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1 Beautiful dreamer, wake unto me,
2 Starlight and dewdrops are waiting for thee;
3 Sounds of the rude world heard in the day,
4 Lull'd by the moonlight have all pass'd a way!

5 Beautiful dreamer, queen of my song,
6 List while I woo thee with soft melody;
7 Gone are the cares of life's busy throng, --
8 Beautiful dreamer, awake unto me!
9 Beautiful dreamer awake unto me!

10 Beautiful dreamer, out on the sea
11 Mermaids are chaunting the wild lorelie;
12 Over the streamlet vapors are borne,
13 Waiting to fade at the bright coming morn.

14 Beautiful dreamer, beam on my heart,
15 E'en as the morn on the streamlet and sea;
16 Then will all clouds of sorrow depart, --
17 Beautiful dreamer, awake unto me!
18 Beautiful dreamer, awake unto me!
If from the public way you turn your steps
Up the tumultuous brook of Green-head Ghyll,
You will suppose that with an upright path
Your feet must struggle; in such bold ascent
The pastoral mountains front you, face to face.
But, courage! for around that boisterous brook
The mountains have all opened out themselves,
And made a hidden valley of their own.
No habitation can be seen; but they
Who journey thither find themselves alone
With a few sheep, with rocks and stones, and kites
That overhead are sailing in the sky.
It is in truth an utter solitude;
Nor should I have made mention of this Dell
But for one object which you might pass by,
Might see and notice not. Beside the brook
Appears a straggling heap of unhewn stones!
And to that simple object appertains
A story—unenriched with strange events,
Yet not unfit, I deem, for the fireside,
Or for the summer shade. It was the first
Of those domestic tales that spake to me
Of Shepherds, dwellers in the valleys, men
Whom I already loved;—not verily
For their own sakes, but for the fields and hills
Where was their occupation and abode.
And hence this Tale, while I was yet a Boy
Careless of books, yet having felt the power
Of Nature, by the gentle agency
Of natural objects, led me on to feel
For passions that were not my own, and think
(At random and imperfectly indeed)
On man, the heart of man, and human life.
Therefore, although it be a history
Homely and rude, I will relate the same
For the delight of a few natural hearts;
And, with yet fonder feeling, for the sake
Of youthful Poets, who among these hills
Will be my second self when I am gone.

     Upon the forest-side in Grasmere Vale
There dwelt a Shepherd, Michael was his name;
An old man, stout of heart, and strong of limb.
His ****** frame had been from youth to age
Of an unusual strength: his mind was keen,
Intense, and frugal, apt for all affairs,
And in his shepherd’s calling he was prompt
And watchful more than ordinary men.
Hence had he learned the meaning of all winds,
Of blasts of every tone; and oftentimes,
When others heeded not, he heard the South
Make subterraneous music, like the noise
Of bagpipers on distant Highland hills.
The Shepherd, at such warning, of his flock
Bethought him, and he to himself would say,
“The winds are now devising work for me!”
And, truly, at all times, the storm, that drives
The traveller to a shelter, summoned him
Up to the mountains: he had been alone
Amid the heart of many thousand mists,
That came to him, and left him, on the heights.
So lived he till his eightieth year was past.
And grossly that man errs, who should suppose
That the green valleys, and the streams and rocks,
Were things indifferent to the Shepherd’s thoughts.
Fields, where with cheerful spirits he had breathed
The common air; hills, which with vigorous step
He had so often climbed; which had impressed
So many incidents upon his mind
Of hardship, skill or courage, joy or fear;
Which, like a book, preserved the memory
Of the dumb animals, whom he had saved,
Had fed or sheltered, linking to such acts
The certainty of honourable gain;
Those fields, those hills—what could they less? had laid
Strong hold on his affections, were to him
A pleasurable feeling of blind love,
The pleasure which there is in life itself .

     His days had not been passed in singleness.
His Helpmate was a comely matron, old—
Though younger than himself full twenty years.
She was a woman of a stirring life,
Whose heart was in her house: two wheels she had
Of antique form; this large, for spinning wool;
That small, for flax; and, if one wheel had rest,
It was because the other was at work.
The Pair had but one inmate in their house,
An only Child, who had been born to them
When Michael, telling o’er his years, began
To deem that he was old,—in shepherd’s phrase,
With one foot in the grave. This only Son,
With two brave sheep-dogs tried in many a storm,
The one of an inestimable worth,
Made all their household. I may truly say,
That they were as a proverb in the vale
For endless industry. When day was gone,
And from their occupations out of doors
The Son and Father were come home, even then,
Their labour did not cease; unless when all
Turned to the cleanly supper-board, and there,
Each with a mess of pottage and skimmed milk,
Sat round the basket piled with oaten cakes,
And their plain home-made cheese. Yet when the meal
Was ended, Luke (for so the Son was named)
And his old Father both betook themselves
To such convenient work as might employ
Their hands by the fireside; perhaps to card
Wool for the Housewife’s spindle, or repair
Some injury done to sickle, flail, or scythe,
Or other implement of house or field.

     Down from the ceiling, by the chimney’s edge,
That in our ancient uncouth country style
With huge and black projection overbrowed
Large space beneath, as duly as the light
Of day grew dim the Housewife hung a lamp,
An aged utensil, which had performed
Service beyond all others of its kind.
Early at evening did it burn—and late,
Surviving comrade of uncounted hours,
Which, going by from year to year, had found,
And left the couple neither gay perhaps
Nor cheerful, yet with objects and with hopes,
Living a life of eager industry.
And now, when Luke had reached his eighteenth year,
There by the light of this old lamp they sate,
Father and Son, while far into the night
The Housewife plied her own peculiar work,
Making the cottage through the silent hours
Murmur as with the sound of summer flies.
This light was famous in its neighbourhood,
And was a public symbol of the life
That thrifty Pair had lived. For, as it chanced,
Their cottage on a plot of rising ground
Stood single, with large prospect, north and south,
High into Easedale, up to Dunmail-Raise,
And westward to the village near the lake;
And from this constant light, so regular
And so far seen, the House itself, by all
Who dwelt within the limits of the vale,
Both old and young, was named The Evening Star.

     Thus living on through such a length of years,
The Shepherd, if he loved himself, must needs
Have loved his Helpmate; but to Michael’s heart
This son of his old age was yet more dear—
Less from instinctive tenderness, the same
Fond spirit that blindly works in the blood of all—
Than that a child, more than all other gifts
That earth can offer to declining man,
Brings hope with it, and forward-looking thoughts,
And stirrings of inquietude, when they
By tendency of nature needs must fail.
Exceeding was the love he bare to him,
His heart and his heart’s joy! For oftentimes
Old Michael, while he was a babe in arms,
Had done him female service, not alone
For pastime and delight, as is the use
Of fathers, but with patient mind enforced
To acts of tenderness; and he had rocked
His cradle, as with a woman’s gentle hand.

     And, in a later time, ere yet the Boy
Had put on boy’s attire, did Michael love,
Albeit of a stern unbending mind,
To have the Young-one in his sight, when he
Wrought in the field, or on his shepherd’s stool
Sate with a fettered sheep before him stretched
Under the large old oak, that near his door
Stood single, and, from matchless depth of shade,
Chosen for the Shearer’s covert from the sun,
Thence in our rustic dialect was called
The Clipping Tree, a name which yet it bears.
There, while they two were sitting in the shade,
With others round them, earnest all and blithe,
Would Michael exercise his heart with looks
Of fond correction and reproof bestowed
Upon the Child, if he disturbed the sheep
By catching at their legs, or with his shouts
Scared them, while they lay still beneath the shears.

     And when by Heaven’s good grace the boy grew up
A healthy Lad, and carried in his cheek
Two steady roses that were five years old;
Then Michael from a winter coppice cut
With his own hand a sapling, which he hooped
With iron, making it throughout in all
Due requisites a perfect shepherd’s staff,
And gave it to the Boy; wherewith equipt
He as a watchman oftentimes was placed
At gate or gap, to stem or turn the flock;
And, to his office prematurely called,
There stood the urchin, as you will divine,
Something between a hindrance and a help,
And for this cause not always, I believe,
Receiving from his Father hire of praise;
Though nought was left undone which staff, or voice,
Or looks, or threatening gestures, could perform.

     But soon as Luke, full ten years old, could stand
Against the mountain blasts; and to the heights,
Not fearing toil, nor length of weary ways,
He with his Father daily went, and they
Were as companions, why should I relate
That objects which the Shepherd loved before
Were dearer now? that from the Boy there came
Feelings and emanations—things which were
Light to the sun and music to the wind;
And that the old Man’s heart seemed born again?

     Thus in his Father’s sight the Boy grew up:
And now, when he had reached his eighteenth year,
He was his comfort and his daily hope.

     While in this sort the simple household lived
From day to day, to Michael’s ear there came
Distressful tidings. Long before the time
Of which I speak, the Shepherd had been bound
In surety for his brother’s son, a man
Of an industrious life, and ample means;
But unforeseen misfortunes suddenly
Had prest upon him; and old Michael now
Was summoned to discharge the forfeiture,
A grievous penalty, but little less
Than half his substance. This unlooked-for claim
At the first hearing, for a moment took
More hope out of his life than he supposed
That any old man ever could have lost.
As soon as he had armed himself with strength
To look his trouble in the face, it seemed
The Shepherd’s sole resource to sell at once
A portion of his patrimonial fields.
Such was his first resolve; he thought again,
And his heart failed him. “Isabel,” said he,
Two evenings after he had heard the news,
“I have been toiling more than seventy years,
And in the open sunshine of God’s love
Have we all lived; yet, if these fields of ours
Should pass into a stranger’s hand, I think
That I could not lie quiet in my grave.
Our lot is a hard lot; the sun himself
Has scarcely been more diligent than I;
And I have lived to be a fool at last
To my own family. An evil man
That was, and made an evil choice, if he
Were false to us; and, if he were not false,
There are ten thousand to whom loss like this
Had been no sorrow. I forgive him;—but
’Twere better to be dumb than to talk thus.

     “When I began, my purpose was to speak
Of remedies and of a cheerful hope.
Our Luke shall leave us, Isabel; the land
Shall not go from us, and it shall be free;
He shall possess it, free as is the wind
That passes over it. We have, thou know’st,
Another kinsman—he will be our friend
In this distress. He is a prosperous man,
Thriving in trade and Luke to him shall go,
And with his kinsman’s help and his own thrift
He quickly will repair this loss, and then
He may return to us. If here he stay,
What can be done? Where every one is poor,
What can be gained?”

                                          At this the old Man paused,
And Isabel sat silent, for her mind
Was busy, looking back into past times.
There’s Richard Bateman, thought she to herself,
He was a parish-boy—at the church-door
They made a gathering for him, shillings, pence,
And halfpennies, wherewith the neighbours bought
A basket, which they filled with pedlar’s wares;
And, with this basket on his arm, the lad
Went up to London, found a master there,
Who, out of many, chose the trusty boy
To go and overlook his merchandise
Beyond the seas; where he grew wondrous rich,
And left estates and monies to the poor,
And, at his birth-place, built a chapel floored
With marble, which he sent from foreign lands.
These thoughts, and many others of like sort,
Passed quickly through the mind of Isabel,
And her face brightened. The old Man was glad,
And thus resumed:—”Well, Isabel! this scheme
These two days has been meat and drink to me.
Far more than we have lost is left us yet.
—We have enough—I wish indeed that I
Were younger;—but this hope is a good hope.
Make ready Luke’s best garments, of the best
Buy for him more, and let us send him forth
To-morrow, or the next day, or to-night:
—If he could go, the boy should go to-night.”

     Here Michael ceased, and to the fields went forth
With a light heart. The Housewife for five days
Was restless morn and night, and all day long
Wrought on with her best fingers to prepare.
Things needful for the journey of her Son.
But Isabel was glad when Sunday came
To stop her in her work: for, when she lay
By Michael’s side, she through the last two nights
Heard him, how he was troubled in his sleep:
And when they rose at morning she could see
That all his hopes were gone. That day at noon
She said to Luke, while they two by themselves
Were sitting at the door, “Thou must not go:
We have no other Child but thee to lose,
None to remember—do not go away,
For if thou leave thy Father he will die.”
The Youth made answer with a jocund voice;
And Isabel, when she had told her fears,
Recovered heart. That evening her best fare
Did she bring forth, and all together sat
Like happy people round a Christmas fire.

     With daylight Isabel resumed her work;
And all the ensuing week the house appeared
As cheerful as a grove in Spring: at length
The expected letter from their kinsman came,
With kind assurances that he would do
His utmost for the welfare of the Boy;
To which requests were added, that forthwith
He might be sent to him. Ten times or more
The letter was read over, Isabel
Went forth to show it to the neighbours round;
Nor was there at that time on English land
A prouder heart than Luke’s. When Isabel
Had to her house returned, the old man said,
“He shall depart to-morrow.” To this word
The Housewife answered, talking much of things
Which, if at such short notice he should go,
Would surely be forgotten. But at length
She gave consent, and Michael was at ease.

     Near the tumultuous brook of Green-head Ghyll,
In that deep valley, Michael had designed
To build a Sheep-fold; and, before he heard
The tidings of his melancholy loss,
For this same purpose he had gathered up
A heap of stones, which by the streamlet’s edge
Lay thrown together, ready for the work.
With Luke that evening thitherward he walked:
And soon as they had reached the place he stopped,
And thus the old Man spake to him:—”My Son,
To-morrow thou wilt leave me: with full heart
I look upon thee, for thou art the same
That wert a promise to me ere thy birth,
And all thy life hast been my daily joy.
I will relate to thee some little part
Of our two histories; ’twill do thee good
When thou art from me, even if I should touch
On things thou canst not know of.—After thou
First cam’st into the world—as oft befalls
To new-born infants—thou didst sleep away
Two days, and blessings from thy Father’s tongue
Then fell upon thee. Day by day passed on,
And still I loved thee with increasing love.
Never to living ear came sweeter sounds
Than when I heard thee by our own fireside
First uttering, without words, a natural tune;
While thou, a feeding babe, didst in thy joy
Sing at thy Mother’s breast. Month followed month,
And in the open fields my life was passed,
And on the mountains; else I think that thou
Hadst been brought up upon thy Father’s knees.
But we were playmates, Luke: among these hills,
As well thou knowest, in us the old and young
Have played together, nor with me didst thou
Lack any pleasure which a boy can know.”
Luke had a manly heart; but at these words
He sobbed aloud. The old Man grasped his hand,
And said, “Nay, do not take it so—I see
That these are things of which I need not speak.
—Even to the utmost I have been to thee
A kind and a good Father: and herein
I but repay a gift which I myself
Received at others’ hands; for, though now old
Beyond the common life of man, I still
Remember them who loved me in my youth.
Both of them sleep together: h
"I know where the timid fawn abides
  In the depths of the shaded dell,
Where the leaves are broad and the thicket hides,
With its many stems and its tangled sides,
  From the eye of the hunter well.

"I know where the young May violet grows,
  In its lone and lowly nook,
On the mossy bank, where the larch-tree throws
Its broad dark boughs, in solemn repose,
  Far over the silent brook.

"And that timid fawn starts not with fear
  When I steal to her secret bower;
And that young May violet to me is dear,
And I visit the silent streamlet near,
  To look on the lovely flower."

Thus Maquon sings as he lightly walks
  To the hunting-ground on the hills;
'Tis a song of his maid of the woods and rocks,
With her bright black eyes and long black locks,
  And voice like the music of rills.

He goes to the chase--but evil eyes
  Are at watch in the thicker shades;
For she was lovely that smiled on his sighs,
And he bore, from a hundred lovers, his prize,
  The flower of the forest maids.

The boughs in the morning wind are stirred,
  And the woods their song renew,
With the early carol of many a bird,
And the quickened tune of the streamlet heard
  Where the hazels trickle with dew.

And Maquon has promised his dark-haired maid,
  Ere eve shall redden the sky,
A good red deer from the forest shade,
That bounds with the herd through grove and glade,
  At her cabin-door shall lie.

The hollow woods, in the setting sun,
  Ring shrill with the fire-bird's lay;
And Maquon's sylvan labours are done,
And his shafts are spent, but the spoil they won
  He bears on his homeward way.

He stops near his bower--his eye perceives
  Strange traces along the ground--
At once to the earth his burden he heaves,
He breaks through the veil of boughs and leaves,
  And gains its door with a bound.

But the vines are torn on its walls that leant,
  And all from the young shrubs there
By struggling hands have the leaves been rent,
And there hangs on the sassafras, broken and bent,
  One tress of the well-known hair.

But where is she who, at this calm hour,
  Ever watched his coming to see?
She is not at the door, nor yet in the bower;
He calls--but he only hears on the flower
  The hum of the laden bee.

It is not a time for idle grief,
  Nor a time for tears to flow;
The horror that freezes his limbs is brief--
He grasps his war-axe and bow, and a sheaf
  Of darts made sharp for the foe.

And he looks for the print of the ruffian's feet,
  Where he bore the maiden away;
And he darts on the fatal path more fleet
Than the blast that hurries the vapour and sleet
  O'er the wild November day.

'Twas early summer when Maquon's bride
  Was stolen away from his door;
But at length the maples in crimson are dyed,
And the grape is black on the cabin side,--
  And she smiles at his hearth once more.

But far in the pine-grove, dark and cold,
  Where the yellow leaf falls not,
Nor the autumn shines in scarlet and gold,
There lies a hillock of fresh dark mould,
  In the deepest gloom of the spot.

And the Indian girls, that pass that way,
  Point out the ravisher's grave;
"And how soon to the bower she loved," they say,
"Returned the maid that was borne away
  From Maquon, the fond and the brave."
Dear native brook! wild streamlet of the West!
How many various-fated years have passed,
What happy and what mournful hours, since last
I skimmed the smooth thin stone along thy breast,
Numbering its light leaps! Yet so deep impressed
Sink the sweet scenes of childhood, that mine eyes
I never shut amid the sunny ray,
But straight with all their tints thy waters rise,
Thy crossing plank, thy marge with willows grey,
And bedded sand that, veined with various dyes,
Gleamed through thy bright transparence! On my way,
Visions of childhood! oft have ye beguiled
Lone manhood’s cares, yet waking fondest sighs:
Ah! that once more I were a careless child!
Written under the impression that the author would soon die.


Adieu, thou Hill! where early joy
  Spread roses o’er my brow;
Where Science seeks each loitering boy
  With knowledge to endow.
Adieu, my youthful friends or foes,
Partners of former bliss or woes;
  No more through Ida’s paths we stray;
Soon must I share the gloomy cell,
Whose ever-slumbering inmates dwell
  Unconscious of the day.
Adieu, ye hoary Regal Fanes,
  Ye spires of Granta’s vale,
Where Learning robed in sable reigns.
  And Melancholy pale.
Ye comrades of the jovial hour,
Ye tenants of the classic bower,
On Cama’s verdant margin plac’d,
Adieu! while memory still is mine,
For offerings on Oblivion’s shrine,
These scenes must be effac’d.

Adieu, ye mountains of the clime
Where grew my youthful years;
Where Loch na Garr in snows sublime
His giant summit rears.
Why did my childhood wander forth
From you, ye regions of the North,
With sons of Pride to roam?
Why did I quit my Highland cave,
Marr’s dusky heath, and Dee’s clear wave,
To seek a Sotheron home?

Hall of my Sires! a long farewell—
Yet why to thee adieu?
Thy vaults will echo back my knell,
Thy towers my tomb will view:
The faltering tongue which sung thy fall,
And former glories of thy Hall,
Forgets its wonted simple note—
But yet the Lyre retains the strings,
And sometimes, on æolian wings,
In dying strains may float.

Fields, which surround yon rustic cot,
  While yet I linger here,
Adieu! you are not now forgot,
  To retrospection dear.
Streamlet! along whose rippling surge
My youthful limbs were wont to urge,
  At noontide heat, their pliant course;
Plunging with ardour from the shore,
Thy springs will lave these limbs no more,
  Deprived of active force.

And shall I here forget the scene,
  Still nearest to my breast?
Rocks rise and rivers roll between
  The spot which passion blest;
Yet Mary, all thy beauties seem
Fresh as in Love’s bewitching dream,
  To me in smiles display’d;
Till slow disease resigns his prey
To Death, the parent of decay,
  Thine image cannot fade.

And thou, my Friend! whose gentle love
  Yet thrills my *****’s chords,
How much thy friendship was above
  Description’s power of words!
Still near my breast thy gift I wear
Which sparkled once with Feeling’s tear,
  Of Love the pure, the sacred gem:
Our souls were equal, and our lot
In that dear moment quite forgot;
  Let Pride alone condemn!

All, all is dark and cheerless now!
  No smile of Love’s deceit
Can warm my veins with wonted glow,
  Can bid Life’s pulses beat:
Not e’en the hope of future fame
Can wake my faint, exhausted frame,
  Or crown with fancied wreaths my head.
Mine is a short inglorious race,—
To humble in the dust my face,
  And mingle with the dead.

Oh Fame! thou goddess of my heart;
  On him who gains thy praise,
Pointless must fall the Spectre’s dart,
  Consumed in Glory’s blaze;
But me she beckons from the earth,
My name obscure, unmark’d my birth,
  My life a short and ****** dream:
Lost in the dull, ignoble crowd,
My hopes recline within a shroud,
  My fate is Lethe’s stream.

When I repose beneath the sod,
  Unheeded in the clay,
Where once my playful footsteps trod,
  Where now my head must lay,
The meed of Pity will be shed
In dew-drops o’er my narrow bed,
  By nightly skies, and storms alone;
No mortal eye will deign to steep
With tears the dark sepulchral deep
  Which hides a name unknown.

Forget this world, my restless sprite,
  Turn, turn thy thoughts to Heaven:
There must thou soon direct thy flight,
  If errors are forgiven.
To bigots and to sects unknown,
Bow down beneath the Almighty’s Throne;
  To Him address thy trembling prayer:
He, who is merciful and just,
Will not reject a child of dust,
  Although His meanest care.

Father of Light! to Thee I call;
  My soul is dark within:
Thou who canst mark the sparrow’s fall,
  Avert the death of sin.
Thou, who canst guide the wandering star
Who calm’st the elemental war,
  Whose mantle is yon boundless sky,
My thoughts, my words, my crimes forgive;
And, since I soon must cease to live,
  Instruct me how to die.
Oh silvery streamlet of the fields,
  That flowest full and free!
For thee the rains of spring return,
  The summer dews for thee;
And when thy latest blossoms die
  In autumn's chilly showers,
The winter fountains gush for thee,
  Till May brings back the flowers.

Oh Stream of Life! the violet springs
  But once beside thy bed;
But one brief summer, on thy path,
  The dews of heaven are shed.
Thy parent fountains shrink away,
  And close their crystal veins,
And where thy glittering current flowed
  The dust alone remains.
Terry Collett Dec 2012
Some one has destroyed
the robin’s nest
and stolen the eggs
Jane said

she leaned
into the hedgerow
beneath the streamlet
and parted the branches

her voice choked
as her fingers poked
about the damaged nest
you stood watching

behind her
over her shoulder
watching her fingers move
who’d do such a thing?

you asked
all gone
not an egg left
she said

in saddened tone
you leaned near her
smelt lavender water
she wore

her dark hair
pinned back
with metal grips
why destroy?

she said
why steal?
you sensed her sadness
felt her ache

and how
it would feel
she withdrew her hands
and wiped them

on her dull grey dress
and looked along the lane
and back at you again
who would do such things?

you asked
she looked at the hedgerow
that now concealed
the damaged nest

and said
father says
such are humankind
that seek and take

and leave all fouled
and lost and leave
to nature or to God
to mend and count

the cost
I saw the nest and eggs
last time we came
you said

the beauty of the eggs
and nest made neat
Jane walked on
along the lane

and you walked
beside her
her dull grey dress
swaying as he walked

her hand reached out
for yours
her fingers slim
unpainted nails

her thumb rubbed
against your hand’s skin
the sky
watercolour blue

with puffs of white
just the countryside
sans eggs and nest
and Jane and you.
Tony Luxton Jun 2016
From glistening streamlet stones
the sparkling sun life river
ripples with ephemeral gems,
priceless, richer than diamonds.

Unavailable to the banker's vault.
Unmeasurable by the carat.
Free to anyone who cares to look.
Frames memories of lovers' smiles.
'More than my brothers are to me,'--
  Let this not vex thee, noble heart!
  I know thee of what force thou art
To hold the costliest love in fee.

But thou and I are one in kind,
  As moulded like in Nature's mint;
  And hill and wood and field did print
The same sweet forms in either mind.

For us the same cold streamlet curl'd
  Thro' all his eddying coves; the same
  All winds that roam the twilight came
In whispers of the beauteous world.

At one dear knee we proffer'd vows,
  One lesson from one book we learn'd,
  Ere childhood's flaxen ringlet turn'd
To black and brown on kindred brows.

And so my wealth resembles thine,
  But he was rich where I was poor,
  And he supplied my want the more
As his unlikeness fitted mine.
ChinHooi Ng Jul 2023
A place of silence
the bed of an exhausted runlet
parched and windless
it can make us remember
the part when we touched
some of us used it as a mirror once
saw in its rippling
the shimmering scales
of fleshed out time
it seemed real
it's frightening to realize it's real
we can recall when the never-ending flow
is exhilarating
alive
unlike other mysterious phenomena
now everything seems irretrievable
though we can still vaguely
hear its voice
in our lives
everyone carries with them
a streamlet
but we never want to be clear
about the existence
and future of the stream bed.
Toothache Dec 2020
A touch of death,
Specimen in the back shed,
Joggers on the streets.
Seizures of cursed withering adolescents who ate the sweet pomegranate
of lust and *******,
And never came home.
Sirens at the sybaritic streamlet,
Swashbuckling seventeens and greed of fanciful adventure.
The young rebellious nature
of hopes and aspirations.
The harvester, the hunchbacked prince, the harrowing keeper of time,
Creeps like the night,
Like the stains of black ink that scurry and watch,
Who spy for the other-mother.
The exquisite expectation of an oncoming assassination,
Unsuccessful, beaten, and purged.
Burried in the soft silence of the hushing leaves,
In the swaying trees,
As the fatuous breeze follows aimlessly,
At the ankles of its maker.
The exhaustion of the tangerine technician,
At his mercury writing desk,
Pondering if he begs for the inspiration of the raven, to the very extent it drives him mad,
What is the difference?
Assembly lines, employing those who they despise.
The last humans left scoar the barren dust storm that was once the azure bliss of the promised land.
Do not ask the doctor for answers,
Simply receive his remedy and swallow.
This is how it has always been.
Al Drood Jan 2018
Grey October dawning, mist hangs low in woodland
Fading is the season, beech and oak leaves falling
Tangled are the brambles, overgrown and berried
Spider in her leaf-hide, sees her web bejewelled
Drowsy cattle standing, breath and wet flank steaming
Sunrise gleams on water, streamlet coldly flowing
Wasted grasses leaning, trampled under hoofprint
Fern and mosses greening, close by wall of sandstone
Early sings the sparrow, yarrow flowers whiting
Sluggish flies the bee now, nectar scarce inviting

Owl in tall tree sleeping, shuns the day awaking
Fox in earthen breastwork, sated now from hunting
Rabbit sniffs the morning, burrow mouth beguiling
Scent of mould and mushroom, undergrowth pervading
Fallen tree trunk rotting, spotted red with fungus
Naked roots stand grasping, fingers locked in death throe
Down in dew clean meadow, foal lies red and stillborn
Sadly stands the old mare, one year past her blessing
Nevermore to call home her stallion by evening
Hidden in the hawthorn, behind the leaves a-turning
Carrion crow watches, waiting for her leaving
Patience is his virtue, soon to know the feeding.
October from a different angle, with a nod to the Anglo Saxons.
Fay Slimm Jan 2017
One long-ago warm afternoon
I rode past high fells then clad in rough bracken
under a sky of unbroken blue

and  cantered through canopies

of russet trees thrown over the roadside while
autumnal moor-land rose in
beautiful majesty shadowing wind and cloud

then halting I heard liquid laughter.

Where would streamlet pebbles
be found white as those at my dismounted feet
and could heathered summits
slumber through leaf-fall more peacefully

or lark-song appear so enchanting ?

I had heard it said that highland
air tasted of wine, flavoured with grass-scent
and drawing a lingering breath
as cool filled lungs I knew that made sense  

as I gulped in ether-sharp drafts.


So divine was the reverential quiet

on my enlightened face that I closed awed

eyes and in vibrations of silence

caught nature's presence as never before.
Lyla Aug 2024
Sidewinding out,
past oaks with fractal branches,
graceful drooping bower-isles
in seas of summer-blond grasses.

After asphalt gives over to reddish dust,

a metal gate shields the road from a spindly goat path,
                                                       a suggestion of a passage,
                                                        ­                      a treacherous
                                                                ­                           scratch
                                                                ­                                     on
                                                              ­                                        the
                     ­                                                                 ­                 steep
                                                           ­                                            hillside.

Peer out the heart’s window,
only scree and visions of tumbling down, down greet you.
Move the chain and open the gate, but don't get back in.
It’s time to stretch and let the driver pick their own way through.

Down, down the driveway we walk, don’t run it's steep!
and we are met with a circle of deer-cropped grass,
a curious shed claiming itself a cabin,
and a wooden house.

From the house comes a woman,
laugh first,
to teach you how to crack pine nuts,
in spite of a squirrel’s scolding.

Garlic-kitchen, rustic room, quiet in its quality.
A phone that works often enough.
A black and white tv, grey today
in favor of a window full of deer.

The dainty pink-soap bathroom tells you
a proper lady lives here.
Tole paint cheering every surface tells you
a joyous heart dwells here.  

Drowsy sunny table chatter stretches out the time.
Wooden pegs turn fidgets into solitaire.  
Veneration by languorousness compleat;

it’s

time

to

skip.

Out the door and to the right,
stop by the small pond to see water skippers dance.
Then down the path to the swinging bridge,
a slender suspension of disbelief.

Walk across the boards; you’re an explorer.
Walk onto the metal grates; you’re a spider on a web.
But try telling that to self-preservation,
balking at every jello-wobble step.

The bold bounce like astronauts on the moon.
The wise linger to look for turtles far below.
Fortune favors them both,
as all ways lead to Camp Secret.  

A worn trail threading the brush,
opens to a ferny dream.
A small stream dibbling its way to the creek,
has left behind a paradise.

Trip-trap over a footbridge
to the shelter of a grapevine canopy.
A fairy’s kitchen with a green enamel sink,
tractor seats and a *** rack tree.

Ancient stone building with a door aged shut,
On one end a cheeky wall-less loo.
Dormant spring beds in the clearing,
waiting for sleeping bags to bloom.

Craggy fruit trees form an orchard
gothic as an old graveyard.
Inviting, elegant in desolation,
but we push by undeterred.

Tracing a deer trail up the ridge,
keep clear of the poison oak.
A soundless becalmed summer day.
Perfect for a visit to the dam.

Concrete distaff, copper spindle.
Magic spun from a captured creek.
Flowing through fossily tunnel
to power the electric trees.

Winding ‘round to the other side,
a second bridge but this one still.
Wooden boards in a rusty frame.
More perilous than its swaying kin.

Hold on tight, don’t trust your feet.
Then meander with a streamlet
to the garden just beyond
the mossy, reedy muskrat pond.

High charged fence to keep deer back
from sweet roots growing deep.
Doe barn, buck barn is their place
with tools, dust and memories.

Back by the house, we slide to the terrace
where ladybugs shelter in soft mullein leaves.
The washboard shale is sprouting sedges,
a water snake kingdom by a saltless sea.
This is dedicated to Hammer's Camp with its hidden gem (accessed by a hand-crafted suspension bridge) Camp Secret, a wonderful family cabin owned by my father's godmother. It was a magical place, but sadly has since been completely destroyed by a wildfire.
Al Drood Oct 2019
Grey October dawning,
mist hangs low in woodland
Fading is the season,
beech and oak leaves falling
Tangled are the brambles,
overgrown and berried
Spider in her leaf-hide,
sees her web bejewelled
Drowsy cattle standing,
breath and wet flank steaming
Sunrise gleams on water,
streamlet coldly flowing
Wasted grasses leaning,
trampled under hoofprint
Fern and mosses greening,
close by wall of sandstone
Early sings the sparrow,
yarrow flowers whiting
Sluggish flies the bee now,
nectar scarce inviting
Owl in tall tree sleeping,
shuns the day awaking
Fox in earthen breastwork,
sated now from hunting
Rabbit sniffs the morning,
burrow mouth beguiling
Scent of mould and mushroom,
undergrowth pervading
Fallen tree trunk rotting,
spotted red with fungus
Naked roots stand grasping,
fingers locked in death throe
Down in dew washed meadow,
foal lies red and stillborn
Sadly stands the old mare,
one year past her blessing
Nevermore to call home
her stallion by evening
Hidden in the hawthorn,
by blood-red berries dripping
Carrion crow watches,
waiting for her leaving
Patience is his virtue,
soon to know the feeding.
Dawnstar Jul 2019
To the one whose heart is full of happiness,
As though he's going to make his home in Paradise:
If the wind blows your sash, with its silver branches,
On the mountain-rock with the shining white moon,
You can catch that golden streamlet with your face.
A river running is a snake with a long tail—
And a face of cunning on lofty heights—
But do not be misled by its appearance:
The serpent plays a game but fears the net,
And ills you not once you have matched his dance.
Al Drood Oct 2018
Grey October dawning,
mist hangs low in woodland
Fading is the season,
beech and oak leaves falling
Tangled are the brambles,
overgrown and berried
Spider in her leaf-hide,
sees her web bejewelled
Drowsy cattle standing,
breath and wet flank steaming
Sunrise gleams on water,
streamlet coldly flowing
Wasted grasses leaning,
trampled under hoofprint
Fern and mosses greening,
close by wall of sandstone
Early sings the sparrow,
yarrow flowers whiting
Sluggish flies the bee now,
nectar scarce inviting
Owl in tall tree sleeping,
shuns the day awaking
Fox in earthen breastwork,
sated now from hunting
Rabbit sniffs the morning,
burrow mouth beguiling
Scent of mould and mushroom,
undergrowth pervading
Fallen tree trunk rotting,
spotted red with fungus
Naked roots stand grasping,
fingers locked in death throe
Down in dew washed meadow,
foal lies red and stillborn
Sadly stands the old mare,
one year past her blessing
Nevermore to call home
her stallion by evening
Hidden in the hawthorn,
by blood-red berries dripping
Carrion crow watches,
waiting for her leaving
Patience is his virtue,
soon to know the feeding.
Al Drood Sep 2021
Late October dawning, mist hangs low in woodland
Fading is the season, beech and oak leaves falling
Tangled are the brambles, overgrown and berried
Spider in her leaf-hide, sees her web bejewelled
Drowsy cattle standing, breath and wet flank steaming
Sunrise gleams on water, streamlet coldly flowing
Wasted grasses leaning, trampled under hoofprint
Fern and mosses greening, close by wall of sandstone
Early sings the sparrow, yarrow flowers whiting
Sluggish flies the bee now, nectar scarce inviting
Owl in tall tree sleeping, shuns the day awaking
Fox in earthen breastwork, sated now from hunting
Rabbit sniffs the morning, burrow mouth beguiling
Scent of mould and mushroom, undergrowth pervading
Fallen tree trunk rotting, spotted red with fungus
Naked roots stand grasping, fingers locked in death throe
Down in dew washed meadow, foal lies red and stillborn
Sadly stands the old mare, one year past her blessing
Nevermore to call home her stallion by evening
Hidden in the hawthorn, by blood-red berries dripping
Carrion crow watches, waiting for her leaving
Patience is his virtue, soon to know the feeding.
try hard
abstinent nomadic comatose clemency perennial tenacious
deprecation consent omittance incommodious antiphon
i'm not here in these words
ardent inherent undertone inexplicable rapture composition
ineptitude unabating ergo virgo let fish drown
swim out the blue existential perennial exposè
nothing i write means anything
elysium and gehenna and heaven dance! ballroom waltz with paradise!
doesn't matter does it?
kiln endow decree serene neopolitic  hover over the waters
death, many deaths i'll sing
exquisite and swashbuckling
awash in blue flame
i wonder what all this means as i look up
at this oceanic mountainous plateau of streamlet words i've written and drowned under
like a little void to draw me in
or a misty hollow deep to float over
within and without creation, salvation, salivation, liberation,
sanitation
words mean nothing. wine and dead roses. all my sunflowers died.
hypnosis electric blue ice cold bitter lemonade
picturesque animals in rolling funk and havanna trees
maybe i should be more optimistic
it's not like i'll die like this
paralysed contortion grime delicacy fragile breast camera
oh how the breeze fragile
Fragile, it goes like this, it's okay i suppose:
I am a wine glass in your palm
I know you'll let me shatter
Breaking into a million glass fractures
Doesn't seem to matter

"Oh darling" I hear you call out
Over the inexplicable black void
Over which I delicately balance
Despite my attempts to avoid

In my heart I know the choice I've made
And I know that choice is you
All the realisation in the world
Wouldn't make me say we're through

White sheets, blissfully innocent
Stained with your sickly pale glow
I've got to have you, I know I shouldn't
What happens next, you already know.

— The End —