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I hateth th' song of th' grass outside;
and t'eir blades t'at swing about my feet
like fire. How unfeeling all of which are-
did t'ey really think I wouldst ever be tantalised
by t'eir sickly magic? Such a gross one-
demanding, rapacious, parasitic!
Even I am fed up with t'eir proposals,
and ideas t'at t'ey fervently throw
in th' hope t'at t'ey canst corrupt my dreams,
my feelings-ah, yes, my sincere feelings,
and secure, t'ough imaginary, dreams.
Oh, and my comfortable desire as well!
My rosy desire-which at times canst tiringly
petrify me-ah, unbelievable, is it not? Th' fact
t'at I am so satiatingly, and daringly, petrified
by my own desire-and reproved by th' one
whom I am astonished at, praise, and admire;
How pitiful I am! How horrific and tragic!
I hath knitted my sorry without caution,
I was too immersed in vivid glances
and disguises and mock admiration.
Perhaps it hath been my mistake!
Eyes t'at blindly saw,
ears t'at wrongly judged!
Lies t'at I forsook,
tensions t'at I undertook!
Oh, how credulous I am-to vice!
Mock me, detest me, strangle me!
Stop my sullen heart from breathing-
as I hath, I hath spurned my darling-
oh, I hath lost my love!
How sorrowful, tearful-and painful!
And how I hath lost my breath; for cannot I stop
my feet from swimming and tapping
in t'is fraudulent air, gothic and transient
With poems t'at no matter how mad,
but nearly as thoughtful and eloquent,
I shalt still remain doleful and sad,
for my love for him is indeedst thorough-
and imminent; No matter how absurd he fancies
I am, and how he looketh at me oftentimes
with twigs of governing dexterity;
but most of all, shame.
I hath no shape now.
I hath lost, and raked away,
my elaborate conscience;
I hath corrupted my conciseness,
I hath wounded my sanguinity,
originality, and thoughts even, of my poetic
soul-of my poetic bluntness and sometimes
rigid, creativity.
I am an utter failure.
I am a mad creature; I am maddened by love,
I am frightened by virtue, I despise and reject
truth. I hath no sibling in t'is world of humanity,
ah-yes, no more sibling, indeedst,
neither any more puzzles of fate
t'at I ought to host, and solve;
I deserve nothing but fading and fading away
and give up my soul, my human soul-
to being a slave to disgrace
and cordial nothingness.
I belongst not, to t'is whole human world;
T'is is not my region, for I canst, here-
smell everything sacrificed for one another
and rings of delightful and blessed laughter
which I loathe, with all th' sonnets and auguries
of my laconic heart. Oh, I am misery!
I am evil, evil misery!
I, myself, equal tragedy; I am a devil,
a feminine and laurel-like devil-
just like how I look,
but tormented I am inside,
as a cursed being by nature and God Almighty
for never I shalt be bound to any love;
and engaged to any hands
in my left years and in th' afterlife outright.
I shalt have never any marriage within me,
any marriage worthy of talks, parties,
neither anything my wan heart desires;
like sweets with no sweetness,
or dances with no music.
No human love should ever
be properly conducted by me,
I am incapable of embodying
a unity, I am destined to be with me.
To be with me only-ah, as sad as it is,
as vague as how it sounds, or it might be.
O, and how I should love, emptiness!
Any loss should thus be romantic to me:
Just how death already is;
my husband is death,
and my chamber is his grave.
I shalt, night and day, sing to th' leaves
on his tomb,
ah-as t'ey are alive to me!
Yes, my darling reader! To me, t'ey are living souls,
t'ey open t'eir mouths and sing to me
Whenever I approach 'em with my red
bucket of flowers; lilies t'ey eat, ah-
how romantic t'ey look, with tongues
slithering joyfully over th' baked loaves I proffer!
T'eir smell of rotting flesh my hug,
meanwhile t'eir deadness my kisses!
T'eir greyness, and paleness-my cherry,
and t'eir red-blood heath my berry!
So glad shalt I becometh, and shimmer shalt my hair-
and be quenched my buoyant hunger-
beneath th' sun, with my hands, t'at hath
been aborted for long, robbed of whose divine functions
Laid in such epic, and abundant rejections
Brought into life again, and its surreal breath
But t'is time realistic, t'ough which happiness
shalt be mortal, as I perfectly, and tidily knoweth
and as I flippeth my head around
And duly openeth my eyes, I shalt again
be sitting in th' same impeccable nowhereness,
nowhere about th' dead lake, with its white-furred
swans, ghost-like at t'is hour of night-
Wherein for th' rest of my years should I dwell,
with no ability and desired tranquility
t'at canst once more guarantee
my security to escape.
T'ere's no door-yes, no door, indeedst,
to flee from th' gruesome trees,
t'eir putrid breath solitary and reeks of tears,
whilst t'eir tangled leaves smell strongly
of vulgarity and hate.
I hate as well-th' foliage amongst 'em,
grotesque and fiendish art whose dreamy visages,
with sticking tails wiping and squeaking
about my eyes, t'ough as I glance through
thy heavens, Lord, gleam like watery roses
before t'eir petals swell, fall, and die.
Oh-so creepy and melancholy t'ese feelings are,
but granted to me I knoweth not how,
as to why allowed not I am,
to becomest a more agreeable mistress
to a human-a human t'at even in solitude
breathes th' same air, and feels all th' same
indolent as me, by th' tedious,
ye' cathartic, morn.
Ah, and shalt I miss my lover once more
And t'is time even more persistently t'an before,
For every single of his breath is my sonnet,
and every word he utters my play.
He is th' salvation, and mere justification
I should not for ever forget,
just like how I should cherish
every sound second; every brand-new day.
My heart is deeply rooted in him;
no matter how defunct-
and defected it may seem,
as well as how futile, as t'is selfish world
hath-with anger and jealousy, deemed.
How I feel envy towards t'ose lucky ones,
with lovers and ringlets about t'eir palms,
so jealous t'at I cringe towards my own fate,
and my inability to escape which.
How unfair t'is world is sometimes-to me!
Ah, but I shalt argue further not;
I shalt make t'is exhaustive story short-
I am like a nasty kid trapped in th' dark,
without knowing in which way I should linger,
'fore making my way out and surpass her.
She is a curse-indeedst, a curse to me,
t'ough at th' moment she is a cure-but to him,
but she is all to forever remain a bad dream,
which he should but better quit,
she shalt subdue my light,
and so cheat him out of his wit.
She is an angel to him at night,
but at noon he sees her not,
she is an elegant, but mischievous auroch
with ineffectual, ye' doll-like and plastic auras
She is deceit, she is litter, she is mockery;
She hath all but an indignant, ****** beauty
She does not even hath a life, nor
a journey of destiny
She hath not any trace of warmth, or grace,
and most of th' time, at night
It is her agelessness t'at plays,
she ages but she falsely tricks him-my love,
into her lusted, exasperating eagerness;
t'ough colourless is her soul, now,
from committing too much of yon sin
She still knoweth not of her unkindness,
and thinks t'at everything canst be bought
by beauty, and t'at neither love nor passion
canst afford her any real happiness.

Ah, my love, I am hung about
by t'is prolific suspense;
My heart feels repugnant in its wait;
uncertain about everything thou hath said
As thou wert gentle but mean to me;
despite my kindness, ye' mistaken shortcomings
as I stood by th' railings th' other day, next to thee.
Ah, thee, please hear my apologies!
Oh, thee, my life and my midday sun,
a song t'at I sing-in my bed and on my pillow,
last week, yesterday, today, and tomorrow.
I am, however, to him forever a childlike prodigy-
shalt never he believeth in my tales,
ah, his faith is not in me,
but I in him.
How despicable!
But foolishly I still love him,
even over t'is overly weighing injustice
on my heart-
ah, still I love him, I love him!
I love him too badly and madly,
I love him too keenly, but wholly passionately.
I love him with all my heart and body!
Oh, Kozarev, I love thee!
I love thee only!
For love hath no more weight, neither justice
within it, if it is given not by thee;
I was born and raised to be thine,
as how thou wert created
and painted and crafted-by God Almighty,
to be mine. As I sit here I canst savagely feel, oh,
how painfully I feel-yon emptiness,
t'is insoluble, inseparable solitude
filled not with thy air, glancing at
th' deafening thunder, rusty rainbows
With thee not by my side.
I fallest asleep, as dusk preaches
and announces its arrival,
But asleep into a burdened nightmare,
too many fears and screams heightened in it,
ah, I am about to fallest from smart rocks
into th' boiling tides of fire beneath my feet.
I wake into th' imprudent smile of th' moon,
and her coquettish hands and feet
t'at conquer th' night so cold.
She is about to scold me away again,
'fore I slap her cheeks and send her back
to sleep, weeping.
I return to my wooden bench, and weep
all over again, as without thee still I am,
barefooted and thinly clothed amongst
th' dull stars at a killing cold night.
Th' rainbow is still th' rainbow,
but it is now filled with horror,
for I am not with thee, Kozarev!
Oh, Kozarev, th' darling of my heart,
th' mere, mere darling of my silent heart,
even th' heavens art still less handsome
t'an thy images-growing and fading
and growing and fading about me
Like a defiant chain, thou art my naughty prince,
but th' most decorous one, indeed;
thou art th' gift t'at I'th so heartily prayed for
and supplicated for-over what I should regard
as th' longest months of my life.
O, Kozarev, thou art my boy,
and which boy in th' world
who does not want to
play hide-and-seek in th' garden-
like we didst, last Monday?
Thou art my poem,
and thus worth all th' stories
within which. Thou art genial,
cautious, and beneficent. Thou art
vital-o, vital to me, my love!
I still blush with madness at th' remembrance
of thy voice, and giggle with joy and tears
over yon picture of thee; I canst ever forget thee
not, and sure as I am, t'at never in my life
I shalt be able to love, nor care for another;
thou art mine, Kozarev, thou art mine!
Thou art mine only, my sweet!
And ah, Kozarev, thou knoweth, my darling,
t'at the rainbow is longer beautiful
tonight; and as haughtiness surfaces again
from th' cynical undergrowth beneath,
I am afraid t'at t'eir fairness and brightness
shalt fade-just like thy love, which was back then
so glad and tender, but gets warmer not;
as we greet every inevitable day
and tend to t'eir needs,
like those obedient clouds
to th' appalling rain, in th' sky.

Ah, but nowest look-look at thee! Thy innocence,
t'at was but so delicate and sweet-
like t'ose bare, ye' green-clustered bushes yonder,
is now in exile, yes, deep exile, my love!
I congratulate thee on which, yes, I do!
I honestly do! For thy joy and gladness
doth mean everything to me,
'ven t'ough it means th' rudest,
th' eeriest of life; t'at I shalt'th ever seen!
But should I do so? T'at is a question
I canst stop questioning myself not.
Should I? Should I let thee go
and t'us myself suffer here
from th' absence
of my own true love-
and any ot'er future miracles
in my life?
I think not!
Ah, and not t'at there'd be
any ot'er mirages in my love,
for all hath been, and shalt always be-
united in thee! O, in thee, only, Kozarev!
For I am certain I love thee,
and so hysterically love thee only,
even amongst th' floods-ah, yes,
t'ese ambiguous piles of flooding pains,
disgusting as blood, but demure,
and clear as my own heartbeat;
I love and want thee only,
as how I dreameth of,
and careth for thee every night,
t'ough just in my dream,
and in life yet not!
Ah, Kozarev, I am thy star,
just like thou art mine-already,
I am fated and bound to thee,
and thou to me.
Thou art not an illusion,
neither a picture of my imagination.
Thou art real, Kozarev,
thou art real-and forever
shalt be real to me;
thou art th' blood,
t'at floweth through my veins,
thou art th' man,
t'at conquereth my heart-and hands,
thou art everything,
thou art more t'an my poem
and my delicate sonnet,
thou art more t'an my life
or my ever dearest friend.

Probably 'tis all neither a poem,
nor a matter of daydreams;
perhaps still I needst to find him,
t'ough it may bringst me anot'er curse,
and throwest me away
and into anot'er gloom.
Ah, Kozarev, thou-who shalt never
be reading t'is poem, much less write one
Unlike thou wert to me back t'en;
Thou art still as comely as th' sun;
Thou art still th' man t'at I want.
Even whenst all my age is done;
and my future days shalt be gone.
David Barr Jan 2015
The paradise of darkness is like a climactic and physiological déjà vu, where souls have been swallowed by ancient daemons amidst an **** of oral sacrifice.
Aren’t you tantalised by such forbidden seductions?
Although I am somewhat acquainted with the blackness of unfathomable depths of the ancient abyss, I sincerely call upon your superior wisdom to beckon me across craggy chasms of mathematical perplexity, where eternal ghosts wail with agonising obscurity from the turrets of architectural stronghold.
If you light a candle toward the incarnation of depravity and reveal the sacred circle, then I will ensure safe passage down those historical and spiral staircases where dungeons hold innumerable fetishistic secrets.
I am captivated by co-existing opposites.
Let us talk with the goat, and arrive at a mutually agreeable pact.
Olivia Kent Oct 2013
Tiger!

Tiger!
Tantalised by the shadows in which he hides.

A camouflage of tigers eye.

Waiting silently to snare his prey.

The absolute hunter on nature’s prowl.



A secret whisper through the trees.

Alerts the muntjak where he creeps.

Capture he evades today.

A crunch of broken branches underfoot.

For today he lives to see the dawning of another day.

By ladylivvi1

© 2013 ladylivvi1 (All rights reserved)
David Barr Nov 2013
The Stratocaster was dripping with emotional intensity, whilst my head vibrated against the window of the bus during a deep and innocent slumber.
We fret so much my friend. If I want to adjust the outcome, then I am simply, yet sensitively, required to turn the relevant key.
I fully understand the beat of the red-light area where tragedy and pleasure have disloyal intercourses, and the texture of its currencies are likened to the intricate task of baking cakes in front of a shiny chrome bumper.
Skillful finesse is required if the recesses of our soul are to be tantalised. So, let us celebrate the night.
Srishti Mundhra Jun 2018
Under the dim setting of,
A forbidden dwelling of pleasure,
He sat and stared hard at her,
Brushing off other exotic dancers.
Her amber skin shined,
Her golden curls waltzed,
While she tantalised,
The men with gold-filled vaults.
He sought her attention,
In pain and rage,
Desired to seize his possession,
And to get her out of their cage.
Sensing his fiery gaze,
She turned towards him,
Leaving behind her forced play,
To end his unceasing whim.
“I am in misery, let me go,
I am not worth you, let me go,
You deserve better, let me go”
Her words hit him with a strong blow.
He shuddered, broken into pieces,
His world collapsed in front of him,
Dominant hues of blackness,
Sadistically smothered him.
Unable to see him pulverised,
She leaned in closer,
To savour his lips one last time,
And secure closure.
He delved deep into her mouth,
Demanded every inch of her soul,
But the timeless fire spoke out loud,
T’is the last kiss their destiny doled.
"The Last Kiss" poem is about the yearning for love in a place with no hope for love
I held her hand in my dream
With my nails brushing her hair
Her eyes apple lovey scream
She's a sample of an adonis heir

I ponder at her figure eight
Is she one of d immortal sent to tantalised me?
Like d lovelorn btw milky and kate
Pour me ur love portion, I'll sip

I woke and blamed d reverie
Angrily I exit d enrivon for an unliven snacks
But d liquor can't erase her hue ink

She curls toward my leisure, My rips acquaint see
Chai, her hair dances to the zephyr rhythm. She knacks
"Em. Baby can I date u?" My phonemes lick.
I’m whirling with two feet above the ground, I am lost, I am found. I am held, tantalised by your merry-go-round. And there is a sweetness to your skin, not known before. Sometimes I wonder what you’re fighting for. Confused. Your weakness is my gift. I appreciate your beauty. In the sunlight. Sometimes I can’t handle you being there, because you know too much, and I see it in your hands.

Another day comes up and we stay til the stars are bright reflecting in our eyes. When we sat on the scaffolding naked outside the house. We talked. We kissed. I dreamed of your reflection in the music I kissed. Your eyes they care nothing for me, they take delight in what they can’t see. And you are a poem in all that I write, you, I take away from the dark as it leads to the night. She, you must understand, is beauty divine, by the second hand. My love for her, is deep and wide. She is a beauty to be beheld by my side. I can’t hold her hand for I fear she will let go, even though, I know. She will never, never walk away. Lay your head down on my knee, my sweet, let me run my hands through your hair and tell me about your day.

Twisted by a mirror, running from the gun, you feel my heart is bled and numb. In the mentality of the situation, my words are futile to your ears, I could tell you ever-y-thing, I could tell you my innate fears. And yet I know, just by looking at your face, that I am saved, and this is why I cannot let myself. Fall. Wanting, needing, desiring for that something, that nothing that we all hunger for. I always be here, by your side, ready for the ride. God I laugh for it is benign that I should choose to think, you only want me after a drink. Or two.

She walks across the room and there is a whisper in the air. A wanton look, a wanton glare. Everyone turns to see, to see she is looking at me. I tell you, I tell you, oh man, I. TELL. YOU. To be the object of her affection, to be her means and her every objection, it cuts the very core. Of me. To feel her hand touch mine, her eyes stare at mine; this is what it feels to fly and be free. And I know I have sung this song before, many a love story, many a war; and there is many a lover to curtail the night, but this path I will not fight. This road I will eagerly strap my indiscretions to my back and joyfully skip in the sun. Because I do not want to give my heart away. Today.

Is there music when she plays with me? I think there is. There is no weighty stare. From her. She seems to know, she seems to have sought me out. And no matter how much I scream and shout, she is there. She is there. For I am something, if I was nothing before. And I have an embrace, a secret code, that only I should know. But it gets distracted from the one-trick-pony-show. Thank you, thank you; Thank. You. No-one can make this moment feel a lifetime like you, and yes I give you your due. Please don’t try so hard, my silence is unmanned, do not confuse me with futile supply and demand. Sometimes what I am trying to say, is nothing. At all.
I held her hand in my dream
With my nails brushing her hair
Her eyes apple lovey scream
She's a sample of an adonis heir

I ponder at her figure eight
Is she one of d immortal sent to tantalised me?
Like d lovelorn btw milky and kate
Pour me ur love portion, I'll sip

I woke and blamed d reverie
Angrily I exit d enrivon for an unliven snacks
But d liquor can't erase her
hue ink

She curls toward my leisure, My rips acquaint see
Chai, her hair dances to the zephyr rhythm. She knacks
"Em. Baby can I date u?" My phonemes lick.


(Mizz Ylexinho to be)
SassyJ Jan 2017
An airport of exits and merits
in and out, side to side ruts
filtered destination tethered
fading back to a fed bubble

An airport of resits and delericts
back and forth, western rides
misconstrued openness analysed
tantalised, fantasised, revised

An airport of open cases and causes
where it has all stopped, the unpopped
in words called stalky trodden dreams*
*the crab waves a thorough goodbye
No more......
Written at the airport!
David Barr Apr 2015
Like a Victorian harlot who wears long-sleeved velvet gloves, her ghostly fingers tantalised the trigger of my ancient dreams, where vulnerability paraded herself with a boisterous demeanour.
However, my friend, the eyes are the window of our aching souls.
So, as we balance upon this verge of hypnotic entrancement, it is vital that we pay homage to the plants of the dark forests.
Just like the canopy parade of parental ambivalence where suppressions assert their course fumbling of contemporary controls, the atmospheric silence is deafening.
As I have already mentioned, the dichotomy of equality has slid herself up and down upon the phallus of historical expectations and self-abandonment, don’t you think?
Now, the frontier beckons us with her harsh legitimacies, so we must never forget the power of the diviner’s sage as she leads her flocks beyond the parameters of perception.
Can we now have an immediate discussion?
Mateuš Conrad Aug 2016
to be honest, you should have got to me when i was 21,
back in 2007,
i don't say this lightly, but i figure, these days,
the unbearable lightness of being is all i having going
for me - the silent waters merge with enough
tectonic force to forge canyons -
i didn't suddenly, spontaneously succumb to
madness, genetic idiocy wasn't passed down to me,
the only mental illness that you could have ascribed
me with was world war ii, the memory of seeing SS
men in black uniforms in my town of birth...
i'm not one of those people that slither into a leech pucker
**** on stereotypes, i loath the idea that
all of Eastern Europe is considered slave trade,
******* or construction workers...
but i'm neither here or there...
yes the Cartesian unit of i am when access creates
the aeroplane lag of sound compared to seeing a plane...
the **** is 20 miles behind,
                          these days
no one presupposes thought first, thought comes last,
and the ability to think as a pleasure akin
to golf is long lost... i used to possess the medium
with which i tantalised myself with a pauper's
idea of life: thinking... i actually loved it...
then the pain came, and i was forced into the macabre...
but hate is so exhausting, esp. when you see
no trial for retribution... i'm just scared i won't be
able to provide for my parents... when i go out on
my numerous periodical walks at night looking for *****
i'm sorta saying: well, if they won't care, i won't care either...
i'm about to do a Moses, i know where i can find
a fresh source of water... and i'll eat grass if it comes to it...
oddly enough the horse herbivores manage,
i'll manage too! i don't have any feminine company for
support... Frankenstein mode... go!
i'll become a ravenous creature who forgot the basic comforts...
and i'll relish this hope of having accomplished it...
either that or the liberation through death...
and let me tell you, consistency helps, when thinking
of death as in synonymous thinking about morality:
things gain a lucidity, a clarity that adds just simplicity
to the debate that you'd never have thought would be
appropriate to later see an opera in an overcrowded
place... i'm not writing this as a fetish of suicides,
i'm writing about the reality of: how when thinking about
death on a recurrent basis you simplify life...
or how you extract the essentials from life,
or how you treat life's nibble offerings as entire meals...
i'm in no position to want death,
                        i'm just in a position to feed off it...
as a toddler in a hospital i was bottle-fed
by a nurse who made the rubber ****** incision
a bit too big for me to almost choke to death
while being fed... i told you, i'm the intellectual
version of Rasputin... hence my unconscious
aversion to women... perpetuated... shame really...
lovely form... could have... wait a minute... why
are my ***** tickling with goosebumps as if i possess
feminine arousal? don't know...
and all the joy in the world concentrated
by possessing two *****...
                                             say that's cricket,
or football... whichever, the Coliseum lives on.
so like i said: blood sizzling on the brain,
being diagnosed as schizophrenic - again, a good metaphor
for being bilingual...
                                         they looked and they looked...
while i too was searching, good joke i've conjured:
what do you get when you invest in grammatically
categorising words when writing philosophy?
the (a) subconscious and the (b) unconscious -
i say... wait for the trans-generational Syrians!
they'll be a fun to watch... they'll be talking about someone
descending in Damascus with a two angel entourage
asking everyone to perform dodgy ******* positioning...
*******! on the carpets! Aladdin pronto! now!
well, the reason that philosophy books haven't
adjusted to utilising grammar means that grammatical
words are the equivalent of the subconscious,
the unconscious part comes from actually adhering
to trust, the trust the majority of people invest in when
structuring sentences... say the word noun
and up pops Aristotle and says proper names...
well nouns are actually names, seagull chestnut tree,
anatomy baritone megaton p - or p.i. or *** or he,
or 3.14 ha ha. but using grammatical words to basically
shove and recycle configurations is crucial...
but like i said, you should have reached me back in 2007,
when i was 21 and husband material...
i only drank on weekends (and not everyday),
i had a budding social life (now my very social active
is bound to a relationship with the merchants occupied with
selling liquid amber) -
i had my problems, sure, but i never expected
to be practising Christianity, given the equivalent of
Cain a life of forgotten ordeals...
              like i never expected to walk into a church,
hear singing, reality checking that i heard singing
with an iPod, so i did hear singing,
                            being alone in the church,
then, all of a sudden, random stars starter roving the
night skies... not Rottweiler comets, stars...
      all over the ******* place... sometimes
in     .                .    formation, usually just single stars,
once in a         .
                      .     .
           formation...
hence my aversion to western society... oh right, i'm
the mad one? hallelujah!
                                             so back when i was 21
i could have had it... the established norm of a
respectable life of a roofer, or any kind of labourer,
and honest to god... i would  have loved it,
had my career in chemistry not taken off
to become a laboratory technician in a company or
a school... i wish i had that chance to live the simplest
of lives (which doesn't mean i'd like a second chance
of stabbing at it by reliving some fake identity thieving
form of reincarnation, if i lived in a country with
1 billion i might believe that lie...
given i live in desperate country, i'll give that idea a pass)...
but practising Christianity in its purest form
is ******* hard, i knew i shouldn't have cried
ALL THE WAY THROUGH that Mel Gibson film...
i did, the spoken Aramaic got to me... i swear to god
i cried the whole way through,
              you can travel to Essex, Romford and ask
if anyone remembers a teenager crying all the way through
the movie, given the fact that a few people joined in...
and using that as example, the plight of the
African-Americans? i don't get it... if they started speaking
about their plight in Swahili i might get it,
but they're just N.W.A. to me, and given that i don't
come from a post-colonial background, i simply don't get it,
oh sure, i'm using the language... but that's about it...
i use the English language like a telescope,
unlike Newton who designed the **** thing...
verily impersonal; as is the annoying fact... who in the world
invented this antagonist concept? last time i
checked there was no Antibuddha...
                                               buddy bud bud...
Sensimilia... poach the roaches... yep, jar of pickled mushrooms.
why the haphazard arrangement?
                                  i started loathing fruits since 2007,
can't eat them... resorted to only eating vegetables -
Yorkshire collie or prudish Scottish Lass?
                                          whichever,
reinventing onomatopoeia,
                                  recapturing the polymath idea of
sounds, and what sound would i get if i touched a
rainbow? Bob Marley reggae?              just asking...
  this is an idea in how to write an aversion but a new
version of the onomatopoeia....
                                it's a game that's predicated on
a hide & seek format,
                                  i might be shouting into a cave
for an echo,
                        i might be woodpecker knuckling a
knock on tree... the disguise of sounds comes with
the randomness of quick digressive changes...
          just an elaboration of what came about in
                 Cabaret Voltaire in Zurich... the sad part?
me, clarinet and being ****** into a solo heist of the heights.
Sam Jun 2018
We voyaged with contented vigour,
not a second glimpse to the blackened moon.
Bodies numb, fallen stiff to the chill
beneath dim urbanity -
only the warmth of us
thawing glacial palms.

Fractured hearts ruminate,
filling scars where voids once evident.
Further the night wandered,
I embark its goading path -
tantalised in speech
from such copper-buttoned eyes;
steeped with stories
of a past torn from its flesh
and dressed to resemble me.

Our ghosts confide,
beckoned forth in rich exchange;
the currency of gilded tongues.
Stitched as testament to brick fabric,
where apparitions tucked rest;
those musty Shoreditch steps.
Megan Sherman Aug 2017
Hope is John's middle name
Love his golden, sublime creed
Peace the light because of which his wings became
Doing dreams and divinest deeds

Charity his only philosophy
Philosophy his only motive
Kind wisdom his immortal trophy
On which young minds for generations rove

Freedom his tooting trumpet
Justice his scintillating song
Of Reason, a gregarious guru
Who sings to the tantalised throng
It seemed to breathe
Like a silent ******
A quiver
Of exquisite delight
Shaking with anticipation
My taste buds
Teased, and tantalised
Become alive
With the rich succulence
Smooth, as silk
Delightfully textured
As my tongue
Indulges in the pleasure
Licking lips
Indulgence
I do love chocolate

by Jemia
one day
i would love
to write a poem
so exquisitely beautiful
that the reader
would have multiple *******
as the words
tantalised their soul
giving them such
unbearable pleasure
they would scream with delight
by Jemia

— The End —