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Martin Narrod May 2014
"I know your vexed great spirit, miles away, a gentler more playful you thrives on a journey of life. There among a ridge, the plateau where you dance, leaping, ripping yourself out of the air,escaping towards the light. Free from the weight which chastises and locks you up. Out of the medicine cabinet quaffing your deepest breaths, urging your hours shorter and shorter. You cascade like glass buttons scattered on the desert floor, let those wet cloths be forgotten, may your sorrow disappear amidst that great arenose simoom.  When the ghibli makes you stutter before the bright outlook you once displayed, do not forget to visit the flowers that bring you the most  peace of mind"------------------------------------------------------------­------------------------------ It's here. In the pile-ons, wrapping around your head like a cool, wet bandage, keeping out a headache, or the rancorous guilt of an ugly night. It sits on the top-layer of your forehead, beading off in fresh droplets of self-pity, uncomfortable and self-defeating restlessness and despair. I rub it with my hands, removed each new wave of desperation and soothing your hairline with a swath of my hand. I raise up, your cucumber colored walls, that bright pink bedspread, nothing different ever changes. The masonite paintings still there, that old familiar **** carpet, a thatch-work of menage-a-tois and fifth grade-style arts and crafts. The light bulb has been out for six years, third drawer right-side down is still stuck, a mystical blow dryer blocks it closed, and the door won't ever quite close- I take a shower with the world wide opened and you trailing a fastening steep. And so your fever rises, your feet soak in a tepid iron clad bed frame while your mind rattles against your skull. Thirty days have past, lifeless, echoing in this wicked upstairs chamber. The West Wing. Slatted blinds, the white dresser, the Chanel books, the pool party photos, the blue swim-meet t-shirts, the fake gold trophies and the true gold hairs on your head, my fingers dash across your forehead again meeting your brow with the cool folded washcloth, I reach for your back and you turn, slightly rolling; something routine, unsteadied, even wicked limps in a stress ball inside your bottom lip. It's just a quiver. Nothing different ever changes. It's the devil inside, and I am nowhere to go. Maybe midnight or maybe twilight. Every hour of morning is another hour of night I'm ever taking my sleep back into. I don't count the days, just mark them in the thoughts of worry that flurry through in brief thoughts. I am obsessed with care-taking now. Three hours have passed since I showered you out of your black party dress and sparkly Gucci slip-skirt, since I took bits of post-digested food from your hair, held your nose with a tissue and told you to blow it all out, again, another night of building a sick room and sauna. I never tire, I just make arrangements, I build a small room and I wait the weight out. Nothing different ever changes, and I don't expect the unexpected or dare to meet your smile again.-----------------------------------------------------------­------------------------------ Three months ago, thrifting on Valencia and 26th Street. Walking from Blue Bottle to the Bay then to the Breakers. I climb atop A Buena Vista with man Adam, you scale a mountain-sized hill with your teal green and cherry red Nikes. We make a photograph in front of white dogwood blossoms overlooking a steep Ravine to the East. A bird chirps, a homeless woman barks, and four children smoke cigarettes and joints in a treetop. Every ***** goes up and down, each footstep dithering amidst our biduous ascent. I buried you last Thursday beneath the dogwood, your cherry red and teal green gym shoes planted at your doggerel.
svdgrl Nov 2014
The countless nights of being taken ever so uncomfortably,
fogging up the windows drawing cheesy arrows
stuck through hearts with our initials
in the condensation of our ****** tension.
Unfulfilling menaje tois cuts right through any arrowed hearts.
Sat dripping blood and juice,
"Don't get it on the fabrics...I'll come back with a towel."
You said.
I sat there
in too deep.
Staring at the bag of thrift shop,
sports flags,
my blood dripping from my fingers
to my thighs,
in your backseat.
Terry Collett Jun 2015
Hannah and I
lie on the grass
by Arrol House

she shows me
a penknife
her father'd brought
home for her

a thin bladed one
with a white handle
it's in the palm
of her hand balancing

it looks good
I say

that's not what
Mum said when Dad
brought it home
Hannah says

what did she say?
I ask

Whit did ye brin'
'at haem fur?
she said

what did your
dad say?

nothing he pretended
he was deaf
and just gave me
the knife and went
and sat in his armchair
and read his newspaper

how do you understand
what your mum is saying?
I'm never sure
if she's being angry
with me or if
that's just her
being nice

probably the former
she's seldom
nice to people
Hannah says

she puts the knife
in the pocket
of her skirt
and says
where we going then?

we can stay here
if you like
I say
lying in the sun
and talking

o sure
and have my mum
peering out
the window at us
saying
whit ur ye tois
up tae?  

I fall back laughing
what's that mean?

it's what are you
two up to?
Hannah says
no let's go
through the Square
and get an ice lolly
and 1d drink
and look at
the cheap shop
on the New Kent Road

so we up and go
over the mental fence
and through the Square
and go buy
our ice lollies
and 1d drinks

and I wonder
as we walk
what her mother
says and thinks.
A BOY AND GIRL IN LONDON IN 1960.
Ô poète, faux pauvre et faux riche, homme vrai,

Jusqu'en l'extérieur riche et pauvre pas vrai,

(Dès lors, comment veux-tu qu'on soit sûr de ton cœur ?)

Tour à tour souple drôle et monsieur somptueux,

Du vert clair plein d' « espère » au noir componctueux,

Ton habit a toujours quelque détail blagueur.


Un bouton manque. Un fil dépasse. D'où venue

Cette tache - ah ça, malvenue ou bienvenue ? -

Qui rit et pleure sur le cheviot et la toile ?

Nœud noué bien et mal, soulier luisant et terne.

Bref, un type à se pendre à la Vieille Lanterne

Comme à marcher, *** proverbe, à la belle étoile,


Gueux, mais pas comme ça, l'homme vrai, le seul vrai,

Poète, va, si ton langage n'est pas vrai,

Toi l'es, et ton langage, alors ! Tant pis pour ceux

Qui n'auront pas aimé, fous comme autant de tois,

La lune pour chauffer les sans femmes ni toits,

La mort, ah, pour bercer les cœurs malechanceux,


Pauvres cœurs mal tombés, trop bons et très fiers, certes !

Car l'ironie éclate aux lèvres belles, certes,

De vos blessures, cœurs plus blessés qu'une cible,

Petits sacrés-cœurs de Jésus plus lamentables !

Va, poète, le seul des hommes véritables,

Meurs sauvé, meurs de faim pourtant le moins possible.

— The End —