The Saviour, what a noble flame
Was kindled in his breast,
When hasting to Jerusalem,
He march'd before the rest.

Good will to men, and zeal for God,
His every thought engross;
He longs to be baptized with blood,
He pants to reach the cross!

With all His suffering full in view,
And woes to us unknown,
Forth to the task His spirit flew,
'Twas love that urged Him on.

Lord, we return Thee what we can:
Our hearts shall sound abroad,
Salvation to the dying Man,
And to the rising God!

And while Thy bleeding glories here
Engage our wondering eyes,
We learn our lighter cross to bear,
And hasten to the skies.

COVER me over
In dusk and dust and dreams.

Cover me over
And leave me alone.

Cover me over,
You tireless, great.

Hear me and cover me,
Bringers of dusk and dust and dreams.

Forgetting is the only clarity.*

It was a day of forgetting.
No unquiet dreams or
casual reunions with the dead
who wander the halls of sleep,
the bodies of someone else’s loss.
No ghosts in the gazebo.
No echoes in the fading light.

Exiting sleep’s empty waiting room,
She woke. Blue sky blinked into her eyes.  
The room’s climate began to clear.
There was writing on the wall.
Old fragments came to closure.
The windows slowly turned to mirrors.

She fiddled. She soared.  
She played with her ancestors’ building blocks.
She lent a myth to god.
She stood in a garden with five black stones.
She foretold an eclipse,
Burned the witch of winter,
Stepped in the same river twice.

The moment froze.
Then there it was.
The compound inviolate paradox
at the heart of things,
the answer flickering in light and shade,
to the sound of a child’s voice,
then the roaring wind.
She chuckled as it faded to a point of light
then vanished, like the picture on an old TV,
Like the moon shrinking into the alarm clock’s face.

Her breath brewed clouds above her forehead.
She sat aloof in the empty air,
Alone in the immense morning,
At rest in this inviolable disconnection,
the clear cold innocence of now.

I've found the strongest poems to be the product of
a purge of emotions that reign so ******* the heart that they
pull at the fingers, draining energy from the tips
as every word falls onto the paper,
relentlessly.

I've felt the hollow shatter of a thousand nights of heartbreak,
the kind that only poetry can seem to glue back together
even if temporarily.
The words on the page, unfiltered
broadcast thoughts of late summer days and first loves,
first losses,
our wrists ache with rememberence as our hearts empty out.

We lose what we thought we still held to our souls
as the sentences unfold and we are finally able to articulate
what it means to be without,
what it means to be empty.
Those lines are but udnerstanding, full of compassion that we have still, hidden away in our hearts for the day they start beating again.


Why are the richest of poems products of the poorest of days,
and why can I write nothing anymore
as my heart feels full, for once, again?

Turn, Fortune, turn thy wheel, and lower the proud;
Turn thy wild wheel thro' sunshine, storm, and cloud;
Thy wheel and thee we neither love nor hate.

Turn, Fortune, turn thy wheel with smile or frown;
With that wild wheel we go not up or down;
Our hoard is little, but our hearts are great.

Smile and we smile, the lords of many lands;
Frown and we smile, the lords of our own hands;
For man is man and master of his fate.

Turn, turn thy wheel above the staring crowd;
Thy wheel and thou are shadows in the cloud;
Thy wheel and thee we neither love nor hate.

Emulating the reflection of seasons
passing, its waning desire to stay.

Lingering in flurries of breath until
it descended in frailties last moments .

Life became fragmented an outline
now broken.