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Mateuš Conrad Oct 2018
.i cannot do justice to Hölderlin's invocation of Hyperion, but i also have no intention to, but i'll begin with, what isn't regarded as a pristine, classical constellation:

it begins with a punt volant,
on first observation,
   ・
      which descends in brightness
         ano teleia -
romanic interruption of the added
comma beneath it,
like a tail dragging the head along...

    the constellation?

        a dismembered man,
a crooked pentagram,
and a trinity of sorts...

                              .          .        
    ­                               .    
                                           .
        .

                       .

                                       .

this, the dislodged man,
with a trinity of stars floating
outside of him...

the trinity is faint...
when you first spot the ano teleia
star with its brightness...
yet that is a mishandled
pentagram...

which brings me to the argument,
some people send their DNA
to companies that
discover their genetic makeup,
i also read a newspaper article
that stated:
why bother?
you genetic make-up
also consists of what
you gravitate to,
culturally...

    so... i'm reading an article
on Hyperion...
and then i follow several links...
all i know is that the Vikings
were the founders of
Kiev...
                
   and to get to Kiev from Norway...
you have to go past the land
i was born in...

   then working from an article
on Emperor Julian, the Apostate...
then onto an article on Mardonius...
then on the article on the Goths...

Goths?
  Swedish "vikings"...
  who had established settlements
in the region of Poland were
i was born,
by 250BC...
                  
   so... why would i cling to
Nordic folk songs,
or their revisionism,
if i... suddenly hear a song,
and react with goosebumps on
my cheeks from hearing it?

or what about the remnants
of Scythia?
           boiling in my veins?

that newspaper article was right,
i don't need to send off my DNA
sample to companies,
i can read my DNA from the culture
i'm migrating toward!

     Hyperion,
i have abandoned the Athenian gods
of Olympus,
i've looked elsewhere,
to the mountain that became
the pit of Tartarus...
look back at Uranus, and sampled
the wintry perfumes of Gaia...

          swam in the ***** of Pontus...
and i have...
seen how both the gods,
and the titans...
   are the source of etymological
classification,
unlike what the judeo-christian tranditions
teach...
Adam didn't name the birds
and the animals from an a priori
posit / advantage point
of some obscure inheritance...

        first come the grander things...
man conjures up the existence / non-existence
of either gods, or titans...
to spin the wheel and gain etymological
momentum!
            
of what became the ****** of the affair
between Helios and Gaia...
    however true...
   or untrue...
      there is still an etymological foundation
for the existence of said
names...
   the names / not beings...
that spawn more names to be attributed
to such miniscule things
as flies, centipedes and pebbles...

from the word Uranus, comes the word
Helios,

from Selene comes the word
which coincides
the words Pontus, Oceanus, Poseidon,
and subsequently the
moon's influence of the tides...
the... παλίρροιες (palirroies,
siblings of the furies, the rivers,
and all other nymphs)...

      but however ridiculous applying
these nouns is...
they are rigid evolution
of words, formerly grunted,
or expressed in a barbaric way...
these are the words first defined...

Gaia probably became perfected
when there occurred a syllable
arithmetic... well... "arithmetic" is a lose
term of addition...
    the syllable g'ah! g'ah!
combined with i'ah!
                            
stealthy *******, this Jewish god,
he knew it all along...
hide in the letters,
hide in phonetics,
hide long until...
there's a second Belshezzar moment
in history...
when he's seen a second time...

i see him!
the surd H and the laughter
instigator H of the tetragrammaton...
you sigh when you write AH...
you express a vague awed-surprise
when you write OH...
    H represents the breath...
and the soul...

i see him!
i write too much to not be able
to dis-guide you from doing likewise...
the breath enter with an AH
and an OH...
   ah as in wonder with a surprise,
oh, as in counter: so i was wrong?

ooh... like something is teasing
you...
    uh? as in an element of disgust...
but?
HA?
       the point...
the point being?
laughter...
                    how else can you
express laughter,
if not balancing on the Jewish
definite article,
i.e. HA, i.e. HA-shem (the-name?),
how?!

but the Greeks were of some use...
their names of Titans and
Greeks?
   etymological boot-camps...
what we began with,
and, ultimately,
what we return to,
not for bowing, prayer,
belief...
but?
            *momentum
...
    
we already that Zeus is actually
Thor,
   who's father, Odin,
is Uranus...
                    so, technically...
Zeus is Thor...
                     Prometheus is Loki...
etc. etc. etc.,
      point being...
these similarities, these correlations?
they're not, they're not,
plagiarisms...
                        they would be plagiarisms,
if they had similar etymological
beginnings...
they're not plagiarisms,
because even now,
not everyone on this earth is a bilingual
entity that could
support a globalist agenda!
      if bilingualism was rife,
then the liberals could have their
globalist "unity"...
              but since bilingualism is the lesser
half of the polymath...
    no...
              isolated communities
have isolated ideas...
they look as if they were plagiarisms
now... but then?
   the only globalist artifact left these days,
the Socratic argument for
universal, convergent purposes -
and particular, divergent practicalities...
these religions were not
plagiarisms...
   do you really think that
plagiarism is a pulverizing motivational
tool for the perpetuation
of a people's existence?
   i don't think so...
                      plagiarism doesn't drive
people...
it's just a strange coincidence that
there are similarities that could be conceived
as plagiarisms...
but then again...
****... me and this Mongol share
a very similar physiognomy...
  and... oh ****... we're standing up-right...
have five limbs...
   and we use fire to cook food...
yeah... the religious plagiarism issue is
really suspicious...
we weren't, ever, to make a similar conclusion...
since we all, supposedly led a mass
exodus from Africa...
     like **** we did...
     perhaps...
               but the story doesn't begin
with an origins...
   more... what happened in what
became localized eventualities of segregation...
hey... i might have, 100 year... ha ha!
yeah right... to write my own narrative...
i don't like the antithesis of
doubt: of the perfected plethora of
the antithesis of both faith & denial...
     i like my rainbow plethora of doubt
to "counter" faith & denial...
   given that i also don't like
the pseudo-schizophrenic dichotomy of
faith, contra denial.
- makes for a more exciting
content of the heart... what? doubt;
doubting Thomas
  with a heart like a sinking stone,
and fire in his eyes,
                    a, second Belshezzar.
Mateuš Conrad Sep 2015
we know how those doctors about to retire type:
index punch, index punch, left hook index tap,
brawler's right kiss index tap -
thumbs are for the spacebar!
but this little oddity got me thinking: i can tell
you that my grandfather had beautiful handwriting,
and a massive library, and all of this... under
a communist regime... more books than
the modern capitalist household, let me tell you -
oddly enough i followed suit, never truly recognised
my father aged eight at victoria coach station -
4 - 8 under my grandfather's construct -
6 - 8 psyche of a child given a doberman by
his mother and left, upon return asking
for a devil's mask in warsaw, the same devil
mask a furore at a fancy dress party in school
ripped by friends all wanting the share of
suffocating under plastic.
but this got me thinking, i never had the
proper handwriting fluidity for an A grade in
english during examination, that's always a grade
more than anything you put your mind to
in terms of content. so... on handwriting fluidity:
omega alpha beta flows nice, because the greeks
managed to convene that letters had to
have names, no wonder the export of greek lettering
into mathematics and science...
imagine if it was the romanic letters:
that's *** arr squared: peeing on the arc of triumph
seeing sqaures?! bonaparte with a bunch of pirates?!
no! πr2, the area of the ****** circle!
never mind that, that's just me overstepping
the giggles, but i think because of the non-complex
denotation of the romanic letters we have terrible
handwriting, just like it sounds, punched in by dyslexic
judy separately: look - a'    b'e    c'e     d'e    e'  z'ed.
no wonder the alphabet turned to programming
and cyborg fancies - plus it's no fun trying to remember
alpha bravo charlie... i mean, it's a bit ****, that nato
phonetic ******* over the phone: oscar v. ω?
ω! romeo v. ρ? ρ! sierra v. σ? σ! let's face it, greek
too ancient and romanic trying to speed up... no wonder
there's a bit of charlie and the x-ray;
or maybe this whole phoneticism is a way to say -
keep that ugly so we can lego it into beautiful stances
of the fencing tongue.
Mateuš Conrad Oct 2015
poems like these are difficult to revise let alone convene over drunk once more, but in my own interpretation, the whole understanding of it begins with a joke: what do i care if a portent was given to him, did he think he could do anything he wanted after? it’s like me caring for albert fish sticking needles into his pelvis for that extra conductivity frying in the electric chair. but the main interpretation is as follows:

well you know how the *debye length
equation reads

  λ subscript D = 1 / F x √(RT ε subscript R ε subscript 0 / 2000I)

given that F is faraday’s constant and R is the molar gas constant and I is ionic strength,

well that got me thinking in the humanities - where are the equations for the garbage heap of phonetics when κολοκύθι looses ‘appa ‘micron ‘ambda ‘micron ‘appa ‘psilon ‘eta ‘ota to simply say pumpkin? kolokythi? i see, ‘ above upsilon produces the kolokythi hence not kolokuthi; but still, where’s the phonetic garbage heap of ‘appa ‘micron ‘ambda ‘micron ‘appa ‘psilon ‘eta ‘ota? it’s in equations like the debye length, the sheer complication of losing the strict individuation of the letters... unlike in latin's do re mi fa so la a b c singalong, but with that come spelling mistakes and overly eloquent spelling of words and spelling mistakes.

- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -

but i lament the fact the one of the woods i used to frequent
at night was stolen by an irish cerberus
one headed shoulder height hinger than an alsatian
chasing a rabbit one night,
and the other wood was stolen by a satanic mass
of the shrieking druid.
i miss those woods with my walk of pulverisation eyed
of faked hallucinogens of the night,
i miss them and therefore i confess like edward prior harold:
the sun will not rise from the west,
but the moon will be taken from the belly of the desert
from the realm of arabia
taken as the emblem of islam and be like the sun to japan,
the moon will be that - in the west and the north -
while the crucifix imported into the northern lands
will be sent back to those thieves of the moon
in the twinned linear parallel of the sun’s antonym
with the blood eagle stongehenge -
and i’ll not be weary to say:
a king is before a prophet’s honour in his homeland
an outcast and must remain so in order
that he might not invoke a prophet's honourable
wrath in his homeland -
but should a paul come unto a matthew
then the king's wrath is invoked!
so while a prophet’s honour is sacrificed like
isaiah’s with some king and with john the baptist
decapitated with the second king’s insurrection
so too the king’s honour is taken into consideration,
that a king hoped for keeping the egyptians cosmopolitan
with greek philosophy was what moved the nation of israel,
then too a second nation shall move
should a king's honour not profit standing still of the people.
but i too wish for a favour: i forgot what it was,
but it reminded me of something that could have been
a working household with screaming children aching for
a screening of the tate gallery in a slideshow -
but to prove god all men asked one man to renounce such
guises of the futures kept with the army of bothersome parentages.
hence i to the graveyard of the place where the 18th century
met the 20th century: as they say, they were kind to the 20th century youth,
they sent them packaged to death’s clot of chatter,
and midway, in the same century, platonism was usurped
with a care for poets! imagine it! midway they asked for the poets
to come back and arrange all the grecian lettering enigmas of the
sciences and snigger and smile at the romanic fakes of the once held by troy.
but many spoke of yod alef he waw ayin he - because so much of eve
once was that no more could be of the adam who abstracted himself
into her who once possessed him, and who unto being harmed
re-attached himself to his mother with the due humiliation she invoked in him:
but once you go back you’ll forever remain a child.
this is coming from a russian girl studying in scotland...
foreigner’s fees... cheap ***** -
my only chance of a steady income was with my father roofing!
why did you leave?
why were you rich and feared the bolsheviks by not turning into a philanthropist for a bit?!
Mateuš Conrad Apr 2017
why would i go to a *******,
                                             if i had the chance to go
   to a brothel?
it's a question that suggests both a barber shop
       and a ballet...
   do my hair-do on twinkle toes...
          and a cheeky pirouette donning a mullet...
                               **** the tease fetish....
  let's get into the nitty-gritty of eating your *** out.
that's probably the first and last reason i will never
set foot in america... the ****** tease of
                              what used to be brothels...
but are now ****** ballet excuses...
                             and it's like:
   oh they're not slaves, i paid them,
            they charge an extra tenner if you want
to eat their ***** out... this weird **** they do...
they cream up: and you're off! piston maniac....
                        fudge! fudge! fudge!
                                                      plop­'s a daisy!
i don't know how the brothel devolved into
a strip bar...  
                                  don't know, don't ask me,
but if they are *** slaves... then i'm a slave to my own
libido...
                          and that's way more harsh
taking to moulding those dough cheeks of a buttocks
into scones... let me tell you.
    moaning scones... groaning scones...
                   angry scones...
                                               tickled crumpets...
oh i can be a pornographer... for sure,
     there's nothing as easy as writing pornoraphy
having watched enough to the point of: boredom....
so bored, that you end up writing about it;
   a bit like the case of wearing two pairs of sunglasses...
****! my eyes are watering!
              i'm crying hot tears!
                                  either that, or i'm laughing!
what's the point of strip bars, in all honesty?
                  i'd ******* in the national gallery to some
renaissance masterpiece... or fiddle with some marble
****** sooner than... go to a place where
you're merely teased?
                          what sort of sadistic ****** would
go to such a place?
                       you want to go to a place wherer
once you *******, you jump into a bath and have
a cold shower, and she's on the bed mastrubating...
    because you're saying: honey... you're hot as ****...
and she's like: watch my hand do ping-pong
       with my ***** with you taking a cold shower
       gasping for air... to make similis... parallel
comparisons.
             i just don't know why bulgarian prostitutes
fake being romanian...
           some people do know the word: harasho /
dobrze / o.k. / and it's spelled in cyrillic as:
                    'АРАШО
                            ' = i don't actually know what letter
to utilise in engaging with the romanic equivalent
of the cyrillic                 ha ah         ha....
    it's almost as if the cyrillic patriarchs knew no
humour, or for that matter... ever laughed.
               **** are bulgar women worthy of
a harvard stipend in terms of looks and other
delicacies of their body... they just exfoliate like
                                      morning dew in april...
i just don't understand why they lie about being
romanian...                       but back to the comparison...
what's the difference between a ******* and a brothel?
the former hosts perverts...
                                   the latter hosts plumbers...
hot enough? i said are you moist enough?
                  why would you go to a place where
you watch... but can't touch?
                                or can touch... but in such a way
as to be the equivalent of stroking a dog's head?
     what's the point of teasing the man's stratrum
of "supposed" superiority?
      that throbbing hard-on... is it really going to help you?
i'd find more point in throwing coconuts:
                                aiming at a giraffe's head.
yellow-thoughts Feb 2018
my first love, as i want to say
but then i wasn't old enough
to even know what love is
so my first crush
wasn't something special nor romanic
it was a boy to whom every girl was crushing
it's what i told everybody
but in reality
from time being i have always
liked boys who were not like the others
to whom none were crushing on
'cause it made me feel special
i've always been selfish
...
/M.A./
Mateuš Conrad Oct 2015
it’s not that i hate film literary film adaptations, but only one adaptation made me want to read the book: stendhal’s the scarlet and the black (starring ewan mcgregor and rachel weisz).*

i don’t in a respective romanic auditorium
with toga donning senators
walking to egyptian flutes from the cleopatra’s entourage
gleaming old fames as to prove the pyramids
and sphinxes were above in the hierarchy of awe
to the iodine and hod on papyrus,
to give these localities the respectable aura of re-,
i take to hammock’s kenotic and burial’s untrue:
the former feeds the northern feel of autumnal london
suburbia and the latter the southern quarter,
but never mind that, it’s already minded and eerie.
i watched the screenplay adaptation of empire of the sun today,
i have to say, i was jerking up the thought
of salty rain rather than acid rain on the environmental
perfusion surprise - so i ****** a jamaican fake on the hopscotch bonnet
mascaraed on the eyes, or the romantic tears of cutting an opinion,
but honesty... honesty! three scenes made me push my
manhood away from the stench of molten iron of the army:
the was the protagonist sang the song of the kamikaze
just after they downed a shot of koji and started singing
just after doing the flap-your-hands-in-the-air-like-you-just-don’t-care
salutations of encouraged nihilism.
it’s the editing part of the film, how the boy’s voice overpowers
everything else and becomes “monotone” against all other sounds,
the dignity of the boy’s enviousness and admiration
for the kamikaze... even in captivity! by god, what a scene!
the other scene that haunted me to near tear
was when the prisoners entered the cemetery of hoarded
valuables by the japanese upon invasion of shanghai
and taking from notables the jewellery chandeliers and cars
(pianos too): after seeing the prisoners familial in captivity
exchanging cabbage heads for cigarettes
proving what the world would be like without the existence of money...
i thought of the familial “humbling” of the people in captivity,
and the sheer haunt of the same prisoners returning
to a world they so dearly lost - in that each to his own
piano and mercedes benz, that neo-tribalism of earn earn spend
frivolity and self-interest that democracy prescribes
allocating us each a tomb of fancies (and sometimes the odd *****).
but the most striking thing became apparent - in these
japanese prisoner of war camps... the prisoners didn’t wear uniforms...
i can understand if those in power adorn uniforms,
but the oddity of the prisoners not having uniforms is quite
positively giggly sinister... given the fact that the other sinisterness
is when there’s a prison camp and those in power
wear uniforms and those imprisoned are also tailored for.
i see a major libra of power in all this,
for if the prisoners are not tailored for denoting their collectivisation
as in status of prisoners... then there’s a certain freedom in all of it,
like on the grander scale, in society, where the politicians,
the overseers only wear suits and the communities differentiate
themselves with hawaiian floral tattoos on t-shirts and tourist slogan ones too:
it’s almost as if the ultimate leniency of power was being exercised
not having to wear prisoner uniforms in the japanese pow camps,
unlike the pinstripe ones of auschwitz - as some collectivisation
of guilt within ideological framework rather than the opposite:
wrong place at the wrong time.
the last tear i got? well the music on the credits reel pulverised
by the images of a son re-recognising his mother by touchy touchy.
conclusively? better on your mother’s *** and able to cook too
than on the cooking *** of a wife and with two left hands preferring
the hot topic of takeaway or restaurants - hunter gatherer died -
me belly full of berry - how is it that **** sapiens is also called
**** perderus awhile the tortoises saturated achilles with peace and thought
and no chance of martian glory telling him of zeno’s paradox?
Mateuš Conrad Aug 2016
if not cited sparingly, and in a democratic number,
then at least cited as if minding the republic's senators,
concentrated influences - few, but certainly
in a concentrated manner cited.

when reading becomes as acutely distinctive as the hand -
never before have both hands reached an ideal
equilibrium - my withered manus lævus elsewhere -
esp. at Marathon, with the puny javelin throw -
Herculean balance in the right hemisphere -
yet although in physics the right held sway -
now it seems in my mind, the arithmetic pain busy
buzzing in the former ***** colony has gained
the upper-hand - its persistence beyond mere myth
of the boulder the hill the repetition as punishment;
such a grand way to use both without prejudices
of former believed-to-be satanic rituals in a Victorian
school.

perhaps going beyond Plato sinister sexology of
the soul and punishment via transgender migration -
if once a true and serious meditation, now it would
seem blocked by something, emerging from that
ancient theory and brought before us in practice -
that the left-hand masters of the quill were migrating
from Hebrew, from Arabic from Sanskrit?
less sexually orientated and for that reason, purifying
the old ways of teaching boys the practices of the state.

we are right in that we begin on the left -
and they have already left for the other world,
their theologies ensured they left -
but that does not necessarily make them right -
beginning from the right in writing with each word
they leave for another - a better one -
for us, who begin from the left and ending by being
right in our political affairs and our moral practices
(so supposed) leave us entrenched in this world -
by so right in doing the mere thought of atheism;
but times have changed... we're all moving forward -
only a retired general practitioner might have used
his index to peck like a crock at the keyboard -
youth spared me - even both my thumbs are used
when typing - notably the left thumb for the space -
or so the alphabet arranged for a quickness in type -
if arranged by some formal logic - the keyboard would
be a different battlefield against Peter Phantom and
the leash of surrender; yet what fingers used more often
than the crucial index of an aged doctor?
for the most educated class of people, they write such
terrible enigma scribbles on prescription notes -
for the most part, type font was invented to decipher
prescriptions - or as some would call them -
a chicken dipped its nail into an ink bottle and scratched
in good morning on a piece of paper.

so it came to be, when Latin imploded from the ******
and was allocated a pickle jar preservation aversion
to graffiti Latin on the coliseum walls it became
ecclesiastical Latin - power was hidden from the ***
blah gurgle - or the Germanic burp for: a pleasant meals
desires a compliment, echo in the cave, burp in
the (o)esophagus - a grapheme divorce -
but that's also beside the point - instead of mere writing
left to right or right to left - the grammar changed suit!
Latin names are the easiest to spot:
the barbarians and the Latins are like us and Arabs -
mirror and chiral thinking go hand-in-hand as a handshake -
some remind us of neschek the usury serpent -
or they remind us of demon-slug narchak engaged
to simony - by example, zoological quirks reminding:
corvus (crow) cornix (hooded) - hooded crow,
corvus cornix - corvus corone - carrion crow -
corvus manus laevus - left-hand crow, which by it's
hyphen refers to a deity - thus in original crow left-hand -
Odin's illuminating eye embedded for eternity entombed
in the companion that takes the sky as leisure equal to
a cushioned and scented parlour, and the wind as a mother -
away from the hunchback penitence as seen on ground,
pauper hunchback clad in black a futile scout.

as already mentioned - capture it at any one time in
unravelling Babylon - the grand spiral architecture  
unison - for that English was used - or "proto" Latin
without diacritical marks (stresses) - the one accomplishment
that arose from the mad farce of Nebuchadnezzar -
the Jews sighed relief when then plans to build gardens
above the sky (hanging) were foiled - the sigh of
the Hebrew slaves in Verdi's Nabucco - indeed va pensiro,
alter: ave ratio! the only one time when the Mensa society
are of any use other than training pet monkeys -
a democratic hooray! geniuses unread but good at
arithmetic... they're still children for goodness' sake!
but what have we exchanged for the hanging gardens?
the pyramids were already ridiculous,
the hanging gardens were impossible, but the tower
of babble-toe-babbling-tongue came to be prißed for
all the wrong reasons - sigma global, Atlas threw earth
away and picked up the Moon.

still the compass away from Bermuda dizzy in myth
or reality provides us the true North magnetism -
as Confucius said: man's importance lies in the head,
not the toe - we shall write from head to toe,
to motivate our understanding of the yet unexplored
gravity, this be our grounding... no grand empire outside
the evident physiognomy of Shanghai blinds of Buddha -
nothing beyond this reach of yellow -
the Mongol will try, but fail, the Japanese will try,
but fail, the Koreans are another matter, a civil war
ravaged them, and a true schism happened,
there was nothing Byzantine or Romanic about it -
the schism of reality, nothing metaphysical kept them apart,
a genocide division without a genocide -
an old father had a plot of land and three songs -
Yin took the northern realm, Shin the southern realm,
Ming became a Communist party member in China -
Tibet never had the exclusiveness of the Vatican -
the Vatican is not an ethnic entity, for starters -
the Israel of Asia that Tibet is...
the Israel of Asia that Tibet is... claim a son or a godhead
see how the masses entrenched in insect Darwinism
come about with coherent reasoning -
masquerade as a prophet, the easiest answer is that
the consistency of time will always precede your idea
of superior constants, neither Buddha nor Christ were
ever meant to be π.

the Chinese knew how to build a state, shame! shame
on the Slavs for biting the apple too soon rather than
baking an apple pie with Communism -
shame! shame! shame! ridiculous souls -
fickle hearts - i only learned this in exile, a proud
exile at that - not that i became accommodated in a superior
culture, these ******* inspired socialism with their
bile Empire monotony - am i proud to be British?
give me a minute, i'll just ask the Scottish separatists
if they think Andrew battled Santa Claus like St. George -
(anagram: Satan's Clause, an article of jurisprudence).
em... British? poet in residence or poet on a high-note
of a tsunami of change? i think the latter.
once the Scots rammed their way into Westminster
the Labour party was no more, what with the Iraq
Endeavour of Herr Barrister Milosevic -
**** up and Shrove Tuesday - **** in a fan,
chocolate milkshake with a sprinkle of shattered cranium.

when in Edinburgh i implanted into my brain the compass,
the perfect geographic locality, Edinburgh is,
i had a nice acceptance in Bristol by the cat-and-mouse
people from the educational firm University seeking
a scientists that had some vague sense of respecting humanism...
that really smeared chilli powder on my *******,
i left suspicious about the eagerness -
went to Edinburgh, the education reception was cold...
cold enough to be given an onion to smash against the
floor after it was dipped in liquid nitrogen -
but the city! the city! it breathed ancient fables!
and **** me... a city built around a mountain...
how many sunrises and sunsets do you think
i sore with every blink on my maiden voyage to the land
of the Picts? enough... plus my stomach was ready,
haggis was nothing unusual... i was familiar with haggis
in a pork variation - czarna kiszka (char n'ah kee shka'h).

so what will it be?
hic mali medium est                     or...
                        hic boni medium est?
i wish there was an ad hoc hidden somewhere, but
neither expressions are a nail for the hammer and
the planks of wood, but you can think of them like that...
i.e. 1st. here is the core of evil
                 and 2nd. here is the core of good... yeah, mm d'uh
that famous and meaning the two opposites are inseparable...
but i mean the compass! the compass!

the Firth of Forth helped, no, not Genesis' selling England by
the pound
, and everyone somehow hates Phillip Cool Onions -
ever hear that one about another day forgetting paradise?
it's on there... i can't walk... i can listen to Genesis -
you just realise how complex English culture of lore yore -
that's long forgotten yesterday - everything decays,
autumn must come -
now the children play with fame, rather than work for it.

i get reminded every ****** time...
i kept the notes and extracts after the Cantos ended -
i neither wish to imitate - but pay the compliments
necessitated by the work -
when the rhythm section was more complex than
the solos - when it was always jazzy guitars on prog.
i kept the fragments unread -
and in between travelling to London to see
the Werther opera and the Don Quixote ballet
i was commuting with Kant - i know i mentioned
them as my heroes, given there would never be a battle
of Θερμoπυλαη and only the yawns of battle
with the critique - i too care to admit a defeat -
when i pick that book up and i pick up the Cantos
with the first i hear someone knocking on my door,
while with the latter i hear someone playing the flute,
optically and exclusively based on that to suit the final
exasperation of breath.

or you would think that by the standard of the English
mind at least poetry would gain favours if
French frivolity and German philosophic Benz fell out
of favour - at least poetry would be attended to -
and when they see the demonic form of the prised
asset of English intellect that isn't music, but the Yorkshire
dales and rambling naked and telling folklore and tall
B.F.G. tales would not shrivel into a tightened-strait-jacket
panic seeing someone juggling pronouns on a psychotic
cloud; almost every day the English mind allows
madmen in a different category - equipped with
suicide vests and the crowd of many - playing god
almost every other day - materialisation of fiction
with terrorist attacks - see both good and evil -
chaos demands both, order a distinction, the latter
played out so unfortunately to be constantly compared -
the former? well, either that or nothing -
of the essences so much was said countless times -
and countless times unsaid when the actors came on stage.

so rekindled Latin in encoding sounds ascribed hoarse
throats of the nomadic north bound exploration -
from left to right - then reinvented as if Arabic -
from right to left: corvus cornix - hooden crow -
well, at least it's easier to think of it as right to left
rather than left to right - than mere concentration rested
upon the stone not turning to bread -
higher in the pyramid than the water turning to wine -
as the pigs were fed, and the toils of man became
a fervency of all - as the devil asked:
are you sure you will be selling the aristocratic life to all
and all will be pleased? not all men were born
into a luxury of continual drunken luxury -
later the riddle turned into a choking joke of the 5,000 -
never show them tricks of the aristocratic class
for they drink to excess, and turn wine into water by
the day... but will stones keep the agile hands of labourers
readied for the next task if given water they turn into
debauched drunk sloths?
When is suicide romanic?
Tragic?
Appalling?
These questions bear their wait
In the back of my spinning mind
Here I squeeze the grip of a butcher’s knife,
Not in the moonlight, but the ever-graying sky

When no ears can hear the reverberating echo
From your cries in the lies where you lost yourself so deeply
When no one is willing to think of you
For fear of ruining their day,
Then is it perfectly unselfish to at upon unendurable pain

In the blush of the night
And the rolling, roaring peal of thunder
The dark clouds express the torment
Far better than my pathetic cries for condolence
Yes, I’m cherishing my thoughtful misery
As if it were unalike any other
But I know it will end so quickly
If I’d just jump the roof, ****** the dagger

With the unbelievable, deafening, so blinding silence
I know that nothing can lance the quiet
With my towel in hand
My last plunge in soon to come
In the endless depths
Of sorrow’s irrevocable ocean
Every "goodnight" text I read as "I love you"
I'm caught between breathes
Caused by scenarios in my head
I'm not delusional, I'm a hopeless romanic after all

Walked around until I stumbled upon you
A moment ago I wonder if I'll ever meet you
You walked past me and smiled
Now I want to wake up with you by my side

Darling, Lets live like love novels
Not making Ryle's mistake,
Please don't ever touch me that way
"We'll do it the fairytale way"

Morning kisses
You brush away my hair
I'll make you breakfast
I know you dreamt it this way

Let's change the idea of lust
As I watch you hair slick back complimenting your brown eyes
10,000 stories with all the ink there is
"It took me so long to write you" where have you been?

After all this time I'm trying to dig behind your soil
I'm obvious, you'll know, but I won't admit
It took me so long to write you
But as soon as I shut my eyes I vision your rosy lips

You fell for my smile
As your laughter became my treasure
Tune our bodies to the sound of waves
I want to memorise you like I do my favourite song

Take it slow
Match my energy,
Losing control
I want to hear it dear

Be my safe
Be the only person I long for in the brightest of days
Be my forever red
Be the one I need at every blue

Pick the Brush we'll paint our skies purple
From the moment we kiss, I'd die in our locked lips
Tasting the sweet as sugar nectar
Give me a few to never run out of your aftertaste

**

What love sounds like
Why is it without the purity and heat
What if all I wanted is you
Why is being hopelessly in love lost for all the fights.

All the dark stormy nights
We'll sail the ocean
But wake up with dried up tears
As the sun rays beam highlighting your dark eyes, that's all for now.

By:Zoulaikha
Bluebird Dec 2014
i wanted to commit romantic suicide
by hanging myself with your fake hair
i wanted to commit romanic suicide
by cutting my wrists with your hair clips
i wanted to commit a romantic suicide
by drinking your beauty pills.
but as fake as you are i will just commit a fake siucide.
I NEED TO TELL YOU
HOW I FEEL
YOU NEED TO KNOW
THAT ABOVE THE WORLD
IS HOW HIGH YOU USED TO PUT ME
AND HOW MUCH MORE
I HAD PUT IN
LIKE PINS AND NEEDLES
THERE IS NOTHING LIKE
NOT KNOWING THE DESTRUSTION OF THE FALL
WHEN I AM DROPED FROM YOUR TOWER
TO KNOW THAT EVERYTHING I KNEW ABOUT GOD
WILL BE CONTINUED AFTER MY BODY HITS THE FLOOR
I'M VERY SURE
BEFORE I CAN STAND UP TO BE A WOMAN
WHEN I STAND UP
DEATH IS IN MY FACE
I CAN FALL JUST LIKE THAT
RIGHT BEFORE YOUR PLACE
BEFORE WE RESOLVE OUR
COMTAMINATED ATROCITIES
BEFORE WE MAKE KNUCKLES CLASH
BEFORE OUR THROUTS STING WITH ANIMOSITY
AND WORDS BRAKE THE RULES OF POETRY
AND BEFORE WE CAN SAY HOW MUCH HATE HAS COMPELLED LOVE TO ESCAPE US
MY NERVES WILL GO BLANK
BEFORE I CAN SEE THE FEAR IN YOUR EYES
WHEN YOU RELISE
WHAT YOU HAD DONE
WILL NEVER BE RELIVED AGAIN TO FIX
MY FAITH IN YOU WILL TIRE
MY BELIEFES SCATTERED
THE PASTENCE LIVES IN YOUR MIND BUT YOU BOUGHT OUT FROM ME
THE PRESENT IS
A DAMAGED GIFT
TOMORROW IS;
UGLY THOUGHTS
AS WELL AS BESIDE YOU
IS COMPLICATED CARNIVAL
YET I LOVE YOU LIKE A SICK
LAMB
OUT OF THE COUNTLESS DOGS
YOU ARE A REAL MAN
LIVING MAD YET CAPABLE
WHEN WE NTERTWINE MAN AND WOMAN WE ARE ROMANIC PASTELS IN OUR EMPIRE
WHILE AROUND US CRUMBLES OUR MONUEMNT
WE WEEP TO STICH
ONLY TO BREAK AND *****
SO RIGHT NOW
RIGHT HERE
BEFORE YOU SHUT ME DOWN
IF YOU COULD MEET ME HALF WAY
NOT ACROSS THE SKY
BUT EYE TO EYE
WHEN I STAND UP
STAY STILL
HEAR ME
AND WALK AWAY.

(INCREDIBLE INK- TEAM JAGUAR HAWAII)
© Copyright 2014 S.T. PARISH Rebel of Eden
Mateuš Conrad Jun 2018
/prístīnè... oh but you can easily devolve the english tongue to pure phoneticism... the many simple instances of the english language being reduced to a bypass, of barbarian phoneticism, most easily stressed in: why.... y... because what's more to be added or substracted?! ah... but imagine elevating english to a pure application of diacritics? what then? well... given that the english language doesn't even appreciate the concept... of diacritic markings... to clarify syllables to say the least... english can easily disintegrate into pure phoneticism, and how ugly its primordial spelling becomes... but try elevating it to a diacritical barbarism... what then? well?! nothing! a "concern" for the minority, which can't exactly deconstruct a number worthy of an inquiring public... english is probably the only language that can disintegrate into phoneticism, or rather, Phoenician... because it allowed itself an ancient romanic inheritence... of an alphabet... which the acquiring barbarians modified, but which the english didn't... god... even the Greeks over-stated the point of diacritical marks, which the english under-ventured with! but hell... aren't we all happy to see a spot, of theatre?


the sort of comments you put against a blank
canvas...
         because... the person who might reply to it...
isn't verbo-fluid enough:

god... i'd love to tend to a garden, and remember as many botanical names as you already remember... sorry... prefixes? noun-prefixes? not being antagonistic, unless of course i can't come up with as many botanical names off the top of my head... no... lambs' ears... see... i'd love to name as many flowers as you can conjure up prefixes... to escape the monolith... like: daff-***... hycin-thought-***...
               i mean... richard ******* attenborough...
50cl of *****...
                        in poland schoolchildren
cried because stalin died...
                  a ******* georgian,
a subverter of russian...
      like ****** the austrian subverted germany...

   ooh... good... good that i was so bad at solving
crosswords...
                     let's find the flowers...

                        **** it...
                              this is ******* ****** by soviet
standards...
                        it's like shooting a
****** with a whale into space when
competing with metal, and Laika...
                   dunno...
                                          mime this ****?
pretend there's spacial status
for intellectual retardation when
authentic retardation exists
                 and appears all 'appy?

the **** do you even do?
            cut the tongues out?
              eat the gesticulating limbs?
i'd love to learn a botanical vocab
to counter this crap though...
   if only it allowed me to become
a better crossword solver... sure...
green light... go right ahead...
                see...
       i won't be able to solve crossword
puzzles with this sort of *******...
    you give me a Silicon Valley
nerd, with an app,
  that can give me access to identify
flowers... or birds via bird songs...
            
         well hey!
                      *** slavia utopia with
the germania brothel!
                  all the old communist
are becoming demented being told:
              and is there any need for old
soviet intellect,
            to not be entertained by this
*******?!
               nope...
                        there isn't a need...
            all you need is for it to be
encouraged!
          fly-fly-my-tear-rendering-sparrows!
break a remnant king's swan-neck
while you're at it!
              and all... will be...
        made...
                                 *prístīnè
-
cf. the top.
Mateuš Conrad Jan 2018
why even bother metaphysical questions,
notably in the english tongue - why?
why bother asking metaphysical
questions, when what's staring back
at us is the ****** obvious -
i.e. the orthography?
                 for one, english has no
notion of orthography -
                second - english has no
notion of orthography -
     it's a ***** of a tongue,
anyone with a drop of oil to call a mind
will tell you: tongue that's
nothing more, than a village bicycle...
english has no concept of
orthography -
                    and even if it did,
it would still be the feral grounding
for acronym bombast...
         pity...
               only a fox speaks
for a sleeping lion -
                 then again:
     i am quicker to point out that:
i do not write to obstruct -
or cling to precision-making
claustrophobia...
                     in writing there's
the ideal, idle love & self,
  but there's also the dream of falling,
and the claustrophobia of
               regiment status -
   abhorred by all, conveniently sold,
for if books and bricks
were compared...
         sorry... people would find it
hard to grasp the fact that:
            no library let alone a home
would stand...
as pry into my own habits
i settle on the motto: libra -
   never write more than you've read -
or at least to suggest:
chicken-scratching-scribbler -
   read more than you write...
   but still...
   english can do away with
metaphysics,
     in that its ****-naked fresh...
it's a blank canvas,
   like a toy,
      you can attach and detach
diacritical markings as you please,
that second tier of punctuation -
intra-verbum rather than inter-verbum...
       yet english as a language
will abstain,
  it will not invoke orthography
like other european tongues
did secure a romanic post scriptum
revision...
          all the nuances of
this, supposedly, golden tongue,
epoch conjurer and demoniac in
        sorry,
      well, one treat language as either
a scholastic attention seeking *****
of a pupil - rubric by rubric
in defence of conservative nod -
or: play-dough,
       mandible and, all the more
worth desecrating...
     or in my view: "improving"...
       hence the blank canvas -
hence the pointless "adventure"
         concerning metaphysical question...
i find more gold nuggets among
the crumbs of this tongue
from the mere omission of
                  orthography...
          i, ronin,
                        simply ask:
what is the point of invoking
orthography in the letters I and J...
    when in fact: there's no difference?
     l, I, 1...
                     el, aye, eins -
                this exhausted arm of
benzene orientation,
     no wonder the french and
pataphysics -
but i'm not french hence less absurd,
20 odd years and not a single
english woman worth of ****...
      glory be, the *******'s vocation...
and how the english find
eroticism from white lies...
lying for the english is an aphrodisiac...
  cheap lies,
  unnecessary lies...
lying for the english is an
aphrodisiac...
                     but i point out nonetheless;
metaphysical questions
are pointless when using this
tongue -
for the ****** obvious resounds:
having neglected orthography -
one can endlessly rummage
in a heap of nuance;
  i'm god,
           looking at the naked adam,
for at least i am attired,
  whether in umlaut, caron,
   breve, grave, macron,
                        acute...
   i pity the english tongue -
        such a Mongolian post scriptum
ravaged by the hordes of
laziness, acronym, emoji and slang...
    i rarely speak english,
i pillage it...
                      and for that:
i am left mostly unsatisfied -
  not that i wish to speak it more -
but there's that necessity of
the citizen to address the cashier with
a hello, and bid him, goodnight...
i will attest to this fact:
  it was and is easier to
introduce canadian grey squirrels
      and replace the native reds,
than it will be to introduce diacritical
marks and establish an antithesis
of metaphysics (that's orthography)
in the english tongue...
     when will this tongue
finally relinquish its ambitions
               to replicate rome?
  how can this
tongue continue its current trajectory,
when its neither by day,
nor by night competent -
     an insomniac global prune.
   - in a land where more is said of
***, than is actually sentenced to
gymnastics of... said act...
    sometimes i was more
brittle, riddled with alimony of some
sort...
          rather than this
nonchalance & impromptu fever...
in vino veritas:
            in lingua verum: appotus.
Mateuš Conrad Jul 2018
because how much of thinking,
or rather: "thinking"
                    is to do about being,
and how much of it
is to do with the matter of perception:
in that,
   a reverse-perception,
                                  of appearance?
seems
         the thespian insurrection
              has become paramount...
   totalitarian...
       but my god:
           does it really have to take grip
of the depths of faking an ******
from a woman's perspective?
   watching a woman "fake"      "it"
makes mainstream movies
look sinister compared to b-movies
(namely hellraiser):
and that's not indicative of anything
bad about the movie -
frankly - i can listen to the christopher
young soundtrack, while falling
     asleep, on a(n) annum reel;
of all the people in the world -
rome: never reached us...
                the byzantines modified
greek to inform the quasi-vikings
          of the ukraine through cyrillic...
about...
                something less than
the concept of an icon?
   given the ascribed veneration for, icons?
and i was baptised into new romanic
font...
            god only knows if "my" people
used runes when they were not
using, anything but the roman dicta...
later bloomer, ugly duckling...
   but i'm among people who know
the rigid roman thumb,
                      either up, or down...
still...
            the thespians, are starting
to really, bug me...
                   their complete infiltration
of all of what composites a life...
     hmm...
          me? i'm of the shadow segment...
because...
        hmm...
                  i'm trying to mind what
phonetic encoding (beside the norse
    encoding still preserved to memory)
the slavs used...
               i "could" go, travel to america
and stand
          on the shoreline of the grand canyon,
with mouth agape like a scared
     macaque monkey...
and yet...
               i'm already standing before
a canyon,
                   juxtaposing
                             the big bang theory,
certain years in a past calendar...
                but today?!
              proud boys exploring space...
yet to be honest...
                   we'll never, exactly "explore"
time...
              only what we lost...
              and only what we gain as
momentum into: through tomorrow -
                     the blind eye seeking.

— The End —