I don't too much buy into those social media romances.
Reminding us every Monday and Wednesday
Guess whose it is

Well
I don't too much buy into those social media romances
Because pictures always last longer
And all those emojis become cliche
Hinting at all this love that may or may not exist

See
I don't too much buy into those social media romances
Although I always have moments I wish I could bare to the world
But they're better off left with me

Scrolling through these photos
See I don't too much buy into those social media romances
Because I know things are not always as they seem.

the sun romances the night sky
seeping its slow blue
into the wheeling starfeild
its own grandeur carousel fades
as the stars dulled by the dawn stray away
one by one they bid farewell to the day

dawn
her blushing bride endeavor
expanded to her full embrace horizon to horizon
leaves fine line lace of mist
on the water
and begins to warm to announce
the forthcoming of her proud man

noon approaches
thundering hoofs of furnace heat his stallion
his brow breaks with the sweat of his labor
pushing the sun up to her pedestal heights
so a breif rain sqaull rocks our ragtag little ship
noon throws lightening and makes such rousing appeal
but the younger sister approaches
and noon must forsake his place

the quiet seductress afternoon
with her hazy summer heat lulling
and her many sweet scents and sounds
lay with you in the grassy field and
makes love to you with dreams of everlasting summer
and remembrances of childhood carefree abandon

she calls out to her mother evening
who comes and with a mothers love cools your brow
suppertime and laughter with loved ones
gathered at the kitchen table
dream time in safe places of the soul

finally night comes
slipping in silent and swift
deep and quiet he is mystery
gathering of soldiers who fail to conquer
gathering of lovers who two by two not
only are the world but make it anew
with love and with children
now full circle we have come
on the spiral track of our days
as the sun romances the night sky

Oh, I remember the forgotten romances,
And tragedies of times forgotten,
Unsaid-
When my dear loved one lies next to me.
And why I imagine you,
Not her.
And wish my angels,
For a truthful dream.
And why,
Do I miss you still,
When my dear loved one lies next to me...

The TV contains budding romances
and break ups
and new lovers and mistresses of
hundred celebrities that made you
believe that the world
is a merry place.

You made songs for your lover
and poems and recited and sing those
on the platform in a social media before an audience
who would believe that
your relationship is a
merry go round one.

But the world is not a merry place
and relationships are not actually spotless like
plates in a dishwashing liquid commercial
on a TV that does not exist for the people in Bakwit
who fled their lands and walked three hours
under the scorching sun as their
three month old infants dived in
thirst and hunger and mothers
and fathers were murdered and gun-fired
in brazen daylight.

The TV contains budding romances
of celebrities that made you recite love poems
and hugots on this very platform
as you continue your quest of finding
a fling or lament on your unrequited love.
You do this
You
do
this
while out there
out
there
the world does not revolve in a merry go round ride.

She sent it to me as a text message, that is an image of a quote in situ, a piece of interpretation in a gallery. Saturday morning and I was driving home from a week in a remote cottage on a mountain. I had stopped to take one last look at the sea, where I usually take one last look, and the phone bleeped. A text message, but no text.  Just a photo of some words. It made me smile, the impossibility of it. Epic poems and tapestry weaving. Of course there are connections, in that for centuries the epic subject has so often been the stuff of the tapestry weaver’s art. I say this glibly, but cannot name a particular tapestry where this might be so. Those vast Arthurian pieces by William Morris to pictures by Burne-Jones have an epic quality both in scale and in subject, but, to my shame, I can’t put a name to one.

These days the tapestry can be epic once more - in size and intention - thanks to the successful, moneyed contemporary artist and those communities of weavers at West Dean and at Edinburgh’s Dovecot. Think of Grayson Perry’s The Walthamstowe Tapestry, a vast 3 x 15 metres executed by Ghentian weavers, a veritable apocalyptic vision where ‘Everyman, spat out at birth in a pool of blood, is doomed and predestined to spend his life navigating a chaotic yet banal landscape of brands and consumerism’.  Gosh! Doesn’t that sound epic!

I was at the Dovecot a little while ago, but the public gallery was closed. The weavers were too busy finishing Victoria Crowe’s Large Tree Group to cope with visitors. You see, I do know a little about this world even though my tapestry weaving is the sum total of three weekends tuition, even though I have a very large loom once owned by Marta Rogoyska. It languishes next door in the room that was going to be where I was to weave, where I was going to become someone other than I am. This is what I feel - just sometimes - when I’m at my floor loom, if only for those brief spells when life languishes sufficiently for me be slow and calm enough to pick up the shuttles and find the right coloured yarns. But I digress. In fact putting together tapestry and epic poetry is a digression from the intention of the quote on the image from that text - (it was from a letter to Janey written in Iceland). Her husband, William Morris, reckoned one could (indeed should) be able to compose an epic poem and weave a tapestry.  

This notion, this idea that such a thing as being actively poetic and throwing a pick or two should go hand in hand, and, in Morris’ words, be a required skill (or ‘he’d better shut up’), seemed (and still does a day later) an absurdity. Would such a man (must be a man I suppose) ‘never do any good at all’ because he can’t weave and compose epic poetry simultaneously?  Clearly so.  But then Morris wove his tapestries very early in the morning - often on a loom in his bedroom. Janey, I imagine, as with ladies of her day - she wasn’t one, being a stableman’s daughter, but she became one reading fluently in French and Italian and playing Beethoven on the piano- she had her own bedroom.

Do you know there are nights when I wish for my own room, even when sleeping with the one I love, as so often I wake in the night, and I lie there afraid (because I love her dearly and care for her precious rest) to disturb her sleep with reading or making notes, both of which I do when I’m alone.
Yet how very seductive is the idea of joining my loved one in her own space, amongst her fallen clothes, her books and treasures, her archives and precious things, those many letters folded into her bedside bookcase, and the little black books full of tender poems and attempts at sketches her admirer has bequeathed her when distant and apart. Equally seductive is the possibility of the knock on the bedroom / workroom door, and there she’ll be there like the woman in Michael Donaghy’s poem, a poem I find every time I search for it in his Collected Works one of the most arousing and ravishing pieces of verse I know: it makes me smile and imagine.  . .  Her personal vanishing point, she said, came when she leant against his study door all warm and wet and whispered 'Paolo’. Only she’ll say something in a barely audible voice like ‘Can I disturb you?’ and with her sparkling smile come in, and bring with her two cats and the hint of a naked breast nestling in the gap of the fold of her yellow Chinese gown she holds close to herself - so when she kneels on my single bed this gown opens and her beauty falls before her, and I am wholly, utterly lost that such loveliness is and can be so . . .

When I see a beautiful house, as I did last Thursday, far in the distance by an estuary-side, sheltering beneath wooded hills, and moor and rock-coloured mountains, with its long veranda, painted white, I imagine. I imagine our imaginary home where, when our many children are not staying in the summer months and work is impossible, we will live our ‘together yet apart’ lives. And there will be the joy of work. I will be like Ben Nicholson in that Italian villa his father-in-law bought, and have my workroom / bedroom facing a stark hillside with nothing but a carpenter’s table to lay out my scores. Whilst she, like Winifred, will work at a tidy table in her bedroom, a vase of spring flowers against the window with the estuary and the mountains beyond. Yes, her bedroom, not his, though their bed, their wonderful wooden 19C Swiss bed of oak, occupies this room and yes, in his room there is just a single affair, but robust, that he would sleep on when lunch had been late and friends had called, or they had been out calling and he wanted to give her the premise of having to go back to work – to be alone - when in fact he was going to sleep and dream, but she? She would work into the warm afternoons with the barest breeze tickling her bare feet, her body moving with the remembrance of his caresses as she woke him that morning from his deep, dark slumber. ‘Your brown eyes’, he would whisper, ‘your dear brown eyes the colour of an autumn leaf damp with dew’. And she would surround him with kisses and touch of her firm, long body and (before she cut her plaits) let her course long hair flow back and forward across his chest. And she did this because she knew he would later need the loneliness of his own space, need to put her aside, whereas she loved the scent of him in the room in which she worked, with his discarded clothes, the neck-tie on the door hanger he only reluctantly wore.

Back to epic poetry and its possibility. Even on its own, as a single, focused activity it seems to me, unadventurous poet that I am, an impossibility. But then, had I lived in the 1860s, it would probably not have seemed so difficult. There was no Radio 4 blathering on, no bleeb of arriving texts on the mobile. There were servants to see to supper, a nanny to keep the children at bay. At Kelmscott there was glorious Gloucestershire silence - only the roll and squeak of the wagon in the road and the rooks roosting. So, in the early mornings Morris could kneel at his vertical loom and, with a Burne-Jones cartoon to follow set behind the warp. With his yarns ready to hand, it would be like a modern child’s painting by numbers, his mind would be free to explore the fairy domain, the Icelandic sagas, the Welsh Mabinogion, the Kalevara from Finland, and write (in his head) an epic poem. These were often elaborations and retellings in his epic verse style of Norse and Icelandic sagas with titles like Sigurd the Volsung. Paul Thompson once said of Morris  ‘his method was to think out a poem in his head while he was busy at some other work.  He would sit at an easel, charcoal or brush in hand, working away at a design while he muttered to himself, 'bumble-beeing' as his family called it; then, when he thought he had got the lines, he would get up from the easel, prowl round the room still muttering, returning occasionally to add a touch to the design; then suddenly he would dash to the table and write out twenty or so lines.  As his pen slowed down, he would be looking around, and in a moment would be at work on another design.  Later, Morris would look at what he had written, and if he did not like it he would put it aside and try again.  But this way of working meant that he never submitted a draft to the painful evaluation which poetry requires’.

Let’s try a little of Sigurd

There was a dwelling of Kings ere the world was waxen old;
Dukes were the door-wards there, and the roofs were thatched with gold;
Earls were the wrights that wrought it, and silver nailed its doors;
Earls' wives were the weaving-women, queens' daughters strewed its floors,

And the masters of its song-craft were the mightiest men that cast
The sails of the storm of battle down the bickering blast.
There dwelt men merry-hearted, and in hope exceeding great
Met the good days and the evil as they went the way of fate:
There the Gods were unforgotten, yea whiles they walked with men,

Though e'en in that world's beginning rose a murmur now and again
Of the midward time and the fading and the last of the latter days,
And the entering in of the terror, and the death of the People's Praise.

Oh dear. And to think he sustained such poetry for another 340 lines, and that’s just book 1 of 4. So what dear reader, dear sender of that text image encouraging me to weave and write, just what would epic poetry be now? Where must one go for inspiration? Somewhere in the realms of sci-fi, something after Star-Wars or Ninja Warriors. It could be post-apocalyptic, a tale of mutants and a world damaged by chemicals or economic melt-down. Maybe a rich adventure of travel on a distant planet (with Sigourney Weaver of course), featuring brave deeds and the selfless heroism of saving companions from deadly encounters with amazing animals, monsters even. Or is ‘epic’ something else, something altogether beyond the Pixar Studios or James Cameron’s imagination? Is the  ‘epic’ now the province of AI boldly generating the computer game in 4D?  

And the epic poem? People once bought and read such published romances as they now buy and engage with on-line games. This is where the epic now belongs. On the tablet, PlayStation3, the X-Box. But, but . . . Poetry is so alive and well as a performance phenomenon, and with that oh so vigorous and relentless beat. Hell, look who won the T.S.Eliot prize this year! Story-telling lives and there are tales to be told, even if they are set in housing estates and not the ice caves of the frozen planet Golp. Just think of children’s literature, so rich and often so wild. This is word invention that revisits unashamedly those myths and sagas Morris loved, but in a different guise, with different names, in worlds that still bring together the incredible geographies of mountains and deserts and wilderness places, with fortresses and walled cities, and the startling, still unknown, yet to be discovered ocean depths.

                                    And so let my tale begin . . . My epic poem.

                                                 THE SEAGASP OF ENNLI.
       A TALE IN VERSE OF EARTHQUAKE, ISLAND FASTNESS, MALEVOLENT SPIRITS,
                                                AND REDEMPTIVE LOVE.

.i have come to realiße that... it's not so much what you write about... but the mere fact of writing... i can't imagine myself being subjected to something, like a narrative, or furthering a character study... i can be the object of whatever is whimsical enough to come into my head of its own accord - i want to forget forcing something to come into this puncture, this dam, this incision that i am coordinating... and it's not that i'm objecting to something, but i am not going to subject myself to - no more than a whim, of its own desires... with no attached: i think so too... it's not about what i write anymore: it's the fact that i write... if i'll be able to spew 3 thousand words tonight... i'll be content... because... i know that i have crossed the threshold of not being left "satisfied": nonetheless constipated by an instagram haiku... mind you... that's a very troubling hindsight note you have in there... wouldn't an object the size of the earth... in a vacuum of space... create its own winds to imitate movement? there is no wind on the moon... yes... and we're talking hindsight from 420BC... the moon landing happened in the 20th century... let's give it some times before that becomes an obvious hindsight too... do you feel movement - rotating - did the turkish dervishes help at all?

the fine line between: competition and corporation,
otherwise known as a: very, very, naive poo'em...

by a definition alone:
it's not so much concerning whether this
would ever become a capitalism vs.
a communism "debate"...

after all - i'm ref. walking a tight-rope...

of the latter, verbatim:
'an association of individuals,
created by law or under authority of law,
having a continuous existence independent
of the existences of its members
and powers and liabilities distinct from
those of its members'...

can i just point out, foremost,
in an environment of competition laws can be bent...
to add to: the spectacle...
the athletics doping scandals:
it's within a spirit of competition...
the sprinters are not corporating for give
a spectacle... they are competing...
for the the spectacle...
ask me again the difference between...
what used to be a competitive event
done during leisure hours...
and what was a leisure event akin
to reading...
and ask me again: the difference between
taking part in the event of competing...
and watching a competition -
and what had to be involved to give
the spectacle its architecture...
i don't think it was so much competition
as it was corporation... never mind for now...

after all... how many times have laws
been bent when watching a football match?
the passing of law is hardly an objective
crux that so many "rational" and logic-"riddled"
people stress - can be made by one man...
sure... laws in vivo - science and what not...
these objective safety-nets...
that can lead to endless to-and-fro...
but i hardly think... man is capable of passing
objective laws: in vitro... notably in -
           in unum: omni...
unless that's a schizophrenic metaphor...
which is already a metaphor when
tested on a bilingual brain...

how many people did it take...
to pass: the earth rotates around the sun?

the heliocentric model...
genesis in the west from philolaus,
heraclides ponticus,
pythagoras (hindsight...
wouldn't an object moving in
a vacuum of space... create winds of
its own?)
aristarchus of samos,
then onto philolaus of croton -
anaxagoras; whoever was
debunked by ptolemy... then so many years...
until enough time passed...
before people could take the plunge and
be certain: for old time's sake with
copernicus - well the people have been sleeping
for long enough...
enough time has passed and we can pass...
this objective truth... that the heliocentric
model is true and that the pharaohs held
no authority as the sons of the sun
in the static geocentric model...
likes Xerxes ordering the sea to the be whipped
to calm down... and become a lake...
some pharaoh must have had a wild
idea telling a sand dune to stop moving
or seeing some mt. sinai said: shrink!
so instead be said: let's build us a... perfect pyramid...
a mountain that looks... geometric from
both afar and near!

or at least that's what Homer would have
said when visiting Giza: Δ'uh!

so a single man is somehow justified
in passing an objective truth?
unless the mob encores...
but what about the jury - a trial without a jury
is any trial at all...
murky ground if you ask me...
i don't expect man to pass...
judgement for a universal equilibrium...
but what i do expect is that:
he doesn't think he's capable of this: grandiosity!
clearly he's not... the objective reality
of falling... the subjective: i'm right as
allocated the status judge: therefore i'm standing still.

competition in a medical environment...
only in the realm of psychiatry...
and the mine-field of misdiagnosed misfortunes...
but i hardly think... competition is a catalyst
for getting surgery done...
corporation, yes...
among farmers? a rare treat....
a hobby pursuit for a selected fraction of
the crop... the dear-to-my-heart "g.m." tomato...
but all the other tomatoes... need to be harvested...
but this my pet-tomato... which needs to be:
THIS BIG! another matter...

sport and competition...
but work... and competition?
no wonder work and competition,
rather than corporation gives end results as...
who's wearing the most trendy sneakers?
who's social media account requires...
the most editing? who's child is the one with
the smartphone? etc. etc.

the bait of the poo'em is that it's naive:
but i think it is - so there's that to begin with...

i still can't fathom that "capitalism" was solely
promulgated on competition -
i'm still having to address the "model" as...
having to retain a "socialist" aspect akin to corporation
to get away with... what later became:
an all out economic "war" of competition...

naive utopian of me to somehow huddle
at the fireplace of corporation...
work - if so many people hate their work...
what would be the only gratifying
alleviation? and i'm pretty sure some places of work
are less about competition: and more about
corporation - as i write this...
the british national health service...
some people will compete by cutting corners...
competition will lead to doping scandals...
competition is... an Elisium for the few
and... a crab-bucket for the some...
call them the 10% cliff-hangers...

i've noticed it in poetry... slam poetics...
what not... this affair is already riddled with too many
****-up ****-wit window-lickers:
of which i am primo...
but i don't think it necessary to compete...
this was never about competition...
not every work is required to be
tinged with competition...
sometimes... it's just better to corporate...
do... undertakers compete?
do... postmen compete?
last time i heard: each is allocated his volume
of letters... it doesn't matter whether
he finishes his chores before the other postmen...
no postman is stupid enough
to take up someone else's allocated letters...
the first finishes his chores sooner...
the latter works overtime without pay...
it's a corporation of endeavours...
all the same... but there is no need to give these
postmen running orders when
they can walk the ******* mile...

competition within the realm of sport is one
thing... i guess a long time ago...
some people engaged in competition: sports...
to escape the general lagging begin plateau
of corporation... Rome wasn't build in
a single day... others dedicated themselves to
slouch and sloth of expanding the cranium
by reading a book...

the naive is still the bait...
is conscripting in an army...
about competition... or following orders and hierarchy
and therefore: not solely about corporation?
hierarchy you ask...
well... wouldn't that be something borrowed from
plutocracy / nepotism?
competition in an army environment...
what if you're in the royal guard
competing at what... shooting more blanks
into the sky expecting to shoot down the moon
at a wrestling-match fake
of staging of a state funeral?!
the cannons sounded... and that's all these
ever did... they were shooting with
empty wallnut shells! the wallnuts were
eaten by gunpowder gremlins long ago...
before the pomp & circumstance was shot
with: aenemic *****...

this is not a capitalism vs. a communism
debate... communism was riddled with nepotism...
come to think of it...
capitalism is not there yet...
but it's already there...
from what i've heard...
capitalism as this utopia ideal is not a meritocracy:
exceptions are made...
cicero was an exception of the roman empire
under nero...
exceptions and genetic freaks...
is this still a naive poem?

i can understand where competition works -
notably in what jobs it might work...
but most jobs require a stable work ethic
of corporation...
perhaps all self-employed entrepreneurs...
"perhaps" have no corporation in mind...
to a greater degree of orientating themselves...
in that corporation is: outside the bracket...
if everyone was suddenly...
self-employed... there would be no fear of...
the robotic onslought to come...
at least then... the microcosm would open...
and there would no longer be any employees...
just self-employed facets of...
"corporations in name only"...
which they already are...
corporations in name only...
given that... the corporations are no longer
competing with each other...
they have consolidated on a monopoly...
and since they are no longer competing with each
other... they have designated their former...
inter-competition into a hierarchal intra-competition
of "employees"...

can a bus driver, or a tube train operator compete?
by law... you can only drive a bus for 8 hours...
to operate a tube train... you can do X number of hours...
and these include breaks... necessary breaks...
can you find competition in these:
ultra-corporative environments? no!
capitalism might think it is necessary to scare everyone
into: the robots are coming! time to be self-employed
and compete! compete!
but some jobs are still: primed to corporation!

could i ever see undertakers competing?
in times of a spiked demand - during a plague...
what is healthy in sport -
is not necessarily healthy in a workplace -
after all... most people detest earning money -
it's a chore - mind you: do i enjoy writing poo'etry?
am i being paid for writing it?
no... i am "volunteering"... for the love of
the art... for ****'s sake... nothing more!
nothing less!

is this still a naive poo'em: yes... sorry...
i forgot to be caustic and there's no rhyme... my bad...
but this is not a capitalism vs. communism
tirade... from the yoke of the soviet union...
i learned from my mother that...
flues weren't really that prominent...
not until the 1970s...
by then it was a common theme...
biological warfare... while the crown-virus has
yet to claim a life outside of the mandarin
genetics: in the age of propaganda journalism:
you hear a "truth" one day...
three days later you're singing along to your
own "biased" / solipstic narrative...
after a while you have to adopt the "autism"
of solipsism: the world can only bite so much
out of you... you have to turn to standards of delusion
to match to their: from the many, one...

in sport, competition is the "zeitgeist":
it's not a metaphor, it's a misnomer...
but given the " " ditto brackets - i'm tired of looking
for the: "required" word... sometimes...

by the 5th definition of competition...
it's not as direct as corporation, competition
needs to borrow from an -ology...
again, verbatim: 'rivalry between two or more
persons or groups for an object desired in common,
usually resulting in a victor and
a loser but not necessarily involving
the destruction of the latter' -

what is untrue about this is that...
the destruction of the latter is paramount...
at least these days...
am i to believe that capitalism was not,
not ever, tinged with a belief in corporation...
that it was always, somehow, only about
competition?
what was communism born from?
when did the abolishment of serfdom happen
in russia? 1861...
the abolishment of slavery happened
in england in 1865... 4 years after...
but... but!
in russia? the slaves were thought of as...
people from within russia...
in england? the slaves? en route a trade from
one foreign place to another...
wow!
all slavery: either foreign, or domestic...
and to think that communism was a "failure"...
hard to imagine... truly hard to imagine...
given that... communism was born...
4 years prior to slavery in general was abolished...
of foreign to become "nationals"...
what does english he-he-history tell us about
native slaves? four years prior to the slaves
moved from africa to the cotton candy fields...
there were slaves that were not: ***** out of africa...

reperations who's who?!
why didn't capitalism bloom in russia...
why will it never bloom - oligarchs and...
currency of modern western capitalism:
nepotism...
who is jared kushner?
mr. cushions mr. cushtie...
mr. minted in: network baron...
slavery was abolished on the international scale
in england in 1865... four years after...
internal slavery was abolished in russia... 1861...
isn't that the sort of wow you were expecting?!
so when was slavery-slavery abolished
in england?
again... if internal slavery was abolished in russia...
4 years after slavery on an international
stage was abolished...
communism was a failure because: per se...
or... was communism supposed to be...
a short-cut attempt to catch up to capitalism?
was it a failure in catching up to capitalism?
in the 2008 financial clash...
where was Poland? recession free...
again... communism was a failure per se...
but... was it a failure in terms of catching up
to capitalism?
to me... it's still catching up...
when again... we're talking... freeing people...
only 4 years prior to people who would
otherwise still be... rummaging the romances
of Kenya and seeing no albino tourists sipping
brandy on their shores...
perhaps better for the whole load of us...

i ask, again, in my naive way...
that's the difference between competition and corporation?
not much...
a football team needs to compete with other football teams,
but it needs a corporative methodology behind it...
you can sometimes spot a maverick who wants
to be the solipsist in the team and become
nothing more than the top goal-scorcer -
then again: a kevin de bruyne and the number of assists...

if there was to be a level playing field...
everyone was to be self-employed...
what fear from robots?
competition on a ford's:
each man is a cog in the assembly line...
you can't compete... were you supposed to?
i thought that the only reason sport
was fun was to be compete and corporate...
it wasn't solely about competing:
not even in tennis are you ever competing...
unless you're serving a ****-ace...
competing but also corporating:
for the spectacle: with 19shot rallies...

to reiterate: this is a really naive poo'em...
is has to be!
- again... before capitalism became this hell-scape
spiral of: fear of robotics / a.i.:
let's just see if we get enough self-employed
people on board...
oh sure: the self-employed undertaker...
the self-employed bus-driver...
i'm sure there was, what's not called:
a "healthy spirit of competition" in work related
niches of existence...

i'm an alcoholic living among workaholics...
not a pretty sight... believe me...

i'm sure that capitalism... must have began
with: a "healthy spirit of corporation"...
that one henry ford would benefit more than
all the assembly line workers: fine...
the brains is allowed the conscious efforts
to move the eyes, close them,
use the jaw... bite... do magic with the tongue...
the liver has no knowledge of alcohol...
the heart isn't exactly aware of either veins
or arteries... fine... a henry ford cigar can get
away with thinking he's not adding
a chimney to the whole affair...
or a rhine-valley load of chimneys...
the stomach doesn't know what taste is...
sure as **** the small intestine knows
what it feels like to be a woman:
should it find itself unfortunate to have
a hitchhiker tapeworm attached to it... etc. etc.

but i imagine the capitalism had a sense of
corporation before...
it worked too many psychopathic sport analogies
into itself... precursor to the fear
or a.i. robbing people of their jobs?
testing people in a self-employed job market...
again: oh sure... the self-employed undertaker...
the self-employed busdriver!
perhaps a self-employed cabbie...
a self-employed surgeon?
how would that work?

        what's that? the cult leader... would not find
a job status match... in a corporate market of ideas?
then a ******* maverick he is...
esp. with such dates as: the brian jonestown
massacre hovering over his head!

perhaps i am naive is reiterating:
work implies corporation rather than competition,
in that work implies chores...
i've seen this in my father -
he doesn't underand household chores
on the basis on corporation -
he understands them on the basis of competition...
and he's to somehow... take pleasure
in the "free bread and circus"...
when the circus is not what it used to be?
once upon a time: the circus involved
men... who were footballers...
but they also did part-time metallurgy work...
they would clock in at a certain hour...
then be let off work to play a football match...
they weren't paid: professional:
disappropriate wages...
because their "work"... was over-inflated
by the gambling syndicate dicta...

there was a utopia in Poland...
it lasted for... roughly 30 years... from 1945
through to 1975... after that the herrings
didn't want to be pickled...
the baltic sea started to boil and the fish
strarted to froth at the mouth...
it's not a nostalgia segment: i was born in 1986...
this is mythology: curating the temporal
standards of modern journalism...
history: what time ago?
50 years? elvis was abducted by aliens...
n'esst ce pas?!

slam poetry competition with fellow:
poo'em eaters...
can i jut take the armchair with Horace?
i don't feel like competing...
what am i competing for?
volume... a new YA novel?
i will not ***** language...
even if it is a language i acquired:
and it's not a tattoo native first come first served
expression...
this is not a capitalism vs. communism
affair...

all the: towel in champions of capitalism
have made it clear:
start a traditional family, start a farm...
milk some goats...
pluck some eggs... living the dream:
brown fingers and all...
                       way way out from competition
in the workplace...
so... no need to corporate...
solo does it...
                                and if i'll be needing some
milk... i'll likewise claim: an autistic
pension and enough barren land to feed
goats organic glue and toilet paper that
magically morph into... a propaganda poster...

olim truncus eram ficulnus, inutile lignum:
once i was a stump of fig,
a wood without use... this is my best Horace:
thank you, goodnight...

what is to be competed for?
rather: what it to be retained, kept, status quo
enclosed... this pride for corporation?
competition in the workplace can only go as far...
not all professions can allow competition...
some will forever retain their base:
corporation...
to compete outside the realm of sport...
sport... those with enough awareness
of the body would pursue it...
those with a bit more brain in tow...
wouldn't... the ghost limb terms:
there's nothing of note
when it comes to competing with i.q. in
mind... or corporating...
there's this ancient feat of "solipsism" and
self-bettering... rather than running
the "expected" mile...
was capitalism always this:
chicken-shack-shackled into... wishing to squeeze
out drinking water... from pig ****?

again... this is not as easy give-away
that it's a capitalism versus communism base scrutiny...
all the eastern european laid-deeds have made it into
their chandelier filled land-allotement sights of
better ****** that gynocentrism...
i don't mind...
      yes... because among the bulgarian strip-party
i'm the ottoman janissary turned
well spoken sheikh... when morocco is given...
a fictional name... and i'm the Ali
that rubs Muhammad's lamp and
averts the... most ****** schism...
oh sure... Islam would be a pure religion...
and they would be allowed to complain about
porky-pies...
but... you see... how long did it take
for a schism to emerge between the orthodox grees
and tha catholic italians?
how long did the islamic schism take
to grovel and dig trenches?
not that much...
after all... Shia... Persians... Ali Woke-oh-Haram...
and the ****'ite... the ***** muslims...
the Saudi bin-Ladens...
well... that schism... didn't take that long...
some whisper about a schism in the monotheism
of the hebrews...
ha ha! i write ha ha... but even i have to laugh
out loud... a monotheism an inbreeding
of something more than genes...
fix the idea... and continue!

by now even i know that christianity has reached
a status of polytheism...
it's the same jesus... sure sure...
via no other than the orthodox,
the catholic, the protestant (calvinist, lutheran)
standards... or the baptists... or the jay-***-***-V-and-G
standards...
next thing you know: the vegans are
the gnostic monks!
because it has to be a joke at this point...
if christianity is a monotheism...
i'm mother theresa and that albanian
that stole george w. bush' mickey mouse's watch
on a state visit...
so to complete the holy trinity...
i'll be... alastair campbell... always for the giggles...

an alcoholic among workaholics...
who always had the satan's postbox concerning
the niqab... the same ones who were to be always
quoted: the beast from the east...
jesus is coming! look busy!

i mean... no need to look busy...
when the high a tide is making a comeback...
would you believe it?
if you saw the words... united kingdom...
england, scotland, wales... ireland...
that this was not moldova?
this is a language these are letters so arranged...
by an island-dwelling folk?
if you're the first, driver...
shotgun! who are we smuggling in the passenger
seats behind us?

imagine my surprise at the rereading,
with the typo: a missing (s) in letter()
and a missing (d) in arrange(d)...
i call them... the lost key of solomon...
or my own personal, hybrid,
hard-on...
oh god kept me with a phallus...
while giving all the angels a proper chopper
of the ol' wood... **** to stump...
i'm the one that wasn't circumcised!

and all i now have to sing about... is...
a forest of pines! a forest of pines!
pines pines pines! yippy caye!

I believe in smiling at strangers. I believe in saying hello. I believe in shyness. I believe in fear of rejection. I believe in the need of affection. I believe in the need of reminders. I believe in candles, especially those that smell of vanilla or christmas. I believe in wearing small crystals around my neck. I believe in energetic vibrations. I believe in colours - I think each person has their own colour. I believe every feeling is valid. I believe in chapstick and I believe in mascara that doesn’t clump. I believe in nail polish - every colour of nail polish. I believe that the only reason we lie is because we fear something. I believe in poetry. I believe in bluntness. I believe in the intention behind words, but I don’t necessarily believe in words. I believe in travel. I believe in travelling solo. In fact, I believe in travelling so much that it is pretty much all I want to do. I believe in music. Boy, do I believe in music. I believe any kind of musical composition can change a person. I believe music can cure depression. I also believe music can feed depression. I believe a melody can say more than lyrics and I believe that lyrics can be what someone couldn’t put together themselves to explain exactly how they are feeling. I believe anyone can create a song, even though they believe they cannot. I believe a single note can sound like the most beautiful sound in the world. I believe if someone records a song when they’re in an ugly mood, the ugliness emits to its listeners and can drain them. I believe in art. Of course I do. I believe in acrylic paint. I believe in oil paint and watercolours, but not as much as I believe in acrylic. I believe in fingerprinting. I even believe in painting with your toes. And I believe in dancing; even if it looks weird. I believe in flailing your arms even, as long as it feels good and right. I believe in dancing ‘til you sweat, though I don’t like that icky feeling too much. I believe that a babe can be a very ugly person and a physically unattractive person can be a very beautiful person. I believe that people who smile are beautiful. I believe that people who frown are beautiful too, just in a different way. I believe that there are sincere smiles and there are manipulative smiles. I believe that some people just know how to use their eyes well. I believe in eye contact. I believe in engaging. I believe in listening and dropping everything else that is going on in your mind just to listen to what a person is trying to share with you. I believe in sharing - sharing cookies and sharing love. I believe in the frosty cold. I believe that it doesn’t have to feel as cold as it really is. I believe that people complain a lot. I believe that people often have too much pride to be happy. I believe that we should embrace our discomforts and shames, that we should welcome them wholeheartedly so that we can be happy. I believe in honesty. I believe in empathy. I believe in tea. I believe in jelly donuts but only on certain occasions. I believe in quirky bow ties. I believe in knit toques and mittens and scarves. I believe in dresses. I believe in flirting. I believe in coffee in the morning. I believe in big comfy beds. I believe in walking around your empty house in your underwear or birthday suit, singing loudly. I believe in singing in the shower. I believe in singing on the street. I believe in stage fright. I believe in meditation, though I don’t really strictly set times to do it anymore. I believe mundane activities can be done in a meditative state of mind. I believe in clarity. I believe in not judging people because everyone is human. I believe every human has something very interesting about them. I believe in boring people too. I believe in christmas music - not the radio kind, the choral kind. I believe in cheap sweet wine. I believe in Billy Joel and I believe in The Beatles. I believe in Regina and Sufjan too. I believe that the ukulele is a very overrated instrument. I believe in having healthy hair. I believe in moisturizer. I believe in getting to pick a coloured toothbrush at the dentist. I believe in thick wool socks. I believe in baggy sweaters. I believe in yoga gear but I do not believe in sweatpants. I believe that yoga is one of the healthiest things for a person - ever. I believe in buying a friend drinks or dinner once in awhile. I believe in collecting shoes and scarves and rings. I believe in chords but I don’t really believe in jeans. I believe in hot chocolate with whip cream but not with marshmallows. I believe in dorky Christmas sweaters. I believe in baking cookies instead of cake. I believe in eating disorders - I do not support them, but I do believe they are much more severe and various than most people think and I believe there should be better/proper help for those who suffer instead of the usual cruel inpatient/outpatient care. I believe in trichotillomania and I believe in dermatillomania and the severity and impact it can have on its sufferers. I believe in gardens. I believe in every single flower. I believe that everyone is always doing their best. I believe that most people love to struggle. I believe in hope. I believe in having faith in yourself. I believe in iPod playlists. I believe in gym memberships in the winter, not the summer unless it’s to swim. I believe in matching underwear every day. I believe in Value Village. I believe in singing in bus shelters when you’re waiting for the bus. I believe in dressing up according to holidays. I believe in Grey’s Anatomy and I believe in Community. I believe in skirts and dresses that twirl like the ‘ol days. I believe in longboards more than skateboards. I believe in plaid like most young people do. I believe in bows in my hair, but not as much as I used to. I believe in foot massages and hand massages. I believe in reflexology and reiki and essential oils and chakras and crystals and holistic nutrition. I believe in anxiety; even crippling anxiety. I believe in awkward romances. I do not believe in flip flops. I do not believe in Beatles covers unless they are really insanely good; then my mind is blown. I believe in having long enough nails to scratch someone’s back appropriately. I also believe in biting nails. I do not believe in telephone calls unless I am extremely comfortable with the person. I believe in blogs. I believe in journals. I believe in naming special inanimate objects like journals, instruments, technology and furniture. I believe in the idea of cats more than I believe in cats. I believe in sharpies or thin pointed permanent markers. I believe in temporary tattoos. I believe in streaming movies online. I believe in royal gala apples. I believe in avocados. I believe in rice cakes. I believe in popcorn. I believe in airports but I hate the LA airport. I believe in openly talking about *** but I don’t believe in making it seem shameful and gross. I believe there should be no shame regarding sexuality. I believe in reading some great books more than once. I believe in laying on the couch under cozy blankets, watching a great suspenseful tv show or movie. I only believe in having a couple bites of cheesecake. I don’t really believe in lulu lemon. I don’t believe many people can pull off the colour yellow. I believe in buttons over zippers even though zippers are easier, they just look kind of dumb and cheap. I believe in the sun and the moon equally. I believe in closets over dressers. I believe in staring out the window for a good hour or so.

"Wagons East (1994) - IMDb www.imdb.com/title/tt0111653/ Internet Movie Database Rating: 4.7/10 - ‎3,545 votes (stylized onscreen as ‘Wagons East’) is a 1994 western comedy film directed by Peter Markleand starring John Candy and Richard Lewis. The film marked one of Candy's last film appearances although it was not his last film release. His last film, Canadian Bacon which he had completed before “Wagons East,” had a delayed release in 1995. The film was notable for its leading actor Candy dying of a heart attack during the final days of the film's production. A stand-in and special effects were used to complete his remaining scenes and it released five months after his death."

And it’s Wagons East!
John Candy’s last mega-bomb,
Released 5 months postmortem.
Alas, even the sympathy vote stayed home,
Reject the we-owe-it-to-him-for
“Planes, Trains & Automobiles”(1987, IMDB).
The role, like money in the bank,
Earning diminishing returns,
Yielding interest but losing value over time.
The myth of INTEREST:
Das Capital, 2015.
The Prime is at 0%,
Yet, Inflation soars at, well,
At inflationary rates,
Digit-pounding inflation,
Higher food & shelter prices,
Masked ever so cleverly,
So deftly obscured by benevolent gasoline prices.

“Planes, Trains & Automobiles” (1987, IMDB)
Meet Del Griffith,
An obnoxious slob,
A complete schlemiel
(Also shle·miel (shlə-mēl′),
A serene shower curtain ring
Salesman and tour de force.
A film illustrative of everything
We love about farce,
(Merci beaucoup, Molière!)
And love about any
John Hughes/Steve Martin collaboration.

Needless to say,
I watched “Wagons East”
On TV the other day.
It was ten o’clock in the morning.
Will-o'-wisping in the ashtray,
Smoke from my first joint of the day.
The ashtray, a mosh pit carbonara--
Actually, an inverted exoskeleton dome--
One of dem big muthas,
I once free-dived for,
Offshore Mendocino Coast,
Back in the day,
Back when THE FRENCH LAUNDRY . . .
(The French Laundry: Thomas Keller Restaurant Group, www.thomaskeller.com. Chef Thomas Keller visited Yountville, California in the early 1990's on a quest for a space to fulfill a longtime culinary dream: to establish a destination for fine --314 Google reviews · Write a review 6640 Washington St, Yountville, CA 94533 (707) 944-2380. Daily Menus - ‎Make a Reservation - ‎Restaurant)
Back when THE FRENCH LAUNDRY
Paid beaucoup bucks for
Well-tenderized,
Sledge hammered slabs of illegal,
Black Market abalone.
Most assuredly, I digress.

So where else would I be?
My laptop was open & willing,
Legs spread, wet and waiting for
Whatever comes what may.
What came was a film
Earning pitch perfect
Dramatic chops for Candy.
We owe you, Del.
We owe you for this Anthem:
“You wanna hurt me? Go right ahead if it makes you feel any better. I'm an easy target. Yeah, you're right, I talk too much. I also listen too much. I could be a cold-hearted cynic like you . . . but I don't like to hurt people's feelings. Well, you think what you want about me; I'm not changing. I like . . . I like me. My wife likes me. My customers like me. Cause I'm the real article. What you see is what you get.”
But that was then,
This is now.
Wagons East:
A disastrous ****** bomb.
A vapid character jambalaya:
(1) A defrocked doctor
(2) A sagebrush *****.
(3) A queer book vendor.
(4) A Donner Party Survivor
Sounds can’t miss, right?
Or was it a classic Broadway/Hollywood sting?
Redux: “Spring Time for ******.”
N'est-ce pas?
Four *******
Heading east by wagon train;
Giving up on The West,
Heading east for Saint Louie,
Where freaks & geeks go undercover.
Down go their guards.
Camouflaging the chimera,
Transits the urban Wasteland,
Vast & nasty, as it were.

St. Louis, Missouri:
A much more tolerant
Hideout place.
THE WEST:
Just too much of
A hassle, I guess,
Too much for one’s
Flat-lined human mind,
Bored too shitless by
Buffalo turds to venture thought.
THE WEST:
Neorealismo italiano.
Complete Jolting-Joe reality,
A veritable wake-up call
Devouring any & all
Residual romantic fantasies . . .
THE WEST:
Struggle & Drudge,
Life lived west of the Mississippi.

Rangeland Romances #9 Go West For Your Man! Kindle (www.amazon.com) Books Literature & Fiction Amazon.com, Inc. Start reading Rangeland Romances #9 Go West For Your Man! Get the free Kindle Reading App or read on your Kindle in under a minute. Don't have a Kindle? www.amazon.com

That’s right: another advertisement,
Smack dab in the middle of
Of the ******* poem!
My invention, by the by,
Putting herein another plug for
A preferred memorial gravesite,
The Shrine To Me!
Situated in Scituate,
(Always wanted to say that.)
Scituate MA (www.scituatema.gov)
Knowing my kryptonite crypt,
My not-marble-nor-gilded
Princely-monument,
Had no chance to outlive
This fakakta rhyme scheme . . .
The Shrine To Me!
My final resting place:
My very tony, exclusive
Sub Zip Code?
The South Transept
Westminster Abbey
The so-called Poets’ Corner,
Of course!

Which brings me to my true purpose:
My true intentions for you this morning?
To publicize the strange Case of
CHARLES ROCKET:
(Go ahead, ******* Google him!)
“Charlie Rocket, found dead in a field near
His Connecticut home on October 7, 2005,
His throat had been cut.
He was 56 years old.
The state medical examiner
Later ruled the death a suicide.”
And if you believe the Coroner,
A Medicine Man &
Master of Self-Interest;
If you give that sharp-dealing,
Proverbial Connecticut Yankee his due,
Then you will probably also think
That millionaire Robert Durst
Didn’t **** Susan Berman,
Even as we see him
Getting away with ******.
Again.

Feel empty in your post apocalyptic City of Angels,
Where not even your pets are real!
An electric android, a sheep or a frog,
The whir-flutter of micro-electrical wings of a butterfly.

Good, and so you ought.

Now grab the handles of your empathy box,
And in a shared virtual hallucination –
Feel: empathy, depression, pain, delusion and despair,
The outré myriad gifts of consciousness.

Billions of discombobulated and disconnected wrecks:
Adam's sons; Eve's daughters,
And among them simulations too,
Fakes! androids!
A phony circuit of implanted semi-conscious memories,
A hive of neural malaise!
Welcome to our world;
know how dead inside I am.

You, yes, you:

Need a pet to make you more complete?
Maybe you can afford
A Fake Fakir Flake like me who looks like Jude Law,
Sounds like Richard Burton,
And silently romances you like Rudolph Valentino.
Come and stick what’s left of your mind,
In here,
In hair,
Hear her:
har, har, har…

A box of lies...

A voice, Mercer's,
With texture from an age you neither lived in nor dared in:
Al Jerry's, a TV actor,
Droning on in pre-selected tones.

The real thing, the men, the women, the children - their animals -
Made in the wild, wild desert,
In the green pulsing savannah,
On the open crusted sea;
Now too, washed, choked, and drained,
Too many spliced and diced mutations,
Iterating your image:
The thing that was my heart,
My Child, now its imitation.

life is never what it seems to be, always reoccuring with a thought as put upon the length of arms that revolutionize this thought. . .for those that can be bought,
is day like today less then feeling of want to rot, because so simple as a breeze brought down your temperment to be pleased. . .caught in a storm, that has outlasted
longer then your heart to feel content and warm, to feel the essence of a breath among a group of bad breaths, in other words, to breath among a group of brothers and sisters
from whom you can gain so much. But life is never what it seems to be, instead you look yourself in the mirror pointing at me, you, fool. Glowing from ragging frustration,
the toll blows for you unsurpassable deflation, because it is not for your hand that grows for the motion, to pick which ******* **** you want to lotion. Spearing the reasons,
the ego is your hero, born to work zero, and trusted with such hand to uphold all by command. To twist on the ****, that opens your door, to circumstances i certainly care less
the **** to continue to explore. But with this slight little mention, please pay close attention because this song is a *****. At least to explain the message, my whole is a
whole that takes life time to experience and grow, and appreciate the things that stoop all the levels around me, no barrier, no door, just genuine life experience to bring me
to come to this point to explain to the world something within the self, that is described by astute persons, for whom these ideas carry on to fulfill an immense part of
something that is casually slipped in and never thought about because it is told within reason that humanity cannot be without such astute person's idealogy. For **** sake my
friend, if your have many common sense, think of the common thing that has driven you to come to the conclusion that you have come to about anything. Everything is absolute and
existent and is evoked through the means. . .from the time of your dissapating freedom, as kids, not as adults, because look at how adults are this days. They teach their kids,
and they let others teach their kids, but the kids never get the feeling of being free. I promiss you, that cry or emotion you have experienced due to lack of friendliness from a
neighboring ****, it is an instillement that sparks up many motions of your life to believe into bizarre things the world portrays. For myself, I find the starting point of my
when I first breathed my first sensible air, when I walked in my own two feet without guidance as to where my eyes were seeing. How can a mind be so tender, lost by the misconformed
train thogh after train thought. That is why I find schooling such a fascinating ruthless thing that can be broken into several fashions as to why is that case. But not even
reason to fashion an answer that I know will and is definetly can be viewed to abhold a societal dismark of "wF"is wrong with that guy's mind. He must be **** casing a storm to
bring an ideaology of thought or some **** religion, but that's what so funny to me. I find everything in life comedic, non concerning except at times if I feel similar to
someone adjacent because that is their essence in my prescence, and I feel the need to comfort it, to bring back the importance of that self. The part of life I find so comedic,
how bits and bits and everything with **** have all so many fascinating
things to learn from, the progression of one's mind never attains self worth in the world with something interfering. That something interfering for example, is me personally
writing what is can be taken as pointless and presenting my writing to you how I say I do. But did I say how I am presenting this writing, absolutely not. So brings the funny,
that school teaches the aspect of disfigurament of a person's essence. This thing is a complete oblivion to everything and anything, that because even though I did not specify
how I tone myself on this paper, there is the predicament to assume that I am very angry deranged person who but pokes charasmatically at something no one can grip, because he
is portraying me the image the way I was bred to see. But then it is so **** funny, you can also take my words describing
all that I intend to explain and stick them against me to simplify your circumstances as to the causitive feeling your experiencing, and maybe the confusion that I am creating
noting a significant point that I do write intentionally without any figurative wording, just simply talking about this to evoke a presence of an essence within you that is hindered,
by what type of **** everybody is wearing, where they are starring, who is ******* and adoring, and who's simply the **** because they don't fit in a deranged group, developed by
ego-centric level stingers, who but want either good for you, or it is the drive to profit from you everything. That is, words blah blah, can take stroll
on one day's role and make no complete sense, and all they did were live the sense of a tangled mind that fostered on what has been in some form, taught, over
what you can call a lively existence, considering how much traumatizing headaches this could cause, and resembled among a group of similar constituents with similar reasons
as to whatever the situation might be. I could point this out within one sentence, but it wouldn't hold any deeper understanding of this essence, so instead I decide with all
my reasoning and tremendous experience that even to some, even at this gritty expertisians who grease up the world to guess everything based on study and reasoning by other humans,
who believe all these ideas are shifters to the mind but always stem the relentless, functioning without any perspectives open to the idea that mold humans into one spatial and far better
so called community, which in all it's case has lost the essence to preserve the self without a ***** on the back. That ***** of course is the communal ****, that builds from a
trigger of words, then they teach the brain as if it is known how to be as a functioning unit. The amount doesn't matter, the amount that is thought brings hope, but the most
amount to the self is the function of you, like I feel I function amongst anyone because I have come to terms and realize what really important things I have learned from my life.
My life to some is gripping, only because it sounds unbelievable, but of that life I found the same driving forces that drive madness even today, and has been reaccuring for as
long as some form of expression has been. And in all humiliation of humanity, or as I consider it digression of being self around the bounds of comfortability, it has been
a grand experience to see many a people transgress from the point of my meeting them with a continuous contact to the point of now, and then, and future plausible. But then
and future plausible for me stand out as notions needless of evocations due to the fact that the self is a dwindling factor hung by a rope to swing the way the self first portrayed
to me, and then to the direction away from the first encountered mind. But in all, without senseless ignorance, I do understand these things are studied for a reason, for a reason
that is workable to be as they are for some variables do affect person's in many different way. That is why, the sense of one roof and too many aloof is but a big spoof. With
sensibility, how can forging something into your life help you to achieve greatness within self to portray it in a manner plausible. The only way is as a current flows, so do
the gulls.



where do you. . .come from. . .so many leagues unbeknownst among my dreams.
life is never what it seems. . .until i met your eyes.. . that built
my stongest implication, dire in desire to live a life inspired. . .
but then so is, to dream upon what tends on building motivation. . .
life is beautiful sensation. . .
from the first rainfall with you meeting outside spontaneous realm. . .
we fought the solemn wind to calm our cumbered spirits. . .taking flight,
fighting what might have been. . .semeless to even entertain. . .lost in
each others warmness. . .everything we built tended harmless.

now see how we have. . .related to each other's hearts. . .left the scrutinity
at obscurity prolonged on scale of mirror. . .where it has always belonged.
now it's just time darling
i promiss it wont be long until our roots bind the maximum strong.

from even across the plains, and mountain long trip stains. . .i feel
less pain. . .from what's the phrase non loose then gain, consorting time
absorbing each other's essence in rhyme.
the deepest of sensation of you. . .the meekest of me, makes me be the simple thing
that i've reconnected to . . .to realize, the sensation of you. . .from our first
encounter, i felt deep into your eyes. . .what agree's none behind with lies. . .
you evoked the deepest motion within my sphere of emotion not to betray myself within
this realm and dark frivolous potion. . .for my first set of emotion set on your tone behind
this potion. . .

i face you eye for an eye of every day until i die, but will ever will i die. . .not with you
never. . .darling angel, angel you are my expressive tone to call you so. . .nothing more
is the essense of you that you seem to implore, how busy life must be. . .we need feel free
to good ridance from this fee that life doesn't instill our good griefs beyond simple joys and beliefs. . .
for simply darling we are each other's heart beats, if it's simple smell of you
i will carry out my deeds in hell. . .beneath on hearth this earth, where all of us have been given
birth. . .but sent to spend what is driven by multipolluted cord, the time in blunt approach from
the thing that planted our roots. . .

how i feel you is simply too rich for some dirt to enrich you. . .i simply love and cherish
every bit of your essence, it has lifelong presence that even doing what they call
reminiscing, can't surpass living without missing what they have been reminiscing. . .
i cherish you beyond what little faith can teach about having bigger faith, when all my hopes
ride faithful slopes without elongated stops and rope bearing hopes. . .
my life i see to the extent to remorse only what some feel beyond scope of too openly. . .
but how can i retreat on what i can't stop to feel to protect you from, to their heads we are getting closely. . .
how in the scope of your first essence, can i give up to give way to ruin such pure essence. . .

i understand the world makes a feeling for such pure feeling is counted by blessings. . .
and in order for us to make it, that thought i feel senseless baking . . .constant roll of assorted
reasons for why we bleed to them treasons . . .for how can i express, how simple love doesn't
just digress, or something with time you invest. . .it's simply have been a joy of building
together a foundation for our nest. . .**** the rest. . .**** the pest. . .the world is the best
when sleepers are put to rest and the spark of commune are dwellers dwelling on these mischivers'
locked up chest. . .
to find out that darling. . .you simply are a joy to give me whole, that i'm not uninspired troll
reluctant to breath beside the one he placed his greed upon. . .or her, or it. . but all the essence
is closed and beat, by some known with ideals humanity can't consider too farfetched to bare to grit. . .
and sway to the essence that i hold in my glances. . .are as simple as these branded constructed norms
that most tend to manipulate and distort to one contorted form. . . .so all can bend into one socket for 365
degree view that most tend to agree. . .but never really see.

i know it's many there with this essense around the breeze of an aura, that simply are stranded too far apart by such horror.. .
to relent their essence with their prescence. . .to whom Barbarians find the essence is planted full on messes.
but how can we relate to such things darling. . .when the first glow of your essence showed me life full
of memories by the smile in your eyes, glowing beauty of any sort. . .i feel the world will someday . . .
take flight. . .in my way, but **** that. . .i'm to speak when my message is too simple, provoked only by the
thought, "protect the world its miser mother has been beaten". . .i can never relent, the message that is never
but to contradict what's life has not eaten. . .because of the times put to squares, living life, fostering a step back, into recluce. . .these biches wont even
say cause their too ****. . .to figure out that there's a worrior to stump them pleaded sheets out of wood. . .
i say this out for your sarcasm, elongated this song a bit to give you big ******. . .so when you repose, you
think nothing but what side are the pro's. . .and enter them into oblivion, grasping each by the billion, how
can i repose for i know, without one word it is and has been always come down to the special chosen million. . .

because my darling, i feel the miser that this essence in me you inspire, is up and target for no good. . .for
these pleaded fockers granted themselves unrelentless priveleges for centuries, changing diepers to giving
blood diamond marriages. . .riding on what they call prestine carriages. . .oh what,you don't recognize this
what the world has come to building from everybody's demise. . .feeding on high rise. . .splitting cots in the
rots, most alluded with plots and continued building upon the essence of you, keeping you stewed, brewing up a flu. . .
to this day when i met you. . .
will never cease your memory by only that it was circumstance. . .romance among thieves denying our chance to dance. . .
with one glance, their world just plopped a chance. . .for i know they know who im refering to, without a glance
i'm sure they feel my stance just to look **** eyed puking. . .**** blocking their world to rocking, while else where goes to foster under
this ugly monster. . .stooped on a porch ******* their air, without any underwear. . .haha must be due to how
much pull goes to their hair. . .how do i, they feel ****** diddlidy ****, what, is this person a human or a
restored frame of mind living. . .i can't be what's in my eyes to be believing, but i simply am retarted man. . .
a ******* rough psychological fighting bluff, to them i would. . .but trust me, how could i in my life, i
never could.. . .fall to false pretention, that life is a great invention, that my desire's are for simple
hires. . .for i know my life evolves around that which your first essence, darling, we built stronger everyday
to our future of what we call present. . .

life with you, i simply can't resent. . .but figure out what's best
to make what we don't need to make. . . because the essence uproots life's shrivel of what they call romances. . .
rooting upward from the seed we planted on the day people deside to bleed
all over the notion, that this emotion they conquered stems from shot of elixir handed down from the heavens by
some they call cupid fixer. . .relentless, they push through many dances. . .all so strained and constricted by many
glances, restricting their free essence to feel in whole their life is shot down by simple messes. . . .
but you, none taken, broken and mistaken. . .how can simple things be so. . .when you know my essence for you is
far greater then what one instance can remark for the whole, i feel simply. . .protect you from their hole and
bind you with my essence that strives in whole. . .even through tormenting lonely dances. . .when i saw the world an ugly form. . .
nowhere to want to run to, or feel
resentment.. . where's life going to go. . .if my essence in a whole feeds you. . .away to their
mysterious goal. . .i wouldn't have the patience to ***** their abnormal pretence, as if life is sweet with
such mysterious fowl. . .create little thought to create bigger picture, many aditions just create tensities
among those who bicker, loosing control each time only quicker. . .that's why it's never lesser to speak for the lesser
dresser, or the person they showed you, that looked like he ******* told you, but instead they made the mistake
to grow lower. . . cowering even bolder. . . what **** is the point of that. . .to say it none meeker as if its meant to outcast the bleeker
. . .i'm not that so. . .to scowl like fowl crackhead, loosing self reliance to gr

lets stay here a little longer
lets laugh and sing some more
because i want this moment to last
want this you and i
to go on all night
lets dance a little longer
lets romance a little longer
you look so wonderful in that dress
feel so wonderful holding your hand
its these simple joys
that romances the heart to believing
that sways the nightbreeze song to favor beautiful thoughts
want to walk alone with you and talk soft
lets dance a little longer
lets romance a little longer
want to laugh with you
see that light in your eyes
just let me hold you a moment longer
lets not let the night slip away
i see dawn comin
but just want one more moment
with your smile
with your hand in mine
lets dance a little longer
lets romance a little longer
lets kiss a little more

A lost castle
In Galway called Lynch's,
Long lost
Its princesses and princes;
The blood took its chances
On foreign Romances,
Now Lynches
Spread over the globe.

From the ripple in a glass of water
to the sonic boom of this internal
Pompeii, the erosion
of her etymology is the only
sense of movement in her
dilated, cave-pupil eyes, those
two ghost towns spanning
and encircling all the way back,
stretched like an elastic blindfold
past the moment the first brick was laid,
perhaps her first vivid memory,
or anecdote, or first word uttered
in a Cuban slum.

There are mountains of tumbleweed
over the once thriving metropolis
that expanded towards America;
who threw herself into
the architecture of seven pillars,
borne from her land and
minerals. Gone are the
huts that housed her
knowledge of basic motor skills.

The women who once imagined
Mami and Mima as her birth
name now scrub off
the graffiti of her excrement;
they saw a swarm of pink moons
the day she told the same story
to every visitor that came
their way, each day then becoming
a missing surveillance tape, a sinkhole
dismantling the awareness
in her bones and stubborn will,
until she became
these dust-engulfed plains with
a daughter and granddaughter
archeological in their efforts
to chase down the remains
of a girl still breathing in
those eyes from time to time.

Every other ten-millionth blink of
the eye rides the silhouette of a post-infant girl
on the high tides of her quick visit,
looking in horror
as the nation of her life's nightmares,
heartaches, broken promises, romances,
spiritual breakthroughs, life-changing seconds
drowns with morbid unity en cien fuegos,
desperately attempting to assemble
the remnants of her psyche
past her cognitive bloodclots
with the awareness of one
who speaks no languages.

Gone is the moment
she first learned
to feed her several children
before the slip of sunset.

One of seven pillars remain intact,
the others long dismantled of their
stick and straw infrastructures.

One pillar remained,
housed her own colony
for nine months,
and now both descendants
travel the mind of their
greatest influence
with perplexed dedication,
caustic humor the decoy
for swarms of exhaustion
and asphyxiation
from the truthful atmosphere,
reveling in the seconds
of humanity lurking
in an abandoned etymology.

The hardest part of growing up is the disappointment. The rules of fairness get thrown out the window and it's up to you to pursue your interests. Each person becomes their own main priority. Self preservation. Your heart loses it value to others, your feelings no longer spared. Doing what is right mistaken with what feels right. My problem as of lately has been not doing what has felt right, but what's best for me, finding who's best for me.

Now, don't mistake me. He was a dream. My eyes glittered when I smiled. The first tender touch that scared me, but I was too proud to flinch. Laughter was endless, love ran lucratively. I guess you could say he was the beginning of my disappointment. No kiss could be as sweet.

The next was the captain of saving. He loved the skin I was in and taught me to do the same. He gave me affection, recognition, and a dilemma of delicacy. So sweet yet so twisted, wicked some may say. The sweet taste of sin. My disappointment grew with the seduction of satan.

Now I transition. The ending of a roller coaster. The disappointment began with the first drunken "I love you" I started to believe it myself. In actuality, I think I was just trying to fill the void that sweet kiss originally gave me. Nothing else could replace it. Not even his return. These short romances burn out quickly, only lasting months at a time, but experiencing the most significant of moments. Together, my loves have caused my heart to wither more and more. But it's those small  moments that make it all worth it. The moments that I knew somewhere in the midst of the mess they learned to love me, even if it wasn't forever. It happened, and in these moments disappointment grew because I knew they'd eventually end.

Prose is unpretentious, that's its attraction. Avoids bombast of line breaks but forgoes -- what -- perfect rest. Anyway today, a November day in February, no chance getting rest with the poor clay I'm made from.

With my mother this weekend, her dementia proceeding according to what plan. Saturday the kind of day I never have. Actually read three stories by Updike. One extraordinary -- Tomorrow and Tomorrow and So Forth -- which I chose from his Complete through 1975 for the reference to Macbeth and in it he so humanely, sympathetically explains through the high school English teacher's thoughts Shakespeare's mid-life bitterness or disappointment realizing few men achieve their potential in the face of history, society and their personal flaws. Making for tragedy. Hard to be humorous about that although Updike finds in Shakespeare's late plays, especially The Tempest, a resolution amounting to wisdom that there can be contentment with imperfection and partial achievement. Updike took some of the starch out of my contention that all Shakespeare's plays are comedies, impossible to take Hamlet, Lear, Macbeth and Othello seriously. Certainly not Romeo and Juliet. It is a consolation that Updike's and even Shakespeare's achievements are imperfect although it would be wringing blood from a rock for me to achieve as much. The other two stories by Updike assured me that prose story-telling is as hit or miss as poetry. Bulgarian Poetess and How to Love America and Leave It At the Same Time made me think how fortunate I had been to find Tomorrow on the first try.

Not so much luck. I was attracted like a bee to a blossom to Shakespeare's lines in my personal anthology. No anthology and the poetry dependency it has created and I might have passed over the story. But now there is this conversation between me and all other writers. The anthology helps me know what I like but now I am tempted to try to articulate why I like what I like. Like the calendar, time and all else man lays his mind to it is a matter of bringing order from chaos by naming things according to our observations.

First, I like to understand what's going on in the poem. Not paraphrase it but describe the action. In Yeats' Lapis Lazuli, in the first paragraph, strophe or stanza, he talks about a community, a city or country, in which people, the women especially, high-toned maybe?, are upset about a political or wartime situation and are too hysterical for art or grace. Then he talks about actors playing Hamlet and Lear holding it together even though their characters die at the end of the play. No shouting, no crying. Then a paragraph or stanza about how whole civilizations are transitory too. Finally, in a reference to one of our oldest civilizations, two old Chinamen and their retainer are in the mountains. From their perspective, calm acceptance and longevity, perhaps some sadness, they look on all of history and non-history with something like gladness.

From there we can appreciate the artistry -- in Yeats' case the interesting rhymes and variable line lengths -- recognizing, however, that the artistry is not so much a demonstration of skill or a performance as the particular vehicle or discipline by which this artist discovered the content of his mind. It little matters whether verse is free, rhymed, blank, or formed as long as it is understandable and meaningful. Understandable to anyone, meaningful to someone.

The oldest formulation I have is Pound's -- the great themes of literature can be written on the back of a postage stamp. Until recently, I thought you could do it but you'd have to write very small. Now I know you can do it in your normal handwriting. I think they are Love (how we come into the world), Death (how we leave the world) and Governance (how we live in the world together). It may be possible to group Love and Death together, coming into and going out of life being similarly unknowable mysteries. The ways of talking about this one same mystery are apparently endless and endlessly fascinating. We cannot leave it alone. Almost all the greatest poems are about this mystery. Life is but a dream.

Then there is Governance -- how we live in the world together -- about which there are far fewer great poems. And usually they are about how our failure to live together leads back into the unknowable mystery through premature and sometimes mass death. Siamanto's The Dance comes to mind. I think the best poems of this type are written by so-called oppressed people.

Many poems treat both themes. But on the question of content, Pound is where I begin. My anthology -- Whole Wide World -- has a section which I'll call Double & Triple Features: Poems to Read Together, which pairs and groups poems according to my feeling that they share something -- theme, voice, structure -- in common. Subject matter is, I think, the commonest sharing. If I tried to name each pairing or grouping I might then have a hundred or more themes. Naming them adequately would be difficult to impossible. But why? And why not try? It would be a necessary start to talking about the poems: I read these poems together because....

Prose doesn't have to be beautiful, sometimes it's best when it's flat as Hemingway conclusively proved and one of its attractions is you can run on and on as long as the mind goes on following a thought without a stop sign for a whole page of books like Proust or Faulkner or Joyce.

Auden's is the second useful formulation that comes to mind (besides his chummy reverence for Shakespeare in naming him Top Bard). He classifies poems five ways:

            1. A good poem that's meaningful to him;
            2. A good poem that's not meaningful to him;
            3. A good poem that may someday become meaningful to him;
            4. A bad poem that's meaningful to him;
            5. A bad poem that's not meaningful to him.

I find I do about the same. But I discard all poems, good and bad, that are not meaningful to me. I have little taste for artistry for art's sake. The poem must speak to me or awaken me. Dickinson's formulation -- takes the top of your head off -- is the same as We can't define ******* but we know it when we see it.

A short aside: it feels inappropriate to answer the question What do you do? by saying I'm a poet. It would be like saying I'm a leader or I'm a prophet. You cannot anoint yourself a poet, a leader or a prophet -- others must do it for you. I wonder if I would be more comfortable if I had a larger audience (following) like Billy Collins for example. I think not. It would be like being a rock star, not a composer.

It's much more acceptable to say I'm a writer. Then when you answer the question Oh, what do you write? with Poetry, you are not self-aggrandizing, merely irrelevant, effete. Being a poet is viewed as being a flasher or nudist, exposing parts of yourself others would rather not see, at least not up close and personal, providing more information than others need or want to have. Maybe that's a good definition of a bad poet. Self-revelation dressed in verbal prowess is acceptable but naked, abject confession is unpardonable, tedious.

Although content is requisite for a poem to be meaningful, a poem is not really a communication like fiction or essay. It is more like an object, like a painting or sculpture, and perhaps like a musical score, sheet music. Yet I would still instruct students of poetry to first read each poem by the sentence, not the line, to derive its meaning, understand its argument, visualize its action. Then one might ask how and why is it sculpted, structured, with line breaks and strophes. Ultimately, the form of the poem is nothing more or less than the method by which the poet discovered his meaning. Although it is arbitrary -- it could have been said another way -- it is the only way it could be said by this person in this time and place. I have always liked the idea of a sculptor carving away stone or wood to reveal the form inside the block.

The poem lives on as an object, recognized by many or few or none. Like art or furniture, most are briefly useful then are moved to the attic or shed where they gather dust and mouse turds then break, dry and decay and find their way to the dump, the dust heap of history, only not even human history, just your personal history.

The anthology has made me an antiquarian -- one who cares as much for objects made by others as if I had made them myself.

So how can one talk about poems? The argument that any attempt to discuss or describe a poem is better served by simply reading the poem, perhaps memorizing it, has merit. Except in one respect -- the process can take you to undiscovered and half-discovered country within yourself. Always, first, you must understand the action otherwise we are just re-reading ourselves in our own tried and untrue ways. We must not mistake an old dog dying for a puppy being born. Misunderstanding the words is like constructing a science experiment with a flawed methodology and then using the results to shape or live in the world. It can be dangerous. Therefore reading poetry is a mental discipline worthy as the scientific method itself. It takes you out of yourself.

The fun of criticism comes in examining why and how the poem made you feel or think as you did. You can read closely for the chosen words, rhythms, lines and stanzas. You may admire the skill or wit of the poet. And you can refer to your own experience to understand your reaction. You can even disagree with the poet's thought or perception, or reject the sentiment. You can say that's him, not me.

Then there are Bloom's formulations of which I am wary, he being a critic not a poet. Yet here they are. Three sources of healthy complexity or difficulty in poems: 1) Sustained allusiveness -- cultural references that require the reader to be educated beyond the poem's content, for which he cites Milton as an example and could have Dante; 2) Cognitive originality -- leaps of perception and depths of understanding that startle, enlighten and take off the top of your head, for which he cites Shakespeare and Dickinson as examples and to which I would add much of what is memorable in modern poetry; and 3) Personal mythmaking -- whereby the poet constructs over time a system of images and personal (more than cultural) references that with familiarity become understandable and meaningful, citing Yeats and Blake as examples. How to make this formulation useful.

A second formulation by Bloom discusses poetic figures or the indirect means by which poetry uncovers truth, dancing with and romancing language rather than wrestling and pinning it down like philosophy tries. There are four: 1) Irony or saying one thing and meaning another, usually the opposite; 2) Symbol (synecdoche) or making one thing stand for another; 3) Contiguity (metonymy) or using an aspect or quality of something to represent the whole; and 4) Metaphor or transferring the qualities or associations of one thing to another.

Meanwhile, here's my **** poetica:

1) Poetry is an acquired taste, like golf or wine, with no obligation to appreciate it.

2) Poetry is divination; prose explains what we think we know but poetry discovers what we didn't know we thought.

3) Poetry is one of many man-made systems, like baseball or the scientific method, for producing knowledge, meaning and pleasure. Or are they all natural as ***?

4) Of all the other arts, poetry is most like sculpture; the word "poem" comes from the Indo- European root meaning "to make, to build."

5) It is impossible to write exactly what you mean or be accurately understood; poetry uses this to its advantage.

6) Line length -- enjambment -- is the single most important feature of poetry.

7) Poems are made from ideas; poetry is philosophy but where philosophy wrestles language down, poetry romances language.

8) Meaning is the most important product of poetry but it's completely personal; poems almost always say one thing and mean another but the poet often doesn't know what he meant.

9) It is almost impossible not to rhyme or write rhythmically in English or any other language.

10) The forms poets use are how the poet gets to his truth and are basically arbitrary choices.

11) Poems may be difficult and complex and irrational but they must be comprehensible.

12) Just describing the action of the poem will take you where you need to go.

I still remember your eyes
I still remember you always holding me
Keeping me safe from harm with all your charm
I remember feeling you looking at me, and I
Know you're still there, you're so wonderful!
I couldn't help but fall in love with you
And get crushes everywhere else, too.
It's just so unfair to have found such
Lovely romances, and suffer heartbreaks!
I can't help where my heart
Goes, but that's why I'm torn apart...
Please remember I'm always here and so is
My love too, it's not easy to be what society
Wants of you, especially love! Love is wild and
It's so undesired to be told I'm a cheater
When I have an excuse, I'm only human too!
Just remember I wasn't born with a defective
Heart, and it isn't easy to be torn apart.

In the Wednesday sun
crossing Farragut Square
beside a beautiful woman
of half-developed feelings,
there is a temptation
to forget thirty-eight years
of women just like her.

All my romances
are desperate tries
to close the old voids
that my family seeded in me.
Love me,
accept me,
stay,
please stay,
just stay,
I will take anything,
be any shape,
anything you like.

I loved women
one to the next
a wreath of sincerity.
I was always astonished
when it fell apart.

In the Wednesday sun
I am depressed.
I say goodbye
to my blonde friend,
and I curl up inside
like paper burning.

I hate my personality.
I don't have a personality
That cultivates relationships.
No,
My personality leads to anguish -
Insecurity.
If I could,
For once,
Harvest a bit of
Silence in my brain -
I'd love that.
I hate to feel anxiety;
Fear of abandonment;
Insecurity;
Obscurity;
I hate to feel what I feel.
What's worse,
I can't find elegant words
To describe it.
Leaving me mute,
People assume things about me,
Making my efforts moot.
Friends think I'm overbearing;
Demanding.
Romances think I don't trust them;
That I'm too controlling,
Insecure;
Dependent;
Too moody;
Too possessive.
My personality makes people leave me.
I'm too touchy -
Too hard to love or understand.
People see me,
And expect me to freak out,
Or to demand attention.
Well this is my account -
Because when you are on
The borderline,
It's easy to see
That the grass is greener
On either side -
But for others,
You seem polarized.
I'm not happy with how my brain works.
I don't want to be the way I am.
I don't want to make sure people are
Thinking about me...
And then feel guilty or angry when they don't,
Or can't.
I hate my personality.
I hate who I am.
It causes me to never feel comfort,
And my unrest has left me
An insomniac for too long.
Now,
I just want to rest.
But,
It's hard to sleep when you're alone
And afraid of the dark.

The world is full of misery with all our failed relations
Mixed feelings and emotions in my mind's hallucinations
The love of a derailed heart in clouded stipulations
When two lover's are forced apart, alone in different station's
Don't succumb to the seven year itch or feelings of flirtatious
Illicit thoughts invade your mind with paranoid creations
Loving seems to turn to hate with harsh eliminations
There is a sense of numbness without any good sensations
The depths of beauty are denied without any realisations  
lover's heart's are always lost in hopeless situations
The misery of loneliness gets worse with desperations  
Maybe it's because we have too many expectations

Life's to short for broken heart's waiting to be mended
Especially when your lover's gone and your heart is blended
It doesn't have to be this way or completely ended
Stop wasting time for love that's lost this can be amended
A limbo living state of mind is not really recommended
Being with the one you love should always be defended
Soul mate's that are separated can never be contented
Because their heart's are aching and love is not attended
A heart sent gift with feelings there's no need to be offended
It's the way I've always been a characteristic I have tended
Everything can work out fine our life and love extended
If you really want them too then this will be commended

There is no need to be unhappy all you need are chances
A lover's dream can come true not just distant glances
All you need is faith of the heart within your own expanses
Don't lose the love that you once had in falling avalanches
Losing a friend and lover, your feelings are in trances
The bleeding of a broken heart seeping through snapped branches
If your lover's left you, there is no more advances
The grass is not that greener it's only different dances
Maybe your the loser, lost looks are not young stances
True love's supposed to conquer all I'm not sure if it enhances
Kindness is forgotten and the good time's fled in prances
And people will always suffer from all life's failed romances

the portmanteau has eloquence,
evocative imbrication that
iced espressos & Italian romances are rosary complexities of constricted wants
hushing the bipartisans;
that
I theorize poinsettia's
on a careened need of "fermented" relief
while my nervousness is suggesting you to pick up the suitcase
and believe every word spilling from my mouth
you used to intricate/ scythe
and the interior now contrasting in
a winter tangerine
containment, "alleviate pheromone" to inhale
another vision that wasn't even close
to believing


- G

Two Souls Apart (Part I)
Two souls met
They fell in love
At the wrong time
The right people
In the wrong place
She was beautiful
Hair gold as the sun
Flaring like wildfire
He was simple enough
An artist with sound
With a wanderers heart
She was never who
She told him she was
Maybe he was never
Completely honest
With her either
They always meant well
And they were so happy
Plans of running away
Far from everyone else
Isolation on an island
Separated by miles of water
Away from judging eyes
But how long could it last
These fairy-tale romances
Just never seem to survive
The cold winters of distance
So they parted ways
Hearts torn into pieces
Plagued by memories
The taste of her lips
Her skin warm and soft
She tried to drown him out
With another in her bed
He screamed his songs
Desperate to be rid of her
She was slowly overwhelmed
So far away from home
He threw himself into the divine
Turning from the sin he held
Becoming a saint of high regard
He found someone new
On the Saint Who Fell for the Sinner (Part II)
He didn't go looking for her
Truth be told she just fell into his life
He was held captive
At the beauty she possessed
Her eyes as spacious as the sky
Deeper than any well of knowledge
So he chased her
She led him through the woods
A deep dark and twisted path
More than once he nearly gave up
But she played him well
She held his attention until he was hopelessly lost
When she felt safe she stopped
The saint wondered at her
Such a fair and beautiful creature
She showed him her scars
Her sins and filthy addictions
Somehow he was not repelled by this
Instead he found himself drawn even more
So he sheltered her fragile soul
Until the day she forgot to maintain her lies
The saint was destroyed at the deception of the sinner
He was driven to madness
The saint searched for comfort
Something to help find the pieces of his shattered heart
To stitch it together again
But he found no cure
No method of healing that would bring him back
In this way the sinner destroyed the saint
Integration (Part III)
He wondered hopelessly for months on end
Searching for peace
All he could find was distractions
Nothing permanent to occupy his time
Functioning was near impossible
Nothing held his interest anymore
He played his songs but was discouraged
Wrote his words but they seemed empty
He could not bring himself back into civilization
He separated himself from all others
As much as he could
He couldn't merge back
Made no connections with any meaning
He was so disconnected
And old memories resurfaced
He found himself longing for her again
For her kiss and her touch
To feel the warmth of her skin again
Her hand holding his so tight
He wondered if she felt the same
The second half of his soul
Evanesce the Island (Part IV)*
Maybe all their plans
Weren't so foolish after all
What if they had known exactly
What they needed to survive
Shouldn't they run away from the world
To set themselves apart
From a cruel and cold world
That they aren't fit for
Let it be just them so far away
From all the rest of the world
Let them do as they please away
From all eyes
Let them love like they were made
On a beach under the sun
Away from these rainy days
That never end
~W.C.

How do I love thee?  In a way that's bad,
by which I mean so bad it's almost good.
I need you, and you know it drives me mad.
I want you more than any other could.
And we could write romances, you and me.
I want to hear your Hitchcock movie schtick.
I want your everything.  I hope it's free.
I want you in my window, and you're sick.
And yet you know my raving is a sign
I'd rather we were paramours than friends.
You're outlawed from the moment that you're mine
Until the day our bad romancing ends;
I'll love you in a leather-studded bra.
Rah gaga gaga roma ooh la la.

True love, the kind in fairy tales - ya know the ones with witches and knights, strapping princes and tarot-reading witches - is unexpected.

Don't listen to your mother and her love stories, or those cheap dime store romances. Love is not a teenage dream, or the flings on the soap operas (winning your Lucas back from that ***** Sammie, always my grandma's favorite villain in Days of Our Lives). Grandma, the life, love and days i want are different.

Love is fluttering butterflies. The uncertainty of knowing if this moment lasts, seeing a rainbow. The feeling always has an unspoken expiration date. It is rare. So rare that we pay psychics to find it, and whole forests have been lost amidst writing out our collective fantasies.

I guess it's a good thing my ideal love isn't grown on trees then. Supernovas can't be purchased. Trading hearts isn't easy. In fact, it hurts so much that Shakespeare's ghost considers revising Romeo and Juliet any time he thinks of what love has shown me. My love burns like a broken heart might sting if you shoved it full of stardust.

The ancestors knew love is a mystery. The sphinx doesn't know our riddle, and if spells worked I wouldn't be reading this poem. I can't waste anymore hope on tarot cards which have become worn out, bent, and far too familiar since I met you, love. Here let me explain:

The smell of you is a kind of mystic vapor. The oracles at Delphi would trade in their visions for one of yesterday's t-shirts. Don't be embarrassed or confused, I'm not here to play The Fool. I've already proven that we both can be The Magician, High Priestess and The Emperor. The magic of love is bigger than either of us.

My love comes with keys to my kingdom, sit on my throne, direct my armies, and borrow The Chariot. Hell, you can have the castle! You know that's what fairy tale sweethearts do.

This kingdom has known no Empress. That seat sits empty. Think you're man enough for the position? In a future fantasy, you'd inspire the nation, just the way you'll inspire me. We'd leave a legacy. Pyramids, empires, new eras, and new faiths would rise in our names. Pharaohs would envy how the Hierophant pronounces us inseparable. In my fairy-tale, letting down walls is easy. Love knows no labels, no limits, no bounds. Love is fairy dust.

In my 3 part epic, love and romance are no burden. See, this fantasy is one we read through time-to-time and I'm only just learning how to trust wishes made on shooting stars and genies in bottles. No one before has ever made it past the dragons, soldiers and that Minotaur. Believe me when I say, you appeared out of thin air and I trust in fate now. Thank you. I know you aren't the one. I'm learning to let you go.
I hope I do you justice. When you showed up, I prayed to my fairy godmothers for the first time I can recall. The last ******* ran off with Excalibur, the unicorns, and my scepter. "Oh well," you said. "That isn't what counts."

I've been a hermit so long, I forgot how to smile. But when I wake up in this new fairy-tale called life, I don't notice the treasurer, my wars, and problems in the kingdom or even that all my favorite princes still dream of finding their princesses most nights. Even that doesn't scare me. This is all too authentic and the heart gets used to being rejected. Stamped return to sender so many times, I can't count.

My happily-ever-after doesn't have to be perfect. I'm a realist, and besides, we've both gained so much that it feels like we finally landed a spin on the jester's wheel of fortune. Writing poems is something I gave up when I put aside these stories I grew tired of envying. Now I am writing my own. You currently don't fit the part of Prince Charming. Ironic since you inspired him.

Ya see my physical wants are just side effect of the real bliss that I find when I am myself beside you. I don't need ruby rings, or magic slippers to feel at home here. You give me the Strength to fight my own nightmares off. That’s a gift no elves could forge into gold.

It's the way you make the world explode into color that is worth any cost. It’s your honest caring that neutralizes the occasional tragedy. Besides, the drama, which is less dramatic than any of the past “once-upon-a-times” I've fallen into, only makes the story more exciting.

You broke the spell that a Black sorceress and her 3 sister put on you. I first felt like a hero that day at your side. Hearing you renounce your former desire to be the Hanged Man, or to desire Death, is still one of my favorite chapters of the story we wrote.

The love I dream of isn't easy, as I've said. It isn't always epic or fantastical. Sometimes it’s about finding the Temperance not to push potential princes off the balcony too often. There just aren't enough magic carpets these days. I've discovered that learning not to expect change is its own school of challenging wizardry. Luckily, I'm not bad with rare wands.

My love has its risks. I get it, love is usually a surprise! Love like this is easy to deny, fear or resist. I don't want a proposal or their parent's permission for a hand! I just want my prince to be the first person willing to face down The Devil for me, the only one who climbs my Tower and really ruffles the sheets, the one who outshines The Moon.

I don't want to be "that prince." I'm no former-frog; I'm no good with a sword. Honestly, I had given up on magic until you asked me to eclipse the moon. It wasn't hard. If I have to extinguish the Sun, my tears would swell and blacken the sky. I am glad I don't need to shed them anymore.

This love, rare and mystical, is like a leprechaun. Everyone wants it, nobody seems to find it. I got to the end of the rainbow though. It will go something like this, "once upon a drunken, Vegas night..." an Urban fantasy at its finest, if I do say so myself. I just don't want the *** of gold. Give me the dark, mysterious knight. **** the prince. I know it sounds crazy. He and the princess can take the *** of gold, the baby unicorn, and my Judgment too!

My love is risky. It has no chains, guarantees, or Geico lizard to vouch for it. No time-turner to fix it when I **** up, no love potion to make you stay. In my fairy tales, the dragons are our wounded personalities. His shining armor is a defense mechanism, and my damsel-in-distress routine won't work if we let the spark go out.

In my timeless romance, The Lovers learn to enjoy the moment. **** castles, I'd be happy to get a studio. I don't have a unicorn. My chariot looks the same after midnight. I can't promise riches, fame or immortality. And yeap, compared to the princesses, I'd better resemble a toad some mornings.

But I have a love that can put Shakespeare to shame. I'm more complex than Tolkien's Middle Earth, braver than Harry and just as scarred, smarter than Gandalf though I lack his beard, more patient than any of those damsels, and I bet I cook better. No, I know I do. Somehow, this quest has taught me self-confidence.

Unlike those fairy tales, I'm no finished masterpiece. This work in progress has a heart of gold, is on a quest, growing up daily and aims for future royalty. I'm looking for love, ready to leave Neverland, and all i have to offer you are my best effort, this worn deck of cards, myself, and all The World I can bewitch for us.

WANTED: one prince charming who can see themselves in this real-life fairytale.

I have wearied of grand romances
Of deep sighs and swooning trances
Of doting gentlemen’s advances
And all manner of courtship play
I am tired of love confessions
And of dizzied, dazed professions
And of unrestrained obsessions
I grow sicker day by day

I once dreamed of adoration
Went quite mad for veneration
Laughing, flirting with temptation
The queen in Camelot
The lonely, lovely Guinevere
Dainty-masked with girlish fear
But when King Arthur wasn’t near
Dreaming of Sir Lancelot

These days I want no noble knight
Despite my seeming helpless plight
I wish to set myself aright
And tread upon the ground
Yet here I am, pedestal-high
Too close to the dazzling sky
As my life keeps passing by
And boys keep running round

I’ve let myself grow much too proud
Drew up arrogance from the crowd
Heard the cheering, bright and loud
The queen in Camelot
And though I had my faithful Sir
Still my heart was all astir
With flying fancies, all a blur
For Guinevere and Lancelot

These fantasies have grown too old
I’d rather let my bed grow cold
For I have wearied of being told
“You are mine to keep”
Men have tired me to the core
Left me sad and sick and sore
And have turned into such a chore
And I’d much rather sleep

What blasphemy for a maiden fair
To toss such doting to the air
To turn away without much care
Though queen in Camelot
But I have withered, I have tired
Felt as if my brain’s been mired
And find not Arthur much desired
Nor dashing Lancelot

Is it so bad to want respite
From endless longing, day and night?
This constant charm becomes too trite
With ever staler tone
I only wish to rest a while
Recover from incessant guile
Forget the weight of lovers’ trial
And simply be alone

Dog eared pages
betray my thoughts
or rather the lack there of

I think
then blink
But i'm thinking faster
or is it blinking?
It doesn't matter
Nothing is working

Inspiration dances
Romances
entrances
like a cornish pixie
teases

My muse has gone
his return I await
with bated breath
I wait like fate

One
I wrote you a love letter
Hid it in your binder at recess
And prayed you'd never know it was from me.
It hurt when you called it silly.

Two
You're behind bars because of me
I don't feel guilty
Because you tried to take my innocence.

Three
You were the one I'd spend eternity with
When I was in 8th grade.

Four
I never thought I'd love a girl
You had soft hair and lips
But I always confused envy and lust.

Five
You didn't understand my metaphors
Or the things that interested me.
I just didn't understand why you did so many drugs.

Six
Please tell me you'd like to see me again
I had a beautiful night with you
And I'm a sucker for boys who write and play guitar.

Seven
You are so handsome and you are so dull.

Eight
I'll always want you
But the butterflies that used to flutter in my heart
Are now eating it apart.