
falls in love with the reader?

across my face.

I saw spring coming
in the meadow
where the wildflowers
whisper to the wind.

found freedom on a snowcapped mountain top,

smiled to the child offering violets
cradled in her tiny hands

and when she smiles to me

her joy ripples like sunlight
across the sea of love.

the curtain is lifted.

the soul becomes visible

(always in the wild places
in my heart.)

She was drawing,
not for anyone.
Not even for herself.

Just…
  because her hands needed to move.
The pencil didn’t ask for approval.
It didn’t perform.
It just followed
 whatever was humming
  beneath her skin.

I’ve seen someone dance
 in the middle of cleaning.
Not to music.
Just to rhythm.

A private conversation
 between body and gravity
     where
      I was only
       accidentally
             invited.

There’s a holiness
 in the movements people make
  when they don’t know they’re being seen.

Not holy because they’re beautiful.
But because they’re untranslated.

They’re not trying to mean something.
They just are.

I’ve started collecting these moments.
Not in pictures.
Not in notes.
Just
  in the place behind my ribs
  where wonder stays
  when it’s too quiet to name.

Long after the music ends,
 the body remembers.

Not the melody
 but the weight of it.
Where the shoulders softened.
Where the fingers held a pause.
Where breath curled around a silence
  and didn’t let go.

The body doesn’t archive like the mind.
It doesn’t recall in sequence.
It remembers in tension.
In residue.
In the way your spine knows
  when something is about to fall.
In the twitch that follows
  a note that’s already gone.

Sometimes, I move like something
  I once heard.
Not consciously.
Just
  a rhythm finds my step
      years later
      and walks me home.

There are gestures
  I no longer know the names for
 but my body still offers them
  like a language it trusts
      more than thought.

Maybe this is how memory stays kind:
  not by being exact,
  but by letting itself
    be danced.