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My secret life, my dark iniquity
Is best kept caged behind a gentle smile.
For though endowed with suave propinquity,
My heart lurks in the weeds, a crocodile.
NaPoWriMo day 24 - a "mix-n-match" poem.

Any similarities to any poet, living or dead, is hardly coincidental.  ;)
 Apr 2016 Christine Ueri
mike dm
let me yoke to you.
twist mine into yours.
***** me in at the hips.
lift me into your if's
and have me, present.

our torquing bodies
charging each other,
holding back the

bloom of darkness.

yes, it is true:
we are
closest to the dark.

but we are also
sown to the broadest urge
that wrote us.

this ebb is lit with written poems,
receding into the lightness of dense being.

so,
jot me
into this

and i
will
exist in
your margins,

like nice little notes
that mean everything in the world.
 Apr 2016 Christine Ueri
mike dm
winged things tear violent
from shoulder blades
the wet purple skies are mine
The ocean's pulse, the ebb and flow
of constant waves' re-nourishment
bespeaks to me of life, although
an undercurrent message sent
in whispered sighs of Gaia's breath
upon the shoreline where I sit
relates a tale of bounteous wealth;
the wind, the rain - that we exist
at all is purely by the grace
of Nature's cycles. Also heard,
a gentle, soft, disturbing voice
reminding me without a word:
when we have come and we have gone
the ocean's pulse continues on
NaPoWriMo day22 - Earth Day poem.

I don't think I can write another as good as this, so....
 Apr 2016 Christine Ueri
mike dm
cleanse the doors of perception
and you still get cleansed perceptual doors;
sure, it's a higher, more complex order of doors,
but it's still a door.
it still opens and shuts.
it still reveals and conceals rooms,
one door at a time.

the subject always objects
in the house of many doors.
it pictures. it members. each one,
a massive concatenation of rooms framed.
but the rooms always shift
with each new door opened,
because we always

think.
imagine.
wonder.

and we
re-member.

remembrance is always novel:
the old, new'd
with visions truer, because broader in space.

thinky stick binoculars can never be put down
in the house of doors and rooms reimagined.
 Apr 2016 Christine Ueri
Onoma
Beauty is the only
vestige that can bear
to be alone with
freedom.
It's that which has
surfaced against
an infinite backdrop.
For the mysterious
initiations of eyes.
Money melting in a spoon,
let's shoot it into our veins.
Flashing Kardashian lights,
streaming into our brains.
Donald Trump! He's our man!
Mark Muslims is the plan!

All-you-can-eat-
Pile. It. The. ****. High.
When you walk or
When you talk,
let the words squeak out
like they're between
Your thighs.

Thighs. American thighs,
Dreaming next to our Calvins.
Our slacktivism, our regurgitated ideas
spitballing out of our McDonald's mouths
into our peers' ears, distilled by years
And years of "almost-knowledge"
that we quasi-ascertained,
if we knew what that meant --
but we've been left behind!
No child left the **** behind!
We were left behind and there's no
possible way we slacked off, that we're dumb,
that we aren't the movie stars destined for
Lamborghini cars, five-star bars, designer bodies
for designer you and designer me:
the most special of the unique, the
Pearls that have been made in the
darkest parts of the sea, the darkest parts of
origin. Origin. ******. ****.
American ****: virginal ideals sliding around
the muck of a marketable ****, fuckfest,
******* of the American mind, the
congratulations of the American ego,
the proud mother and father tears associated with
buying and lying, "trying" and frying our food,
our ideas, our friends, our neo-impressionistic
children in Jordans, skinny jeans, on tumblr:
the unknowing cousin of Fox News, surprised
by its own wit and wisdom: they're ******* twins.
Carbon copies, unknowing, unwilling, un-un-un.

The romanticism of mental illness.
The close-up of reality-tv emotion.
The manipulation taught to servers
from managers.
The manipulation taught to customers
from society.

All we care about is ****, image, and ***.
Self-preservation: **** Donald Trump
and *******.
A radio perches on a mahogany end-table,
singing like a mechanical bird:
bellowing fuzzy jazz, reaching my ear.

Its sides are rounded
like the curves of a classic car.
The antenna is *****
like the arm of an eager child
I've had swinging in-between
phantom-bytes and sonic slush:
my mind: inexcusable and mush.

A deck of cards shrugs it's shoulders
before it climbs on top of the radio;
it's rigid joints straightening and angling.
It tucks the tab back into it's head,
concluding before singing along to
'Somewhere beyond the sea.'

The voice of the deck rattled and squeaked,
like a caged mouse doing a capella.
Shot spit of it's mouth,
like a translucent spaghetti noodle. Bloop.

- I stormed outside, inaudible to all,
unmoved by few, chosen by none -

Today I sat across from a girl --
across the room, not across a table
or across the universe --
Her hair dangled like a carrot's wig,
a carrot's impersonation of a blonde girl.

Of course, her skin was closer to orange than pale --
but I like that stuff. I want it rubbed off on me,
physically, spiritually, mentally, emotionally.
Old-oxidized-green-coins invaded her eyes
and settled in the center of eggshell-white buffer.

Pants were as denim as a brush of shale
or the picture-pose of a flannel-clad beard,
holding a pick-ax and a dusty journal.
A journal of my thoughts, timeless
in their irrelevancy, until discovered
and claimed by someone else,
someone with a beard, a daughter, a smile;
See: Things I will never have.

What could I mean to this person?
How could I be desirable to her?
What am I but an alien,
coasting a galactic sea,
unable to relate to what I see?

- And what was your prize,
in this life? To be loved?
Or to be conquered? -

The deck of cards disappeared.
And I, I without consequence,
rummage through dust blanketed boxes,
hoping to cut my hand on something
I have mistaken as dull.

I have been told that my mother inhabits this box,
somewhere, sometime, somewhere, sometime.
A framed image, a polka dot cloth, a forever
unprecedented by a sunny-day funeral,
where I am the tail of the dying snake
that is my family: last to perish, last to wait:
a corrosive ingestion of unadulterated isolation.

My beige fingers wrap meat and bone,
but also a cheap-golden frame of my mother and us.
Our glasses are all too big, but we were all too poor.
My mother is wearing her wedding ring,
but I don't know why.

So young and vulnerable,
held by a freckled, strawberry blonde.
I don't even know her, any more.

The deck of cards reappears.

- But I've been alone for too long.
Even the winds have stopped whispering.
I have become a witness to my own death. -
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