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I was honing my voice
he was building his muscles
to impress our common interest.

Whenever she was at the roof
he was seen doing squats and push-ups
I was heard singing love songs
taking the notes to that high scale
where my voice invariably cracked
and his bones creaked with exercises.

The three roofs became one battlefield
where two warriors would rather die fighting
than give up the princess to the other.

One day she would smile at me
when I would extend the limit of my voice
the repertory of my vocal talent
but for reasons best known to her
the very next day she would feign
I wasn't existing on the roof
and it was all muscles her eyes got stuck into.

Then she stopped coming to the roof.

The two warriors had only each other as company
the days were never the same
for she was married off to have new interest
and having lost the race for common interest
he started singing mournful songs
and I decided it was time
to give voice to my muscles.
I badly needed this recollection to cheer myself up.
 Jan 2017
Walter W Hoelbling
In spite of all the learn'd have said;
I still my old opinion keep,
The posture, that we give the dead,
Points out the soul's eternal sleep.

Not so the ancients of these lands --
The Indian, when from life releas'd
Again is seated with his friends,
And shares gain the joyous feast.

His imag'd birds, and painted bowl,
And ven'son, for a journey dress'd,
Bespeak the nature of the soul,
Activity, that knows no rest.

His bow, for action ready bent,
And arrows, with a head of stone,
Can only mean that life is spent,
And not the finer essence gone.

Thou, stranger, that shalt come this way.
No fraud upon the dead commit --
Observe the swelling turf, and say
They do not lie, but here they sit.

Here still lofty rock remains,
On which the curious eye may trace,
(Now wasted, half, by wearing rains)
The fancies of a older race.

Here still an aged elm aspires,
Beneath whose far -- projecting shade
(And which the shepherd still admires
The children of the forest play'd!

There oft a restless Indian queen
(Pale Shebah, with her braided hair)
And many a barbarous form is seen
To chide the man that lingers there.

By midnight moons, o'er moistening dews,
In habit for the chase array'd,
The hunter still the deer pursues,
The hunter and the deer, a shade!

And long shall timorous fancy see
The painted chief, and pointed spear,
And reason's self shall bow the knee
To shadows and delusions here.
Philip Freneau (1752 - 1832), American poet
https://de.wikipedia.org/wiki/Philip_Freneau
 Jan 2017
Walter W Hoelbling
Frau Doktor,
Mama Brundig,
take out your contacts,
remove your wig.
I write for you.
I entertain.
But frogs come out
of the sky like rain.

Frogs arrive
With an ugly fury.
You are my judge.
You are my jury.

My guilts are what
we catalogue.
I’ll take a knife
and chop up frog.

Frog has not nerves.
Frog is as old as a cockroach.
Frog is my father’s genitals.
Frog is a malformed doorknob.
Frog is a soft bag of green.

The moon will not have him.
The sun wants to shut off
like a light bulb.
At the sight of him
the stone washes itself in a tub.
The crow thinks he’s an apple
and drops a worm in.
At the feel of frog
the touch-me-nots explode
like electric slugs.
Slime will have him.
Slime has made him a house.

Mr. Poison
is at my bed.
He wants my sausage.
He wants my bread.

Mama Brundig,
he wants my beer.
He wants my Christ
for a souvenir.

Frog has boil disease
and a bellyful of parasites.
He says: Kiss me. Kiss me.
And the ground soils itself.

Why
should a certain
quite adorable princess
be walking in her garden
at such a time
and toss her golden ball
up like a bubble
and drop it into the well?
It was ordained.
Just as the fates deal out
the plague with a tarot card.
Just as the Supreme Being drills
holes in our skulls to let
the Boston Symphony through.

But I digress.
A loss has taken place.
The ball has sunk like a cast-iron ***
into the bottom of the well.

Lost, she said,
my moon, my butter calf,
my yellow moth, my Hindu hare.
Obviously it was more than a ball.
***** such as these are not
for sale in Au Bon Marché.
I took the moon, she said,
between my teeth
and now it is gone
and I am lost forever.
A thief had robbed by day.

Suddenly the well grew
thick and boiling
and a frog appeared.
His eyes bulged like two peas
and his body was trussed into place.
Do not be afraid, Princess,
he said, I am not a vagabond,
a cattle farmer, a shepherd,
a doorkeeper, a postman
or a laborer.
I come to you as a tradesman.
I have something to sell.
Your ball, he said,
for just three things.
Let me eat from your plate.
Let me drink from your cup.
Let me sleep in your bed.
She thought, Old Waddler,
those three you will never do,
but she made the promises
with hopes for her ball once more.
He brought it up in his mouth
like a tricky old dog
and she ran back to the castle
leaving the frog quite alone.

That evening at dinner time
a knock was heard on the castle door
and a voice demanded:
King’s youngest daughter,
let me in. You promised;
now open to me.
I have left the skunk cabbage
and the eels to live with you.
The kind then heard her promise
and forced her to comply.

The frog first sat on her lap.
He was as awful as an undertaker.
Next he was at her plate
looking over her bacon
and calves’ liver.
We will eat in tandem,
he said gleefully.
Her fork trembled
as if a small machine
had entered her.
He sat upon the liver
and partook like a gourmet.
The princess choked
as if she were eating a puppy.
From her cup he drank.
It wasn’t exactly hygienic.
From her cup she drank
as if it were Socrates’ hemlock.

Next came the bed.
The silky royal bed.
Ah! The penultimate hour!
There was the pillow
with the princess breathing
and there was the sinuous frog
riding up and down beside her.
I have been lost in a river
of shut doors, he said,
and I have made my way over
the wet stones to live with you.
She woke up aghast.
I suffer for birds and fireflies
but not frogs, she said,
and threw him across the room.
Kaboom!

Like a genie coming out of a samovar,
a handsome prince arose in the
corner of her bedroom.
He had kind eyes and hands
and was a friend of sorrow.
Thus they were married.
After all he had compromised her.

He hired a night watchman
so that no one could enter the chamber
and he had the well
boarded over so that
never again would she lose her ball,
that moon, that Krishna hair,
that blind poppy, that innocent globe,
that madonna womb.
 Jan 2017
Walter W Hoelbling
I knew a woman, lovely in her bones,
When small birds sighed, she would sigh back at them;  
Ah, when she moved, she moved more ways than one:  
The shapes a bright container can contain!
Of her choice virtues only gods should speak,
Or English poets who grew up on Greek
(I’d have them sing in chorus, cheek to cheek).

How well her wishes went! She stroked my chin,  
She taught me Turn, and Counter-turn, and Stand;  
She taught me Touch, that undulant white skin;  
I nibbled meekly from her proffered hand;  
She was the sickle; I, poor I, the rake,
Coming behind her for her pretty sake
(But what prodigious mowing we did make).
 Jan 2017
Walter W Hoelbling
A poem should be palpable and mute  
As a globed fruit,

Dumb
As old medallions to the thumb,

Silent as the sleeve-worn stone
Of casement ledges where the moss has grown—

A poem should be wordless  
As the flight of birds.

                         *              

A poem should be motionless in time  
As the moon climbs,

Leaving, as the moon releases
Twig by twig the night-entangled trees,

Leaving, as the moon behind the winter leaves,  
Memory by memory the mind—

A poem should be motionless in time  
As the moon climbs.

                         *              

A poem should be equal to:
Not true.

For all the history of grief
An empty doorway and a maple leaf.

For love
The leaning grasses and two lights above the sea—

A poem should not mean  
But be.
 Jan 2017
Walter W Hoelbling
the loving way
   you take me in

and send me out
into an orbit
lit by a million suns
moving in spiraling commotion
toward their brilliant center

the way
   you loving
take me in
 Jan 2017
Walter W Hoelbling
When I consider how my days are spent,
with work that leads to work, with little time for meditation
except for a few moments, now and then
on trains, or planes, or in the car,
at times I feel our Western civilization,
may not have taken us so very far.

Not that I am ungrateful for electric light:
it eases one of our deepest fears -
of nights that cast a dazzling darkness on creation
until another sun returns it to our appreciation.

Yet I do wonder if our brilliant sight
derived from deftly harnessed natural powers
makes us indeed see more of that strange world of ours
than saw an old man's dimming vision under candlelight.
Inspired by John Milton's poem "On His Blindness" (1652) that deals with his dimming vision in old age.
 Jan 2017
Mysidian Bard
When I look back at the things I had
The things that now are gone
I was planting seeds of division
But the trees grew tall and strong

I used to see for miles around
But now the forest grows
Beneath the shade of branches
Are secrets no one knows

At first it was a place to hide
An oasis on barren lands
But holding on to a past that's gone
Was just leaving time on my hands

For years I must have wandered
Abandoning all that was good
I thought I knew my way out
But now I'm lost in the woods
Wow, I can't believe I got poem of the day! This made my night, I am honored. I want to thank all of the encouraging members on this site that kept me going when I wanted to give up.

This is probably one of my favorite poems I have written. I came to this site as a musician on hiatus looking for a creative outlet in life. This was the first poem where I felt as I wasn't a musician writing poems, but a poet. Thank you so much for your support and here's to many future works from myself and from all of you as well! :)

- The Mysidian Bard
 Jan 2017
Scott Hastie
The day is done

And no one is immune,

It’s true.



That sense of a voyage

Slips seamlessly past,

For there is a finite beginning

And end to everything.



And yet a sense of connection,

A bejewelled purpose too,

Like the child

Whose way ahead

You’ve already lit,

Or the lover you’ve yet to meet.



Many such moments

Come and go, as they must,

Melting away

Into the space we are given.



But what endures for me

Is a persistent resonance,

Some heady wish

For access again

To a sense of wonder

In the stream of things,

That, this time round,

It might just be possible

To keep in my heart

A little longer.



So tarry with me awhile

And we will see

What we can do

To tenderly explore

Beneath the frail shell

Of all we’ve since become.



Trusting that, maybe within

Such smoothly sculpted casing,

And still delicately enclosed,

Might just lie the silky lustre

Of some lavish

And joyful communion,

Waiting for its chance

To grip and catch the light again.
 Jan 2017
Emma Elisabeth Wood
I burnt down the metal cage
that confined me

I have broken up with God
and I am blossoming

without his hand pushing
my head down

I eat blackberries straight from
the bush

tasting the dirt where they grew
the tightest bud bursting

into fruit that nurtures me
that sustains me

I am Godless and cageless
I am a woman of

flames, starting fires
wherever I go

burning, burning, turning
into ash

into the very dirt I courted
with my purple stained

lips
 Jan 2017
Onoma
Ophelia...smote egress, you are Rimbaud's:
"Drunken Boat".
The river you fell asleep upon found you a sea.
Your bones knew no seabed--poppies, marigolds,
orchids, black roses fill your eye sockets, mouth and rib cage.
You substantiate what color the sea may give your lay.
Its foamy waddle has signaled you to one too many
climes...an orison broke open.
What strain of tragedy now holds you, spine on depth,
eye sockets on sky?
You dove headlong into the Shakespearean maelstrom--
where mortal coil confounds, chin-up darling.
Great winds fish-scale your waters, only to invert their maw.
There are lines daily of sea's breadth, whereupon its
creatures come single file to kiss your bone.
Ophelia...wrested from river to sanguine sea, shedding trails
of flesh.
If bones were the eye of a needle...you've pulled through,
heir to tragedy--circumnavigating your infamy.
 Jan 2017
Jeff Stier
Seeing the volcano from below
just another mountain
but this mountain
speaks of the earth disgorging
its molten guts
of lightning arcing
in ten zillion volt flashes
of God's terrifying grace
of geologic upheaval
that happened before anyone knew
anything about God
that happened before anyone knew anything

We were kids on a
long weekend
decrepit jeep pickup
camper shell over the bed
we stopped for an old Indian woman
and her son
hitchhiking
I remember the strange musky smell
of her
sitting by me
on the truck's bench seat
like food I'd never eaten
or a hand-me-down blanket
from the last century

We camped at Green Lake
and green it was
set out the next day
fully unprepared for our climb

But our young limbs
carried us to a precarious summit
the South Sister
nothing but sky all around
and dreams
distant peaks
the sleeping volcanoes
of the Cascade Range
stretching into the vastness
of north and south
Such peace

And here
now
I drown in
a deep web of tangled memories

Vistas I once surveyed
live and breathe in my mind
people I once knew
still whisper in my ear
though they are long dead

How do they live on?
Who tends these grass-grown graves?
Who speaks for these dead?

And where do these memories go
when we die?
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