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Edward Coles Jul 2014
“You know the worst thing I ever saw?” He asked.

I sighed to myself, took another gulp of beer and fixed him with a look of half-interest. He was drunk. A complete ****-up and a bore when he's drunk. I don't know why I drink with him. That said, he probably thinks the same.

“What's that?”
“Bedsheets over the benches in the church yard.”
“Ye-what?”
“Bedsheets over the benches in the church yard. For the homeless.”
“The homeless. Right.”
“I'll get us another drink.” he says, “then I'll start where I left off.”
“Oh, good.”

He comes back with two bottles. We drink and we start talking about football. We're just about getting by before he raises his palm to his face.
“Aw, ****. I forgot, yeah. The worst thing I ever saw. I never told you.”
“You did. Bedsheets over the benches in the church yard. For the homeless.”
“Yeah yeah, but that doesn't really say much, does it? You're probably wondering to yourself why that would **** me off so much?”

Not really. He's the type of no-action, all-caring, bleeding heart that sits on his fattening **** every day, 'liking' rhetorical captions over pictures, and signing petitions to axe some ***** politician or other.
“I guess. Shoot.”

He shoots.
“I wanna burn down the churches. Seriously. Stupid ******* religious folk. I bet they go home and post pictures up of themselves, all busy in the soup kitchen, ladling minestrone into some poor *******'s styrofoam bowl.
“They'll never touch them. Always at arm's length. You don't wanna breathe in the pathogens of the anti-people...”
He slurred a little, went to carry on, but took another gulp of beer instead.
“What does that have to do with bedsheets over the benches in the church yard?” I took a gulp myself, this time watching him with a little more interest. Probably just because he looks like he could spew at any moment.
“You're not letting me finish...”
He finishes his beer, gets up, almost bumping into his piano-***-keyboard. He's off to the fridge again. I have a look around while he's out of the room. I can hear him ******* in the kitchen sink.

I've seen the place a million times before but it always has a whole bunch of new **** tacked up on the wall or else bundled in the corner. He's no hoarder, just gets bored and throws out all the stuff he bought the year before.
There's a framed picture of himself on the wall, cradling his Fender as if he's a master of the arts. It's signed, too.
I've seen him play. Probably will tonight. Wouldn't be surprised if he's written a protest song called: bedsheets over the benches in the church yard. The old **** can't even hit an F major with regularity.
He'd decided to put up his vinyl sleeves on the wall like a 17 year old would with an array of **** pop-punk band posters.
Blink and you might think he's the new John Peel or Phil Spector. Stare, and you'll realise he's twice as crazy, yet half as talented and half as interesting to listen to.
His room is like a CV to show to interesting, young indie women. Shame he's hitting forty now,and hasn't been to a club in about 3 months.
Last time we went he just sulked in the corner and got too drunk. He cried in the smoking area about his job before going round and asking attractive girls whether they think he's too old to be out. Most didn't even bother to give an answer. Probably best.

He comes back in with more beer.
“A-anyway...” He says, groaning a little like an old man as he settles back into the chair. “As I was saying...” he sloshes beer on the carpet, rubs it in with the heel of his shoe. He spits on the mark and then rubs again.
“What I was saying was that the church would be a whole lot more useful to the homeless if it was burned down. A condemned building is a whole lot more useful than being looked down on by holier-than-thou, middle-class, white Christians.
“They go home after an hour, bolt the church doors, and then watch TV in their brand new conservatories that they spend several thousands on. Just give the losers a place to shoot up and sleep in safety. That makes sense, right?”
“I guess so.”
I couldn't think of a change of conversation. So I just drank some more and pulled out a cigarette. It's nice to smoke inside for a change.

“It's a ****** ******* awful thing. If people were actually religious, they'd throw open their ******* doors for everyone. It's what Jesus would do, right?”
“Right.”
“He'd have all the **** in his bedsit, piled in like sardines, spreading TB like wildfire.”
“And that's a good thing?”
“Well, it can't be any worse, right? Sleep's important. I learned that the hard way.”

He didn't learn it the hard way. Not really. He's a self-motivated, self-harming insomniac. He spent his teenage years listening to bad music and staying up too late ******* over his French teacher. I should know, I mostly did the same.
He hit the **** pretty hard during college. Never really looked back until recently. ****** him up worse than you'd reckon. He couldn't sleep without the stuff. Man, if you'd have seen the poor guy whenever he couldn't get hold of some for the night. Eesh.

“...you know what I mean though? I'm sick of charity. Those fun-runs you get. A load of women in pink pretending that they care about breast cancer, before posting a million and one pictures up of them in ankle warmers and a kooky hat...”
“**** of the Earth.”
“Yup. Right up there with the women who have 'mummy' as their middle name on Facebook.”
“Yeah.”
“Honestly though, it's the laziest form of charity. Throwing a couple old, mouldy bedsheets out on some bird-**** bench made of wood and ancient farts...”
“It is pretty lazy.” I drank some more.

It was getting late. We swallowed three temazepams each, moved onto the cheap shiraz once we ran out of beer. We leant back in our chairs, barely talking and letting Tame Impala supply the conversation for us.

“You know what?” I ask, pretty much out of nowhere. His eyes have narrowed. He's not sleepy, just ****** on ***** and tranquillizers. He takes a moment.
“Huh?”
“From what you were saying earlier... you know, about the bedsheets over the benches in the church yard. For the homeless.”
“Yeah?”
“Well, why don't you?”
“Why don't I what?”
“Burn it down.”
“The church?”
“Well, you go on about being lazy and ****. Here's your chance. Help the homeless. Break the locks, pour the petrol, take out a few bottles of wine if you find any...”
“Now?”
“I guess so. Homeless folk are dying of pneumonia out there. Not a second can be wasted.”
“I dunno. I didn't mean I had to do it. I was just saying...”
“I guess they were just saying too.” I felt like I was being a ****, so I changed the subject to women I haven't laid.

I stumbled home leaning on my bicycle all the way. Daylight was just about visible off in the distance. I passed two homeless guys on the way back, gave one of them a fiver, the other one my big mac and the last of my cigarettes (well, leaving a couple for myself).
They said thanks, god bless you, etc, etc. I carried on walking.

I woke up the next afternoon with a mouthful of sand and in desperate need of a hangover ****. I hadn't shaved in about two weeks and there were dark circles under my eyes. I thought about going out to the diner for a full breakfast, but strange people were beyond me.
I ordered a pizza full of meat and grease and garlic sauce instead. I text him to see if he wanted to come over and nurse the hangover with a little ****. Watch a film. Get drunk again. He still smokes it on special occasions, and this ******* of a hangover was pretty **** special.
No reply, and I end up rolling up a joint for myself, smoking it by the window and watching the magpies peck around the grass. It's nice out.

The pizza guy comes. He's holding the pizza up like a map, calls out in a bored sort of voice: “Hello sir. I've got a large Palermo Pizza here, with a side of chicken strips and a can of Dandelion and Burdock?”
I say yes and he hands it over.

I tip him with the coins still left in my wallet from the night before, and he sheepishly says he picked up my post for me as well.
I look down at the pizza I'm holding, and there's a few envelopes that look suspiciously like bills, rival takeaway leaflets, and the local paper. I say thanks, give him the best sort of smile I could, and then close the door.
I turn on the TV. I forgot the England match was on. I turn over to something more interesting. There's nothing, so I switch back over. Before I open up the pizza, I take the paper. A small-town existence, nothing ever happens, but I could do with a new job.

The front page is on fire. A church has been burned down in the early morning. A forty-something man has been arrested and then taken to hospital for severe burns to the face. A load of children's art has been lost, along with countless Bibles, prayer cushions, and vaults of cash.
“****.”
I read through the article. The whole place was gutted. Nothing could be salvaged. Nothing could be redeemed. In the corner of the picture, through the red, green, and blue dots, I could just make out some bedsheets over the benches in the church yard. For the homeless.
I apologise profusely for posting up a short story instead of a poem. I wrote this in one go tonight and haven't proofread it. I had no plan, I just wrote until there was -something- there. I just wanted to try something different.

C
We had wanted to leave our homes before six in the morning
but left late and lazy at ten or ten-thirty with hurried smirks
and heads turned to the road, West
driving out against the noonward horizon
and visions before us of the great up-and-over

and tired we were already of stiff-armed driving neurotics in Montreal
and monstrous foreheaded yellow bus drivers
ugly children with long middle fingers
and tired we were of breaking and being yelled at by beardless bums
but thought about the beards at home we loved
and gave a smile and a wave nonetheless

Who were sick and tired of driving by nine
but then had four more hours still
with half a tank
then a third of a tank
then a quarter of a tank
then no tank at all
except for the great artillery halt and discovery
of our tyre having only three quarters of its bolts

Saved by the local sobriety
and the mystic conscious kindness of the wise and the elderly
and the strangers: Autoshop Gale with her discount familiar kindness;
Hilda making ready supper and Ray like I’ve known you for years
that offered me tools whose functions I’ve never known
and a handshake goodbye

     and "yes we will say hello to your son in Alberta"
     and "yes we will continue safely"
     and "no you won’t see us in tomorrow’s paper"
     and tired I was of hearing about us in tomorrow’s paper

Who ended up on a road laughing deliverance
in Ralphton, a small town hunting lodge
full of flapjacks and a choir of chainsaws
with cheap tomato juice and eggs
but the four of us ended up paying for eight anyway

and these wooden alley cats were nothing but hounds
and the backwoods is where you’d find a cheap child's banjo
and cheap leather shoes and bear traps and rat traps
and the kinds of things you’d fall into face first

Who sauntered into a cafe in Massey
that just opened up two weeks previous
where the food was warm and made from home
and the owner who swore to high heaven
and piled her Sci-Fi collection to the ceiling
in forms of books and VHS

but Massey herself was drowned in a small town
where there was little history and heavy mist
and the museum was closed for renovations
and the stores were run by diplomats
or sleezebag no-cats
and there was one man who wouldn’t show us a room
because his baby sitter hadn’t come yet
but the babysitter showed up through the backdoor within seconds
though I hadn't seen another face

        and the room was a landfill
        and smelled of stale cat **** anyhow
        and the lobby stacked to the ceiling with empty beer box cans bottles
        and the taps ran cold yellow and hot black through spigots

but we would be staying down the street
at the inn of an East-Indian couple

who’s eyes were not dilated 
and the room smelled
lemon-scented

and kept on driving lovingly without a care in the world
but only one of us had his arms around a girl
and how lonely I felt driving with Jacob
in the fog of the Agawa pass;

following twin red eyes down a steep void mass
where the birch trees have no heads
and the marshes pool under the jagged foothills
that climb from the water above their necks

that form great behemoths
with great voices bellowing and faces chiselled hard looking down
and my own face turned upward toward the rain

Wheels turning on a black asphalt river running uphill around great Superior
that is the ocean that isn’t the ocean but is as big as the sea
and the cloud banks dig deep and terrible walls

and the sky ends five times before night truly falls
and the sun sets slower here than anywhere
but the sky was only two miles high and ten long anyway

The empty train tracks that seldom run
and some rails have been lifted out
with a handful of spikes that now lay dormant

and the hill sides start to resemble *******
or faces or the slow curving back of some great whale

-and those, who were finally stranded at four pumps
with none but the professional Jacob reading great biblical instructions at the nozzle
nowhere at midnight in a town surrounded

by moose roads
                             moose lanes
                                                     moose rivers
and everything mooses

ending up sleeping in the maw of a great white wolf inn
run by Julf or Wolf or John but was German nonetheless

and woke up with radios armed
and arms full
and coffee up to the teeth
with teeth chattering
and I swear to God I saw snowy peaks
but those came to me in waking dream:

"Mountains dressed in white canvas
gowns and me who placed
my hands upon their *******
that filled the sky"

Passing through a buffet of inns and motels
and spending our time unpacking and repacking
and talking about drinking and cheap sandwiches
but me not having a drink in eight days

and in one professional inn we received a professional scamming
and no we would not be staying here again
and what would a trip across the country be like
if there wasn’t one final royal scamming to be had

and dreams start to return to me from years of dreamless sleep:

and I dream of hers back home
and ribbons in a raven black lattice of hair
and Cassadaic exploits with soft but honest words

and being on time with the trains across the plains  
and the moon with a shower of prairie blonde
and one of my father with kind words
and my mother on a bicycle reassuring my every decision

Passing eventually through great plains of vast nothingness
but was disappointed in seeing that I could see
and that the rumours were false
and that nothingness really had a population
and that the great flat land has bumps and curves and etchings and textures too

beautiful bright golden yellow like sprawling fingers
white knuckled ablaze reaching up toward the sun
that in this world had only one sky that lasted a thousand years

and prairie driving lasts no more than a mountain peak
and points of ember that softly sigh with the one breath
of our cars windows that rushes by with gratitude for your smile

And who was caught up with the madness in the air
with big foaming cigarettes in mouths
who dragged and stuffed down those rolling fumes endlessly
while St. Jacob sang at the way stations and billboards and the radio
which was turned off

and me myself and I running our mouth like the coughing engine
chasing a highway babe known as the Lady Valkyrie out from Winnipeg
all the way to Saskatoon driving all day without ever slowing down
and eating up all our gas like pez and finally catching her;

      Valkyrie who taught me to drive fast
      and hovering 175 in slipstreams
      and flowing behind her like a great ghost Cassady ******* in dreamland Nebraska
      only 10 highway crossings counted from home.

Lady Valkyrie who took me West.
Lady Valkyrie who burst my wings into flame as I drew a close with the sun.
Lady Valkyrie who had me howl at slender moon;

     who formed as a snowflake
     in the light on the street
     and was gone by morning
     before I asked her name

and how are we?
and how many?

Even with old Tom devil singing stereo
and riding shotgun the entire trip from day one
singing about his pony, and his own personal flophouse circus,
and what was he building in there?

There is a fair amount of us here in these cars.
Finally at light’s end finding acquiescence in all things
and meeting with her eye one last time; flashed her a wink and there I was, gone.
Down the final highway crossing blowing wind and fancy and mouth puttering off
roaring laughter into the distance like some tremendous Phoenix.

Goodnight Lady Valkyrie.

The evening descends and turns into a sandwich hysteria
as we find ourselves riding between cities of transports
and that one mad man that passed us speeding crazy
and almost hit head-on with Him flowing East

and passed more and more until he was head of the line
but me driving mad lunacy followed his tail to the bumper
passing fifteen trucks total to find our other car
and felt the great turbine pull of acceleration that was not mine

mad-stacked behind two great beasts
and everyone thought us moon-crazy; Biblical Jake
and Mad Hair Me driving a thousand
eschewing great gusts of wind speed flying

Smashing into the great ephedrine sunset haze of Saskatoon
and hungry for food stuffed with the thoughts of bedsheets
off the highway immediately into the rotting liver of dark downtown
but was greeted by an open Hertz garage
with a five-piece fanfare brass barrage
William Tell and a Debussy Reverie
and found our way to bedsheets most comfortably

Driving out of Saskatoon feeling distance behind me.
Finding nothing but the dead and hollow corpses of roadside ventures;

more carcasses than cars
and one as big as a moose
and one as big as a bear
and no hairier

and driving out of sunshine plain reading comic book strip billboards
and trees start to build up momentum
and remembering our secret fungi in the glove compartment
that we drove three thousand kilometres without remembering

and we had a "Jesus Jacob, put it away brother"
and went screaming blinded by smoke and paranoia
and three swerves got us right
and we hugged the holy white line until twilight

And driving until the night again takes me foremast
and knows my secret fear in her *****
as the road turns into a lucid *** black and makes me dizzy
and every shadow is a moose and a wildcat and a billy goat
and some other car

and I find myself driving faster up this great slanderous waterfall until I meet eye
with another at a thousand feet horizontal

then two eyes

then a thousand wide-eyed peaks stretching faces upturned to the celestial black
with clouds laid flat as if some angel were sleeping ******* on a smokestack
and the mountains make themselves clear to me after waiting a lifetime for a glimpse
then they shy away behind some old lamppost and I don’t see them until tomorrow

and even tomorrow brings a greater distance with the sunlight dividing stone like 'The Ancient of Days'
and moving forward puts all into perspective

while false cabins give way
and the gas stations give way
and the last lamppost gives way
and its only distance now that will make you true
and make your peaks come alive

Like a bullrush, great grey slopes leap forth as if branded by fire
then the first peaks take me by surprise
and I’m told that these are nothing but children to their parents
and the roads curve into a gentle valley
and we’re in the feeding zone

behind the gates of some great geological zoo
watching these lumbering beasts
finishing up some great tribal *******
because tomorrow they will be shrunk
and tomorrow ever-after smaller

Nonetheless, breathless in turn I became
it began snowing and the pines took on a different shape
and the mountains became covered white
and great glaciers could be seen creeping
and tourists seen gawking at waterfalls and waterfowls
and fowl play between two stones a thousand miles high

climbing these Jasper slopes flying against wind and stone
and every creak lets out its gentle tone and soft moans
as these tyres rub flat against your back
your ancient skin your rock-hard bones

and this peak is that peak and it’s this one too
and that’s Temple, and that’s Whistler
and that’s Glasgow and that’s Whistler again
and those are the Three Sisters with ******* ablaze

and soft glowing haze your sun sets again among your peaks
and we wonder how all these caves formed
and marvelled at what the flood brought to your feet
as roads lay wasted by the roadside

in the epiphany of 3:00am realizing
that great Alta's straights and highway crossings
are formed in torturous mess from mines of 'Mt. Bleed'
and broken ribs and liver of crushed mountain passes
and the grey stones taxidermied and peeled off
and laid flat painted black and yellow;
the highways built from the insides
of the mountain shells

Who gave a “What now. New-Brunswick?”

and a “What now, Quebec, and Ontario, and Manitoba, and Saskatchewan";
**** fools clumsily dancing in the valleys; then the rolling hills; then the sea that was a lake
then the prairies and not yet the mountains;

running naked in formation with me at the lead
and running naked giving the finger to the moon
and the contrails, and every passing blur on the highway
dodging rocks, and sandbars
and the watchful eye of Mr. and Mrs. Law
and holes dug-up by prairie dogs
and watching with no music
as the family caravans drove on by

but drove off laughing every time until two got anxious for bed and slowed behind
while the rambling Jacob and I had to wait in the half-moon spectacle
of a black-tongue asphalt side-road hacking darts and watching for grizzlies
for the other two to finish up with their birthday *** exploits
though it was nobodies birthday

and then a timezone was between us
 and they were in the distant future
and nobodies birthday was in an hour from now

then everything was good
and everyone was satiated
then everything was a different time again
and I was running on no sleep or a lot of it
leaping backward in time every so often
like gaining a new day but losing space on the surface of your eye

but I stared up through curtains of starlight to mother moon
and wondered if you also stared
and was dumbfounded by the majesty of it all

and only one Caribou was seen the entire trip
and only one live animal, and some forsaken deer
and only a snake or a lonesome caterpillar could be seen crossing such highway straights
but the water more refreshing and brighter than steel
and glittered as if it were hiding some celestial gem
and great ravines and valleys flowed between everything
and I saw in my own eye prehistoric beasts roaming catastrophe upon these plains
but the peaks grew ever higher and I left the ground behind
Tom Leveille May 2014
kissing you was like swerving into oncoming traffic

i can never tell if i am more haunted by empty picture frames or the ashes of their contents

you taught me that the saying "pick your battles" meant not answering when love was at the door

sometimes when i drink whiskey i swear i can hear your voice in the creases of my bedsheets & i sleep on the floor

i still catch myself running my hands over things you touched the most, looking for the echoes of your fingertips

i practice things i'll never say to you

i remember the day you told me you didn't like poetry, how "everything's already been said" & how "nothing meaningful can be captured without being cliche" you know, i don't miss you like the sun and moon, i do not miss you like tide bent waves crashing on the shoreline, i miss you like a chernobyl  swingset misses children

rumor has it that drowning is a lot like coming home, that drinking bleach can **** the butterflies in your stomach

for your love of cigarettes, i would have been an ashtray

this halloween i want to dress up as the you when you loved yourself and show up on your doorstep

i never understood what you meant when you said i was an instrument, back when you would cup your hands around my chest and breathe through the holes in my heart, i still wonder if the sounds i made remind you of wind chimes

i never paid much attention to abandoned buildings until i became one

in my dreams all the flowers smell like your perfume

i am the only person who has ever wished for the same snowflake to fall twice

if i could go back, and rewrite the definition of audacity, it would be how when we lost the bet of love, you said "we never shook on it"

i love you, if the feeling is not mutual, please pretend this was a poem

the only apology i want from you, is to have you repeat the names of children we will never have in your parents living room until they *****

we are the same person if you find yourself up at 4am dry heaving promises, or if you are kept awake by the laughter of those who've abandoned you

nobody ever told you that goodbyes taste like the back of stamps

sometimes i'm convinced that the only reason we hug, is so you can check my back for exit wounds
Alisha  Jan 2015
Bedsheets
Alisha Jan 2015
Endless months fell
like sand between my fingertips
as I tried to smooth out the creases
that covered my bedsheets
before I realised
that you were not a crease in my bedsheets,
you were the gust of wind that put them there.
Jaxey  Feb 2021
bedsheets
Jaxey Feb 2021
her voice
bent me
backwards
over the
bedsheets
every
syllable
spinning silk
into sea
as she drew
the breath
from my ears
and a symphony
from my lips
she turned my
twin bed
into titanic
along with me
and as I was
drowning
she was speaking
poetry
i will never forget
Talarah Shepherd May 2014
You know what I realized? How fantastic a thing realization is. Like, nothing particular or anything. Just, that moment when you kinda stop in your tracks for a second and go, "Huh. You know what?" Even the simple things are revelatory and what a great way to accidentally give yourself an unexpected better day. Wow, you know what? Today, I was keen enough and let my busy mind relax just enough to touch the universe again, and in that moment touch myself from the outside so that I remembered something I'd forgotten or before had never known. What is that, like the human singularity? Feels like it. QUICK, GRAB ON COMMANDER AND ALL YOU SPACE CASES. **** IT, GRAB ONTO THE WORLD BY THE ANT HAIRS! DIG YOUR FINGERS INTO THE GRASS! Let go and fall because you know it's better for your eventual grip on the state of matters in the laundry list you ordered with tasks representing your life. Am I better if I have one, I usually ask at the grocery store, to myself as I bag and then I get distracted by the sign for $3.99 pizza.
Tom Leveille Feb 2014
you are inches
measured by miles away
bulldozing oriental food
you don't intend on eating
around your plate
and i am imagining
the translation of asking
for a broom in a foreign language
for when you shatter over small talk
or the first sentence to start with "so"
breaks you into shaking
that i can feel from across the table
and i am thinking now
about tectonics and how you must be daydreaming of being submerged in a book
back home or gripping tightly
to bedsheets begging for familiar warmth
i can tell by the way you are looking at me
that you are feigning our salutation embrace
seconds drowned in ankle deep water and i wonder if you see my hands
as jackhammers and if the reason
why you hug so hard
but only for a moment
is to be as sharp as possible
so that i do not smell your perfume
or notice that you aren't wearing any and why
there are few suprises
in the safe you claim is a mouth
where shades of plush pink
hide a sickly pallor
and i continue to look over
brick & mortar borders
and think how maybe
she is thinking of kissing
but certainly not me
not these apologies nailed to my face
i give myself a moment
of benefitted doubt that you sometimes
picture your frame under mine
and if your clavicles would crack
if i were to touch them
i am sorry that i am a victim of imagination
but i swear i chalk it up
as the forgotten feeling
for when you look up
and the person you are looking
at is gazing directly at you
you have painted yourself
as a mosaic in my mind
as a mess of dust & incoherent words
that all sound like please in my ears
but that doesn't explain why
my hands are the ones that are shaking
when i imagine you
imagining me
in the spaces of yourself
where you've forgotten
you could put someone
Emma  Sep 2018
Leaving Me
Emma Sep 2018
The best part about you leaving
Is forgetting you.
It’s as though the sugar you injected into me
To keep me sweet for you,
And only you,
Is dying off;
Slowly but surely,
Until the only part of you that will
Remain in my body
Is the notch in my heart.

You will always own that
Notch in my heart.
It will always make me care for you,
And make it like my heart always beat for two.
It will always skip a beat
When I see you in the streets.
The smell of burnt tobacco
Will always make my hands tie knots into the bedsheets,
All for you.

I used to believe
That with your sweet honey
Injected into my heart,
I would never be able to forget you,
Much less let you go.
But now, I see that lovers will
Come and go.
You do not own the sweet tune
That makes me undress for you;
And better will come after you.
You leaving hurt, yes,
But without you I am whole.
heather  Jun 2016
Colours
heather Jun 2016
I'm six years old. I'm six years old and my favourite colour is green because it's the colour of my eyes and I think my eyes are the prettiest things I have ever seen.

I'm eight years old. I'm eight years old and I had a nightmare so bad I felt like my eyes were deceiving me. My favourite colour is now the same pale blue as my Mum's floral bedsheets because they make me feel safe.

I'm ten years old now. I'm ten years old and I'm a big girl because I'm allowed to walk to school with my friend instead of my Mum. We walk past fields of buttercups and other pretty flowers but my new favourite colour is the peach of the rose in my front garden.

I'm twelve years old. I'm twelve years old and I can't stand the colour green anymore because the meaner people in my school decided my self worth was less important than their jokes. I don't have a favourite colour anymore, but if you ask I'll say it's purple.

I'm fourteen years old. I'm fourteen which means I've been a teenager for a year and I still can't stand the colour green. My Mum let me dye my hair for the first time and now it is red and red is my favourite colour, but if you asked I would still tell you it's purple.

I'm sixteen now. I'm sixteen and I think I know everything, I met a boy that I like for the first time, my Mum doesn't know, but I think he makes the colour green a bit easier to look at because he told me he loves my eyes and that they are the most beautiful things he has ever seen. He gave me a pair of rose tinted glasses and I'm not quite sure why, but for now my favourite colour is the deep brown of his eyes but if anyone asks, my favourite colour is still purple.

I'm eighteen now. I'm eighteen and I can finally drink without it being illegal, and I have started drinking to forget everything except the colour of my Mum's pale blue floral bedsheets, the peach of the rose in my front garden, the bright red of my hair and the green of my eyes but most of all I'm drinking to forget the purple of the bruises that litter my skin, the purple that I always insisted was my favourite colour for reasons unknown to me.

I should be twenty years old now, and my favourite colour should be the orange of the sunset, the pink of the sunrise or maybe even the yellow of the buttercups in the fields I used to walk past on my way to school, but I did not make it to twenty years old. My favourite colour was never purple and I never asked for my skin to be constantly tainted that way, but you made sure I never healed and now my Mum is laying purple flowers on my grave and she's wishing she fought more to get my favourite colour to be green again like when I was six years old and in love with myself and the world around me, because if I still loved the innocent green then maybe I wouldn't be suffering my greatest nightmare as a child with the only comfort being tucked up in the seemingly endless sea of brown. I always tricked myself and everyone else into thinking things were perfect with rose tinted glasses but the lenses shattered and the last flower you laid on my grave was the peach coloured rose from my front garden, and now the petals have wilted and all of the colour has been drained from me but this new world has more hues than I could have ever dreamed of.
this is the longest poem I have written and also the first with these themes and I am very scared please be kind to me
Francie Lynch May 2014
There's a silence in the evening,
A silence most displeasing.
It's not the absence of mowers running,
Or bedsheets flapping, motors humming.
Trains still shunt, foghorns blast,
Where are the sounds
From our past?

It's not the sound of contrary laughing
Walking from a parent's lashing.
Something's missing,  sounds are gone,
Familiar sounds from our lawns.

The sound of rope slapping cement,
Fantasy games kids invent.
An echoing slapshot before, "Car!"
These missing sounds are so bizarre.

Those yestergames we played in jest,
Like Hide and Seek at dusk was best.
But outside games gave way to screens,
I'd rather hear childish screams.
Tom Leveille Feb 2014
whenever i hear a wind chime i think of your voice. i wonder what it's like to be your bedsheets. what it would really be like to understand the jargon in your head. i ******* want to kiss you sometimes and then others i really do want concrete between your hands & my skin. i can't think straight all the time so i wonder if it benefits me at all to explain what it means that i don't want or expect anything from you but if we accidentally liked eachother in that middle school "sort of way" then i wouldn't say no. i want to really understand what you mean when you say "stay" to me in our texts. i wonder if your sleeping pills do to you what they do to me. i'm thinking again about "stay" and maybe i'm choked up on you leaving for school up north but i'll never tell you because get the **** out of here and don't look back especially not for me. stay. your smile, genuine or not tears me in two. i wish every face on the planet had your smile and i am ******* afraid of you wearing lipstick. i'm terrified of your bare skin and goodbyes. i hate farewells and see you laters. i knew the first time i saw you interact on your phone while drinking coffee the way you text people and how i now do the same thing. i get around read receipts. i sometimes want to hear you say you want.. not so much me, maybe me, but my company. theres a park near my house where i've imagined us paddle boating. i got written up at work once for daydreaming about it. what the **** is in a friendship anyway, decency in a human isn't biological. i get hung up on knee jerks and gut reactions. i want to know what the ******* are thinking about when i look up and you are looking right at me. but then again, i don't. as long as i'm wondering. as long as the door might swing open or closed. stay. go. run. **** your collarbones. **** your chest and skin and lips and everything i hate but crave and might like about you without say so. stay. sit down and explain to me why it is that i care anyway. i am afraid that if i say i want to *******, you'll think i mean *******, and not "*******". i wanna know if any of this sounds familiar and i here i am back to wondering what the **** is going on and why you're looking at me. the hair on my neck stands on end when you do and another thing... **** poetry. i cloud my feelings for you & anything else with the abstract so you'll never really know if i ******* hit rock bottom or not over the fact that i know we will never kiss. somebody just said "**** buddy" on tv and i think sometimes symmetry between irony & circumstance. i have harbored some of these thoughts since the night you said hello to me. i'm sorry i had to get over the fact that once upon a time i wanted to save somebody, and you weren't going to let it be you. i do sometimes think my hands might break you, that you spend your day painting a picket fence in your head that you can't get on one side or the other on. i felt like you didn't want to get up from dinner and i rushed it out the door because i am afraid to start a sentence with so. so stay. i am sorry my words often wear brass knuckles. your smile shoots to **** and if i ever die while you still remember my name i want you to read this or read something at my funeral. i don't know if these butterflies are waiting for me to jump or sit down but they speak up when my phone lights up & it's you.
Mitch Nihilist  Aug 2015
"He"°
Mitch Nihilist Aug 2015
he goes searching for love in the wrong ways
guided in directions by bedsheets and lost
by indulgence in the temporary
decadence and narcissism
-
a mapless journey lead in the retrospected
direction of peer fulfilled gratification,
met already past the point of no return
by a social gathering of perceptions
and conceptions towards a tangible
reason
-
the smell of sweat,
consecutive exhales and inhales
pinpoint reminders after the fact,
held tight by only bedsheets,
watching her get dressed
pulling what she wore out
that night over a coiffure
of tangled penitence
as it rises above the
neck of her shirt
-
sitting admit the marrow
of vision lies an exiting
woman, usually
brown hair, sometimes blonde,
behind the marrow lies thoughts
of penance that digs and widens
the crevice of perception
deeper and deeper
-
at times of stagnant intimacy,
intimacy that redefines ephemeral,
retrospected notions replay
and stain the mind of
women,
usually brown hair,
sometimes blonde
-
by this time
he rode the the wrinkles
on the bedsheets too far
destined to temporarily
subside the loneliness,
only to find out in the present
that the destination reached
has a population so nullified
that where he came from
was far better off.

— The End —