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I didn’t plan to make it this far.
the road was long, and I was tired.
Life never promised me softness,
but then there was you ~
folding sunlight into my hours
like it had always belonged there.

You, who can fit
a decade of joy into a single day,
whose laugh pulls the dust from old corners
and leaves something living in its place.
Your eyes ~
they undress more than skin.
They peel back the years I wore like armor,
and somehow,
I do not mind being seen.

You say you don’t like your greys.
But I ~
I never thought I’d wear time like this,
like a shared jacket
slung across the backs of two souls
sitting on a porch too small for regret.
Each silver strand a mile we’ve wandered,
each wrinkle a map I get to trace
with grateful hands.

If this is what age can look like;
soft, surprising,
filled with the kind of joy
that hums low in the bones,
then let time come.
Let it etch you deeper into me.
Let it bring more of your quiet magic,
the kind that rewrites endings
before they’re written.

Whatever waits for us next,
I will greet it smiling.
Because somehow,
you made forever feel
less like a promise,
and more like a present.
I didn’t write this for the version of me who was trying to escape life - I wrote it for the version who stayed. For the kind of love that makes survival feel like an offering instead of a sentence. Aging isn’t always decay. Sometimes, it’s a second beginning. And sometimes, someone arrives and makes the rest of the story feel worth writing.
I keep throwing up memories
no one asked me to keep -
bruises shaped like questions,
the sound of my mother’s scream
lodged behind my ribs.

No one tells you grief can rot
when you don’t spit it out.
That love, untouched,
ferments into something sour.
I carry it all in my throat ~
half apology, half war cry.

You say,
“I want more of you.”
And my body says,
“Are you sure?”
Because more of me
means bloodstains on carpet,
means fists instead of lullabies,
means learning how to disappear
before I ever learned to speak.

I was fed fear in childhood portions,
taught to flinch before I felt.
I watched my mother
burn down her mind,
and still tried to build homes
in her ashes.
I held her wrist
when she begged me not to.
Took the pills. Took the gun.
Took the fall.

I was not built for softness
but I do crave it.
Every tender thing feels foreign,
like wearing someone else’s skin.
But you touch me
like I’m not ruined.
And that’s the part
that makes me sick.

Because what if you mean it?

What if love doesn’t have to be
a wound I pick at just to feel alive?
What if you stay?
And worse - what if you don’t?

This is my mourning sickness:
grieving safety I never had,
while choking on the possibility
that I could finally
be held
without having to shatter first.
Some grief is ancient. Some love arrives like a question you’re afraid to answer. This is for the kind of survival that teaches you to flinch before you’re touched, and the slow, terrifying hope that maybe - just maybe - you won’t have to anymore. Mourning things I never got, and the version of me I might be if I ever do.
they never taste it
just name the temperature
call it healing when I rinse the wound
like I’m not just keeping it from festering long enough
to stay pretty

I let them near
not in
they cup their hands to the faucet
sip whatever slips through the cracks
and call it closeness
but they never stay long enough
to feel the sting

I swallow static
talk in softened sounds
bite down on my sharpened tongue
translate their language
before they can call mine foreign..
again

I bleed behind a smile
they call me safe
like I haven’t been carrying a fire in my throat
for years

sometimes I scream into a drain
just to hear what doesn’t echo back.
sometimes I open my mouth
and it’s all salt
and no water.

I’ve spent too long cleaning the mess
before they step inside
apologizing for the shape of me
before they even ask the question

now I gargle saltwater
until my voice is too raw to speak
until silence feels more honest
than telling the truth
to someone who won’t keep it

let them ask
let them knock
let them misname my ritual.
I’ll be in the quiet
spitting out blood
like it’s poetry
and still being called beautiful
for surviving.
A reflection on what it means to survive without being seen - and how people mistake the cleanup for the healing. This piece is about masking, emotional labor, and the hollow praise that comes with being palatable. I didn’t write it to be called brave. I wrote it because silence has teeth.

— The End —