There are five widely known senses.
Sight, hearing, touch, smell and taste.
We've got some minor ones as well, such as balance, temperature and many more.
However, people fail to realise that there's also the sixth major sense. Thoughts themselves.

   If we look closely, all these five senses have the same base. Specified cells in eye react to energy of light, cells of ear recieve energy in form of air's vibrations, skin cells pick up energy of mechanical changes, and so tasting and hearing depend on translation of certain substances' chemical energy.
   These cells in different organs differ in their structure and the way they appear, however, if we stop looking at them in such small scale, we can see that ALL of the cells or organs responsible for any sense translate the energy.
   So, a light enters the eye, certain wavelenght of certain energy stimulates the eye's rod or cone cells with a certain intensity. Then the energy of light is translated to energy of electrical impulse, which goes straight to the brain, creating the sensation of sight.
   If it comes to smell, a certain particle enters the nose, binds to a smell receptor cell, and the chemical energy of this particle is, again, translated to energy of electrical impulse, which goes straight to the brain, creating the sensation of smell.

   Now, let's move to the crucial part. The sense of thoughts.
   During the creation of thought, pathways in our brain that collect memories(and many more known or unknown pathways) connect. First, there's this spark of electricity, that moves all along the neuron and releases a dose of neurotransmitters(amount of different NTs is equiavlent to strength of this spark, basically resulting in "creating" various thoughts).
Then, chemical energy of NEUROTRANSMITTER is translated to energy of electrical impulse, which happens in the brain, creating the sensation of thought.
   Therefore the 'sense of thoughts' reacts to and is stimulated by neurotransmitters themselves, with receptors on neurons' membrane being receptors of the stimulus. So, kind of like smell, the stimulus is chemical, compared to sight, where it's electromagnetic wave; anyways the result in all of these is electric impulse in neurons (hence the idea of "thoughts" as a sense, due to the same basic layout; transfer of energy).
   The 'smell particle' connects to receptor and is translated to a certain amount of neurotransmitters/certain strenght of neuronal impulse. SO, again, we can see that when the first outer layer of this communication is cut off, we're left only with the neurotransmitters and impulses themselves. Anyway, the transduction of energy remains.

   If it comes to "sense of thoughts" the receptor lies within us, whereas in sight or smell or touch it's external. However, does it matter if it's on the surface of skin or under it if it all comes down to neurons of our brain?
   When you lie in a dark, silent room, without any external stimuli, you still retain your thoughts, colorful, vivid or complex. All the magic of the brain - still happens. So, how isn't it a separate, full-fledged sense?

*****


Apr 7, 2012, 6:08:21 PM by ~OmegaWolfOfWinter
Journals / Personal




"Name: Amelia Weissmuler. Date of birth: June 6th, 1920. Test subject number 314-X. Specimen: Tiger." Amy heard all of this through a haze of sedatives that had begun to lose their already poor effect. She turned in the direction of the voice and saw a fearsome **** SS General standing behind a white clad scientist with a heavy accent. The general said nothing but listened and watched as Amy was strapped down to a cold metal table, completely **** with various wires, tubes and needles protruding from her flesh. She groaned painfully, the needles were extensive, and the **** scientists had no care of decency or respect. she was hit with another sedative and before she lost consciousness she heard the scientist, who she guessed was Dr. Heismeiller, say, "Name, Mordecai Dansker, former Major of the Third *****. Date of birth: September 19th, 1919. Test subject 14-W. Specimen: Wolf. As you
can see, Heir General, these are both healthy specimens, as are the test subjects." Amy heard a
rattling of cages. Her vison slowly went dark but not before seeing the doctor's face, uncovered and psychotic.
* *
When Amy woke up again, she was being suspended from the floor, the tubes and wires accompanied by menacing electrodes. there was an unnatural blue and white crackling of electricity around her, illuminating the other suspended tables nearby, the bodies in various grotesque positions and levels of decay. she tried to scream but found a machine unceremoniously shoved in her mouth, stretching deep inside her. she looked and saw nothing but obscene machines and various glass tubes of colored bubbling liquids. she tried sluggishly to break free but to no avail. what little strength she had was useless against the torturous devices emplanted in and around her. "Doctor, begin the experiment."
"Yaboe!" She heard a solid click resound through the room and heard a male scream in another room. the screams echoed for a long while, then nothing. she heard a gasp of releif from
the doctor and, "General! Subject 14-W... he has... Survived!"
"Good. now start on the frauline." there was a large thud from outside the room. "Quickly! this facility is under seige!"
"Yes sir, heir general. Test subject 314-X prepped and ready. Begin phase 1." she cried out silently as the needles burned hot inside her and the tubes boiled her insides. the electrodes soon incapacitated her and she fell unconscious.
*
*
"Phase 1 complete, heir general, subject is ready, proceeding to Phase 2."
Amy felt an intense burning around the needles, and an electric fire through her veins. the machine had been taken from her mouth, but she doubted she could scream any more, as her throat was raw from the silent screams of Phase 1. She felt her body shake uncontrollably as more electric shocks were administered. she was left panting and slumped over. "Sequence complete, the bonding process was a success." there was another thud and sediment from the roof fell to the floor. "Get her down now! They will be through soon!" She was lowered to the ground and unstrapped from the table, picked up, and placed on a stretcher. she raised her hands on front her face and nearly fainted, her hands, or paws, resembled that of a tiger, and as she looked, her whole body was covered in a slick orange, black and white fur. She was put into the backseat of an armored car with a simple blanket draped around
her. Amy felt nauseated
as the car sped off. It hit a bump in the road and she moaned painfully, clutching her furry belly and retching. the **** next to her turned away in disgust. the car ride was long and sickening, and she lost consciousness twice, and finally she tried to lay down in the cramped space. when the armored car finally stopped, she was pulled from the back seat and carried over a soldier's shoulder and into a small bunker. Once inside, amy heard a metal door open and was laid down onto a stiff bed with a single pillow and a single cover. There was a small window in the cell, a drab, grey stream of light shining in her eyes. She propped herself up on her elbow and shielded her eyes from the blinding contrast. Once her eyes adjusted, amy noticed that things had a particular sharpness to them and she had an acute awareness of things based on scent. she stood shakily, and noticed she was almost
six inches taller now, and her new tail swished back and forth along the concrete floor. she stepped
forward and grasped the iron bars and peeked out, seeing a black leather messenger bag and a black uniform lined with white. she couldn't quite reach the uniform, but was able to get a claw around the strap of the messenger bag. she pulled it closer to her and saw that her initials were monogrammed into the leather. she pulled it through the bars and opened the bag, pulling out a small, blank, leather bound journal and a pen. still ****, she sat on the bed and practiced writing, tearing out two pages of scratch paper. She began her journal with, "I am no longer the person i once was. i am something new, something... different."
• * *
The **** captain stepped into the bunker and saw amy, half lying, half dangling on the bed, the leather journal clutched close to her chest. he stormed into the cell and backhanded her awake, snatching up the journal as she cowered in the corner, her tail wrapped around her. the captain flipped through the pages of the journal and then closed iit with a snap. he glanced at it and dropped it on the bed. "it is yours now, Frauline. you are very special to the third *****. the fuhrer himself has asked for you to be placed in the Waffen SS and trained." amy glanced at the uniform on the table outside the cell and he nodded, "specially tailored for you, frauline. he stepped outside the cell and grabbed the uniform, setting it down on the bed. "you may Change into your new uniform and join the rest of us outside." he stepped outside and she was alone. she donned the simple uNdergarments then
slipped into the soft black trousers, after which she put on her military boots. next she put on the black and white jacket signature of the SS. the jacket was sleek and menacing, though it did little to flatten her chest, but that, she supposed, was one of her feminine charms. last was her hat and armband, both adorned with the *******. she gathered the leather messenger bag and stepped outside the cell, where a mirror stood, giving her a chance to see what had been done, the black uniform was a dramatic contrast to her brightly colored fur, and her new black stripes added a fierce look to her. she grinned and flashed menacing white teeth. she turned her body, looking at herself from different points of view. she slipped the **** armband onto her right arm and turned to leave. she stopped when she encountered a high pitch noise right next to the door. for the moment she just walked past, opening the door and adjusting her vision to the outside light. the layout was grey and barren,
as it always was in wartime. the captain was waiting for her along with a small squad of SS troops. a
Few laughed and remarked at her appearance, making cat noises and wolf whistling at her. she glared at them with a bright white snarl carved into her soft face. *they will fear me...
she saluted the captain and said, "heil ******." he returned the gesture, "heil. you are now part of the Waffen SS, frauline Amelia."
"please sir, its amy."
he noted her directness and ferocity, "very well, amy. before we assign you a task, though, you must prove yourself." he addressed the squad, "they are all corporal's and sergeants. you are merely a private. you will gain a rank for each one that you ****. however, they have been told that if they do not force you to submit, they will be killed or sent to the russian front. so you best fight your hardest, private amy."
as he finished, the squad set down their Mauser 98K's and MP-40's and stepped closer to her. her eyes widened in shock, then narrowed in ferocious determination. there were twelve of them.
"Fight!"
• *
Amy took a fighting stance and faced her attackers. she attempted a punch at the nearest one but was kneed in the gut, she was thrown back a few feet. she fell to her knees and clutched her stomach with one hand, holding herself upright with the other. tears sprung to life in her eyes and threatened to roll down her cheeks. she fought the tears back and stood, feeling her claws extend. she swiped at a soldier's throat, catching him right in the throat. blood splattered the ground as he choked on his own fluids. the remaining eleven were taken aback slightly, allowing her to pounce another soldier, punching and tearing at his gut with lethal force. her fur was bloodstained and she waited a moment too late, watching the cavity she created fill with blood. she was barreled over, the wind knocked out of her by a sergeant. she lay on her back, gasping for air as the soldiers closed in,
landing a few punches and sending her reeling back. she staggered back, struggling for breath. she
Bumped up against something and realized it was a bunker wall, she was trapped. she thought quickly and decided for a new course of action, she waited for one of them to gather his bravado and throw a solid punch at her, which was useless, she grabbed his wrist and smashed his head against the wall, filling his helmet with blood and brains. in the same move, she had grabbed his Luger and had downed three more of the remaining ten. in their moment of confusion she kicked the closest one in the fork of his legs and followed up with a pistolwhip. the man went down quickly and died by the heel of her merciless boot. the remaining six charged at her, one falling by her last bullet and another caught a swift kick in the ribcage, shattering the bones to peices. the rest of the men were sergeants, and they began to retreat, running into the open field. she was about to chase after them when she
heard another Luger fire. she turned to see the captain shooting the deserters. each fell, one by
One by the captain's gun to her surprise he let a single man go. "you have done very well, frauline amy. you have killed eight out of twelve men, not bad at all."
she was panting, her uniform dirtied, "why.. did you let.. him go?"
the captain smiled, "someone has to spread you're reputation, heir captain."
she gaped at him. "i am... captain?"
"yaboe, heir frauline. you have proved yourself worthy to serve under the fuhrer."
she saluted him, "thank you, heir captain."
*
amy wrote in her journal as they were driven to one of the Stalags: "my promotion to captain has earned me my choice of weapons, ive chosen a few, two long barrel Luger's, a cavalry saber, and a sixteen foot bullwhip. i also carry an automatic Mauser in my messenger bag. other than a few knives carefully hidden on my body, that should be it. ive become the fuhrer's favorite enforcer, though i feel as if i'm forgetting something..."
amy closed the journal and placed it in her bag with a soft snap.
Amy waited for a **** private to open the car door and let her out, tapping her foot impatiently. when he finally came, she had a luger pointed at his chest. "you're late. she got out of the car and shot him, holstering the pistol as he crumpled to the ground. the colonel in charge rushed towards her, "what is the meaning of this?!"
"your man on watch was late, and now he'll never be late again. and also, colonel, as i am a captain in the SS, i am your superior officer and you WILL adjust yourself accordingly or i will replace you with someone who will."
his expression was that of shock, "y-yes, heir captain, please follow me." he escorted her quickly to the main building. amy glanced around at the peering POWs, glaring at them with distaste as they whistled at her. "who's the kitty?" "what the hell is that?"
her hands fell to her lugers and she was ready to fire when she was beckoned inside by the colonel and she followed behind him reluctantly. "you should control your prisoners.
i find an overall lack of order in this camp. you're lucky i'm in a good mood, or i'd have you strung up for incompetence. lets hope my further evaluation of this... facility... does not make me any more inclined to do so."
the colonel stuttered again and dipped his head, "y-yes heir captain."
she stepped outside unopposed by any. she snapped her fingers and a sergeant rushed to her side and saluted. she handed him a journal logbook and he opened it to the page marked with the Stalag number. she entered the closed off areas of the stalag to inspect the barracks.
*
amy's fists were clenched with rag, a prisoner mocked her from within his confines. his fellow prisoners pleaded with him to stop. "she's lethal!" "she killed eight SS sergeants and corporals singelhandedly her first day!"
the prisoner ignored them and began gesturing at her. she snapped her head up and their eyes met for an instant, she growled through a gritted snarl and was over the fence in mere moments. once over,
the prisoner that mocked her was now on the ground, his throat between her fangs. he cried out once and then gurgled blood as she tore out his throat. she spat the flesh onto the dirt and stood, brushing the dusty particles from her uniform. the men around her backed away when she approached them, and watched her cautiously as she stepped back out of the fenceline. amy picked up her cap from the ground and brushed it off. one of the prisoners called for a doctor, and when one of the guards began to look for one, she merely said, "no, he wont survive. leave him be."
the soldier saluted and went back to his post. she walked up to the colonel and said, "your prisoner annoyed me, as do you, colonel. you have three days to turn this place around or you'll end up worse off then your prisoner over there."
the colonel had turned a pale white and whispered, "understood, captain."
she returned to her quarters and listened for a moment as the colonel shouted orders. "that was fun." she remarked.

Amy was asleep in one of the larger rooms in the main  building, her uniform folded neatly on the table near the bed. she kep one luger on her bedside table and the mauser under her pilllow. her other luger, her sword and her whip were next to her clothes. she was clad only in her fur, as she'd found that the most comfortable way to sleep.
she was woken up by a knock at the door. she blinked her eyes a few times. clutching the mauser handle with one hand and holding the blanket to her chest with the other, she said, "what is it?"
"the colonel wishes to speak to you, heir frauline."
she growled, "grrr... fine. tell him to make it quick." she clutched the blanket closer as he opened the door. she held the mauser aimed at him and said, "turn." he did so without hesitation. she slipped cautiously out of the bed and began to dress. "what is it you wished to speak with me about, colonel?" amy put on her undergarments and then pulled her trousers up to her waist, fastening the belt comfortably.
"there is an important telegram for you, heir captain." she pulled on the jacket over her simple shirt, tugging out any wrinkles. "oh? from who?" next came the holster belts, each hanging slightly lower than her first belt. her sword was another belt, and there was a custom clip there for her whip as well.
"Himler, he has special orders for you." her messenger bag was next to last, slung over her shoulder before she slipped into her boots. ""You can turn now. hand them here." she stepped closer to him and took the envelope with her name scrawled on the front. the colonel excused himself so she could read the orders, "captain amelia weissmuler, once you have completed your assignment at Stalag 14, please make haste to stalingrad as there has been a number of our own turning against the *****. see to it that they cause no more problems. -heinrich himler"
she read it through three more times before folding it and placing it in her bag. she hurried outside, grabbing her hat
From the dresser.
* *
amy went about her inspection, seeing nothing wrong today. "the condition of stalag 16 has improved, heir colonel. well done. now send my car around." the colonel grinned and motioned for the car.
the black car adorned with swastikas roared to life, coming up beside her. the d

Her name was Mave.  
She had gorgeous long red hair
and green like apples eyes.
She liked to collect circular rocks
because they gave her luck.
She was terrified of driving
because just the idea of trusting others
with giant metal machines going at 70 mph
made her head hurt.
She loved freckles because she said
that they looked like little hearts on peoples faces.
She hated pumpkins and carrots. First of all because
they were orange just like her hair, and she liked to think
that the color was special and not given to things as mundane as a food.
Second of all, shed like to believe that shed be caught dead
before she ever asked for anything pumpkin flavored and conform to the 'white girl'.
and carrots just tasted funny.
She was inconsistent, and while some said it kept them on their toes
the truth is, all it did was keep them wrapped around her finger.
She was careless and didn't think much before she acted.
It could be seen as spontaneous, but actually it was just hurtful.
She loved the winter, because her cheeks matched her hair
and she stood out against the pure white snow.
She loved summer as well because she didn't need to be held
to anyones expectations and she could simply disappear.
She was an all or nothing type girl. Its why she either summer
or its polar opposite winter.
Its why she wanted to either be your lover
or be a stranger.

SECRETS OF THE STONEHENGE IN VERSE
Dear Readers, I present a simplified version of the true story of the Stonehenge, on the Salisbury plains of Southern England, with over a million visitors every year. Declared as a World Heritage Site since 1986.Left out many technical details to curb the Length!
Hope you find this interesting to read.  Thanks, - Raj

SECRETS OF THE STONEHENGE IN VERSE
                     BY RAJ NANDY
                
                     INTRODUCTION
Shrouded in ancient legend, rituals and mystery,
Forming a part of ancient History, in the County of
Wiltshire on the rolling Salisbury plains,
Thirty miles north of the English Channel, stands the
megalithic structure  - The Stonehenge.
Dating back to some 3000 BC during the Neolithic Age,
Long before the Egyptian pyramids got made!
Some of its secrets have finally been unraveled by
Archeologists of our time and age.
It was a period when early humans changed over
from being nomadic hunter- gatherers,
To cultivate land and domesticate animals, to
become settled farmers.
This ushered in a new social change in the history
of Human progression,
Which got reflected in huge stone structures to
mark this advancement and occasion.
For these megalithic structures were bigger than
the tribes of men or the community;
Marked burial mounds and places for performing
sacred rites and magical healing rituals, for the
entire community.
Stonehenge was aligned to the mid-Summer and
mid-Winter Solstice, with the rising and the setting
Sun.
Served as an astronomical calendar for the turning
of Seasons, when crop cycles also begun.
Some scholars opine that it was used as a Lunar
Calendar as well,
Since Moon worship predates Sun worship by
Pre-historic men!
It was long before the invention of the wheel,
written script, and even metal implements.
This monumental structure speak of Stone Age
Briton’s greatest achievement!
(Period covered is from Late Stone Age to the brink of
Bronze Age.)

BRIEF LAYOUT OF THE STONEHENGE
Cutting across myths and legends archeologists
and geologists have tried to piece together the
Stonehenge Story,
Which stood like an enigmatic puzzle for the
last Five Thousand Centuries!
Scholars say construction commenced around
3000 BC, but progressed only in stages spread
over the next fifteen centuries.
Initially, a large earthwork or a ‘Henge’ with a
circular ditch and a bank was made,
With 56 timber posts around the inner perimeter
on the windy Salisbury plains.
Used by primitive man as a burial place, but for
rituals later got linked to other smaller sites.
With processional avenues leading to River Avon,
to honor dead ancestors with sacred rites!
Entrance to the ‘Henge’ was marked by a pair of
upright Slaughter Stones weighing 28 tones, and
6.6 meters tall.
But only one remains today lying flat on the ground
after its fall!
Some 256 feet from center of the ‘Henge’ on the NE
Avenue once stood the Heel Stones 7.6 meters high!
As a marker for the Summer Solstice showing the
position of the rising Sun in the Midsummer sky!

          BLUE STONES FROM WALES:
Some 1000 years later, 82 Blue Stones were brought
from the Prescelli Mountains of Southern Wales;
And the earlier timber posts with these Blue stones
was replaced.
Each stone weighing around 4 tones, was brought
over a distance of some 250 miles to the plains of
Salisbury,
Loaded on hollowed out log boats fashioned like a
mini barge, to sail during high tide into the Bristol
Estuary!
Pulled over land on greased wooden rollers, and
loaded again on mini barges down the River Avon.
Since Avon flowed closer to the ‘Henge’ site in those
ancient days, which is now known!
(Some Scholars feel that the Blue Stones were swept down
closer to the Salisbury plain, during the close of the last Ice
Age! These Stones were believed to have powers of magical
cure too!)

              THE SARSAN STONES
During its final phase of development came the larger
23 ft tall Sarsan Stones, weighing some 44 tones.
From 20 miles north of the ‘Henge’ area dragged on
sledges and rollers from Marlborough Downs.
These stones now formed the outer ring capped with
stone lintels, replacing the Blue Stones;
And the Blues Stones were moved inwards and
rearranged in the horseshoe and circle shape, as
presently seen and known!
(NOTE: Sheer muscle power used to drag the stones with ropes
made from plant fiber of the indigenous lime bark soaked in
water for weeks. Stone lintels were sculpted in the shape of an
arc to cap the SARSAN Stones to form the outer circle. Wooden
scaffolding & ramps were used to hoist and position the heavy
stone lintels horizontally on top of upright stones! Sarsan Stones
were hard sandstones tougher than granite! However many of the
stones of this Ancient Ruin are missing, leaving some unanswered
questions behind.)

        CONCLUDING THIS TRUE STORY
Archeologists and scholars using radiocarbon dating
have tried to recreate the Stonehenge Story.
This ancient ruin with many unanswered questions,
now remain protected as an Iconic Monument of
British History!
It stands as an astronomical time clock and is also of
spiritual significance;
It also symbolizes the ingenuity of Human Mind, its
power, and endurance.
I conclude with a an extract from a poem by TS Salmon
about the STONEHENGE here below:-
“Warpt in veils of time’s unbroken gloom,
Obscure as death and silent as the tomb.
Where cold oblivion holds her dusky reign,
Frowns the dark pile on Sarum’s lonely plain.
Yet think not here with classic eye to trace,
Corinthian beauty or Ionian grace.
No pillored lines with sculptured foliage crowned,
No fluted remnants deck the hallowed ground.
Firm, as implanted by some Titan’s might,
Each rugged stone up rears its giant height.
Whence the poised fragment tottering seems to throw,
A trembling shadow on the plain below.”
(*Sarum = old name for Salisbury.)
Thanks dear Readers for your kind attention span ,
I have simplified by cutting short many details the
best as I can!
ALL COPYRIGHTS WITH RAJ NANDY OF NEW DELHI
E-mail: rajnandy21@yahoo.in

the problem with dorm rooms
is that there are hundreds of
people
se     p        ar        at   ed
by paper-thin
                     walls
never interacting
only existing simultaneously
(which, is a cosmic interaction if you think about it.)

sometimes I lay in my bed
face against a cold paper wall
and I
think: what are these other people doing?

in this awkward layout of beds and desks
in the earlylate hours of the nightday
are some

sleeping                                    frantically working

drunk in their beds                   laying frustratingly awake

awkwardly *******          awkwardly ignoring the awkward *******

having cramped ***        sleeping in the lounge to avoid said *** being had

crying and homesick                  consoling a homesick friend

too high to sleep                       too exhausted to be awake

or are some just as awake as I, wondering sleepily, what I am doing on the other side of the wall?

I daydream that the
recruiters go out of their way
not to promise dates and even
marriage with **** Nordic blond
beautiful co-eds for the players.
I daydream that they the recruiter bring
in local so-called cool jet set
types to add spice to the recruiting
process.
I daydream that the recruiters
take notice of whether the local
layout of the campus is ideal for the players
and that they show 'em around
the campus and in the city or town (including
"campus town") of the respective schools.
I daydream that they definitely
don't promise under the table money
and everything is on the up and up.
I daydream that they
emphasize the liberal arts programs
of the respective colleges
and suggest to the players that the
combination of a good liberal arts education
and skills learned in sports could lead to a good position later on.
I daydream that they emphasize
the building up of what I call
the two key faces of college football
and basketball programs - depth
and balance of the players.
I daydream that they emphasize
that the players obey conduct rules.
I daydream that they emphasize
the well-roundedness of their
respective programs.

Seldom doth man stop and stare
At the caste iron manhole cover there,
Seldom doth he analyze
The majesty, which beneath it lies.
The pipe work systems vast and long
Dark catacombs so precise and strong,
Buried deep beneath our feet
Extending forth from street to street,
Out across the breadth of town
Those secret fluids trickle down.


Laser levels carve the pathway
Through the walls of solid stone,
Shovels scrape and dig with effort
Forging hard trajectories home.
Digging, digging metal mountains
Sweat cascades upon the brow,
We lay the pipes in straight formation
Precision's satisfaction now.


An Artisan's great work is hidden
Lost beneath the earth's grey stone,
Appreciation camouflaged in that,
The cast iron manhole stands alone.
Magnificence unrealized
For deep beneath your feet,
A subterranean Michelangelo's
Sisteen Chapel, lays discreet.


Unsuspected rivers
Flowing darkly to the sea
In caverns of unwanted waste
Quite unbeknown to thee.
Vaulting brickwork chambers
Which are ancient works of art,
Carry oceans of excretement
Far from where their journey's start.


With thunder's crash and lightning flash
And torrents of cold rain,
The road's awash and gutters flow
Through roadside grates to drain.
Gushing torrents cascade down
In waves of flowing might
To the storm water system
Which promptly swallows it from sight.


Magic, you say ?
Nay, nay I say unto you
That the drain layers artistry
Is unappreciated, that's true !
That the Herculean effort wrought
In winning his great fights
Is largely lost to all and sundry
Who avoid construction sites.
They miss the planning and the layout
And meticulousness too
And the rubber seals which stop the leaks
Which really bother you.
The massive holes and danger
Of being buried in collapse
And the wondrous satisfaction
Of achieving downhill flows... Perhaps!


Marshalg
Apprentice drain layer
MHX Beachcroft site and Eastport
19 September 2009

its like what the ****
can i plan to wreck
obviously subconciously
beneath my distracted eyes
ill make my move
ill plan it steatlthly
so quant and quiet
youll wonder how you'll ever miss me

but in the end
Youll hate the idea of ever knowning me.

It was Christmas with all the holiday cheer
It was a lovely Christmas tree that brought the feeling to preserver
But what made Christmas stand out it was my B&O; railroad I am talking about
It was a layout of Baltimore & Ohio railroad being a thrill
My locomotive puffing smoke at free will
It was those passenger cars all lit up
Backgrounds with scenery including a tunnel
As a kid, it was the highlight being my funnel
As my B&O; train set maneuvered around the track
It’s my reflection of memory that dates back
The passenger train that made a stop in my house
There’s no room for even a mouse
There are much more words I could say
However, I am sharing with you on this day
B&O; you journeyed on
You are in my heart where you belong
You took me to a place being around
A layout that had a small town
You brought me to my own home being filled with love Christmas bound
It was a family celebration and how sweet the sound.

If poetry is art, then what form should it take?
Is ignoring things like layout the cause of my mistake.

You see to me a poem should be heard before its seen
Its an audio based art form, using sound to express its theme

So when I write my poems, and lay them on the page
I do so as if they're spoken by an actor on a stage.

Now I see some other poets, who lay it out so pretty
But when I try and read it, its disjointed and bitty

So again I ask my question, if your poems meant to rhyme
should you really break your verses in the middle of a line?

See I don't only write poetry, I like to read it too
so when a layout trips me up, I want to say to you

Why do that your reader, why get them on that train
only to pull the cord and get them off and on again

A poem is a journey, I should sit back and take a ride
not trip and stumble frequently over messages you hide.

So next time you write a poem, with more focus on the look
Go down to library and get a calli-graphy book.

Memories traveller.
I remember when I was younger and my mother would sneak into my room with a handful of secrets, revealing them to be flowers. Lavender. She said it was to help the sleepless, and that I was. Restless from the monsters under my bed she’d sing me songs, the scent and tingles she’d sent streaming up my spine were seamless, one melting into the other. She’d tuck me in cozily and I’d noticed the smell of a light purple colour that she’d crushed into my palm, a mortar, her soft fingers the pestle. So when the years went by and our time grew shorter, with the linear layout of these memories would I wrestle as I’d strain to remember what our time together was like before you passed finally one last, lost, dreary November. Then one day, as the rain fell outside our house the bushes it struck were made of lavender and I felt like I had been saved, because once again I’d found you.

Laughter,
Rib Punching,
Bone Popping,
Innocent Laughter,
The Purest Form Of Happiness,
Jarred Inside My Soul,
Packed For A The Trip I'll Make Someday,
As I Go Up A Yonder,
I Will Release This Music,
Like A Million Balloons,
Sound Made From The Cello Of Love


Smiling,
Eye Squinting,
Cheek Bursting,
Perfect Smiles,
The Purest Form Of Any Type Of Love,
Slow Motion,
The Strings On The Violin Of Life,
Strum A Steady Heartbeat

Thinking,
Head Grasping,
Stinging Thoughts,
Swarm My Mind,
Our Future,
Our Path On This Ever Stretching Road,
The Bass,
The Harmony Of Our Actions,
The Layout Of Our Life

Words,
Peacemaking,
Heartbreaking,
My Drug,
My Addiction,
I Love Hearing Your Voice Responding To Mine,
I Can Pick Your Voice From A Crowd,
If You Are Afraid To Be Loud,
Whisper,
I Can Still Hear The Viola,
The Viola Of Life's Orchestra,
Each Word,
Each Note,
Deciding The Fate Of Our Song

You Are My Companion,
My Family,
You Are The Music Of My Life,
And I Never Want To Hear,
The Silence,
Ever Again

The dust once settled,
needs to be shaken again,
which was trapped and bottled,
has to fly out to douse the flame

A long time passed, few friends I have earned
in this work of black and white, few shades I have burned

I lost my pace in the layout of this maze
got knocked out, now just the sky I can gaze

I am no stone, but I know to roll
I can play more, but I choose to fold

I have new horizons to reach
the rocky roads are always there to teach.
The dust wont deter me now with pain,
for I know, I will rise up again.

IN the cool of the night time
The clocks pick off the points
And the mainsprings loosen.
They will need winding.
One of these days...
          they will need winding.

Rabelais in red boards,
Walt Whitman in green,
Hugo in ten-cent paper covers,
Here they stand on shelves
In the cool of the night time
And there is nothing...
To be said against them...
Or for them...
In the cool of the night time
And the clocks.

A man in pigeon-gray pyjamas.
The open window begins at his feet
And goes taller than his head.
Eight feet high is the pattern.

Moon and mist make an oblong layout.
Silver at the man's bare feet.
He swings one foot in a moon silver.
And it costs nothing.

One more day of bread and work.
One more day ... so much rags...
The man barefoot in moon silver
Mutters "You" and "You"
To things hidden
In the cool of the night time,
In Rabelais, Whitman, Hugo,
In an oblong of moon mist.

Out from the window ... prairielands.
Moon mist whitens a golf ground.
Whiter yet is a limestone quarry.
The crickets keep on chirring.

Switch engines of the Great Western
Sidetrack box cars, make up trains
For Weehawken, Oskaloosa, Saskatchewan;
The cattle, the coal, the corn, must go
In the night ... on the prairielands.

Chuff-chuff go the pulses.
They beat in the cool of the night time.
Chuff-chuff and chuff-chuff...
These heartbeats travel the night a mile
And touch the moon silver at the window
And the bones of the man.
It costs nothing.

Rabelais in red boards,
Whitman in green,
Hugo in ten-cent paper covers,
Here they stand on shelves
In the cool of the night time
And the clocks.

one

we're intertwined
         in imagined concepts
and we've got the same layout.
some sections colored the same
but we still look so different.

two

I feel like a story basket
locked in a casket,
avoiding spitting on graves.
you're the foam at the bottom:
           all I have left and I want more.
I'm just a foam hound daddy,
             a locked foam hawk.
you open your face, intoxication pouring out.
too much stimulation leads to lack of stimulation.

three

through my fingertips
budding beneath my eye lids.
I see what you're saying.
translate what you're feeling through my skin.


four

slabs of meat for hands,
place them on the stove.
(I feel better with my head close to the oven).
you've gotta soak in the seasons
or they'll fry off so fast,
it'll be all chew and no taste.
all **** and no chase.
I'm simmering
let me marinate.

five

social stimulation starts simmering smoothly.

six

okay,
I'll let my body make the decision when it remembers how to move.
too much to touch and not enough to stay away.

Layout every human endeavor
In a rational grid,
As one would setting up an experimental ag station,
Keep careful data
on all the plot inputs and outputs
and I believe the data will
Indicate that well prepared soil,
Infused with the required nutrients,
The best pretested seed,
And optimal hydration
Will yield over time
Suboptimal performance.
Too many chiefs and not enough
serendipity.
(Hey, is that PC?)
Can you say that today?.
In an  inevitable changing world
You need to preserve strange outliers.

abiti da sposa corti Abbiamo sicuramente avuto la nostra parte di sorprendenti dettagli di nozze grazia le pagine di LSP .ma abbastanza positiva questa è la prima volta che abbiamo incontrato un cervo muschio.E 'uno dei molti dettagli moderni realizzati da The Horse Scrittura insieme con la pianificazione da parte in ogni caso e fiori + avorio verdi



di Lily e Società che dimostra rustico Wyoming gioca bene con un piccolo pizzico di mod .Date un'occhiata a ogni ultima immagine catturata dalla splendida Carrie Patterson Fotografia proprio qui.nella piena galleria .
Condividi questa splendida galleria ColorsSeasonsSummerSettingsTentedStylesModern

Qual è stata la tua visioneè ematrimonio erfectè?

Zee e ** incontrato a Jackson Hole e sempre discusso incredibile come un matrimonio a Jackson sarebbe.Per mostrare la bellezza di Jackson Hole ai nostri tanti amici e viaggiando da Georgia .Texas famiglia .e molti punti in mezzo era sicuro di essere incredibile .Volevo essere certo di mantenere le cose eleganti .ma abbastanza semplice da non distrarre dalla bella vista .

Quali sono tre dettagli unici che infuse nel vostro arredamento ?

mia madre e ** fatto tutta la pianificazione di noi stessi .che è qualcosa che entrambi amiamo fare !Cerco di emulare mia madre quando si tratta di pianificazione del partito e il layout .Ha il sapore più meraviglioso e l'occhio per la decorazione .e io sono così molto grato per tutto il suo aiuto durante la pianificazione .

Alcuni dettagli unici che infuse nostri cor désono :

I due Avorio Elk e Moose .la nostra torta nuziale Faux Bois con i miei genitori ' figurina Staffordshire in alto .gli alberi Aspen e le tovagliette Moss e fioriere .Mi è piaciuto molto anche il nostroè entler Luogo Carteèed i nostri numeri del tavolo .I nostri numeri della tabella sono stati etichettati in animali diversi ad ogni tavolo che rappresentava tutti i diversi vita selvaggia a Jackson Hole .

Qual è abiti da sposa 2014 stato il momento più memorabile ?

Durante la cena .il nostro fotografo Carrie tirato Zee e via per le fotografie al tramonto .Abbiamo camminato attraverso lo stagno .più vicino alle montagne e il nostro primo minuto solo tutto il giorno .Guardando indietro attraverso lo stagno alla bella tenda piena di persone più speciali nella nostra vita è un momento che non dimenticherò mai .

Che canzone hai fatto il tuo primo ballo a ?

Il nostro primo ballo : Crazy Love di Van Morrison padre / figlia Danza : Isnè èShe Lovely di Stevie Wonder

Cosaèse qualcosaèhai fatto fai da te ?

Mia nonna ha fatto la biancheria per i tavoli da cocktail .I quattro grandi Fioriere e la scaffalatura dietro ogni bar sono stati costruiti da un amico in Texas .Le tonalità appeso sopra la nostra pista da ballo abiti da sposa 2014 sono stati realizzati su misura solo per il nostro matrimonio .Avevamo laè èharlie Joseph 'ècappelli di carta fatti per i server di indossare durante il passaggio su cani e patatine fritte a tarda notte

Fotografia : Carrie Patterson Fotografia | Event Design : . The Horse Writing | Pianificazione : in ogni caso |Floral Design : Giglio E Azienda | Catering : Bistro Catering | Località : Jackson Hole Golf \u0026Tennis ClubCarrie Patterson fotografia è un membro del nostro Little Black Book .Scopri come i membri sono scelti visitando la nostra pagina delle FAQ .Carrie Patterson Fotografia VIEW
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they said he should submit this
make submissions and do readings
this is the way it’s been done
for many years
but he didn’t really want to
a couple of rejections left him weary
and he’s a writer not a performer

the contests say “all styles and subjects”
but surely they have criteria
not this one
not this one
this one
the all inclusiveness is a lie
the judges know what they want
he wished they’d be up front and specific
but it’s all about the entry fee
they pretend to be seeders
offering everyone a chance
to grow and bloom
but they’re actually weeders
quickly quashing poems
rubber stamped with doom
they never really stood a chance
because it’s all about the entry fee

“Don’t self publish”, they said
“You’ll regret it”
he did the design and layout anyway
“Can ‘we’ make changes to the cover?”
who the hell is “we”?
this is his book?
sure he wanted sales
that’s what publishing is about
but sink or swim
he wanted his book, his way
especially his first book
and he’s a stubborn *******

the internet is accommodating
this IT age makes it easier
the process has been long
with glitches and obstacles
doubt and procrastination
but the would be destination was worthy
available at amazon

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YES, the Dead speak to us.
This town belongs to the Dead, to the Dead and to the Wilderness.
  
Back of the clamps on a fireproof door they hold the papers of the Dead in a house here
And when two living men fall out, when one says the Dead spoke a Yes, and the other says the Dead spoke a No, they go then together to this house.
  
They loosen the clamps and haul at the hasps and try their keys and curse at the locks and the combination numbers.
For the teeth of the rats are barred and the tongues of the moths are outlawed and the sun and the air of wind is not wanted.
  
They open a box where a sheet of paper shivers, in a dusty corner shivers with the dry inkdrops of the Dead, the signed names.
Here the ink testifies, here we find the say-so, here we learn the layout, now we know where the cities and farms belong.
Dead white men and dead red men tested each other with shot and knives: they twisted each others' necks: land was yours if you took and kept it.
  
How are the heads the rain seeps in, the rain-washed knuckles in sod and gumbo?
  
Where the sheets of paper shiver,
Back of the hasps and handles,
Back of the fireproof clamps,
  
  They read what the fingers scribbled, who the land belongs to now-it is herein provided, it is hereby stipulated-the land and all appurtenances thereto and all deposits of oil and gold and coal and silver, and all pockets and repositories of gravel and diamonds, dung and permanganese, and all clover and bumblebees, all bluegrass, johnny-jump-ups, grassroots, springs of running water or rivers or lakes or high spreading trees or hazel bushes or sumach or thorn-apple branches or high in the air the bird nest with spotted blue eggs shaken in the roaming wind of the treetops-
  
So it is scrawled here,
"I direct and devise
So and so and such and such,"
And this is the last word.
There is nothing more to it.
  
In a shanty out in the Wilderness, ghosts of to-morrow sit, waiting to come and go, to do their job.
They will go into the house of the Dead and take the shivering sheets of paper and make a bonfire and dance a deadman's dance over the hissing crisp.
In a slang their own the dancers out of the Wilderness will write a paper for the living to read and sign:
The dead need peace, the dead need sleep, let the dead have peace and sleep, let the papers of the Dead who fix the lives of the Living, let them be a hissing crisp and ashes, let the young men and the young women forever understand we are through and no longer take the say-so of the Dead;
Let the dead have honor from us with our thoughts of them and our thoughts of land and all appurtenances thereto and all deposits of oil and gold and coal and silver, and all pockets and repositories of gravel and diamonds, dung and permanganese, and all clover and bumblebees, all bluegrass, johnny-jump-ups, grassroots, springs of running water or rivers or lakes or high spreading trees or hazel bushes or sumach or thornapple branches or high in the air the bird nest with spotted blue eggs shaken in the roaming wind of the treetops.

Ok so the new mac software has a dictation program. I let it run during an animal physiology lecture, it was so funny I sort of turned it into poetry with a few modifications. (I took out words that it actually got right and were super science-y like T cells and also words like LRP that aren’t things and I only then changed punctuation and physical layout)

Let me know if you can find some meaning or humour in these found poems.

Steve bring it by

the new proteins bars

euros



without some for you

and your music

and also had pasta



see you

so he hears that

you first

use a euro or so

and phone

by a little while

see what is CCR



Heintz hearts tires

in this to the signal

Mickey’s

was so many years over many years.



He uses Stevens now

she is seeing proteins

and we don’t mayor

this is something for me and Olivia



So honestly it was something going on inside

and so is he is always something

when you see

here is the Winterlochen



7 mm,

one of the major cities,

you




search process

which look, it recognizes us

and what is the function ?



start by punching

in short call with the show

in law class this is a law



bread, espressos

:any

isolated



using my own postulations

to hear that fossil

fossil tires, the possibilities…

and here is a hot spot

deep blue sea

response was you

can see you later

mostly out you are

shouldn’t

parsing parties

and seems that all times

so we burgesses to see

whether these fees

so we are you

so busy

with the police officer



so this is the name

off for you Lisa

so is this needed ?

to serve on, since it’s always interesting

and if there is no proof

what is the man ?



Dennis, is the report from 17%?

raise my house and Sivula .

the left sense is the other

10% to leave myself

seven you get his sister.



Or from prefrontal cortex

you were able to listen

else and if we

so this show

on specific salsa

and effective T cell receptor activation





to decrease the settings

so sure so you transfected

as we buy one

a little simple

were able to game

is at seven

and we have two songs

this nonsense

if we were in Gennessee



tires times

who are noticed

that it is the same as control

were able to rescue the response

so by cars seem to be

a long *** tease you





Silverset

remember to Silversun

So we don’t

House and it’s just something so this shows



That Hughes

that Tersini

seems to be downstream

cheated is this

please rewrite Oterson



times we’ve started

for further brothers

specifically incontinence

ball, doesn’t you know the rest ?



of all conferences

and finish eyes gazing

into Cancun East



it’s consecutively

it doesn’t Vermarle



any if you have time

is there any messages

sorry

I was in response

to slight chance



you can also

it’s seven

and consider

you get a little more pronounced

decrease in Austin

so we see here

just curious

to be through soon

does it sound ?

and whether holiday,

actually awesome?

this medicine!

maybe you

got our road shows

to snooze constantly

is your sisters control as low ?

son



linguistically

“ hi you can see some more”

intense

bad

there’s greater

when an awesome

when you

My brain is your atomic nuclear warfare paintings
All the while you face-lift X-box babies
Needle-thread we're dead babe don't you make a man crave
For things he can't quite understand but doesn't want to hit the hand.
Severance is fiction in the hands of friction,
****** deviance and erratic disobedience,
Covers the covers like a silk-screen layout
Jack it up and crack it up to be ****** up takeout.

Oh yeah? Well over we're starving ripping pieces off the mountains
Dentistry mythology, who needs a medical degree?
The label on the box said the tape was all in my head
But I don't hear a ******* sound except the fire all around
Grass is misleading and graffiti complaining
The AK is God here and through towns we're raiding
You think you got it so bad this is all the life we ever had
And don't you ever stop by cause our values are just alibis.

Okay, enough! This is all a double feature burger for here or to go
This is all a Catholic preacher in a Red Cross rodeo
Life is an airplane flying overhead carrying passengers with nothing in their heads
And turning all the lights out and pulling all the blinds down so they can't see the truth.
Disguise misguide and everything in between
Have you seen the ***** film with Jenna Haze and Jimmy Dean?
Garden salad, Diet Coke, check now and choke
Give us our bombs so we can run and go and rig the new VOTES.

Let me run it by the city council one more time
We're seeing flying cars and houses of cards and stumbling and tumbling
And rumbling and rumoring the hilarious splinter consumering
Maneuvering, assuming bottles fly with seagull eyes
The trees burn here like candy canes and run in the grass like membranes
Toxic fumes and entrails for reasoning and cold shame
Shudder at the thought of a shutter in a hot fuzz tee shirt worn by the slick insane
Generating heaterpuppy psychologic fragile now, undertow, the fifth row in the theater at the Apollo.

Old Katherine Kimberly had a sty near her eye
it was a bleeding abhorrent electric
dream spilling out her sanity
the sty was not just any regular sty
it was a satyr placed there by cruel forever
just because
why not

old KATHERINE KIMBERLY had a
mute cousin who came over for tea
when K.K was feeling down, he wanted to be a comedian
but this wouldn't work out for obvious reasons.
old Katherine Kimberly
had a recurring nightmare involving the world around her inverting it's layout, a backwards realm with backwards chairs and backwards backs
everyone looking like they suffered a dramatic accident
spine snapped but still walking
she was the outcast with her even shoulders and
delicate form but there it was that sty by her eye
wouldn't quit not even with sleep.
She went to see a doctor about the nightmares he prescribed a miracle
didn't work
so she went to church
met some wiry bald-spot
evangelic addict figure who
gave her mysterious bagged-and-untagged drugs
(those didn't work either)
nothing would help.. Kimberly came to the conclusion that the sty and the dreams were correlated in some spiritual, cursed sort of way.
Nobody could see it they promised

"No! no! you look fine, everything is in order god knows what you're on about Kim"

but she scratched and scratched for hours in her bedroom and looked in the faded mirror with microscopic detail and sure enough it was/gone??
since when??
she could feel it there, she was no hypochondriac it was alive and feeding off her still
that HORRIBLE THING!
some months now or maybe more it had always weighed her down but now gone
or never there...?
IMPOSSIBLE!
this wasn't over, old Katherine Kimberly would tear this ****** apart on a sub-atomic level and make sure it would never haunt her in any respect from "this day forth!" she said poetically,
wearing a conservatively fashioned dress with green flowers on it
and green grass, too.

She took to the New York subway on a Wednesday, the time was.......2pm
and she was headed to the drycleaners but not the one closest her apartment, the people that ran that one were pushy and irritating.
She was going to "Maude's" she and Maude had lovely conversations about the Gardener who lived one floor up from her who sometimes allowed a small hello from his lips on the way up, off of work.
She liked what he liked
or at least she imagined that to be true
but then again we all do that
it's a bad habit
he could be a total *******, she thought.
Old Katherine Kimberly walked in and opened the backroom there was Maude listening to Brian Eno
(Cindy Tells me/HERE COME THE WARM JETS/1974)

"THE RICH GIRLS ARE WEEPING"

Maude heard K.K come in and swiveled around in her office chair with the one off-kilter wheel which she didn't do a very good job of fixing.
"Well I don't shop at Ikea, its no wonder why, Kat"

"This sty! I know it looks like it's gone, but it isn't, do you still have any of that herbal remedy stuff you told me about earlier?"

"yeah, yeah.. the stuff you refused take way back when?"

"I admit I was being stupid, I just need help, I'm out of options and I'm kind of on a bad trip right now, see? some ghoul at the church gave me these pretty pink pills, said they were from mars and that they could cure anything! O Maude I was desperate and now I'm hallucinating all sorts of wack. I'm afraid I won't come back from this! I dunno what to do Maude! I dunno what to do!"

"Relaxxxx poor doll, you're always getting caught up in messes like this. It's like I said! you gotta settle down with that Rupert, he seems like a genuine guy, real caring, real. I'll help you, I have that herbal medicine in my car I will be right back"

Maude left hastily with a pat on K.K's shoulders as she went
K.K was going cuckoo
she suddenly felt that on a very metaphysical level her atoms were remembering this drug
always
and that when she died, eventually..some innocent child would be reconstituted with her atoms
to live with this for all time
and to be forcefully admitted into a psychiatric ward
pleading for lobotomy!

"What is this? what did I take? does that Kubrick-looking ****** use this often? how is he even tethered to reality?" she was dizzy, good thing she was sitting down..

Maude came back, shaking her head in sympathetic disapproval
"Jeez.. you've gone down the rabbit hole as far as ailment is concerned, that's for sure"

"What do you mean..?" Katherine Kimberly kept her feet grounded to the carpet as to not sway reality to a snowglobe catastrophe.

"Well you say the sty has something to do with the nightmares, or vice-versa, so you took drugs from a complete stranger! only made things worse, I'm sure.. and now you've come to me"

"That's true" K.K agreed
"Why do this to yourself?"
"I've been lost, out of tune, completely washed.."
(((((())))(((((()(((((((((())))(())))))))))()()()))))((­(())))))))))
she was going to continue, but felt like vomiting

She lept from her seat and hunted for a bathroom,
A vicious tabla bleached her brain
with supernatural viscosity
her body played like a cosmic instrument
for a higher being in a higher realm.
Next, the frantic sitar which reminded K.K of July and
the humid balcony marijuana, Ravi Shankar melodically spinning in her living room.
This was a much different experience.. as made clear by her
convulsions
the viper's final dose of venom

"The great spirit lifted his hand without much ado, and split apart Flower Mountain's ten million layers." - from Elder Ting Stands Motionless. (Blue Cliff Record)

"-******* that ******* from the church
why I ever listened to him-
-I feel like I am afloat atop the world able to see the stars as vibrant eyes! but I'm wavering without a sense of gravity. I am at once motionless and spinning!-"

A lot more trouble than it was worth,
O the wisdom of consequence!
K.K, poor doll, lucid consciousness
and an acute awareness for her disposition in this Universe
and all alternate universes for that matter.
(Including the version of her that decided against taking those pink pills from that pink-cheeked man, Stanley Kubrick lookalike ******* probably only posing as a religious man, they never met in one reality, they ****** in another. In one he is god! he is the only god! and in one she is god! anything better than this reality now! her lungs foaming up with death)

GLOBE-O-VOOTY/
GUIDE-O/
ME SOFTLY/
GET THIS THREY-WAY/
OUT FROM MY MIND/
(That's VOUT language for you, there. Slim Gaillard's timeless bop language)

after puking up the rest of her morning meal
she wiped her mouth dry with her sleeve and
reunited w/ Maude who handed K.K that herbal
music
and wished her well

"Look, I know it's none of my bussiness.. but if I were in your shoes, I'd make some changes.. that's all I'm gonna say about THAT"

so Katherine Kimberly went home, she wept
wept about her disposition
about her mistakes
about that inoperable mental sty which was more than a sty
parasitically latched onto her for ages
she wept about how boring people were
how after all this protest and bloodshed
we're just the same as before if not less intellectual!
this fever dream of a day hath made her realize
that she SHOULD make a change.
Hell, Maude was right, sometimes insufferable (tho not as much as others)
She couldn't keep doing this, whatever this was.

The herbal medicine was contained in some cutesy vial
a kind of amber-shade
thick liquid.
Just in the fashion of Lewis Caroll she
drank up her prayer potion, with the sensation that the room was expanding around her, shrunk down to the pathetic dreamer once again,
and so she tried to sleep this desperate sickness off.

One floor up, Rupert thought about whether or not he should *******, he decided to make some coffee instead, continuing where he left off on a new-age book about hypnotism.

By the time he got out of the front door the morning sun had fully risen. Surrounding it lay a sea of blue sky, light coloured and peppered here and there with trails of white left from distant airplanes. The birds sang in the trees, all in harmony, and a light breeze whispered, left over from the night before.

As he jumped into his car, a dusty red little Citroën, he realised that in his rushed efforts to get ready he'd put his shoes on the wrong feet. A little while ago he'd seen a documentary based on people with abnormal deformities, and there had been an American 30-something year old with two right feet. Right now, looking at his shoes, he looked a little like him; all he needed now was a group of cameras and a well-spoken, polished presenter pretending to care but really just thinking about the paycheck at the end of night. He figured all TV presenters were pretentious, fixated on climbing up the great showbiz ladder rather than helping those in need.

He grabbed them off, scuffed black business shoes to match his tattered jeans and faded blue shirt, and swapped them over. Once both shoes were on correct, he lit up a smoke and set off down the road.

Ahead of him was Lancaster Road, a sprawling stretch of asphalt tarmac that served as the primary mode of navigation through Manchester. If you were to turn left it would take you all the way into the main city, and also a stodge of backed-up traffic, and, if you chose right, to the quiet town of Penitence which was where his works was based. Going right would technically be quicker, as the road to the left led to a series of zig zag-like curves where the road layout had been forced to compensate for the huge cliff several miles to the north. That being said, Will almost always chose left, as the dual carriageway that branched off Lancaster Road was always jammed up with traffic, comprising mainly of angry motorists and haulage lorries driving in from the east. Choosing right would easily add three quarters of an hour onto his journey, and quite frankly he'd rather stare at a wall than be surrounded by blaspheming mouths and ugly red faces.

This time however he went right, joining the steady stream of cars that were already beginning to slow down. There was no apparent reason for this, for over 4 years he must have consistently turned left every morning, but today his mind had thrown a curveball - albeit a stupid one. Already running late, it had chosen to go on the longest route possible.

Good work there mate, brilliant.


50mph - 45mph - 40mph

The speedometer slowly crept down, the shudder of the lower gears gradually increasing. Clouds had now gathered in the sky, not quite bloated nor dark enough to threaten rain but it was enough to dull the sunshine into a pale, white, glow. He was now going slow enough to see the bits of clutter and ******* - discarded newspapers, cans, broken bottles - littering the pavement. Then it suddenly gave way to a rudimentary dirt road and steel crash barriers as he approached the dual carriageway.

35mph - 30mph - 25mph

Sighing, he fumbled for the radio and flicked it on, momentarily averting his gaze from the road to the numbered buttons, tuning for a station.

--- Ssssshhhh ---

Nothing but static.

**** radio! If only I could -

When he glanced up his heart nearly stopped - directly ahead of him, on the highway, stood a man. He stood with his back toward Wills car, shoulders slumped, stock still.

What-?!

Will froze as the car lurched on, the distance between the bonnet and the mans body rapidly closing. No thought came into his brain, his legs distant from his body as if untethered.

Nothing but numbness.

The future series of events played like a stop motion video inside his mind; finding the brakes and jamming them down - only too little, too late. The old man would first lean as the bumper pressed into his lower back, then snap sickeningly in half, the momentum of the car causing his body to jackhammer up the bonnet and roll over the back of the car. There he would fall once again onto the road, spine splintered and blood soaking through his shirt into a puddle on the tarmac.

STOP! Will stop the **** car!!!

He smashed the brakes down and closed his eyes.

Although the first thing taught in driving lessons is to never close your eyes, particularly during an emergency stop, the overwhelming panic threw his nerves into a spasm, and in that split second everything he was told - brake hard, clutch down, don't let the car stall - was forgotten in an instant. He knew what he should do, knew that if the wheels were even slightly turned he could cause the car to skid, or worse, flip.

Brake down, clutch down, engine off, a mantra his instructor had once sang on one of his first lessons. Will had a feeling that if Ruth Carotene could see him, see this, now she'd have some sort of coronary, or maybe an aneurysm. She'd always been set in her ways of teaching, starting each lesson going through her seemingly endless list of checkpoints, and this right here smashed every single rule she'd taught him.
Break, clutch, engine off -
Eyes, open your eyes
He did, the windscreen before him doubling for a second. His heart was pounding away, nervous sweat lining his forehead and arms. The car had stopped, and in his dumb paralysis he hadn't the faintest idea how much it had skid. Safe to say it hadn't flipped over though, unless he was upside down and didn't realise it.
Nope, the sky is still above me, he observed, and it was then he also saw the fat bald-headed guy rapping his hands against the drivers side window. The world washed back slowly, the sun white and the air filled wit beeps and the Ssssshhhhhh static of the radio. He lowered the window, allowing the honking horns to fully enter and consume the inside of the car.
"What the hell are you playing at? I nearly ran into the back of you!" the bald guy barked at him, his pudgy face both pale and angry. Will glanced in the rear view mirror and saw about a dozen or so more cars behind him, scowling faces and gesturing hands sending out messages far from morning greetings or amicable hello's.
"Sorry... There was someone in the road," he croaked, pointing to the blank space in front. Empty, nothing there.
Can't be, he was right there! Stood right there! For a second he thought the figure had been an apparition, or maybe hadn't been there all along, merely a figment of his tired mind. That's when his gaze shifted to the opposite side of the road and the mis-shapen entity clambering over the crash barrier. Whoever it was, they had crossed the road while Will had been in his daze, and it was now he could fully see it in it's ghastly glory.
"I must be ****** blind 'cause to me there ain't nobody there -"
Grotesque was the only word he could think of to describe it. Under the pallid glow of the sun its skin glistened sick-white, partially covered by a tattered grey t-shirt that billowed in the wind like torn flags. It wore shorts, also grey, it's long stick-like legs poking out like splintered tooth picks. And it's face, oh God that face. He only caught a vague view as it glanced over its shoulder, but what he saw reminded him of the ghouls that would creep out of the crypts, the nightmarish beings that stalked late night TV shows such as the Twilight Zone seeking fresh flesh to feast on. But it was human alright - it's normal, albeit disintegrating, clothing the only sign of its former non-twisted self.
Oh God -
"Hey, are you even listening? There ain't no one there *******!"
Will faced the guy, now stood so close his flabby face nearly poked through the window, and then back to the crash barrier. The fiend was gone, much to his relief.
"Sorry it must have been a bird or something, I'm really really sorry mate I thought it was a man, or a kid."
"Yeah yeah whatever, just get going and get out of my way." With that he stormed off, only stopping briefly to exchange disapproving looks with the car behind him. He drove a black sports-like car, probably a Vauxhall, and Will briefly wondered how such a small car could carry an overweight ******* like that.
*******, he muttered to himself as he restarted the engine. Turns out he'd let the car stall as well.
Back to school I guess, what would dear old Ruth say?
Setting off was easy, the fat guy overtook him almost instantly, slamming his horn as he went, but looking over to where the misfit had been was not. He wanted to look, to check in case it hadn't really gone away and was instead lurking, contorting it's swollen lips into a grin.
Grinning at him.
"Gooood evening listeners, this is RADIO XFM!"
Halfway down the radio finally clicked on, interrupting his line of thought - quite mercifully, if he was being honest. The sight of that thing not only made him feel uneasy, but he also couldn't shake off the feeling of foreboding as well. Like it was some sort of warning, a sign.
Of what?
[smashing glass smashing]
He didn't know, didn't dare to think, and as he cantered down the carriageway in the steady stream of traffic he sat silently, the radio singing out its tunes like an uninvited guest. It was an oldie that was on, maybe Boston or Bowie, he wasn't sure, but as it played on he sat in silence, the shadows in the car cutting harsh lines into his face.

By the time he got out of the front door the morning sun had fully risen. Surrounding it lay a sea of blue sky, light coloured and peppered here and there with trails of white left from distant airplanes. The birds sang in the trees, all in harmony, and a light breeze whispered, left over from the night before.

As he jumped into his car, a dusty red little Citroën, he realised that in his rushed efforts to get ready he'd put his shoes on the wrong feet. A little while ago he'd seen a documentary based on people with abnormal deformities, and there had been an American 30-something year old with two right feet. Right now, looking at his shoes, he looked a little like him; all he needed now was a group of cameras and a well-spoken, polished presenter pretending to care but really just thinking about the paycheck at the end of night. He figured all TV presenters were pretentious, fixated on climbing up the great showbiz ladder rather than helping those in need.

He grabbed them off, scuffed black business shoes to match his tattered jeans and faded blue shirt, and swapped them over. Once both shoes were on correct, he lit up a smoke and set off down the road.

Ahead of him was Lancaster Road, a sprawling stretch of asphalt tarmac that served as the primary mode of navigation through Manchester. If you were to turn left it would take you all the way into the main city, and also a stodge of backed-up traffic, and, if you chose right, to the quiet town of Penitence which was where his works was based. Going right would technically be quicker, as the road to the left led to a series of zig zag-like curves where the road layout had been forced to compensate for the huge cliff several miles to the north. That being said, Will almost always chose left, as the dual carriageway that branched off Lancaster Road was always jammed up with traffic, comprising mainly of angry motorists and haulage lorries driving in from the east. Choosing right would easily add three quarters of an hour onto his journey, and quite frankly he'd rather stare at a wall than be surrounded by blaspheming mouths and ugly red faces.

This time however he went right, joining the steady stream of cars that were already beginning to slow down. There was no apparent reason for this, for over 4 years he must have consistently turned left every morning, but today his mind had thrown a curveball - albeit a stupid one. Already running late, it had chosen to go on the longest route possible.

Good work there mate, brilliant.


50mph - 45mph - 40mph

The speedometer slowly crept down, the shudder of the lower gears gradually increasing. Clouds had now gathered in the sky, not quite bloated nor dark enough to threaten rain but it was enough to dull the sunshine into a pale, white, glow. He was now going slow enough to see the bits of clutter and ******* - discarded newspapers, cans, broken bottles - littering the pavement. Then it suddenly gave way to a rudimentary dirt road and steel crash barriers as he approached the dual carriageway.

35mph - 30mph - 25mph

Sighing, he fumbled for the radio and flicked it on, momentarily averting his gaze from the road to the numbered buttons, tuning for a station.

--- Ssssshhhh ---

Nothing but static.

**** radio! If only I could -

When he glanced up his heart nearly stopped - directly ahead of him, on the highway, stood a man. He stood with his back toward Wills car, shoulders slumped, stock still.

What-?!

Will froze as the car lurched on, the distance between the bonnet and the mans body rapidly closing. No thought came into his brain, his legs distant from his body as if untethered.

Nothing but numbness.

The future series of events played like a stop motion video inside his mind; finding the brakes and jamming them down - only too little, too late. The old man would first lean as the bumper pressed into his lower back, then snap sickeningly in half, the momentum of the car causing his body to jackhammer up the bonnet and roll over the back of the car. There he would fall once again onto the road, spine splintered and blood soaking through his shirt into a puddle on the tarmac.

STOP! Will stop the **** car!!!

He smashed the brakes down and closed his eyes.

Although the first thing taught in driving lessons is to never close your eyes, particularly during an emergency stop, the overwhelming panic threw his nerves into a spasm, and in that split second everything he was told - brake hard, clutch down, don't let the car stall - was forgotten in an instant. He knew what he should do, knew that if the wheels were even slightly turned he could cause the car to skid, or worse, flip.

Brake down, clutch down, engine off, a mantra his instructor had once sang on one of his first lessons. Will had a feeling that if Ruth Carotene could see him, see this, now she'd have some sort of coronary, or maybe an aneurysm. She'd always been set in her ways of teaching, starting each lesson going through her seemingly endless list of checkpoints, and this right here smashed every single rule she'd taught him.
Break, clutch, engine off -
Eyes, open your eyes
He did, the windscreen before him doubling for a second. His heart was pounding away, nervous sweat lining his forehead and arms. The car had stopped, and in his dumb paralysis he hadn't the faintest idea how much it had skid. Safe to say it hadn't flipped over though, unless he was upside down and didn't realise it.
Nope, the sky is still above me, he observed, and it was then he also saw the fat bald-headed guy rapping his hands against the drivers side window. The world washed back slowly, the sun white and the air filled wit beeps and the Ssssshhhhhh static of the radio. He lowered the window, allowing the honking horns to fully enter and consume the inside of the car.
"What the hell are you playing at? I nearly ran into the back of you!" the bald guy barked at him, his pudgy face both pale and angry. Will glanced in the rear view mirror and saw about a dozen or so more cars behind him, scowling faces and gesturing hands sending out messages far from morning greetings or amicable hello's.
"Sorry... There was someone in the road," he croaked, pointing to the blank space in front. Empty, nothing there.
Can't be, he was right there! Stood right there! For a second he thought the figure had been an apparition, or maybe hadn't been there all along, merely a figment of his tired mind. That's when his gaze shifted to the opposite side of the road and the mis-shapen entity clambering over the crash barrier. Whoever it was, they had crossed the road while Will had been in his daze, and it was now he could fully see it in it's ghastly glory.
"I must be ****** blind 'cause to me there ain't nobody there -"
Grotesque was the only word he could think of to describe it. Under the pallid glow of the sun its skin glistened sick-white, partially covered by a tattered grey t-shirt that billowed in the wind like torn flags. It wore shorts, also grey, it's long stick-like legs poking out like splintered tooth picks. And it's face, oh God that face. He only caught a vague view as it glanced over its shoulder, but what he saw reminded him of the ghouls that would creep out of the crypts, the nightmarish beings that stalked late night TV shows such as the Twilight Zone seeking fresh flesh to feast on. But it was human alright - it's normal, albeit disintegrating, clothing the only sign of its former non-twisted self.
Oh God -
"Hey, are you even listening? There ain't no one there *******!"
Will faced the guy, now stood so close his flabby face nearly poked through the window, and then back to the crash barrier. The fiend was gone, much to his relief.
"Sorry it must have been a bird or something, I'm really really sorry mate I thought it was a man, or a kid."
"Yeah yeah whatever, just get going and get out of my way." With that he stormed off, only stopping briefly to exchange disapproving looks with the car behind him. He drove a black sports-like car, probably a Vauxhall, and Will briefly wondered how such a small car could carry an overweight ******* like that.
*******, he muttered to himself as he restarted the engine. Turns out he'd let the car stall as well.
Back to school I guess, what would dear old Ruth say?
Setting off was easy, the fat guy overtook him almost instantly, slamming his horn as he went, but looking over to where the misfit had been was not. He wanted to look, to check in case it hadn't really gone away and was instead lurking, contorting it's swollen lips into a grin.
Grinning at him.
"Gooood evening listeners, this is RADIO XFM!"
Halfway down the radio finally clicked on, interrupting his line of thought - quite mercifully, if he was being honest. The sight of that thing not only made him feel uneasy, but he also couldn't shake off the feeling of foreboding as well. Like it was some sort of warning, a sign.
Of what?
[smashing glass smashing]
He didn't know, didn't dare to think, and as he cantered down the carriageway in the steady stream of traffic he sat silently, the radio singing out its tunes like an uninvited guest. It was an oldie that was on, maybe Boston or Bowie, he wasn't sure, but as it played on he sat in silence, the shadows in the car cutting harsh lines into his face.

I like to walk through the apartment
at night to be sure nothing
has moved, to be sure I still belong. I quiz myself
on the layout of furniture darker than air
with my hands above my head
so I can’t cheat. I know
where the lamp sits, just out of reach.

It was a glass of water I was after
or just darkness or to check the faucet
was still dripping into rusty Rorschach portraits
like the first cave drawings made by accident
when they pressed their sooty faces
against the cool cave wall.
The man across the hallway steps out
around midnight, he pretends
to hold a cigarette in his teeth, to light up and love
every breath. When the leaves are crunching like tonight,
I know he’s outside puffing on air. His fingers rest
lightly on his lips, he flicks nothing into the street.
Sometimes I follow him out,
ask for a light and we stand together
on the sidewalk, pretending to risk it all.

The hatchet starts it all.
Burrowing into the lower depths.
Spaces so small.

The layout underestimates, deceives us.
A need for freedom.
Attempts to resist are futile, outrageous

Then the sewers.
Murky, rancid and foul is the stench.
Senses dulling, aromas piercing like skewers

Don’t stop now.
Elbows, shoulders, calves are tense,
Faintly hearing the moo of a cow.

Just a little more
Finally the light beckons…….all hope is lost
The final barrage of bullets shake to the core.

“The atoms that comprise life on earth are all traceable to the crucibles that cooked light element into heavy element.”   —Neil deGrasse Tyson*


And up here we have Vega, rigged to a few older men,
Jupiter’s herd of moons. Look through its eyepiece,
convince us there is no such thing as reconstruction.
The right time to return light, the path to earth. Yes,
we are part, living or real. Such is the layout
of this cosmic ballet. A naked man and woman,
a map of earth’s location, unstable in their older years.
He spreads himself so wide, hard at the heavens
for two reasons. Fairly often, someone would call the police.

Handcuffs came from stars, next generation solar systems
quantumly entangled. Size is only development condensed
into a singularity, enriched guts against gears of war.
So what does this mean? The breadth of the actions
taken, meaning limitations, meaning sky was worth looking at.
He charmed the cops with conversational boom, dozens of people
crouching in the dark. Their common center of gravity:

darker barrel shaped streets with long rows of sold-out houses.
It’s not a lecture—how to calculate latitude, one neck cramp at a time,
an extension cord across Merlin’s Tour of the Universe
to satellites gliding in low orbit, nine years to work its way out.
The voice is deep and rowdy—from a man at the edge of the crowd.
The other reason is down here on earth, down the handle of the Big
Dipper. An artist will tell you—crank it some more, until it begins
to glow blue. Red-hot is the coldest among all the hots.

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I can't help but wonder of your life outside these silly little walls. What memories and experiences have you acquired that I will never know? Tell me about your losses and your Christmas morning snow. How did your favorite day start and your worst evening end? Whats the drive down your street like or the name of your best friend? What was the layout of your freshman dorm or even just your after school norm? I can only imagine the little moments that make up your days, do you think you could should me all the ways you think and laugh and love? Then tell me what it is you dream of, I want to know you inside and out, as you leave me wanting more like a flower in a drought.

A.C.

Every time I hit my heels to its sides
The horse would go cut wind and go beyond its power, even faster
I would bend forward protecting my eyes against nature: specs of
leaves, bugs
Her brown frame trotting full speed wouldn’t pause for water
Me careful holding on not to fall off thinking of the skies, the red
pinkish ones and how
how after this, I may have no one else to fly for
I just wanted to go as fast as we could
over up a hill then ease into valleys then
Home where the neighbors, all strangers, with different languages
hoping everyone understands gallop, gallop, gallop=get out the way, get out the way

The more I hit her sides, I realized we were both made of the same flesh
And that I could not control her
And before because of my ignorance, I couldn’t understand this.
She slowed down
I do not wish to be controlled she said back to me

There’s a law that goes something like:
            nothing can be tamed
            And that the grass is wild,
            And that this grass grows wild everywhere
            Unpredictable in its layout
The second part goes:
            The sun shines in places we can’t see

This sky we’re under can’t be caught and observed in some jar,
can’t be manipulated into giving rain,
it expands beyond our vision wildly in every way north
in every way south
in every way—

me your horse,
am not your horse, if it weren’t for evolution of you-man
to try to control all that wanders in free and in nature,
all that is visible seems obtainable in the eyes of man-kind-less-ness
boy, the trick nature played on the both of us

I woke up in the middle of night, last night, to an unfamiliar noise. It was a vibrating frequency coming from the floor underneath of me. I live in the third floor unit of my building which means there's second and first floor units. The noise is coming from the people underneath of me, probably. I heard it again and I was unsure of the location. Then I heard it a third time and this time it sounded like it was coming from my front door. I heard the **** make a noise. The sound of someone turning your locked doorknob or vending touching it in the middle of the night is not okay. I felt the adrenaline rush to all the muscles in my body and for a moment I was ready. I was still. I listened. My instinctual fighting abilities have evolved to this moment even though I have never been in a physical fight with anything except my boyfriends dog... After so many minutes, I began thinking about that very specific door **** noise and then trying to figure out what that vibrating rumble was. In my head I compared it to the Babadook which is a movie I had just watched recently. Even though still terrified hiding under the blankets, I found this moment comical. This would be the moment as a child when I would run into my parents bedroom night after night telling them about my nightmare and then continue sleeping in between them. In this moment I decided to let my mind wonder and listen for the first time in a long time. Through meditation I have learned to shut the unproductive doors in my mind. As I listened all I heard was the rushing vehicles on rt 76 across the river. The sounds created it's own river. I heard the breaks of the tracker trailers rumbling down the freeway to fade into the noise of the night.  I heard nothing. I heard a car drive by on my street. It hit a *** whole. For awhile the noises became so repetitive that it became mundane and my thoughts started to creep in and I let them. Then I heard an emergency vehicle. My ears perked up as I listened to the sirens bounce off the buildings. I could visualize the architectural layout of each block the ambulance went down or approached. My mind had made a fuzzy map of my neighborhood. I eventually heard the sound of my alarm reminding me to get out of bed.