Sleek dark hair
Highlights of auburn, color of fall
Stern lips
A look of austerity in the dark russet eye
Skin lighter than my own
The smaller wrist
Large eyes
Faint deepening crow's feet
Nursing knowledge
Small, short, slight, petite, and strong
Maternal vanguard
Matriarchal
Beautiful and earthly
Scorpionic elusiveness
Her unused canvas
Frequent Homegoods purchased
Shifts decor in the livingroom like a Feng Shui practitioner
Laughs at the absurdity of modern horror movies
Smells like bath wash and too much perfume
Smells of my childhood
Smells of my innocence
Paperbacks of Hugo and Austen in boxes in the basement
Paperbacks of The Symposium and a biography of Marx in the basement
Secretly likes to cook
Culinary explorer
Gastronomically open
Culinary door opener
Very little circle of friends
Outspoken
Austerity on the small mouth
Austerity in the small mouth
Conviction in her voice
Soft graphite in her voice
Has a lisp sometimes
The slight overbite(?)
Immigrant parent
Unnaturalized citizen
Reminds me of fall
Reminds me of everything
Reminds me of very little at once
Life-teacher, one of many
Protective
Over-protective
Pushy
The way her hand moves on her tablet
The way her voice sounded during a lecture when I was a child
The way she used to hug
Closet full of shoes and clothes she rummages through when she's going out
Meticulous cleaner
The way her voice sounded when she tried to make sense of me
The way her voice sounds
...

Andi Balise combined a half page of a short story, “Thanks Going Without Saying” by Liz Balise, with half a page of an essay by Klee, “On Modern Art”, from a book called Modern Artists on Art, 10 Unabridged Essays, edited by Robert L. Herbert. With some small edits and line-breaks comes this miracle of a poem:

Painting a Function Different

I peek out over the railing of reality’s magic
Beyond the porch-floor
Minerva hangs her wash
making the invisible visible
Eighty two and three quarters deaf
she doesn’t notice  
But this is, in fact, reality
Has always been this way—
Bent and bird-like existence  
Balanced on two twigs—always busy—

Her task, is the ******* of space  
Cutting coupons, crushing aluminum cans, ironing
The three phenomena which I must....

Things no one notices—
climbing on the abstract surface of a picture
Switching the curtains  
God! I wish from the infinity of space..she wouldn’t…!

It figures that—
Rusty, her cat, is weaving in fortune or misfortune  
I try to fix them—
Her ankles now
And she curses at accidental quality
from the corner of her mouth
which has only one form
Clothespin or cigarette?  
Long johns and animals and men in heaven
and bureau scarf and sheets—all, non-infinite deities
surround us translucent, contained
  
I decide what to get for her birthday—

We are good friends
through painting a function different

For me?
Predestined necessity.

Minerva?
forgets her manners
and eats like a survivor—

Thanks going without saying.

it was like stitching the hem
of a catastrophe
and then - came -
a knock upon my door.
a strange thing
with a wonky compass.
a True North -
more Southern
than a lazy eye
and the tear
it wept
with.

just beneath the reason
you were there in the first place.
and exactly why
you left.