I jammed finger and my nail broke
i cant even play the game because of my dam
finger why does it have to hurt
my dam finger
it turning black and blue what am i
supposed to do
My jammed finger
I Hope  it gets better because
its My Jammed finger

Pressesd tenderly,
your carnal flower opens,
its butterfly released,
hovers like a hummingbird
drinking from the bill.

Oh, I too would steal you away
and cage you happily,
to get under your black-fringed skirt; 
to see that pretty dress,
fly off once more,
and see you bare;
burned now forever in my banks,
a first sight,
of dark curls!

As I think of it,
my desire stirs,
but of us
I have already masturbated twice:
jammed,
hips pinned,
sliding over our wet perspiring bellies,
in our jungle heat:
'cause in the firmament of our embrace
- it's hot -
where glued we **** into each other,
stoking flames,
until sleep,
when we disappear from each other.
My mind crowds,
with niggling neurotic inanities;
yours with manic dreams where bed-wetting criminals in cages beg to be freed,
before better spaces overtake.

When I awake,
I am lying next to you,  
Gwen over the horizon of your fertile valley,
a mountain,
white and reposed.
You,
murmuring desire for me.
****!
I can't wait to answer.

It is late,
late morning,
and we are all half asleep.
You have your back to me,
as we lie,
rubbing feet,
stroking hands,
(the oiled bulb at the end of a finger),
your fine shoulders,
(that delicate but persistent bone in your wrist that stretches with pointed elegance);
as quietly inside,  
(warmly enveloped),
my couched *****,  
rocks us:
each diffusing into the other
like the early morning brew.

Lust and love,
closing-in,
which for a good while on edge had been:
the weeks,
days,
hours;
faint promises from afar;
sometimes a little closer,
our shadows in daylight cross,
as one over the other storms;
and once (or twice),
a sleeve brushes,
even better,
hair crackles,
as a speaking lip touches lobe,  
and for a moment,
taking in the other's scent,
a hint sublimely overpowers.

And these,
dearest of fancies,
are just some,
with which to penetrate your mind,
as you have mine:
the energy of my yielding tenderness,
inviting you to complete me,
as I spread for you with desire.

Much later,
those daring looks you have,
the way you walk our stage:
your beautiful elongated face,
those quick-fire arousing eyes,
your sultry self-assuredness,
your pre-possessing self.

I could talk about your couple,
of generosity,
reaching up,
beyond mere comprehension:
of the fact that I like Gwen
(his love gift for you, me);
but actually,
in truth,
I prefer to take this moment to make love to you;
to say how wrapped I am,
folded in your limbs,
in our mingling sweat;
how with your joy,
you touch my desires,
into yours,
so they flow,
run rather:
honeysuckle from your blessed nymphae.

You love my smell,
you say,
and I dream of gathering you in pheromones,
of drugging you,
of intoxicating you,
so once again you will find me,
take me,
have me.
Entice you once more like a creature from its shell:
Come!
where I can ravish you,
all of you,
lay naked to me,
flesh,
sinews,
everything,
your very bones;
those fine elbows,
those knees I would like to ******* over;
wash their smooth surfaces in my come:
from these cliff heights,
rain ***** on the rocks below.

To once more cast aside your socks and get at your toes,
to pour oil on 'em,
to rub and squeeze' em,
while in the moist cavern of your insides,
we ****,
half washed over by our own tide.
And as we do,
I quail,
speaking sweet nothings of appreciation;
from full lips,
your sounds return,
the hypnotic rhythm of your breath:
I engorge and in our labyrinth,
- the maiden and the bull -
we consume ourselves.

There,
Sweet Lentiform,
you did it,
you got me rolling in flesh,
lusting after your intimate parts,
wanting you in bed as I know you must have me:
pulling me on you,
kissing and biting;
my arousal in your palm,
pops,
as you run a curved finger over my nethers.

Lying,
lying,
side-by-side,
lying prone,
lying ******,
never unconsumed,
because,
please,
please  us,
with more;
so rarely,
unfucked even for a pause,
nothing doing more than sleeping and carousing;
our sustenance barely enough to keep us at it,
an occasional comic thrown in.
Oh,
God,
throw the ******* comic at me,
will you?
Beat my ******* flesh with it if you like.
Anything to see you standing in all your pearly naked glory!

And if you can,
keep texting me,
so I can hang on your every word like a ******* puppy!
Beautiful
long-haired,
skin tight,
upright,
wise,
gorgeously wild,
woman ...
Now pull me by my **** into your **** -
where I love it best.

[A] is for
An
Archer with
An
Arrow through his
Adams
Apple, very
Applicable, to the
Ample
Amounts of
Amiable
Attitude,
Adorning his heart, in
After
Action
Attributes, that impart, the
Admiration, of
*******, in this
Acting out of
Arrogance bit. he is,
Astute, in his
Allure, and
Aloof, in the
Air, of
Aspiration, in which, he was
Alienated in the
Agony, of
Asking
Assassins, the
Aforementioned. lights, camera,
Action. recipe of the
Ancient
Admirals of
Avian
Aliens, that
Attacked, with the
Arms and fists, of
Arachnids, now
Aching to be
Activated in sudden
Allegiance to the
Answers, of the truth.
Accumulating wealth for
Anarchy's of
Abating
Angels in
Atrophied,
Alchemical
Academies of the ever
After life .. . of silence.
****** strengthens in these
Accolades of violence, in
Alliance to
Appliances
Appearing in the
Arson of
Apathy, happily, to
Anguish in the
Amputation of my
Abdomen, if it meant i'm a real
American, even, when, only
Ash, remains.
Acclimating in its remains
Attained, the
Articles of my pain, in
Affluent shame, next time ..
Aim... oak
[A]?

[B] is for the
Bah of
Black sheep, and
Big
Bit¢hes, fat cats,
Bombarded in the
Blasted,
Bastion of
Blackened
Benevolent
Blokes,
Berating the
Blasphemous,
Be-seech, of
Brains, to feel
Bad, about the
Blotching of
Binary codes, erroding, the
Blanked out
Books, of
Belittled
Bureaucrats,
Bowling
Back the
Bank rolls of
Betterment, from the
Back of the
Blackened
Bus, as i'm
Busting guts, in the
Bubbling
Butts, of *****
Benched, but
Beautiful, in the
Battle, in the
Bane, of existence.
Baffled, in the strain of
Belligerence, in
Beating the
Beaming
Butchery into
Billy's
Broken
Brains, in
Bouts, of
Battering
Bobby's for
Bags of
*******
Before, affording to
Build
Bombs, is just
Beyond
Breaking
Beer
Bottles on the
*******
Benefactors of
Boulder
Bashing with the
Beaks, of
Birds, with no
Bees. just a
Being, trying to
[B]


[C] is for the
*****
Courting the
Choreography, in
Computerized
Curtains,
Circumventing the
Cultured,
Contrivance of
Chromatic
Cellars,
Calibrating, to the
Contours of
Calamities,
Celebrating the
Cyclical,
Cylinders of
Cyphered
Calenders,
Correcting the
Calculations, of
Crooks
Coughing, in
Courageous
Coffins of
Canadians,
Collecting
Cobble stones, from
Catacombs, in the lands of the
Conquered,
Capturing the
Claps of thieves, sneaky
Cats, of greed. its
Comedy. oh
Comely, to my
Cling of
Cleanliness, and for your self
[C]

[D] is for the
Dip *****, as they
Delve
Deeper in the
Deliverance, of
Deviant
Deities,
Dying to
Demand
Dinner
Delivered in the throws of
Death,
Deceiving
Defiance of
Darkened
Dreams,
Demeaning that which
Deems the
Dormant of the
Dominant, to be
Demons of
Deviled
Devilry,
Dooming us for
Destruction.
Deploy the,
Damsels in
Duress.
Defiled and
Distressed,
Detestable and
Dead. in the thump of
Drums,
Dumbing down the
Debts of,
Dire regrets.
Dissect the
Daisies of,
Disillusion, in the current
Days,
Diluting night into
Dawn,
Disconnecting the
Dots of the
Dichotomy, and arming me, in the
Diabolatry, of,
Demonology, as i watch me
Dwindle away, the
[D]

[E] is for
Everything in nothing,
Eating the
Euphoric
Enigmas of
Enlightened
Elitists,
Exceeding in the
Extravagant
Essence of
Esoteric
Euphemisms,
Escaping the
Elegance of the
Elements in the
Eccentricity of
Eclectic
Ecstasy,
Exhaling, the
Exostential blessings, of inner
Entities, and renouncing the
Enemies of my
Ease,
Easily to appease
Extraterestrial
Empires,
Extracting the lost
Embers of
Enlightenment, in
Excited delight, but to later
Entice, the fight, and
Escape, like a thief into the night of
Everywhere,
Entering the
Exits of
Elevators leading no where, to
Elevate, this useless place,
Encased in malware in the
Errant
Errors of
Every man,
Enslaved, of flesh and
Entrails,
Enveloping the core of
Everything, that matters,
Enduring, the chatter, of
Evermore,
Ever present in
Everybody
Ever made to take
[E]

Funk the
Ferocity of
Foolish
Fandangos, with
Fanged
Fanatics,
Fooled in the
Fiasco of
Fumbled
Fantasies,
Falling through the
Farms of
Freely
Found
Fans,
Flying in the
Fame of
Fortune.
Fornicating on the
Fallen
Fears of
Fat
Fish getting their
Fillet of
Fills.
Feel me in the
Frills

Granted with
Generosity.
Giblets of
Gratitude and
Greed,
Greeting the
Goop and
Gobbled
Gore,
Gleaned from the
Glamour of
Ghouls in
Gillie suits,
Getting what they
Got
Going, in the
Gratuitous
Gallows of a
Game
Gaffed by
Giants.

Hello to the
Horizon of
Hellish
Hilarity, in
Hope of
Happy, to
Heave from
Heifers, to
Help the
Hemp
Harshened
Hobos in
Heightened
Horror, to
Honor the
Habitats of
Hapless
Habituals,
Herbalising the work
Horse, named
Have Not, in the
Haughtily
Hardened
Houses of
Happenstance.

Ignore the
Ignorant
Idiots, too
Illiterate to
Indicate the
Indicative
Instances of
Idiom in the
Irrelevant
Inaccuracy of
I,
In the
Intellect of
Idle
Individuals,
Irritated with the
Irate
Illusion of
Idols
Illustrated upon the
Iris,
In the
Illumination of
I.

******* the
Jobless
Jokers, and
Jimmy the
Jerkins from their
Jammie's, in
Justified,
Jousting off the
Jumps, in
Jokes, and
Jukes of
Just
Jailers,
Jesting for
Jammed
Jury's to
****
Judgment from the
Jitter
Juiced
Jeans of
Jesus.

**** the
Keep of
Khaki-ed
Kool aid men,
Kept in the
Kilometers of
Kits,
Kin-less
Kinetics,
Knifing the
Knights of
Kneeling
Kinsmanship,
Keeling over the
Keys of
Kaine, with the
Karmic
Karate
Kick of a
Kangaroo.

Love the
Levity, in the
Luxurious
Laments of
Loveliness,
Lovingly
Levitating in
Level,
Lucidly.
Living in
Laps, of
Lapses,
Looping, but
Lacking the
Loom of the
Latches
Locked with
Leeches of the
Lonely
Lit
Leering of
Lightly
Limbs, that
Lash at the
Lessers in
Loot of
Lost letters,
Lest we
Learned in the
Lessons of
Liars.

Marooned in
Maniacal
Masterpieces,
Masqueraded as
Malignant
Memorization's of
Motionless
Mantras, but
Merrily
Masking
Mikha'el the
Mundane, who is
Musically
Mused of
Monsters,
Mangling the
Monitor, but
Maybe just a
Moniker of
Marauders.

Never to
Navigate the
Nautical
Nether of
Never
Nears.
Not to
Nit pic the
Naivety of
Nicety.
Notions
Neither take
Note
Nor
Name the
Noise of
Nats in the
Nights of
Neanderthals
Napping in the
Nets of
Ninjas

Ominous in the
Obvious
Omnipotence of
Oblivious
Obligatory
Opulence,
Of
Other
Oddly
Orchards
Of
Offices,
Ordaining
Orifices in
Offers of
Ordinary
Ordinances in
Option-less
Optics,
Optionally an
On-call Oracle, in
Optimal,
Overture.

Perusing the
Pestilent
Pedestals of
Personal,
Parameters,
Pursuing the
Petty
Plumes of
Piety with the
Patience of a
Pharaoh,
******* on the
People with the
Penal
Pianos of
Port-less
Portals, in the
Paperless
Points in the
Palpal
Pats of
Pettiness.
Poor, but
Prideful.

Quick to
Qualify the
Quitter for a
Quick
Quill in
Queer
Quivering of
Quickened
Questioning,
Queried in the
Quakiest of
Quandaries.
Quarantined to a
Quadrant, of
Quagmires.
Questing the
Quizzing of
Quotable
Quartets.

Relax in the
Relapse of
Realizations, and
React with
Racks of
Rolling
Rock to
Rate the
Rep of the
Rain-less.
Roar in
Rapturous
Rendering of the
Random
Readiness in the
Ravenous,
Rallying, of the
Retinal
Refracting of
Reality.
Realigning, the
Righteous
Rearing of the
Realm, and
Retrying.

Steer the
Serenity in
Sustainability, and
Slither through the
Seams of
Slumbered
Scenes.
Secrete the
Solo
Sobriety of
Sapped
Sassys,
Salivating upon a
Slew of
Stupidity,
Steadily
Supplied in
Stream,
Suitably
Slain in the
Steam of
Sanity.
Sadly, i
Still
Seem,
Salvagable.

Topple
The
Titans in
Tightened
Terror.
Torn
Territories
Turn
Turbulent in
The
Teething of
Totality.
The
Telemetry of
Time,
Tortured of
Torrent
Theories,
Told in
Turrets of
Transpiring
Terribleness, from
Tumultuous
Tikes unto
Teens,
Trading
Toys for
Tea.
Thrice
Thrusted upon by the
Tyranny of
Tanks.

Unanimous is the
Ugliness in the
Undertones of
Undreamed
Ulteriors
Undergoing the
Unclean in the
***** of
Utterly
Upset
Users,
Uplifting the
Unfitting
Ushers in
Underwear-less,
Ulcers,
Undergoing the
Ultra of
Uberness.

Venial in
Vindictive
Viciousness of
Vindicated
Venom,
Venomously
Vilifying the
Vials of
Villainy in the
Veins of
Vampires,
Validity of
Valuable
Violence, is
Valiant in the
Vaporous
Vacationing of
Vagrant
Vices.

Why
Whelp in the
Weather
When you can
Wave to the
Whirling
Wisps,
Whipping Where the
Whimsical Were
Way back in the
Wellness of
Whip its,
Wrangling my
World,
With
Waterless
Worms, as
War shouts are
Wasted in the
Wackiest
Walks of
Waking
Wonder.

Xenophobic
Xenogogue, of
Xenomorphic
Xeons, turn
Xyphoid, in the
Xenomenia of my
X, my
Xenolalia of
X, to
***. im lost in the
Xenobiotic zen of
Xerces, on a
Xebec to the
X on the map.
Xenogenesis, in the
Xesturgy of my
Xyston
Xd

Yelling
Yearned from
Yelping.
Yard
Yachts
Yielding, to the
Yodel of
Yeah
Yeahs, to the
Yapping of
******
Yuppie
Yoga
Yanks, over
Yonder.
Yucking it up with the
Yawn of a
Yocal.

Zapped from a
Zone i
Zoomed with
Zeal in the
Zig and
Zag of my
Zapping
Zimming
Zest, upon a
Zombie-less
Zeplin.
Zealot,
Zionist, or
Zoologists,
Zeros or ones, just
Zip your
Zip locked. and
Zzzzz
Zzzz
Zzz
Zz
Z
Zero

He'd been conceived in Flamborough, so his little sister assured him some eleven summers ago, which was a tad hard for Rocky to swallow, she was a whole eighteen months his junior and then some... and at that age, well... what did she know, she was only a kid, "on this very rock" River insisted, kicking her heels in delight, "next to this very rock pool" they were both sitting beside, "one sunny afternoon eleven years ago..." and that was how he came by the name of Rocky... she taunted as the rest of the colourful story unfolded... and that she had it all on the best possible authority... although the more she thought about it, had she meant concealed... she wasn't quite sure now, it was all so very confusing at her tender age but thought it sounded close enough not to matter too much and that she would just wait and see which way the wind blew.
        
     It was conceivably an ill wind that blew no one any good that day, especially if you were a boy and just happened to be sat by a rock pool next to your little sister...  Having just taken a well earned drink from a neighbouring rock pool, Sockeye the floppiest Springer Spaniel this side of the Pecos decided that he was going to dig a hole and that he would be digging it deep, then changed his mind mid-dig and decided to have a more down to earth back scratching wriggle instead... then promptly flopped over and slid into the hole... life was sweet.  Now covered from nose to tail with every species of deceased shore life usually found frequenting the high water mark Sockeye, in a blinding flash of canine inspiration judged it would be in everyone's best interest were he to have a really good shakedown which always appeared to go down well on these occasions... and give everyone a good peppering, just so they could see exactly what they'd been missing all their lives.  

     "A rock of all places, for goodness sakes..." and what's more, it was this rock, "Yuk..." he jumped up and wiped his palms on the back of his jeans in disgust, then onto his tee-shirt, then sat back down again and began exploring his left nostril in quiet contemplation before finally jambing his hands back into his pockets... what in Heaven's name had his parents been thinking of..? what on earth was his little sister talking about..? and more to the point, what in fact did conceived mean..?  these were the questions that were uppermost in Rocky's mind as he poked an exploratory stick into the rock pool...  a baby crab marooned by the tide scampered sideways beneath a large pebble and stuck one beady eye out at him... Rocky's sister, seemingly in a world of her own, much like the baby crab sat on the edge of the noteworthy rock kicking her heels, an innocent smile curled the corners of her mouth as she quietly hummed a little song of tuneful bliss to herself and considered what further mischief she could possibly pass her brother's way.

     Rocky tossed a piece of driftwood over his sisters shoulder at a nearby flock of seagulls, squabbling over what appeared to be a discarded bag of fish and chips... Sockeye, simply knowing that his little master wanted to play a game of fetch gambolled after the stick, his ears flying courageously in the still Summer air and burst, amid a melee of feathers into their midst, only to romp back moments later, the stick all but forgotten in the excitement but now proudly sporting the derelict bag of leftovers and the odd splash of guano, his tail lolloping magnificently from side to side... and for the moment at least, leaving the fratching seagulls wheeling noisily overhead and to go about their daily business without further interruption... as for Sockeye, it had been a no contest situation.

     After fourteen years of valiant endeavour his father... Red, so named for his vivid shock of wiry hair, was still engaged in man's eternal struggle to win his significant other half's approbation with the manful art of deck-chair assembly, beach barbeque and other significant gentlemanly pursuits, all while strutting his manly stuff, sporting top of the range beach wear in accordance with the social etiquette of the previous decade... his masculine paunch slumping gallantly atop his waistband...  

     After the same fourteen terms of domestic servitude and the same thirteen identically overlooked anniversary cards a certain someone had no intention of allowing another certain someone to forget so much as one of them... his better half, so she insisted would ride rough shod, administering her own brand of justice at every given opportunity, in much the same way you'd brandish a royal-flush on poker night... or better still, a loaded revolver... and that she personally carried the burden of every ill-fated card that Lady Luck had dealt strung about her neck like Adam's original sin on Judgement Day.  

     Red much preferred the shorter, more condensed name of Rock for his son, rather than the longer more protracted Rocky, as he struggled with the wood and canvas lounger badly trapping the mound of his thumb in the process, "Aaargh...!!!" plunging his throbbing hand deep into the cold, soothing rock-pool "aaah...!!!"   Still marooned by the tide, the baby crab stood poised and ready for action as it considered giving this latest intrusion a good offensive nip, then hang on spitefully as it gave Red the final withering once over with the same baleful eye it had successfully used earlier.

     Acknowledging her husbands misfortune with a perfunctory grunt as she rummaged in her beach-bag for the thermos, she refused to be drawn in where thumbs were concerned right now, after all with his DNA sequencing she was convinced he could probably grow a new one within the month... whilst Tina, well... she was just plain worn-out... but still rejoiced in telling anyone who cared to lend a sympathetic ear in her direction... and who in turn was more than happy to listen to the woes of others and went somewhere along the lines of... 'and had she heard any more of poor Mrs Dorey's lingering martyrdom recently..? you know, the downtrodden lady who lives in the next street but one... and how they would all miss her when she was gone... and how she couldn't wait...' and as rumour had it, neither could her husband...

      Feigning to be otherwise engaged, Tina... as her husband, now blowing frantically on his mangled thumb, stumbled backwards over the half erected lounger and with a spine jarring "Ooomph...!!!" landed squarely in Sockeye's subsiding earthworks... professed total disassociation with the entire fiasco as she plunged her nose even deeper into the overdue library book she'd purposely brought on holiday for just such an occasion, making it perfectly clear that she was a tourist and furthermore, planned to stick with the same itinerary once they returned home... and that while she was here, she did not under any circumstances wish to be disturbed, the notice was clearly displayed hanging from the door handle... but if anyone should, then whoever it was did so at their own peril... and she was keeping score... although a mangled thumb she luxuriated, with the same roguish smile curling the corners of her mouth as the one normally found playing around her daughter's... was equally as heart warming.

      All Tina wanted was one week of uninterrupted peace and quiet in Flamborough, preferably with a certain someone out from under her feet then spend what might pass for several undisturbed hours sitting quietly by the rock pool comparing notes on eye makeup and the feminine merits of pedicure with the little crab who, still marooned by the tide was now sat busily knitting four pairs of matching leg warmers in the cool, still water but that was only if that certain someone... a shrill  "AAaargh...!!!" somewhat more desperate than the first, ****** itself upon the as yet unaggressive afternoon as it gyrated across the warm Jurrasic rock and recoiled out to sea... "now where was I", twisting her book uppermost "oh yes..! someone was going to pay..." only now it was going to be sooner rather than later, but only if that certain someone didn't finish the seating arrangements before the Sun disappeared and drift into some backstreet tea-room before all the lemon cheesecake sold out, or was that she reflected, simply too much to ask.

     It was his Surname that Rock found so objectionable, or it had been right up until his little sister's enlightening disclosure, now it was both names Rocky disliked, it would have been far kinder had Rock Salmon been sandwiched between sliced bread and given to Sockeye... who's solemn duty, from the first mouthful to the very last, was to gaze up beseechingly from beneath the kitchen table  and devour anything that passed his way, even the postman had to be quick about his business or have his arm follow the mail through the letter box... then Sockeye would just smack his lips and help himself to seconds.  

     All Rocky's mum had thought about for the last fourteen years was seconds... every last solitary one of them since she'd suffered with an infection of matrimonial neurosis which had deprived her of common sense and her maiden name, from Chovey to that of Salmon and how with hindsight she should have taken an Aspirin instead, wedlock she asserted was everything the name claimed to be and was without doubt the worst move she'd ever made... and what's more was seen as a bad move in whoever's wedding album you just happened to be paying your condolences to.

     Rocky would never be so fortunate on that score, unlike his sister he was stuck with Salmon for good, his grandma-Ann by all accounts had been dead set against the union from word Go and saw his father as someone who would always be out of his depth in whatever rock pool he found himself in, swimming against the tide as it were, rather than going with the flow... and it appeared that Rocky, almost eleven years into a life sentence, was about to flounder in the same murky undertow as the rest of the Salmon family... only he couldn't swim.

     "There"! her husband exclaimed "all finished... better late than never eh', who fancies trying it"? his wife luxuriated over the words 'better late' and wondered whether her new earrings, her latest acquisition would complement formal mourning attire.  Red dusted off the palms of his hands with the certain knowledge of a job well done and cautiously took one step back, looking with justifiable pride at the outcome of his manly exertions of the last two hours, this was what holidays were all about he declared, one man pitted against insurmountable odds...  His wife meanwhile was getting to grips with more odds of her own than you could safely expect to shake a stick at... her husband being one of them.  

     Having gathered her offspring with the promise of verbal earache if they didn't... and finished packing the beach-bag, Tina finally located Sockeye peering out from the shade of an adjacent rock, wisps of feathers poked tellingly from the corners of his mouth, his tail beating mischievously on the shingle decided in one further blaze of canine brainstorming, as Tina attempted to slip his collar on that a game of tag would just about round the day off nicely... Tina then devoted the next ten minutes chasing him amid unrestrained salvo's of cheering from the rest of the family... then bid goodbye to the little crab who, still marooned by the tide waved a friendly pincer in return... and trusted that she wouldn't have too long to wait for the next rising tide back home, then she slid off the rock with a corrosive... "the deck-chair attendant would have shown you" she snapped "and don't forget the deposit when you take them back" then double checking that she landed squarely on his foot she marched past, her floral sun hat jammed resolutely on her head at what she considered a jaunty angle with her equally jaunty, angular children scrambling in hot pursuit, back in the direction of their lodgings.  

     "Woof "..? said a bewildered Sockeye, bringing everyone to an abrupt halt... and with paws the size of place-mats, he wasn't going anywhere he didn't want to... he hunkered down with a look of hurtful accusation on his face, "oh yes you are my lad"! said his mistress "I've met your sort before" and knew exactly where to place the toe of her dainty size-5 as Sockeye, digging his heals in even further created swathes of canine furrows up the beach, leaving her husband the unwitting holder and in sole possession of the overlooked guest-house keys... and somewhat resigned to clean up his own masculinity and dismantle the recently assembled, now redundant deck-chairs by himself... as for Tina, well... she'd had quite enough excitement for one day thank you very much.

     Morning register was always the worst he thought, as they trooped back along the shingle beach, Rocky making surprisingly good furrows of his own... but the rest of the class loved it and saw it as the highlight of each day... Rocky's form teacher, despite showing a brave face was always hard pressed to avoid bursting into hysterics every time she worked her way down the register to the letter 'S' and would attempt to bypass it altogether, jumping from 'R' to 'T' and just prayed that no one else had noticed, but it hadn't taken the class very long to point out her oversight and... "please Miss" they'd all chant "we haven't had Salmon all week" and while the rest of the class were having convulsive fits, Rocky would elbow the lad sat at the next desk in the ribs... and promptly get one hundred lines for his trouble... thank goodness it was school holidays.  Why couldn't they have been given respectable names like Seymour Legge, Rock wondered, who sat over by the window or perhaps the teachers pet, Anna Prentice or even, Robyn Banks at a pinch, but definitely not what they'd been given and certainly not Salmon, they were the most hilarious names he could imagine and if someone was looking down on them right now he thought... then they had a very unique sense of humour indeed and Rock said so... "why" his little sister asked sweetly, "what's wrong with River Salmon".

                                                      ­                         ...   ...   ...*

a work in progress*                                                        ­                                                              240­6

You're the Wacky Wolf-man,
Tearing through our pages with a single huff.
Breathing life into us little piggies,
Blasting your way through the daily fluff.

You're the Word Wizard.
Leaving us in awe and in dribbles.
Waving your wand,
Conjuring magical and spellbinding scribbles.

You're the Living Legend,
Almost like a deity of some sort.
Garnering shiploads of admiration,
Through words of encouragement, banter and retort.

You're the Bad Boy Bard...
Never mincing your words.
Unconventional, you howl amidst the flocks...
You never did chirp like the birds...

You're the Minstrel Mobster,
Shooting your Tommy, never missing.
Flicking forward your fedora,
Strung lute ever smoking.

You're one Cool Cat.
Fending off haters with a bat.
Everyone just wants to be that.
Like a superhero whose symbol is a bat...

You're a Gem Generator.
Cogs and gears churning the jewels laid
Machine malfunction! My system's jammed!
Well I guess that's just it... Enough said!

We chased a feeling
not a reality

We both wanted someone
So desperately
that we found each other

Even though no part of
us
worked

Our pieces didn’t fit together
so we pressed and jammed them
until they were stuck
and stayed that way
Until
we broke

-red flags

Pinto?

No, not the wild-spirited, color-splotched mare
with mane streaming like flames-thrown
behind in the wind
Taking desert inclines
with scuffing hooves on rock
catching her balance in mesquite
curbing?
The sage, dust
All
that nature throws in its pathway to knowledge
toward treachery of crosswalks?

“P-l-e-a-s-e  don't slow down!
Stop signs--?
”No!
Just keep going!
Don't slow down now!”

“They'll hear us coming
3 blocks away!”

Pinto?
Clogged carburetor--?
No one much-mentioned
rear-end inferno reputation??
A mere twinge in my signature
Woman-without-a-clue

“Hey, it runs, right?
Gets where we're goin'?”

Kids duck in back seat
so as not to be seen
In the cloud of smoke
We make our approach

Hiss Spitter, Belch, Pop
and--

BANG!

--Like a gunshot

Kids take cover
on street, in backseat
duck down
so not to be noticed...

“Oh Ma!  
MA!!!
Not right here!
Farther down!”

...so not to be seen
...by friends that matter...
in this ride
from hell!
Backfiring Beast--

“Friends”
skitter away
from what will emerge from the smoke and fumes
of high-risk-situation

Kids spill out through jammed door
to unexpected accolades
onto equality's curb
of laughter  
Public school's
wake of exhaust and relief

I drive mercifully away


Start of another school day

1970 Odysseus visits cousin Patsy in New York City she introduces him to her best friend Lauren’s older less attractive more reclusive sister Tanya Mulhaney extremely wealthy family father founded corporation manufactures pinball machines which years later develop to video games then casino empire he favors and spoils Tanya but dies suddenly her envious sisters and mother gang up on Tanya is pale skinny flat-chested copious brown bush Odysseus sits in bathtub with Tanya and he probes in a way they hits it off maybe no boy has ever touched her in that way her complexion is so fragile slightest fluster prompts pink blotches on her cheeks neck chest back he admires her book smarts he’s attracted to her refined strangeness he thinks her bush and flat-chest are **** she laughs shyly offers to take him around the world he accepts Odysseus tells his parents Mom goes crazy yells into telephone what are you a ******? you father and i work like fools to send you to the best schools so you can make something of yourself you’re going to throw everything away to be a ***? i tell you we’ll disown you you won’t have a home to come back to do you hear me? we’ll disown you! she sobs how can you just walk out after all we have done for you? you ******* kid! Odysseus takes leave of absence from art school he and Tanya take Iberia jet 12 hour flight with stopover in Iceland to Belgium Tanya sinks into one of her moods swallows several pills to help her rest sitting on other side of Odysseus is curly haired skinny talkative musician claims he has jammed with Miles Davis and other jazz greats Odysseus says yeah right and i’ve shown with Johns and Twombly where exactly are you heading in Europe? musician answers he is a scientologist on his way to visit L. Ron Hubbard in England Odysseus does not know what Dianetics are and wants explanation he asks many questions and musician talks for hours they enjoy each other’s rapport as jet descends in Brussels they exchange home addresses in the States 9 months later when Odysseus returns to America a friend notices scribbled address while skimming through his travel journals Odys! how did you get Chick Corea’s address? do you know him? do you realize how brilliant he is? he’s a keyboard virtuoso! Odysseus questions Chick Corea? who’s Chick Corea? he looks at journal page then says oh that guy i sat next to him on the jet to Europe so he really is a famous musician huh? wow!

in October 1970 Brussels is damp chilly Tanya wears hip-hugger jeans black turtle-neck top North Face shell she huddles her arms around her chest smokes cigarettes looks through hotel room window out into gray overcast sky speaks in defeatist voice i didn’t bring clothes for this weather she picks at her plate in hotel restaurant glumly vacillates later in bed after refusing *** decides they leave tomorrow fly to Canary Islands for several weeks to get tan before traveling through Morocco during winter months Canary Islands are laden with Swedish tourists including bikini clad young girls many not wearing tops Odysseus is thinking about how to swing some of that Swedish free love once Tanya gets drunk succumbs to Odysseus’s ****** overtures it is good  one day while returning to hotel from beach 2 Spanish police stop and question Tanya and Odysseus police order to see their passports then command them into squad car police bark in Spanish rifle through their daypacks point a finger Odysseus can smell alcohol on their breaths Tanya and Odysseus are terrified police drive off main road to remote location abandoned ruins no one is around police order them to step out police drive off laughing Tanya’s complexion is crimson she sobs they could have murdered us no one would know who we are or where to find us we’re lost where are we? Odysseus looks around replies don’t worry we’ll be all right i watched where the driver was going we’ll retrace their trail

they fly to Tangier travel south by train Tanya is irritable insisting Odysseus carry her backpack Casablanca is ***** 3 men peer from sunglasses act suspicious wear tattered trench coats Tanya and Odysseus snack at cafe which provides hookahs for smoking hashish Odysseus scores several grams Tanya laughs suggests they rent car drive south travel to sandy beaches of Diabet for 6 weeks in the morning she paces around French hotel room with cigarette in one hand ashtray in other like she is sultry 1940’s Hollywood actress she stays in room and devours Penguin Classics Tolstoy Stendhal Proust Huysmans Zola turns out Tanya is sexually frigid she buys Odysseus anything he wants but does not put out they take train Marrakech it is sun drenched with blue skies mountains in distance Odysseus wants to go out explore get ***** with the natives he visits Medina daily witnessing many bizarre scenes he does not understand a woman squatting over an egg a man with no legs dragging himself through marketplace holding up cigarette butts in his hand he meets a professor who is out of work because king of Morocco has closed the universities due to teachers’ strike professor explains woman squatting over egg is fortuneteller and man dragging himself has been offered crutches many times yet makes more money playing off pity of tourists cigarette butts are for sale the professor invites Odysseus to visit Berbers in mountains Odysseus persuades Tanya she reluctantly agrees the 3 travel by bus in first-class front row seats vehicle filled with lively families chickens pig bus driver has assistant who lugs people onto bus or shoves them out door at a midpoint bus stops in little town everyone exits bus then men women children urinate in street local venders sell trinkets snacks Odysseus buys nibbles shish-kabob that later professor informs is roasted cat and dog they reenter bus wait suddenly butchered lamb flank is flung onto Odysseus’s lap a man climbs aboard bus stairs then grabs large carcass and heedlessly walks to back seat Odysseus wipes blood and slime off his jeans Tanya demurely giggles bus climbs mountains arrives at small Berber village professor leads them along narrow winding street of shanty huts sheltering merchants open kitchens professor tastes from various steaming iron kettles finally decides on one they are directed to rickety roof where they sit wait a boy comes up with plastic bowl filled with water and small box of Tide following professor they wash their hands then minutes later proprietor brings up simmering *** of couscous serves it with scratched raw plastic bowls no eating utensils they eat with their fingers Tanya seems bothered declines to partake she withdraws into silence after meal she becomes irritable complains of headache says she needs to return to Marrakech she remains standoffish on bus all the way to French hotel

after Marrakech they take boat trip to Italy while onboard Odysseus meets Italian Count who has an eye for him Odysseus wears Jim Morrison beat-up leather jeans Bruce Lee t-shirt scraggly whiskers Count wears thin manicured beard tiny red Speedo swim trunks Tanya grins amused Count offers Odysseus and Tanya to be guests at his villa in Milan city flourishes with stylish clothes loud lively restaurants classical sculptures covered in car pollution following several weeks of aristocratic wining and dining amazing 11 course elegant soiree Odysseus botches compliance with Count’s desires they are asked to leave Tanya laughs hysterically they board train to Germany based on Tanya’s tour book they find historic hotel with wind rattling windows coin operated hot water bath in Munich Tanya stays in room Odysseus goes to dance club meets brown-hared pale skinned German girl neither speak the other’s language he pays for hourly rated room they play German girl in animated gesturing warns him as he is going down on her but he does not understand until several days later scratching beard finds ***** seeks A-200 lice treatment German version leather pants disposed Tanya knows but says nothing she buys Volkswagen they drive through Black Forest Tanya wants to visit King Ludwig’s castles Odysseus does the driving mostly they listen to the Who’s “Who’s Next” and Joni Mitchell’s “Blue” he follows Tanya’s instructions not knowing who King Ludwig was eventually he learns Ludwig was colorful character built extravagant Disney like castles and friends Richard Wagner Bavaria is cold gray brown deep forest green scenic Swiss Alps visible in southern view they drive from Neuschwanstein to Linderhof to Herrenchiemsee then Freiburg lodge in bed and breakfasts Tanya grows restless by all the driving decides to ditch car along road in northern France as Odysseus unscrews car license by road side several cars stop French people concerned they need help Tanya is anxious hoping for clean get away from abandoning vehicle they board train to Paris Tanya speaks a little French in spring of 1971 they are backpacking in search of hotel on Left Bank it rains all morning sky is overcast Tanya reads “Pride and Prejudice” Odysseus draws in sketchbook at sidewalk café sitting next to them are older Parisian couple man detects they are Americans he turns to them expresses in English his contempt why can’t you Americans learn from France’s lessons in Vietnam? Tanya and Odysseus don’t look up they feel like dumb ugly Americans within days they leave Paris

cross English Channel by boat they find temporary apartment in Earl’s Court in London it is overcast almost every day within a month they move to larger place in Chelsea with backyard with run down English garden Odysseus weeds garden plants tomatoes lettuce carrots radishes flowers Tanya stays in her room smokes reads at night they go out to ethnic restaurants one night they visit Indian restaurant a very proper English woman sitting at next table orders exotic fruit for dessert Odysseus asks waiter what kind of fruit waiter answers mango Odysseus has never seen or tasted mango English woman delicately eats the fruit with fork and knife Odysseus orders mango for dessert he attempts to imitate how English lady proceeded fruit slips around on plate finally out of frustration he picks it up in his hands bites into it he is aroused by how luscious mango is sniffing with nose scraping fruit’s skin with front teeth then ******* the seed Tanya makes a face suddenly the seed slides from his grasp shoots across table Tanya’s cheeks neck turn scarlet voice raises stop it Odys! you’re disgusting! are you intentionally trying to embarrass me? why are you doing this? he replies i’m not doing anything to you i’m enjoying the most delicious fruit i’ve ever tasted who cares what it looks like? later she laughs about incident offers to buy more mangos promises to take him shopping at Harrods tomorrow he goes along with their arrangement until it all seems like pretty background scenery to an empty intimacy missing all his friends back at art school he writes about his loneliness he feels trapped in Tanya’s web several times he sneaks English girls into his room when Tanya jealously confronts him he admits he has had enough and wants to go back to Hartford she suggests at the least they fly to Bermuda for several weeks to get tan before returning he declines on June 30 1971 Odysseus returns to Hartford and Tanya moves to San Francisco on July 3 Jim Morrison overdoses in Paris

Whosever room this is should be ashamed!
His underwear is hanging on the lamp.
His raincoat is there in the overstuffed chair,
And the chair is becoming quite mucky and damp.
His workbook is wedged in the window,
His sweater's been thrown on the floor.
His scarf and one ski are beneath the TV,
And his pants have been carelessly hung on the door.
His books are all jammed in the closet,
His vest has been left in the hall.
A lizard named Ed is asleep in his bed,
And his smelly old sock has been stuck to the wall.
Whosever room this is should be ashamed!
Donald or Robert or Willie or--
Huh? You say it's mine? Oh, dear,
I knew it looked familiar!

and it took me some time
to realize that i was dating
a boy
not a man
that i wasn't looking
for a boyfriend
i was looking for a dad
hold on a second
its not what it seems
theres no oedipus complex
this isn't ******-y
this is a girl
who can never love a man
this is a girl
who never had a dad
this is a girl
that wants love-
the pure kind-
the lets go for icecream at 3am
lets go to the park
lets name all the animals at the zoo
this is the girl looking for protection
by sticking her head in the cage
her safety net
is a beard and colored eyes
and it took her time to realize
that every boy that smiles at you
doesn't mean well
and when they say they love you
don't think they will hesitate before they leave you
because they won't
don't
be fooled by their smiling eyes
girl you need to realize
your father loved you
and he meant well
still
he left and these boys no they don't love you the way he did
they won't save you from the demons in your head
baby girl
still
lie still and know
that "boy" isn't a safe word
and "man" doesn't mean love
and that the bridge between those who stay
and those who leave
is jammed with those
who said they'd be
here.
stop looking for a man.
stop looking for a dad.
you-
you
are enough.

Hell hath no fury like
a stapler jammed.

gasping quietly,
stumbling on his feet,
down the hall

tears burn his eyes,
cheeks hot,
face set aflame,
he turns the corner
and slams the door.

headphones jammed into his ears,
cranked up high, he does not want to hear,
the sounds of their shouts.  

he is aware as he keeps quiet,
crumpling to his knees,
mouth open in a silent scream.
he is a screaming boy on his knees,
set on mute.

he feels heavy,
a weight sitting upon his shoulders,
everything negative,
all at once whispering their cruel thoughts to his ears.

headphones jammed into his ears,
cranked up high, he does not want to see,
their disapproving glares.

his fingers curling,
hands pulling into his sides,
they will not go away.

those little voices telling him,
everything negative,
about existence.

headphones jammed into his ears,
cranked up high, he does not want to hear,
their disappointed voices

he is suddenly very small,
insignificant,
the feeling weighs heavier,
than his backpack.
it weighs on his chest.

suddenly he is weightless,
launched off the bed to the waiting floor,
he falls with a crash,
woken from his worst nightmare.

headphones jammed into his ears,
cranked up high,
he can still hear their disapproving tones,
he can still see their disappointed stares.

as he wakes from his worst nightmare.

We are each born
A box full of pieces
But as the years pass
We are faultily rearranged
Jammed into wrong spaces
Lost under the couch
And as the years pass
We look less of what we were
And now more of who we are

Luckily, unlike puzzles
Our pieces can be replaced
Our cut outs can be reshaped
And even if we are misplaced
Someone will put you back together

Shortly after 3pm on September 29, 31-year-old Olivier Rousteing strode through the shimmering, fleshy backstage area at Balmain's Spring 2017 Paris Fashion Week show. Along the marble hallway of a hôtel particulier in the 8th arrondissement, long-limbed clusters of supermodels were gamely tolerating final applications of leg-moisturiser, make-up touch-ups and minutely precise hair interventions from squads of specialists as fast and accurate as any Formula 1 pit-stop team. The crowd parted as Rousteing swept through.

Wearing a belted, black silk tuxedo and a focused expression that accentuated his razor-sharp cheekbones, Rousteing resembled a sensuous hit man. Target identified, he led us to the board upon which photographs of every outfit were tacked.

We asked him to tell us about the collection (for that's what fashion editors always ask). "There is no theme," said Rou­steing in his fast, French-accented lilt. "No inspiration from travel or time. The inspiration is what I feel, and what I feel now is peace, light and serenity. I feel like in my six years here before this, I have tried to fight so many battles. Because there is no point anymore in fighting about boundaries and limits in fashion. Balmain has its place in fashion."

And the clothes? "There is a lot of fluidity. A lot of knitwear, lightness, ponchos. No body-con dresses. But whatever I do, even if I cover up my girls, it is like people can say I am ******. So this is what it is. I think there is nothing ******. I think it is really chic. I think it is really French. It is how I see Paris. And I have had too many haters during the last three years to defend myself again. So, this is Balmain." And then the show began.

Star endorsements

Under Rousteing, Balmain has become the most controversial fashion house in Paris. Rousteing has attracted (but not bought, as other, far bigger houses do) patronage from contemporary culture's most significant influencers. Rihanna, all the Kardashians, Kanye West, Taylor Swift, Miley Cyrus, Beyoncé, Justin Bieber – a royal flush of modern celebrity aristocracy – all champion him.

Immediately after this show, in that backstage hubbub, Kim Kardashian told me: "I thought it was very powerful…I loved the sequins, and I loved all the big chain mail belts – that was probably my favourite."

Yet for every famous fan there is a member of the fashion establishment who will sniff over coffee in Le Castiglione that Rousteing's crowd is declassé and his aesthetic best described by that V-word. The New York Times' fashion critic Vanessa Friedman reckoned this collection appropriate for "dressing for the captain's dinners on a cruise ship to Fantasy Island". At least she did not use the V-word. When I once deployed it – as a compliment – in a 2015 Vogue menswear review that declared "Rousteing is confidently negotiating a fine line between extravagance and vulgarity", I was told that Rous­teing was aggrieved.

The fashion world's ambivalence towards Rousteing is a measure of its conflicted feelings towards much in contemporary culture. Last year Robin Givhan of the Washington Post wrote of Balmain: "The French fashion house is always ostentatious and sometimes ******. It feeds a voracious appetite for attention. It is anti-intellectual. Antagonistic. Emotional. It is shocking. It is perfect for this era of social media, which means it is powerfully, undeniably relevant."

Since joining Instagram four years ago Rousteing has posted 4000 images and won 4 million followers. The combined reach of his audience members and models at this Balmain show was greater than the population of Britain and France combined. Balmain was the first French fashion house to gain more than 1 million followers, and currently has 5.5 million of them.

Loving his haters

As digital technology disrupts fashion, Balmain's seemingly effortless mastery of the medium galls some. Last year, the designer posted an image of a comment from a ****** follower to his feed. It read: "Olivier Rousteing spends more times taking selfies for Instagram than designing clothes for Balmain." Underneath, in block capitals, he commented "i love my haters".

Rousteing can be funny and flip – doing a video interview after the show, I opened by asking, tritely, how he felt. He replied: "Now I feel like some Chicken McNuggets with barbecue sauce, and then some M&M;'s ice cream."

When at work, however, that flipness flips to entirely unflip. The previous evening, at a final fitting for the collection, Rousteing had paced his studio, his face a scowl of concentration, applying final edits to the outfits to be worn by models Doutzen Kroes and Alessandra Ambrosio. The 30-strong team of couturiers working in the adjoining atelier delivered a steady stream of altered dresses.

"We are ready," he said from behind a glass desk in a rare moment of downtime. "This a big show – 80 looks – and I want a collection that is full of both the commercial and couture. But it's smooth too. All of the girls are excited about the after-party and interested in the music. And eating pizza." In the corridor outside Gigi Hadid – this season's apex supermodel – was indeed eating pizza, with gusto.

The fitting went on until far beyond midnight; Rousteing, fiercely focused, demonstrated the work ethic for which he is famous. When he was studio manager for Christophe Decarnin, his predecessor at Balmain, the young then-unknown was always the first in and last out of the studio. Emmanuel Diemoz, who joined Balmain as finance controller in 2001 and became chief executive in 2011, says that his hard graft was one of the reasons he was chosen to succeed Decarnin.

"For sure it was quite a gamble," says Diemoz. "But we could see the talent of Olivier. Plus he understood the work of Christophe – who had helped the brand recover – so he represented continuity. He was a hard worker, clearly a leader, with a lot of creativity. Plus the size of the turnover at that time was not so huge. So we were able to take the risk."

Clear leader

Which is why, aged 24, Rousteing became the creative director of one of Paris's best known – but indubitably faded – fashion houses. In 2004 it had been close to bankruptcy. In 2012, Rousteing's first full year in charge, Balmain's sales were €30.4 million and its profit €3.1 million. In 2015, sales were €121.5 million and its profit €33 million. Vulgarity is subjective; numbers are not.

Rousteing, who is of mixed race, was adopted at five months by white parents and enjoyed an affluent and loving upbringing in Bordeaux. "My mum is an optician and my dad was running the port. They are both really scientific – not artistic. So I had that kind of life. Bordeaux is really bourgeois and really conservative, I have to say."

After an ill-starred three-month stint at law school – "I was doing international law. And I was like, 'oh my God, that is so boring'" – he did a fashion course that he managed to tolerate for five months.

"I found that really boring as well. I just don't like actually people who are trying to **** your dream. And I felt that is what my teachers were trying to do."

Obsessed with Gucci

Following a three-month internship in Rome – "also boring" – Rousteing became fascinated with Tom Ford's work at Gucci. "I was obsessed, obsessed, obsessed. Sometimes the press did not get it but I thought 'this is like genius, the new **** chic'. Obsessed, full stop."

He wanted to work there – "that was my dream" – but applied to every fashion house he could, and found an opportunity to intern at Roberto Cavalli. "They took me in from the beginning. I met Peter Dundas [then womenswear designer at the brand] and he said you are going to be my right hand – and start in four days."

Rousteing counts his five years in Italy as formative both creatively and commercially, but when the opportunity came to return to France in 2009 he leapt at it. "Christophe said he liked my work and that he needed someone to manage the studio. So two weeks later I was here. I loved Balmain at the time, when Christophe was in charge. It was all about rock 'n' roll chic, ****, Parisian. And he was appealing to a younger generation. You can see when brands become old but Balmain was touching this new audience. I always say Christophe's Balmain was Kate Moss but mine is Rihanna."

When Decarnin left and Rousteing replaced him, the response was a resounding "who?". His youth prompted some to anticipate failure.

"It was not easy at all. Every season I had the same questions." Furthermore, Rousteing (who has said he thinks of himself as neither black nor white) was the only non-white chief designer at a Parisian couture house. In a nation in which very few people of colour hold senior positions, his race may have contributed both to the establishment's suspicion of him and to his powerful sense of being an outsider.

'Beautiful spirit'

As he began to build a personal vernacular of close-fitted, heavily jewelled, gleefully grandiose menswear – fantastical uniform for a Rousteing-imagined gilded age – for both women and men, that V-word loomed.

"They asked, 'But is it luxury? Is it chic? Is it modern?' All those kinds of words. But you know there is no one definition [of fashion] even if people in Paris think there is. And, I'm sorry, but I think the crowd in fashion are those who understand the least what is avant-garde today."

In 2013 Rihanna visited the studio, met Rousteing, and reported all with multiple Instagram posts. "You are the most beautiful spirit, so down to earth and kind! @olivier_rousteing I think I'm in love!!! #Balmain." :')"

Rousteing met Kim Kardashian at a party in New York – they were drawn together, he recalls, because they were both shy – and was promptly invited to lunch with her family in Los Angeles.

An outsider in the firmament of old-guard Paris fashion, Rousteing was earning insider status within a new, and much more influential, supranational elite. He points out that Valentino, Saint Laurent and Pierre Balmain himself "were close to the jet set of their time. What I have on my front row is the people who inspire my generation".

From them, he learned a new way of doing business. "I think it was Rihanna and the music industry that first understood how Instagram can be part of the business world as well as the personal. But in fashion? When we started it was 'why do you post selfies? Why do we need to know your life, see you waking up, see you working? Why don't you keep it private'. And I was like 'you will see'."

Rousteing cheerfully declares his love for Facetune – "I don't have Botox but I do have digital Botox!" – an app that helps him airbrush his selfies and tweak those ski-***** cheekbones.

Reaching new population

From his office around the corner from Rousteing's, Diemoz adds: "When Olivier first proposed Balmain use social media, our investment in traditional media was costing a lot. Here was an alternative costing less but bringing huge visibility. It has been successful, quite rapidly…we decided to be less Parisian in a way but to speak to a new population. A brand has to be built around its heritage but we are proposing a new form of communication dedicated to a wider group of customers."

The impact of that strategy became apparent in 2015, when Rousteing and Balmain were invited to design a collection for the Swedish fast-fashion retailer H&M.; Within minutes of going on sale – and this is not hyperbole – the collection, available at vastly cheaper prices than Balmain-proper, had completely sold out. In London, customers fought on the pavement outside H&M;'s Regent Street branch. "Balmainia!" blared the headlines.

You have to move fast to get backstage after a Balmain show. I was out of my seat and trotting with purpose even before the string-heavy orchestra at the end of the catwalk had quite stopped playing Adele.

Rousteing had taken his bow merely seconds before. Still, too slow: I ended up in a clot of Rousteing well-wishers stuck in a corridor blocked by security guards. A Middle Eastern woman against whom I was indelicately jammed looked at me, laughed, shook her head, then said: "We pay millions for a fashion house – and then this happens!"

In June, Balmain was bought for a reported €485 million by Mayhoola, a Qatar-based wealth fund said to be controlled by the nation's ruling family. As so often with Rousteing-related revelations, some declared themselves nonplussed. "Why Would Mayhoola Pay Such a High Price for Balmain?", one headline asked. Yet Mayhoola, which acquired Valentino four years previously for $US858 million, might have scored a bargain.

Clothes key to revenue

Despite its huge, Instagram-enhanc­ed footprint, Balmain is a small, lean and relatively undeveloped business. Most luxury fashion houses today – Chanel, Burberry, Dior, et al – will emphasise their catwalk collections for marketing purposes but make most of their money from the sale of accessories, fragrances and small leather goods like handbags and shoes. One of the big fashion companies makes a mere 5 per cent from its catwalk clothes.

At Balmain, by contrast, clothes bring in almost all the revenues. If Balmain had the same clothes-to-accessories ratio as its competitors, its overall annual income could be more than €1 billion ($1.4 billion).

The company is moving in that direction. New accessory lines are in the pipeline. "Now we have to transform that desire into business activity," said Diemoz. "Sunglasses, belts, fragrances, the kind of products that can be more affordable."

The first bags should be available in January, as will a wider range of shoes, and then more, more, more.

Six days after his show, on the last day of Paris Fashion Week, I returned to the Balmain atelier. Apart from two assistants, Rousteing was the only person there – everybody else had gone on holiday to recover from the frenzy of preparing the show, or was busy selling the collection at the showroom around the corner.

Rousteing sat behind his desk in the empty room, wearing slingback leopard-print slippers, sweatpants and shades. "I am not even tired! I am excited. Because there are so many things happening – and I can't wait."Read more at:www.marieaustralia.com/red-carpet-celebrity-dresses | http://www.marieaustralia.com/formal-dresses-adelaide

The taste of my teeth is repulsive
All my fingers are jammed.


Blood should not be leaking in his head.


That red headed, freckled face kid was only doing the work of his god.

That broken nosed saint laying in his hospital bed.

I wonder if he wonders where his god went.

"Her Name Is ******"
The first time I met Her, I knew right away, She'd be in my life forever. The first time I met Her, She introduced Herself and I couldn't breathe. The first time I met Her...never had I slept so deeply in my life.
The second time I was with Her, it was a dream of bliss and happiness come true. The second time I was with Her, my eyes lit up with excitement and my heart simultaneously sped up and slowed down. The second time I met Her, I knew I would love Her forever.
By the time our relationship became something I craved and lusted for, I realized that I hated Her. I didn't want Her in my life but I couldn't tell Her because I needed Her. And I would do whatever I could for Her. I would steal from anyone I could for Her. I could lie to anyone I knew or loved for Her. I refused to be without Her and nobody would stop me from being with Her.
By the time a year and a half had passed by, and Her and i had now had too many dates for me to count, i awoke one day to stop and look down to where i held her in my arms, held Her in my hands. I stopped and realized i had forgotten Her name. It was something that had been happening lately, my memory just wasn't as sharp as it was before i met her. I looked down at Her and said, "um i seem to have forgotten your name, could you please tell me it". She looked at me and said to me with a twisted, evil smile and a voice like someone who had been smoking their whole life. She said "why Sean, how could you forget my name? Baby my name...is ******. And you love me very much don't you?" I looked down at her, the square piece of foil in my left hand and the pen with which i had de-constructed and now used to catch Her breath in my right, was the woman of my dreams. The black, oily, rolling demon to whom i spoke to, was the one who i had given my soul to.
But she was right, i did love Her and would do anything for Her. I loved her more than the job i lost for Her. I loved Her more than, realizing and knowing that i hadn't showered in days and didn't care. I loved her more than my guitars i used to speak what my soul sings, which i pawned, with no hope of regaining, for Her. I loved Her more...than the woman with whom i was in a 3-year relationship with and who i loved very much with everything i was. But, because of ******, i was nothing, but what She wanted me to be. I did all of these things just so i didn't have to feel the pain in my bones when i didn't have Her. I did all of these thigns, so i didn't have to feel the aches in my muscles when i couldn't get Her. I did all of these things, so day in and day out i wouldn't have to deal with my reality that was crumbling around me. I did these things to numb the pain of catching my girlfriend cheating on me with my best friend. Numb me from the hurt of her kicking me out to move him in and marry him. I did this to hide from the reality of moving back in with my parents and feeling like i was a child again. I needed her in my life to eventually **** all my feelings when, my parents kicked me out of their house because I wouldn’t do what they wanted and later kicked me out of their home and didn't care where i went or what happened to me.
My reality, had become my parents telling me, as i was walking away, tears in my eyes, curses in my mouth, and a ******* machete jammed through my heart, them telling me that i was nothing but a lowlife piece of trash and i deserved to be out on the streets, living behind dumpsters, and that i was a thief and now, since I had come back in to their house with her, it felt tainted and evil. My reality was, my parents telling me that the next time they saw me, would be at my funeral.
My reality was so consumed by darkness, and so consumed by pain, and just so consumed by the reality that i couldn't actually FEEL anymore and all i had in my life was Her. She was always there for me. To take away my pain as i slept behind a grocery store and was jumped and beaten by three other homeless men. She took away the pain of being utterly consumed by the lack of not being able to feel anything except for the overwhelming urge to just die. That after 3 weeks on the streets, and an almost 3 year relationship with my sweetheart, ******, i was so incapable of feeling anything, that i just wanted it all to end. Because everything inside of me that made me human and alive, had already died long ago, and She was just my life support, but i was ready to pull the plug.

When you are nothing but a hollow shell, and doing the same routine of: wake up, smoke H, go beg for change so i don't have to be without my darling, ******, but haven't eaten in two days, so i go to the dumpster where i have a buffet of half eaten sandwiches and old rotten fruits, just so i don't have to FEEL the pain of not having at least Her in my life. I had gotten to the point where i asked my self 'what's the point of living anymore? Why go on?"

And, my friend, it is these things. Life is worth living because after being clean i have a new found sense of purpose and self-value and self-love. Life is worth living, simply, for the sun setting behind the mountains and, for a few minutes the mountains are just a silhouette against the rainbow of colors that is the sky, and it looks like the most beautiful painting that nobody ever did, and i weep. Life is worth living, to sit in a park while you're going through the worst part of your withdrawl from Her and all you want to do is get high or end your life because, that would be so much easier than having to put up with this suffering. When suddenly, you notice the wind move across the grass and bushes, up into the trees and then hear a choir of birds singing, and for a moment, just a moment, you forget about your pain, you forget about your suffering, and focus on something amazing and beautiful and. Life is worth living, for all of the people who suddenly, came into your life and help you and support you, even though they didn't know you before, but don't care because, they see the potential in you and remind you to see it within yourself. Life is worth living....because you're a beautiful human being. And yes, you've made mistakes in the past, but I’m here to tell you, when-ever you feel like you're all alone. When you're sleeping on the streets, or roaming them to try and figure out a way to get a hold of that ***** ******, when you feel like you have zero support. Know this...Know that you at least have me in some way. Know that i support you as a human being, and that i would help and will help you if i can because I’ve been there, roaming the streets, eating out of dumpsters, wishing I would just die, I’ve been there. Know that, even though i don't know you, or that I may have never met you. I love you and have hope for you.
Because, you're more than ******, and you’re more than any kind of drug/ vice. You're a living, breathing, human being with feelings and hopes, desires, fears and dreams. YOU are a human being and you deserve to be treated like one.

at the track today,
Father's Day,
each paid admission was
entitled to a wallet
and each contained a
little surprise.
most of the men seemed
between 30 and 55,
going to fat,
many of them in walking
shorts,
they had gone stale in
life,
flattened out....
in fact, **** it, they
aren't even worth writing
about!
why am I doing
this?
these don't even
deserve a death bed,
these little walking
whales,
only there are so
many of
them,
in the urinals,
in the food lines,
they have managed to
survive
in a most limited
sense
but when you see
so many of them
like that,
there and not there,
breathing, farting,
commenting,
waiting for a thunder
that will not arrive,
waiting for the charging
white horse of
Glory,
waiting for the lovely
female that is not
there,
waiting to WIN,
waiting for the great
dream to
engulf them
but they do nothing,
they clomp in their
sandals,
gnaw at hot dogs
*******,
gulping at the
meat,
they complain about
losing,
blame the jocks,
drink green
beer,
the parking lot is
jammed with their
unpaid for
cars,
the jocks mount
again for another
race,
the men press
toward the betting
windows
mesmerized,
fathers and non-fathers
Monday is waiting
for them,
this is the last
big lark.
and the horses are
totally
beautiful.
it is shocking how
beautiful they
are
at that time,
at that place,
their life shines
through;
miracles happen,
even in
hell.
I decide to stay for
one more
race.

from Transit magazine, 1994

The age demanded that we sing
And cut away our tongue.

The age demanded that we flow
And hammered in the ****.

The age demanded that we dance
And jammed us into iron pants.

And in the end the age was handed
The sort of **** that it demanded.

play
parallel range of
solitary confinement
omnipotent panic linking
experience
developed underwater
predictable anger
theories of the
mind
jammed in a mason jar
left to ferment
for years near extinct
then
ahhhhhhhhhhhh…
release of the rotten
the aged and
contracted
this involuntary drama
where you call
only to say
*bye
see you later

I didn't have a lot of choices growing up.
Not unless you count the way I wanted him.  

Painful or excruciating.

I didn't have much power either.  
No amount of prayers, wishing, hoping, begging would change his mind.  

Not to say that I didn't try though.

I have a difficult time conveying just how strong my memories and flashbacks are.  I appear calm and collected to the passerby.  I have to.  But peer into my soul and you will see the claw marks of my pain. Scraping their way down into a collective pool of boundless grief and torment log jammed by the planks of fear and shame.

I long to turn myself inside out and bare my rotting scars.  To have someone besides myself witness what bubbles to the surface just long enough to be squelched again.  Power and a choice.  That is what I beg to find within those murky waters.

A choice to change.  
A choice to pull the planks and let the stagnant flow.

The power to persevere.  
The power to put them in their rightful place.  
Forever.

Diseased again , in the middle of May,
Almost threateningly fatal.
Dormant dimmed brain of mine,apt and inviting prey,
Been demented since awful April!

Earnestly eager to get healed,
I've enacted the preposterous tribal dance to the write(right) gods and appealed.
They unmistakably ignored my pleas,
and my mind still remains stuck,stagnant ,in a frigid freeze.

Changed my workspace to the garden,
To **** in the fresh air,clear my brain and brighten.
Result: Chewed half a pencil,
******* alien patterns in the muck,and a weak wasted writers' will.

Countless imaginary "stories" with no beginnings,
Right Brain-dead till late evenings.
Waiting on this blasted writers' block to clear soon,
Hopefully,the rains should clean the slates, in Judicious June.

There is the latent hum of some probably-industrial sumthin-or-another in the distance. Sounds like a ferry at dock, or the Townsite mills characteristic hum of eternity as it once acted as the forever-whitenoise of my past life in Powell River.

Sasha has gone to see her friend a floor down. I sit candidly at her desk typing these words on her MacBook Pro.. her dorm is an ambient water of a place, but with every passing night I spend in it, it becomes harder and harder to fall asleep. The bed feels like wood board or padded cement now. Sasha rolls around in her sleep, occasionally choking on her tonsils and gagging a prolonged operatic note of snores. It's not like she can help it.. often, she talks about removing her tonsils as if it's something she can do with a spare moment between classes.

The dorm was easier for me to inhabit when I imagined her living quaintly and quietly without my constant everywhereness.. on her first night alone in bed, she slept like a baby and the overheating, I'm sure, was less to bear in my absence as there wasn't a ******* furnace spurning mammalian blood to every antipode of my body for the sake of staying alive.. just her capillaries attending to the night-shift and leaving no feedback loop between our ***-drenched thermostats. There was a feeling of otherness to it that I could warm my soul with as if I were people-watching at a mall filled with everyone I've ever encountered in the matrix.

She's beautiful. Sasha, I mean. Superstitious despite her attempts to claim otherwise, but of a massive intelligence often unspoken and endowed with a linguistic nature that can speak regardless of words. Highly suspicious of some perceived bond between Anya and I that can't seem to be severed, and playfully dousing suspicions of general infidelity into many of our brink-night conversations.. I can't say I do much to remedy her paranoia as I always kick it back with consistent jokes of having '30 girlfriends' or 'that was what the girl I ****** the other night said as well! Trippy.'

These are obvious jokes. I would never cheat on her and it's a pain to have her imagine I would.

Christ be honest, I can never find the time to write anymore because I keep pretending I'm busy. I keep glassing my eyes apart with coffee and **** and feeling the inner sting to write and write and write until my fingers are bruised and my entire demeanour is nothing more than an existence in pure, floating consciousness of sleet-covered panic attack self-immoliating itself in a Wal-Mart parking lot just to say hiya, Good God, how's the cloud of idolatry today? Fleeting? Empty? Shat? I'm starting to think you have the shorter end of the stick cuz I'm pretty sure I've found the Kingdom of Heaven and it's all a bunch of beautiful panic remedy exacterbated by SSRI psychedelic depersonalization with a life-wish disguised as a death-wish to push the envelope for mails sake, cuz I've got a message for the human race and all it says is 'humanity is not a RACE chill the **** OUT and become the human pace for the sake of nil planet without a plan you aren't a ******* poster-boy you're a poser' all very stone-cold thoughts in a volcano.. all very valid but pointless semantic gestures towards Finnegans Wake and the sequel I'd like to write called Finnegans Nap.

The other day, I stole a book from the university library.

I had a freelance article I had to start and preferably finish that same day, and Sasha had decided to skip psychology for Charles Bukowski so we scouted a quiet space on the windowsill overlooking the perpetual busk of student body.. I plugged my laptop in and sourly gazed at the flakey subjects I had to choose from until I noticed we were right next to a giant section entirely dedicated to the study of the Beat Generation. I picked out the closest book, and dove up on some academic diatribe about the implementation of Timex making watches an affordable commodity during the post-war boom, causing economy to become totalitarian in its accuracy and thus mental hegemony. It worked its way into stating that Jack Kerouac's On the Road was a blatant and concise rebellion against this form of timekeeping in its hedonic, careless flow that was not marked by 6 o'clock or on-the-dot redundancy.. the subject matter being so dense and alluring, I turned to Sasha and said, 'I have to steal this book.'

She chuckled a little, being a chronic kleptomaniac herself, and retorted, 'are you sure you can do that? They have these sensor things that go off when you leave.. they'd catch you probably.' In my mind, I was needing to exorcise myself of Judaeo-Christian morality so as to guarantee a survival and thriving intellectual feed regardless of red-tape or monetary symbolism.. I saw myself adapting to a hedonic habit of robbery for the sake of food and freedom or some such half-witted excuse like that, and took Sasha's warning as a challenge to transcend my typical moral comfort zone.

Glassy-eyed, I asked Google how I'd go about bypassing the security scanners and, lo and behold, within 5 minutes I had my answer and was already digging through the books binding with my house-key to remove the magnetic strip hidden in the spine. After 10 minutes of exhilaration and anxiety at potentially being caught, the strip was out and jammed between two loose wood-boards in the window sill. I told Sasha we should try to leave.

As I neared the scanner, I let go of consequence in remembrance of my mortality, the blank expressions on our faces probably hinting at some form of degenerate nervousness had someone decided to analyze us aaaaaand yet.. we made it through as safe as a bird through an open window then out the other side.

summer of reed-boats when
dreams meander
in the puddle streams

Unbeknownst where
parts of whose strings die,
what song
does that violin string?

running figures past the
empty braille notes
in deep recess

what song does that soul string?

pirate song of the drunken ship,
as hale as the winds alive,
but parts of me are'nt!

now string a song for the jammed soul

dying in bits.

I had a dream I smoked some ***** with a Rasta Man
while we jammed in the name of the lord to some tunes
the children of Africa roaming free like wild beast
once the cradle of civilization turned into tombs
by the ungrateful, heathen souls that ran amok
in the name of annihilation and war.

But we are fearful pious men, as we inhaled the herb
the grass is the shepherd that nourish us like Giraffes
the sky is the ceiling that we reach with our blessed hands
the rivers gives us skins like Crocs to be able to survive
harsh whether, the blood-stained desert left behind by men
witnessed by the pale eyes of the torture souls of this land.

And so we inhaled and puffed like chimneys in a North Pole night
we talked about the smiles of our seeds stretching far and wide
how beautiful is a voice when it’s brought to life by a loved one
how the scent of a pure woman can bring the dead back to life
deadlocked, we are dreadlocked like grapevines until Jah lets us
the mental slavery that keeps us chained to the ships of our ancestors.

We never once conversed about the frail indignity of the mortals
the uselessness of hate, the ways material possessions can’t help you
we reached Nirvana without taking our feet off the common ground
we shared a spirit, bonded between long hits made of peace and love
in the freedom of those free thinkers tinkering with words without rest
in the children of Jah, daydreaming at night in a warm bed made of bread.

Carrie walked down to Fell street through the park. He leaned upon his faithful cane which was split, splintered, and water logged from being left out on the back porch in the rain where he sat every night before bed. His free arm swung by his side, his hand spread wide open, letting the sun warm his palm. His other arm was constricted with his muscles tight as his hand gripped the polished wooden ball handle. Carrie's skin seemed to envelop the ball there was so much of it. The cane and Carrie were one whenever they walked together.
He passed the Japanese Tea Gardens. He had been there many times. He remembered the strong taste of the green tea he had been served and how energized he felt after his third cup. He remembered the sturdy wooden table and chair he sat on while over looking the crystal clear koi ponds, the seaweed underneath the water reaching up to the sun for nutrients like the hands of the long dead. He remembered how the children had gathered near the water as mothers watched them feed the fish food they were not to be fed, anxiety cramping their smooth skin as they watched to make sure they didn't slip in. The waitresses were all so gentle, so quiet, caring for whatever Carrie had wanted. In that solitary moment, he had felt like a newly appointed king, the 5 acres of garden his domain.
The gates were closed for the day, with many frowning tourists sitting on the steps that lead inside. Carrie figured they had been confused by the times but yearned to tell them if they stood on the street, they could still see the ancient replicas the blood red pagodas, stone lanterns, bamboo stalks, and cherry blossom trees which were just beginning to bloom. There was so much one could see from the street. But, Carrie trudged past them, figuring they would not understand an old man trying to show them beauty from afar.
A long line of benches stood before Carrie after he passed the garden. He sat down next to a young, Chinese couple. They both held a map and were looking at it upside down and sideways. Carried smiled. They were speaking rapidly, laughing sporadically, turning the map around and around in a circle as if they were both at the helm of a sinking ship. He wondered what they were so confused about - had they never read a map before? But then, he realized, they were probably on vacation and in love, maybe even on their honeymoon. He laughed, thinking, They're confused about everything.
A few minutes passed and soon the young couple was gone. Carrie sat with the cane between his legs, both of his hands drooped over the handle. In front of him, like a painting, were London plane and Scotch elm trees lined up in symmetrical rows and the Rideout Fountain. Carrie could see the water was still except for when a light breeze brushed over the water or a child threw a hand full of coins in to make a wish. Their hair reflected the bright rays of the sun. The sky was empty, save a few scattered flying birds going to where Carrie knew not where.
He closed his eyes and listened only to the sounds around him: tires rolling along the smooth concrete road; people chattering behind and in front of him; a door closing; the rustling of leaves from a sharp gust of wind; a car horn; a sneeze; two lovers embracing, their kisses sounding like the steps of kitten paws in the sand. Carrie opened his eyes and cast his gaze aside to the left. There was another old man. His back was bent, his cane was worn, and his legs wobbled with every step, much like Carrie's. The man was alone and dressed in a heavy grey sweater, a pair of beige trousers, and simple brown shoes. Carrie wondered where this man was going and at such slow pace. Why was he alone? Who had he been with before? Where was he coming from?
Carrie then realized he was leaning so far forward from the bench, he almost fell off. He ****** his cane out, catching himself, and pushed himself back. He looked around to see if anyone had noticed his mistake. Twenty or so asian people were crowded like sardines inside of the bus stop terminal. They all looked to be avoiding the sun, uninterested in whatever Carrie looked to be doing. The 44 roared by, stopped in front of the crowd, where they all laughed, giggled, and preceded to jumble in. Carrie looked over his shoulder, sure someone was right there keen to make a comment, but there was no one. He sighed, relieved. Being old and falling down with no way to get yourself back up was one of Carrie's biggest fears. The other, of course, was spiders.
Once Carrie reorientated himself, he looked up to see where the other old man was. He was gone. Carrie stood up, his knees shaking slightly. He jammed his cane down to steady himself and took a step forward. His eyes strained from the sun, which was beating down on him now, hotter than it was before. He took a slow step forward, then another, and then another. Once he got in the rhythm, his mind didn't have to focus on it as much. He could let it wander to wherever it wanted to. Sometimes, he let it wander to death, sometimes to past lovers, and sometimes to his late wife, Patty, but never very long on her.
He stopped to catch his breath and wipe his brown. Next to him stood a dark lime green statue of a lion. It was miniature and sun stained. The teeth were dull and the eyes were blank. It was very beautiful and Henry realized he had never seen a lion in the wild, only at the zoo. He wondered if they were any different out in Africa or wherever they were the most and if they roared the same. The one's he had seen at the zoo were sluggish and lazy; almost depressed. He could see why, being cooped in there all day long with only your wife to talk to.
"That wouldn't be so bad," thought Carrie, "To be trapped in a cage with the one you love. That's marriage, isn't it? Isn't that love?"
A cough startled him out of his meandering, love provoked thought. Sitting on a bench across the street where the apple cider press statue stood, was the old man Carrie had seen before. He was hunched over, fishing something out of his bag. Carrie wavered back and forth, watching the old man. A noise rustled behind him and Carrie slowly turned his head to see what it was. Two children were running around the fountain, splashing water at one another.
"Nothing to speak of," grumbled Carrie, "Wasting water all the same."
Carrie turned back around and saw that the man had pulled out a shiny, red and green apple. The man bit into it slowly, taking his time as he broke the outer skin of the apple so the juices spurt into his mouth. Carrie's stomach rumbled when a hard gust of wind hit his back, forcing him to step forward. He put out his cane and felt the peg slide and grind over the rough concrete. A man behind him reached out to help, but Carrie waved him away, mumbling that he was fine and that he didn't need any help. The man on the bench hadn't paid him any notice. The apple in front of him was all he needed. Carrie walked to the other side of  apple cider statue opposite the man and sat down roughly, for the man looked up from his apple a little wide eyed and a little annoyed. Carrie smiled awkwardly at him, but it came out more like a frown. The man relaxed his face, slowly letting it become blank while a line of apple juice rolled down over his lip. He licked it up, coughed, and went back to studying the intricacies of the half-eaten apple.
The mans face, Carrie saw, was *** marked and dented, like a car that had just been through the worst of accidents. His eyes were barely visible behind what seemed like hundreds and hundreds of creases, wrinkles, chicken's feet. The man's bulbous nose was an obvious sign that he was or had been a serious drinker. It was swollen and red, drooping from the mans face like a glob of honey that just wouldn't fall. The lips were creases of an old pair of jeans that had been left out in the sun. Though Carrie couldn't see his hair because the man wore a large, dapper styled hat on his head, he wouldn't doubt there wasn't much of anything under there. The old man was anything but beautiful, but Carrie, who had been staring at the man out of the corners of his eyes while pretending to look at the apple cider statue, could not look away. He was utterly fascinated with how the man held himself. Why was he so ****** interested that apple? Had he never seen one before? Carrie then thought the man was homeless, so he must be crazy, but when he had walked over before, Carrie hadn't smelled the usual musty musk that homeless people give off. He had smelled like nothing, usually meaning he slept in a bed and showered regularly. Then, in the midst of Carrie staring at the man's unbelievably shiny brown loafer, he said something.
"What you looking at there?" asked the man. He was hiding his ragged face behind the apple. A few pieces fell to the ground below. Carrie could see the bite marks were mere nibbles, like a rabbit had been eating it.
"Hm...I...uh," stammered Carrie. He looked up into the sky, trying to spot a bird to hide where his gaze truly had been, then looked down at the ground. There was a tiny pebble that resembled a hermit crab. He focused on that until the man asked the same question again.
"Were you staring at me, my friend?"
My friend, Carrie thought, He thinks I'm his friend? How on Earth did we get to there? I barely know him. I'll say something. He paused. Well, say something!
"I was staring at your apple there," Carrie mumbled, "It's a very nice looking apple."
"It's very tasty," he nodded, looking back it, admiring the colors of the skin that had yet to be bitten in. "Would you like some?" He stretched the half-eaten apple out to Carrie.
"Oh," Carrie laughed, startled, "I'm fine. Quite full." He patted his stomach.
"Are you sure? It's almost dinner time."
Carrie looked the man up and down, then smiled, "I'm fine. I ate just earlier."
"Oh really, where did you eat?" The man inched forward on the bench and rested his eyes on Carrie, waiting for an answer. Carrie's lip quivered with the thought of having to come up with a quick lie. The man had placed the apple back in his bag and was completely focused on Carrie's lie.
"Well, you see, there's a great place up past Lincoln Way toward the beach. I go there all..."
"Lincoln Way!" exclaimed the man, "You can make it all the way up there!"
Carrie was flattered. He could walk far past Lincoln way and up any of the side streets, if he had the energy, but had never been congratulated for the fact. Carrie shifted back and forth in his seat, blushing for being thought of so highly.
"With this cane," Carrie said, tapping the ground with the end, "I can go almost anywhere."
"Wow. Where'd you get it?"
"My son gave it to me when I first started showing signs of getting old," said Carrie, "It was kind of like a joke at first, but then, I really needed to start using it, and I've been attached to it ever since."
"That's nice," the man nodded, "I bought mine for 50 cents down at Salvation Army. You know the one on 3rd?"
Carrie said that he did.
"Spent 50 cents on this thing four years ago and it has taken quite a beating, but still, it works and looks fine as you can see."
"Doesn't look so bad."
"Well thank you, I appreciate that."
The two of them paused, looked each other up and down, then found something other than themselves to look at. Carrie noticed the soft lines of the man in the statue twisting the cider press and how his muscles were as detailed as a real man's. He had never seen so much physicality in a statue before. It really looked like this man was pressing apples in front of his eyes. Carrie was at a loss at how one captured that feeling of true action in stillness. He looked up to where the statues face was and saw that the eyes were cast down to where the press was tightening. He thought maybe the man was thinking if he stared to where he was working, he would twist harder. The statues hair was soft and smooth in the sun. Carrie followed the statues legs down, past the flat stomach and taught ab muscles, to the feet which were pressed into a large stone so to get more leverage. The veins on the feet were almost pulsating with blood and strength. They seemed to rise and fall with what Carrie imagined would be the mans heartbeat, if he had one. He didn't quiet understand why the man was had to be naked, but figured it was for the sake of art. Carrie was not an artist, but with the free time that was allowed to him by growing old, he was starting to appreciate what he saw, feel it a little more often, then when he had no time at all when he was young and busy. He wasn't sure which he enjoyed better: being old and feeling more or being young and always with something to do.
The man had let his eyes wander from Carrie, to the small statue of a boy. His mouth was pressed up to the spicket where the apple juice was being pressed from above. He imagined the statue of the man above the boy was his father or at least he wished that it was. The boys skin was very smooth and reflected the sun softly up back into the mans face. He looked closer at the face of the boy and saw that it was a silent kind of contentment. The man took out the apple from his bag, took a bite, and offered it again to Carrie.
"Take a bite," he persisted, "Sitting in front of this statue, looking at this little boy drink up that apple juice has to be getting you thirsty."
"I'm really fine," said Carrie, smiling uneasily.
"Come on. You don't gotta' worry about me."
Carrie paused, really thought what he was so scared about, and then admitted that was only uncomfortable because of this stranger's hospitality. He hadn't obliged a kind gesture in a long time.
"Alright," he said, "I'll have a bite."
"There you go!" The man handed the apple over to Carrie.
He took a bite and let the cool juices jump into his mouth. A small dribble ran down his cheek, where he quickly wiped it away with his sleeve. He didn't want to look like a slob, much like the man had looked when he first began eating it. Carrie looked down at the apple, nodded, and handed it back to the man.
"It's," he started, still chewing, "Very good. Thank you...I'm sorry, I don't know your name."
"Symon," he said, taking a bite of the apple, which was almost gone, "Symon with a Y."
"Thank you Symon."
"You're welcome..." he paused, "I never did get yours."
"Oh," he laughed, "I'm sorry. I'm Carrie."
They both reached forward and shook hands. Carrie hadn't sat with another man and talked with them since he'd buried Patty. After that, it had grown hard to shake hands with anybody he knew. Maybe it's easier with him because he's a stranger? Carrie thought, Maybe I should meet more strangers? Probably go and get yourself killed. That's a funny thought. I never thought I'd go by getting murdered. I always figured I'd let time take me, rather than the hands of another. He doesn't look like a killer anyway. He's got to be older than me. He's definitely slower. Look at his hand shaking. Your hand doesn't shake. Does it? Carrie looked down at his right hand which was resting on the handle of his cane. Solid as a rock, Carrie mumbled to himself, As a rock.
"What was that?" Symon blurted, eyeing Carrie, "Where'd you go?"
"Just thinking."
"Bout' what?"
"Whether my hand was shaking or not."
"My hands shakes all the ****** time. It's like one of those kitchen timers or chattering teeth you twist, it goes for a while, and then eventually goes off, but me, never. No, never this hand never stops shaking. Got a ******* mind of its own."
Symon raised his right hand so Carrie could see. Sure enough, it was shaking like a leaf in a tree ready to fall off. The shake wasn't violent, but definitely noticeable next to a hand that was still. It was more a buzz than anything else. Carrie couldn't imagine Symon writing his name down and coming out eligible.
"How do you write your name? Does it get all messed up?" Symon looked at him, then looked away. Carrie froze, realizing he may have just asked a very touchy subject.
"Huh?" Symon asked, looking back. "I got something in my eye real quick. I didn't even hear what you said."
"Oh," Carrie stammered, "What I said was..." Symon cut him off.
"I'm just joshing yah!" Symon shouted, "Course I can write my name! Whenever I put pen or pencil to paper, the shake usually calms down. Don't know why, but it does. I never ask que

I like ****** like I like my mangos...all over my face.

I like my hotdogs like ****...all covered in sauce and jammed down my throat...
JK...i dont like hotdogs.

I like fruit salad...In the can

The hands of the clock were reaching high
In an old midtown hotel;
I name no name, but its sordid fame
Is table talk in hell.
I name no name, but hell's own flame
Illumes the lobby garish,
A gilded snare just off Times Square
For the maidens of the parish.

The revolving door swept the grimy floor
Like a crinoline grotesque,
And a lowly *** from an ancient slum
Crept furtively past the desk.
His footsteps sift into the lift
As a knife in the sheath is slipped,
Stealthy and swift into the lift
As a vampire into a crypt.

Old Maxie, the elevator boy,
Was reading an ode by Shelley,
But he dropped the ode as it were a toad
When the gun jammed into his belly.
There came a whisper as soft as mud
In the bed of an old canal:
"Take me up to the suite of Pinball Pete,
The rat who betrayed my gal."

The lift doth rise with groans and sighs
Like a duchess for the waltz,
Then in middle shaft, like a duchess daft,
It changes its mind and halts.
The *** bites lip as the landlocked ship
Doth neither fall nor rise,
But Maxie the elevator boy
Regards him with burning eyes.
"First, to explore the thirteenth floor,"
Says Maxie, "would be wise."

Quoth the ***, "There is moss on your double cross,
I have been this way before,
I have cased the joint at every point,
And there is no thirteenth floor.
The architect he skipped direct
From twelve unto fourteen,
There is twelve below and fourteen above,
And nothing in between,
For the vermin who dwell in this hotel
Could never abide thirteen."

Said Max, "Thirteen, that floor obscene,
Is hidden from human sight;
But once a year it doth appear,
On this Walpurgis Night.
Ere you peril your soul in murderer's role,
Heed those who sinned of yore;
The path they trod led away from God,
And onto the thirteenth floor,
Where those they slew, a grisly crew,
Reproach them forevermore.

"We are higher than twelve and below fourteen,"
Said Maxie to the ***,
"And the sickening draft that taints the shaft
Is a whiff of kingdom come.
The sickening draft that taints the shaft
Blows through the devil's door!"
And he squashed the latch like a fungus patch,
And revealed the thirteenth floor.

It was cheap cigars like lurid scars
That glowed in the rancid gloom,
The murk was a-boil with fusel oil
And the reek of stale perfume.
And round and round there dragged and wound
A loathsome conga chain,
The square and the hep in slow lock step,
The slayer and the slain.
(For the souls of the victims ascend on high,
But their bodies below remain.)

The clean souls fly to their home in the sky,
But their bodies remain below
To pursue the Cain who each has slain
And harry him to and fro.
When life is extinct each corpse is linked
To its gibbering murderer,
As a chicken is bound with wire around
The neck of a killer cur.

Handcuffed to Hate come Doctor Waite
(He tastes the poison now),
And Ruth and Judd and a head of blood
With horns upon its brow.
Up sashays Nan with her feathery fan
From Floradora bright;
She never hung for Caesar Young
But she's dancing with him tonight.

Here's the bulging hip and the foam-flecked lip
Of the mad dog, Vincent Coll,
And over there that ill-met pair,
Becker and Rosenthal,
Here's Legs and Dutch and a dozen such
Of braggart bullies and brutes,
And each one bends 'neath the weight of friends
Who are wearing concrete suits.

Now the ****** make way for the double-******
Who emerge with shuffling pace
From the nightmare zone of persons unknown,
With neither name nor face.
And poor Dot King to one doth cling,
Joined in a ghastly jig,
While Elwell doth jape at a goblin shape
And tickle it with his wig.

See Rothstein pass like breath on a glass,
The original Black Sox kid;
He riffles the pack, riding piggyback
On the killer whose name he hid.
And smeared like brine on a slavering swine,
Starr Faithful, once so fair,
Drawn from the sea to her debauchee,
With the salt sand in her hair.

And still they come, and from the ***
The icy sweat doth spray;
His white lips scream as in a dream,
"For God's sake, let's away!
If ever I meet with Pinball Pete
I will not seek his gore,
Lest a treadmill grim I must trudge with him
On the hideous thirteenth floor."

"For you I rejoice," said Maxie's voice,
"And I bid you go in peace,
But I am late for a dancing date
That nevermore will cease.
So remember, friend, as your way you wend,
That it would have happened to you,
But I turned the heat on Pinball Pete;
You see - I had a daughter, too!"

The *** reached out and he tried to shout,
But the door in his face was slammed,
And silent as stone he rode down alone
From the floor of the double-******.

Lock and key
I have such rotten luck
I try the wrong key
And the lock gets jammed

Lock and key
Was the first ever
Sarah Dessen
Book that I read

Lock and key
One acts as a protector
The other one
Plays the part of saviour

Lock and key
I'm not quite sure
Which is you
And which is me

It wasn't tackled with a surgeon's finesse
But the battered brute of conviction.
I can still see the two man cross cut saw
Jammed deep in the bark - but a tickle.
A mail of thick branches disguised as
Dense fodder stood strong against waves.
Throwing everything at it - raining sawdust -
As the giggles were heard for miles around.
Now standing crippled, taunting as it sways -
The battle's won but the war will have its day.

Women have so much to fear these days
We learn that when we're walking to our car in the dead of night
We should have our key jammed between our fingers in the fist of one hand
Poised as a weapon
And a jar of mace in the other
We learn to take catcalls as compliments
We learn that it is our fault if we get *****
Because when people hear about it, the words that should cross their lips--
"Is she okay?"
"Is the attacker doing time?"
--don't
Instead we hear "What was she wearing?"
Because if we dress a little less provocative
Maybe they will target someone else
Because we asked for this to happen
We are all learning the wrong way about everything
Instead of "ask consent" it's "don't get *****"
Instead of "be respectful" it's "you should be flattered"
Instead of "don't attack someone" it's "protect yourself"
Does society not see how backwards this it?
Instead of preventing the crime altogether, it's "make sure it's someone else"
Because if it's not us, it's not happening
We say "ignorance is bliss"
But really ignorance is being stupid enough to think, over and over
It won't happen to me
It won't happen to me
It won't happen to me
Because it can
It can happen to anyone
At any time
And we need to try our ******* best to stop it
Because she didn't dress that way for you
And she most certainly didn't ask for it