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Nicklaus Bailey Oct 2019
1-Establish Lux as a farmer with his brother, father, mother. Show dissatisfaction at a lot in life, yearning for more, however Lux feels compelled to stay with family and help them. Establish a close relationship between the brothers, a good mother/son relationship, though a testy relationship with his father. Strange symbol branded on Lux’s chest, been there since he was a baby, no one is sure what it means- or no one is telling him. This is Lux’s L.S. beginning. Establish also is the world Lux is in, the facts of the ministry and the church, the knights and wars of before.
2-Introduce a festival in town with knights from “The Brotherhood” being present, establish them as knights capable of magic and swordplay, “The Brotherhood” knights are taking new recruits at the festival. Wanting to join, Lux goes through the trials and passes, though after a harsh reaction from his father, Lux does not leave with the knights. With Lux out of scene, a conversation between the mother and father should reveal the man is not in actuality Lux’s father, but his uncle, and his brother had been married to Lux’s mother (now his wife) though died fighting in a war between “The Brotherhood” as a member of their ranks, against a rival faction known as “The Order”  peak lux’s curiosity and focus on the desire to leave as established in the previous chapter. This and the next chapter are Lux’s “Go The Distance”
3-The end of the week long festival nears, and Lux is on a hunting trip with his younger brother, returns and is questioned by his father why he wants to leave so much. The truth of Lux’s true father is revealed, and though Lux’s uncle expected this to convince Lux to stay and not go into danger, Lux is angered rather, and leaves in a hurry to catch “The Brotherhood” knights before they leave. Lux is put under the tutelage of a man who claims to have known Lux’s father, though it is revealed Lux’s little brother followed him, and is taken into the recruit pool as well, despite never going through the testing. Note- perhaps have Lux refuse to go with the knights if his brother is not also offered a spot? Hero’s journey, he needs a moment of hesitation and refusal to go. This should be reflected like Lukes refusal to join ben, or Bilbos refusal of gandalf, but quickly change their minds.
4-Training begins the moment they arrive at a camp. Lux and his brother are immediately outfitted with leather armor, dark and gritty in contrast of the shining metal of the rest of the knights. Lux is doing well in training, sword play coming natural, shakey with a bow, and ofcourse a natural talent at magic, (though make a point that in fire spells Lux only manages to start small flames that he can throw, and struggles with healing magic) though his brother is struggling in all aspects and is beat by his trainer. Lux’s trainer urges Lux to ignore it,though Lux finally snaps and challenges the man. The two enter a circle made in the dirt with training swords, and though Lux appears to have the advantage at first, he is quickly beaten and left gasping and ****** on the floor. The trainer leaves Lux there, and soon a hand reaches down to Lux. A female trainee named Ciara picks up Lux and, joined by his brother, the three wander off for more training for the instructors. Introduce Peter, a man deeply infatuated by Ciara, rather than a knight Peter is a Father to the holy church, unable to fall in love and forbidden to marry. Subtle on Peter’s infatuation with Ciara, should really build Peter as a good friend to Ciara,
5. Lux, his trainer, CIara, and her trainer are all out in the forest doing patrol after reports that remnants of “The Order” have picked up their pace in activity in the surrounding areas, raiding small towns and taking young men and women as recruits. Lux and Ciara are separated for a time and grow closer through talk and laughter when they see two knights in armor that is shining silver on almost the entire body though the right arm and pec are a scarlet red, drinking water from a stream. Confirming with each other that is the description of “The Order” Ciara says they should find their trainers though Lux charges. Ciara is close behind, catching the two off guard. Both are quickly overpowered through the use of advanced magic from “The Order” but Ciara’s trainer jumps in, kills one, but is killed by the second. As he turns, Lux throws his dagger and hits the man in the eye, killing him. Lux and Ciara carry her trainers body back to camp. Ciara refuses to speak and when greeted at the gate by Peter, she embraces him and cries into his shoulder. Have both Lux and Ciara attempt healing magic to no avail. Have Lux grow frustrated at feeling the ABILITY to heal, but unable to do so.
6. Lux is punished for charging, while his trainer is taken to a secret meeting where they discuss what to do with Lux, but out of respect for his father, they keep him in “The Brotherhood”. Lux has not seen Ciara since the incident, though he can see her in the crowd when he is being taken to be whipped, and receives 10 lashes, to Peter’s dismay who recommends either banishment or death. After the punishment, he is cut loose from the posts holding him up and Lux’s brother charges the ground, picking his brother up and taking him to his bed. As they pass Lux manages an apology, but is unsure if she accepts it. Lux is informed she will be trained alongside him. Make Peter do some ******* **** idk. Resenting “The Brotherhood” Lux should vent to his brother about his growing distrust of the situation, asking if his brother has felt the growing gap between what they feel they can do, and what they can do.
7. Show training between Lux, Ciara, and brother, distinguish a growing connection between Lux and Ciara, much to Ciara’s surprise and reluctance. Show Lux go into his trainers room while he is absent, and sees a sword on the wall, bearing a strange symbol. Lux trainer will explain that the sword should belong to Lux as it was his fathers, and when it is time he will inherit the blade but for now he must leave the blade alone. Lux asks about the situation behind his father's death. Explain the following: The Brotherhood were not always the knights guarding the royal family, before his birth the royal family was guarded by The Order, who are the reason The Brotherhood practice both swordplay and magic, as the Order are master swordsman and powerful wizards, prolific in blood magic and necromancy. When one member of The Order desired the throne for himself, he split The Order in 2. The Brotherhood worship the Gods, but in his desire and lust for power, the man struck a deal with the old gods, evil barbaric entities who require blood and death as sacrifices for their eternal power. This is Nero, a man that Lux’s father took in and treated as a brother, both being trained as knights for The Order. During the civil war, Nero attacked the Royal Palace and though he was badly defeated, he did **** Lux’s father in the battle. End chapter on this story. This chapter should be shows as Lux is uncertain of The Brotherhood and his trainer, but with the story of his father, he is conflicted. If it is true, then they are just. If it is wrong, how many more lies has he been told?
8. Show Lux becoming prolific with a blade and very intimidating magically. When he, Ciara, and his brother are sent on a mission with no trainers for the first time, Lux naturally takes charge. They track knights of The Order down to a cave, where they are tested both physically and magically. Ciara and Lux both protect brother as much as they can, though brother is able to hold his own. They manage to corner one who instead of being taken prisoner, stabbed himself in the stomach after giving an ominous warning. As Lux approaches the body, he sees on the cave wall a crude drawing of a man with the same symbol on his chest as Lux’s, holding a sword with the same symbol as Lux’s fathers, a figure resembling a large black and red dragon behind the man. Dismissing it, Lux tells Ciara and brother to not bother approaching, and the last of the knights are dead. The report back to base, and Lux informs trainer of what happened, leaving out the symbol.
9. Word carries out on base that more and more caves are being found with members of The Order, all with strange paintings on the walls. Peter speaks with the knights, explaining he has been praying and granted visions of a large scale battle. Have Ciara grab Lux’s arm at the sound of war, which Peter will notice (important for later) and in a hesitation to prepare for a battle that may or may not come, the commander of the camp demands the trainees be knighted, their proper gear be made, and to meet with the main force.
Cut from Lux to Peter alone in a church, praying to the Holy Mother begging for guidance away from the desires of his heart, and in his prayers Peter slowly realizes that he will not give up his desire for Ciara and decides to betray the Brotherhood in hopes Lux may die and he may be able to gain Ciara’s affection. Peter is seen leaving by Lux, though when questioned says he is going for more Fathers to pray and meditate on the matter.
10. Peter tracks down members of The Order, informing them that he wishes to give them valuable information, surrendering to them. Peter is taken to the leader of the knights operating in the area, and in exchange for one thing, is willing to tell The Order where The Brotherhood is, where they are going, their numbers, and anything else that will be of use. All he wants is them to make Ciara fall in love with him./ While Peter is doing this, Lux is kneeling in front of his trainer who knights him with fathers sword. (maybe do a crusader knight knighting, this is oath/this is how you remember it) When Lux is handed his father's sword, the cold metal instantly feels warm and the grip adjusts to his fingers and though it looks heavy, appears just the right weight to Lux. Lux is given armor, though when he takes his shirt off he sees the symbol on his chest glowing, same as the symbol on the sword. Trainer only says “magic is a strange thing, boy” and Lux is put into armor and finally leaves the shed a knight after only 2 months of training./back to Peter who is given a potion, told to have Ciara drink it and leave with her before they make their move. As Peter leaves, the leader barks orders to men who address him as Nero. Perhaps instead of Peter getting the potion straight from Nero, have him get it on a witch in the woods who is secretly affiliated with Nero, have to work out how she gets the information from Peter, but she could use magic to contact Nero after. Perhaps part of the agreement is Peter must turn his back on his abandoned faith and be her student and as a test of loyalty he must tell her everything he knows.
11. As The Order masses its numbers, knights of the Brotherhood are entering the giant city dedicated to The Brotherhood(Remulus? Romulus?) and Lux is in awe as he sees the a giant palace, and near it a graveyard with tombs. The tombs are the resting place of knights of The Order who gave their lives in service to the royal family, and now knights of The Brotherhood join their numbers. A newly marked grave is standing as a monument to Ciara’s trainer. The day is given to them to explore the city, and Lux/Ciara are alone together. Share a kiss. Witnessing the kiss, Peter comes from the shadows and informs them that curfew is near, and they should be heading back to the castle/as Peter watches the two make way to the castle laughing/holding hands, he heads to a monastery. He kneels before a picture of his god, praying asking to be told what to do. He knows he is a man of faith, so why are lust and desire even capable of entering his heart? He begs for pardon from sin as he sets his heart on giving Ciara the potion.
12. Now that the trainees have been knighted and the generals have been informed of Peter’s vision, prepare for war. The inhabitants of the city and many villages around are all pulled into the Castle’s walls, able bodied men and boys are given swords, women and girls find refuge in the newly emptied dungeons (all criminals hung/drafted?) Lux is witness to a battle plan, and overhears that during the last battle at the capitol city, The Order had used dragons to its aid, and though there were no confirmed sightings of dragons now, The Brotherhood should still set up catapults and bastilles on the off chance. Lux finds his brother and Ciara and informs them of what he has heard, though Peter comes and informs them that Lux must just be tired from nerves, and no one has seen a dragon in a generation. End with Ciara stopping a near brawl between the two, and Lux heading to his bed alone, and Peter now with Ciara, when a sound fills the halls. Scouts are reporting a massive army on the outskirts of the city.
13. Rain. Silence. Lux, Ciara, and his brother are among the numbers at the front gate. Rain hitting the ground. Hitting armor. Men are vomiting. Peter along with other priests are swinging burning incense between the rows of men, chanting prayers and songs of their god. Pounding. Pounding so hard that when it hits the front gate, the rain flies off the door and hits Lux’s face. Lux looks to his brother. The two nod. Lux looks into Ciara’s eyes. The two kiss. Confess love. The gate is broken open and the war begins with a thunderous roar in the sky, a dragon spewing fire on archers perched on castle walls as troops charge. Lux and the other knights hold their positions with a great clash the two armies finally meet. In screaming and fighting, Lux loses his brother, and The Brotherhood are pushed back, further and further. Lux manages to grab Ciara’s arm and the two run to a set of stairs going down to one of the dungeon entrances to warn the others that they are losing, when the dragon knocks over a giant pillar, stones hitting the two. Lux stays conscious from the first hit, and sees Peter approaching an unconscious Ciara with the potion in hand. Stuck beneath rubble, Lux watches as Peter pours it in her mouth and wakes her with a kiss. Begging Ciara for help frantically, she walks away with Peter, and as Lux cries out for his brother, more stones hit, causing him to go unconscious.
14. Lux awakens in an unfamiliar setting, on his knees. His hands shackled to the wall, his armor and sword feet in front of him, a man standing behind them. The man asks if Lux knows who he is. Looking up, Lux can see from the torches a tired face. Shaking his head, the man informs Lux, “I am Nero, commander of The Order, Captain of the Conquered Reaches, and rightful heir to the throne. And you are Lux. My nephew,” Nero smiles, touching Lux’s face. Accusing Nero of killing his father, Nero softens his eyes at Lux and stops moving. A look of sadness. “Your father's mistake is the single most regrettable accident in my life,” tells Lux more and more about his father. Informs Lux why the symbol is on his chest. Its magically bonded to the blade. It makes blood magic more powerful. Nero then informs Lux that his father had found a dragon egg just like Nero did, as Nero pulls the egg from his robes, shiney and black with streaks of scarlet. Nero offers Lux out of this cell, and he will gladly show him the ways of blood magic and make sure that Peter pays for his betrayal of the other knights. “I do not find The Brotherhoods newest members traitors, how can they betray a cause they never were offered? But how do you think we knew you were going to be there when we did? All of this has been for you, Lux.” with a wave of his hand, the shackles fall off Lux’s wrists and he falls forward. Reaching to the egg, Lux hesitates slightly, looking down and seeing his reflection in the water. With a wave of his hand, Nero projects the image of Peter kissing Ciara deeply. “That passion she gives him should be yours. I cannot create love. Only transfer it with a potion. When peter described the man who took his beloved, I should have realized. But together, I can rid the potions course and Peter will pay, Lux,” and as Lux watch Ciara enter Peter’s bed, he firmly grabs the egg, which begins to shake and crack in his hand, emerging a tiny dragon. Nero’s past: Nero will portray his story as such: He discovered that Lux’s mother is the illegitimate daughter of the queen. When Nero went to tell Lux’s father, he was stopped by the queen who attempted to have him killed, for if it was discovered that her late husband had an offspring, she would have a claim to the throne. In the ongoing fight, Nero claims he accidentally killed the queen and was discovered by Lux’s father. The fight was a misunderstanding and he was never able to tell him the truth of his soon to be (pregnant) wife. The split of The Order were those who believed Nero and those horrified at the death of the queen. Nero claims the royals betrayed him and those who followed the truth. Show a refusal to believe at first, though as his imprisonment lasts, and he goes over it again and again in his head, for weeks as Peter gets further away with Ciara, left with visions of Peter and Ciara making love, his Nero pleading with Lux’s father, and the conflict. Ambiguous if this is actually true or just indoctrination.
15. Lux’s training begins immediately. He is placed in the middle of a circle, men attacking from all directions and must fight them off with his blade and newly learned blood magic. Slicing his palm before gripping his blade, the warm metal now burns hot in Lux’s hands, and he drops the blade. Scolded with beatings and lashings, Lux learns how to embrace the pain. Magic flows through him stronger than ever as he adapts. Fire flows from his tips when before he could only manage an ember. He heals fatal wounds when before he could hardly manage a small cuts and broken bones. Lux is routinely beaten and whipped, his dragon growing and watching all the while. Weeks go by. Lux concentrates only on killing Peter and revenge. Pain, anger, and of course blood fuel blood magic to its extremes.
16. Lux’s brother is brought into a small room with other generals who managed to escape the battle of the capitol. He is questioned if he has heard from Lux, Peter, or Ciara as their bodies were never found. All the remaining forces are falling back to the capital, where a final stand will once again be made. Lux’s brother is told he may visit home one last time and must report to the capital in no more than 5 days, and his trainer will accompanying him/Lux is kneeling once again before Nero, though he feels the sword tap either shoulder as he is knighted into the brotherhood. He is given shiney armor and as he puts it on, is instructed to place his sliced palm on the opposite shoulder and watches as his blood flows into the metal, turning that arm and shoulder scarlet red. He is officially in The Order. Lux is tasked with one task to prove his loyalty. **** his stepfather and attempt to convince his mother to come swear loyalty to nero if she refuses, **** her too. If he does that, when he returns his dragon will feed on the personal sacrifice and be ready for battle, and in return Nero will make sure both Peter and Ciara are waiting for him. “It will be done, Lord Nero.” show conflict in Lux if he is truly willing to do all of this, and conflict on loyalty to Nero. The Dragons growth and power is connected to Lux’s ability in blood magic. The more anger, hate, and pain he puts into his abilities, the stronger the dragon will become.
17. Chapter starts with Lux standing outside his old house in the early hours of the morning, the sun peeking out of the mountains but being quickly covered by storm clouds. As darkness settles over the brief light illuminating the house. Lux enters the house. His stepfather enters the room hearing the door open but is grabbed by the throat.during the fighting, Lux manages to strangle his step father and throws his body to the door as his mother is running into the room. As she surveys the situation, there is a cry from the door, and Lux’s brother and trainer are standing in the door, sword in hand. Lux begins to unsheathe his sword but his mother moves between them, talking to the brothers. Lux demands to know from his trainer if what Nero said is true and that his mother is the rightful heir. Confirming Nero’s story partially, though claims that Nero attempted to blackmail the queen with the knowledge of the heir to gain more power. Lux tries to persuade his mother to join him and come be with Nero, that his father would have wanted this. When she refuses, he explains that she would not understand what he HAS to do to end this war, and when he is done the conflict will be resolved and order restored. Argument between lux and brother over oaths broken. Mother approaches Lux, touching his face tenderly speaking softly watching as her son is breaking. She offers him to leave the conflict entirely and to just live home with her, though as she turns to face Lux’s brother, Lux stabs her. Gasping she looks back to Lux, touching his face once more, “You look so much like your father in that armor” Lux , trainer and brother fight, Lux leaves his brother unconscious in the house quickly, though he kills his trainer outside, taking the bodies with him back to Nero.
18.Lux returns to the agreed upon spot to meet Nero, but is instead met by Ciara, who in his confusion and hesitation desperately tries to convince her to leave with him when out steps Peter with a staff in hand, who has now learned the magic of the old gods. When Lux raises his hand, his dragon lands behind him with a mighty roar. With a smirk, peter does the same, and a white and blue dragon lands behind him, a roar just as mighty. The dragons take to the air, circling and roaring, spitting blue and black flames at one another as Lux and Peter fight to the death. Just as Lux manages to defeat Peter after taunting and back and forth, there is a loud crash as Lux’s dragon lands on the other teeth in its neck, ripping its head off entirely. Ciara comes to her senses immediately, seeing Lux in armor of The Order standing over a wounded and ****** Peter, the blood spraying on them. Stepping toward Ciara, Lux is surprised when she steps back in fear. Allowing her to leave, Lux watches as she sprints away. The conversation between Lux and Ciara should be that of both trying to convert the other. When no understanding is made between the two, it is Lux’s love for Ciara that allows her to leave, she sprints to the horses and makes her way back to The Brotherhood. Turning back to a wounded Peter, Lux raises his sword when his eye catches sight of a faint glow on Peter’s chest. Kneeling to rip the man's shirt out of the way, Lux finds the same symbol that is on his sword and own chest. Peter is Lux’s lost twin.
Will add more, unsure how to end the first book. (Have a trilogy in mind)
Joshua Haines Mar 2015
When I was little
I played with plastic toy knives
and dragged them across
my brother's throat
saying, "You're dead!
You're dead! You're dead!
I swear, you're dead!"

And we pretended
kool-aid was blood,
letting it drip down
my chin and neck,
down my chest,
past my pec.

I wrecked my bike
and ran for days.
I was stung by bees and swore,
"Nothing could hurt more
than this."

And when I turned twelve,
I learned how to ******* to dreams.
The grip on my skateboard
wouldn't let go of me.
I ollied over plastic bags
and stared at lottery tickets
sleeping in the garbage.

She and I played with fireworks
faster than shooting stars.
We waded in the lake,
being a cliche.
She and I rolled on the grass, naked.
I don't know where she is, now.

I don't know.
Sean Banks Apr 2013
I’m big
In bed too
Big like a hard ****
big like an inflated ego
big like my gut
And this newly met, six foot goddess
Sure doesn’t make me feel small
Every last inch of her
All 71 inches
I fudge the numbers
Like a tax return
And give her a firm 72
To match her
Firm *******
Firm ***
And pierced
bottom lip
That I **** on
Like she ***** me
Whether she
*****  my soul
Remains to be seen
As does,
Seeing if I even give a ****

we lay
And ponder cyclical nature,
like bicycle wheels of life, love and bliss
Naked, her head rests on my pec
I read her poems
By some dead old drunk of a poet
And she says she like it
like she
likes me
And this overwhelming like
Soon becomes lust
As cuddling
Post ***
Soon becomes
Cuddling
Before ***

Shes a disaster
But more of a controlled demolition
As she crumbles to my caress
Her foundation remains strong
My six foot goddess Laughs
When least expected
She finds not my jokes
But me
Funny
As she laughs I laugh
I quit trying
And I collapse
To my true nature

She gives me,
The purpose
I knew I had




*Read "Six Foot Goddess" By Bukowski to see my inspiration. I matched Stanza's and number of lines but not syllable count
Graff1980 Dec 2016
I don’t want this dust laden room to become my tomb. However, I cannot abide the outside, a world where lovely flowers still bloom. A sense of sweet smells do not pass through the wooden membrane. Instead, it is the stench of fear and death that wed themselves to my nose.
Children no longer leave their rooms. The streets are far too quiet so, it would be safe for me to venture outside. No one would really bother me, but I am scared, unprepared for anything less than the despair of my self-imposed isolation.
The ***** blue trash can is a quarter full with **** filled plastic bottles, *** covered Kleenexes, and perishables. The metal grate vibrates and clicks as heat tries to press in like an abstract specter. The noise would keep me awake if I ever tried to sleep.
Thirty-four hours is too long. My eyes burn heavy. Sleep would welcome me, but I refuse to yield to that release. Unconsciousness frightens me. I know what dreams might visit me, fictions, and dark fantasies that vaguely recall the painful realities. Perhaps a cup of coffee might save me from those nightmares. I know that I will eventually succumb to the demon of slumber. My dry eyes find water that I did not know existed.” No sleep, no sleep, god please no sleep.”
Memory movies come unbidden. steel breaks glass, metal crunches, someone screams. I shudder as my fingers follow a map of pain from my lower lip down and to the right. “No, no, no, no, not today!” I cry out. Then, recalling the powdered stimulants that I stored in my old book bag I dash up and towards the door, stopping just short of opening it and stepping out to the living room.
“*******, stupid *******, you ******* ******. ****!” I yell as I retreat from the dangerous door.
More tears make a guest appearance on my face. ***** fingers ****** my chipped tooth, pushing it in and pulling it a little way out resisting the urge to cringe in disgust and pain. Till **** and blood pop from the pink gum bubble just under the disfigured tooth. I bite my tongue, till more blood comes and swallow the putrid mixture.
Small shadows slip sideways and back into place as an ambulance rides by my window. My body tremors with a familiar terror. “No, no, not again. Oh god please not again.” A strangled voices weeps. The multi-colored lights of police cars play a strange shadow show on my wall. “Not again, not again.” I whimper.
A thud, thud, thud, thud, sounds to my right, followed by a muffled voice. “Come on man you got to come out sometime.” My fingers fall to a thin scar just beneath my left pec. I trace the scar completely then push against it as hard as I can. Until, my breaths become shallow. “Go away *******, just *******!” I scream back uncertain who I am yelling at.
“Fine” the muffled voice replies in defeat.
“Good, good.” I mumble
Tears threaten to swallow what is left of me. Instead of letting them win I decide
that this has to end. I find a small book of matches, strike the first one and let it burn out.
A small face fills my mind, little cowboy brother. I strike the second one and let it burn  down to my finger. The face returns, and it burns worse than the fire. Mad laughter crackles as heat and smoke fill my lungs.
A shard of glass scratches my left cheek, and I can see my little brothers body crumbled in the passenger seat. I cannot feel the fire burning me. Someone yells in my ear stop struggling.
He tries to pull me out of my room. I punch him in the jaw yelling “*******!”

Now, I am outside. Panic fills every ounce of my being. I struggle to climb back in my burning room.
A stranger yells “stop him.”
I scream. “No, I have to go back in, let me go. I can’t be out here.”
Despite my struggles I am forced to watch my sanctuary smoke and burn, until water squelches the last bits of angry orange.
With the wooden walls now broken, I break to.
“Please come back, I am sorry. Please come back.”
Only the soft sizzle of some nearby ember answers my pleas.
I realize that my photos have being incinerated. There will be no more pictures to help me see my little buddy. The night ends, as an ambulance carries me away. I am strapped in, certain that no happy place awaits me.
A strange thought  come unbidden, and I ask the EMT sitting next to me “do you think they will let me have a padded room. I can’t be outside.”
Mateuš Conrad Mar 2019
well, sure, i'm a loser,
i was once strapped to a park
bench, approached
by an elder pakistani,
and he was bewildered
as to why i was alone...

   could answer him,
he started squinting,
so i moved my big 'ed
to block the sun,
that didn't do much,
as i once stated:

the feeling of conversation,
soon... turned into
a feeling of conversion...
he brought out his
digital qu'ran
as if expecting
me to numb-**** the way
out of the scenario
with intense feelings
of needs to: search for
the Hajj...

so i pointed to the qu'run
(ever watch an arab
buckle...
  tell him to insert
an apostrophe...
****** will buckle...
  the B: so ******* glottal...
buckle timothy (tim) i call 'im,
never got around to slacking
off on the cockney slur)
what does this mean:

alif, lam, meem

the old pakistani elder simply
replied: only god knows...
i said: jack-****,
thinking to myself...
you know those are...
the nouns to replicate
graphemes,
     but are actually letters?
A, L, M?
later: please, someone,
just get the rabbis onto this...
release the hounds...
i'm done at being
converted...
a simple beer in the park,
being approached by
some pakistani elder...
me wishing him "good riddle"
and then using my body,
that translated into a shadow,
to block out the fun
glaring at his face wasn't enough...
o.k. "god knows"...

the latin phonetic encoding
is ****...
   oh it's ****...
it gets ***** via the O,
the P, the R, the Q, the D, B...
there's no "hole" to be
filled...
semitic writing, whether hebrew
or arab?
    no "concept" of
an... encricling... of omicron...
just: horde mentality,
moving forward...
to a never-neverland...

so yeah, i am a loser...
   or a loß-er...
          and sometimes...
the latin phonetic encoding script...
if you forget the freedom
of speech *******...
can reveal...
       puncture wounds,
which you, subsequently fill,
having noticed them...

         timing:
                 what's the difference
between a hyphen & an apostrophe?
     ah...
        pedantry pedantry,
the sort of pedantry that would
a rich man to employ a butler...

a knees'-up...
  
              just because
circumcision takes avenue in
a hidden, place...
        doesn't imply that
it will not affect the Σ....
which is the new norm...
to shatter what became
19th century psychoanalytical
"garbage",
  or the late 20th century's
focus on "ego"...
   to me: Σ...
   you don't think that
a man's ontological framework
doesn't become...
dissonant... when he has
become circumcised?

  (Σ, total, it's an elevated
variant of the grapheme concept...
since... well...
we're living down to
topple every single letter
with ah: A: alpha-male
       b'eh: B: beta-male...)

but this experience, just, felt...
(here's the american beauty
comparison, sample)

         spec-tac-ular
which is different,
to whatever academic alien
alphabet this: /spɛkˈtakjʊlə/
refers to...

   talk to a bilingual...
we'll talk short-cuts to...
like i said: whatever alien
******* that is...
  
  ******* neo-copernican...
  ʊ       ə
upside-down greek...
                  and latin...

or you could send a drunk in
with a modest education
belt...
    learned chemistry:
forgot aikido:
  after the sensei was away,
one of his students:
kicked me in the *******
and left me in a foetal
position, counting:
oh i'm pretty sure it was
more than just a Welsh
"thing" and prancing sheep...

compensation?
back then... what was it...
2000, 2001...
that wasn't an over-used
term...
  esp. not in an applied sense...

you know,
you can really revise
that american beauty quote,
of a single word...
you can hyper-"inflate"
the timing...

sp'ec-tac-úlar (exhibit a)
   (****, no S with tilde...
   so no agitated serpent
imagery)
   s'pec-tac-u'l'ār (exhibit b)

or the "******" version:
   sssssssssspec
                     taaaac
     uuuuuuuuular...

but hey, who's keeping rhythm,
or count,
  or spelling, intact...

point being: i made a mistake
within the confines of
exhibit a...
                yeah...
the apostrophe
   should have come at the crux
of the s'
                     and not include
the p to make the invalid
syllable scalpel cut of     sp',
but u'l'ār
        is, "true"...
            
   well...
               if only i painted...
you could look at a painting,
passively,
and walk away,
saying to your date:
  eh... some variant of ronin
geometry...
  but with writing...
it's like:
   someone made a conscious
effort...
  ****...
this better make sense...

point being...
how do you introduce
the concept of orthography,
to a language,
that... simply...
rejects it?

   it was quasi attempted
when the english found out that
the best chemists were
german...
   and an english speaker
knows how... complex a german
word can be...
   hence?
            the hyphen (-)
   e.g. hydroxychloroquine...
   yeah... syllables...
cascade...
             hydroxy-chloroquine...
strain on the english eyes...

   but that's a big word...
little words, nuances...
you could replace the hyphen
with an apostrophe...

           hi'yah...
not: kiai ***. for stance prior
attack
...
     try lodging
an apostrophe
   into           hello...
    h'             el'           'low...

it's almost like i'm...
filling in for some sort of short-comings...
well...
chinese phonetic encoding
is pretty decent,
that part of me that admires
Ezra Pound...

            but then...
decoding from how chinese
is encoded,
   and hearing it?
    all that effort...
translated into a latin script
and it comes out as

   水: water: shoo'e.
               (shuǐ)

   un-spec-tac-cu-lar.
Mateuš Conrad Apr 2019
can you conceive of an in-built: a priori "gender" gratification "ontologies": i.e. the male ontology, the pre-deconstructive focus of a willing change? well... what's the canvas like these days in academia? i still hold a door open for a woman, among, the, "plebs"... i'm a pleb too... woo hoo! so now i have to conceive of the gentle trickle of an ex-built: a posteriori "gender" counter-justification "ontologies": i.e. the... she-man ontology, the post-/ pro-deconstructive focus of unwilling change to the reminiscent continuum of circumstances... oh... you know me, academics just love, love verbiage... this is just one exempli gratia... it does mean something per se... but, hush... on the privy? it can mean, whatever you want it to mean... once upon a time: a man used to find gratification in gender "stereotypes"... there really was a gratification process subconsciously working its way into moulding a man... now? eh... the sort of tom waits' elongated eh from glitter & dust live: live circus... that one... this is a great kandinsky-esque verbiage collage... academics will probably focus on the isolated meanings of words, mumbo-jumbo them back together in a pale replica of voodoo brainstorming and: ici, voilà, alors... à savoir, voilà, c'est-à-dire... which makes heidegger's pedantic schemes... well... da-sein counter... there is such an indefinite article... reducing words to conjunctions borrowed from AND... then applying the article category... da-sein: there-being... there's being... that's really an indefinite article of... sein: being, very ******* ambigious... i have to curse... i'm writing an oath... if "offended" you probably say worse things in satan's synagogue of ****** *******... where you should be speaking vowels and syllables and onomatopoeias rather than full sentences... no one is a saint... here! i'm giving you something on a platter... i'm not using hiedegger's temporal mentality of: across the seven seas, the seven mountains the seven rivers motto for hope... here we are... here, now: hier, jetzt... you figure it out... so am i! oh sure, now we know there's (an) existence to be had, lived, experienced, closed... it's almost a cosmic joke that finds its genesis in: voilà! while the exodus is much more painful... since we're not exactly looking at a magician, or a gymnast... we're looking at... a science school-teacher... we're looking at... a clerk, a street-cleaner, a bus driver... oh sure, sure... voilà! the insurgent immediacy of the awe-insirping rush... then again... perhaps Heidegger implies... the sort of validation of voilà! via da-sein of... the sercret affair of: mundane job, but a kick-*** hobby? hier has no potential beside the collective awe-numbing: oops"?", while da-? there? well there is a vector, a linear framework of ABC (0, 0, 0) confined to an end of: (1, 1, 1)... da-sein is a look into a future, it's not the hier- voilà! -sein fatalist approach of inspection... it's a look into the future... i'll always read philosophy in polish, look at german words, and reply in english... that's how my bilingualism works... two firm pillars... and several loose cannons... i hear one academic speak, i tune into bbc radio 4... i swap my tongue for 9 itchy fingers... mostly index, middle, ring of either arm... sometimes the pinky, sometimes the thumb... ballet of the fingers... and always regarding imitation amphetamines... how can you keep a tornado in your head, without your ego spewing out shrapnel... cohesive sentence structures, narratives? that's long gone... it comes, it goes: just as the whiskey flows... for all its worth: i can vow a true statement with reiteration... once upon a time there did exist a stereotypical a gender-defining ontological-gratification, and exclusivity stratum - of the only two tiers in existence... most men probably miss this gender-defining gratification of... pseudo-malaise... it felt comfortable performing banal res-extensa-theatre tidbits... the simplest of things (acts, etc.) always brought out the most selfless joys... the grand replacement of the Muses and the Furies... ex-pec-ta-tions... morose social norms... and we as men complied... now? how about a song... matta... chaos reigns... how's that? if i was in this game: which i am not a part of... who wouldn't be tired?! to have courted the general splendour of the ramped-up polar opposite ballett via mediocre instances of ****** differences... now? this... fiend... this figment of everyone's seemingly sleeping faculty of imagination... of recurring dreams... of nights without dreams... i am a foreigner and having made the utmost utility of this language... i cannot speak for it, with the sort of biological stigmata of an english caste system...  very much apparent come the Royal Ascot... as i also not a foster parent, or some ultimate-******* example of a surrogate mother... oh believe me... i bring redemption for prostitutes... i've paid a tenner extra for 110quid an hour to show you the hydra in my gob... redemption is all prostitutes deserve... there's a tier above them... surrogate mothers... a bit different, ******* a harem of a single ******... quiet another to be a surrogate mother for two homosexuals... that's another level! prostituting your ****** for an hour? em... prostituting your womb for nine months?! there is no "relatively" speaking here, it's not a rhetorical question... this comes when the women disgrace prostitutes, calling all pundits: slavers... girl likes to ****, and she ***** in the most face-to-face fashion... but i'm pretty sure, that same girl, doesn't rent out her womb for nine months so Jim & Joe can have a ****-up of a toddler's worth of a leather napkin... to wipe off the otherwise apparent ***** from them gobbing down a perfect baked alaskan lolly! but you'd have to visit Amsterdam for that sort of perspective... away from England and that perverse Carry On! *** humour that states: we're all nuns! under the omnipresent scrutiny... and then... 1960s shameless ****... that's what i learned about the English... two-faced nymphomaniacs... or whatever decree... why didn't Henry VIII decide on a harem... or polygamy? i don't like the way the English concern themselves with ***... using terms like: joke, naughty... all things crass... infantile... i hate it... it actually creates a brimming spectacle of boiling water in my head and heart... pretending to be this puritanical could only take a hypocrite to craft a performance act... seems the english have only one form of escapism... ***... which would explain why they need to dress it with as much innocence as possible... which in turn translates into unfathomable depravity... perhaps not in the en masse sense... but at least a few thousand seances... akin to those *** acts... that would require a ******, a dajjal... to be looking... for the man to get an *******... or the woman to be aroused... the third party principle... otherwise? within the confines of the "so-called" privacy? dry cookie crumble - meet limp ****.

.bitter.. or simply... determined?

that's why i like prostitutes,
            it leaves me with
a blank canvas' worth of a narrative...
no cuddly bits-and-bomps...
   just straight talk:
- i get regular STD checks...
- good to know, really good to know.

unlike that age-old scenario
that my father warned me about:
- a girlfriend of mine
tried to trojan horse
   a baby into my lap,
and it was never my own...

   funny that...
i had that happen to me once...
mind you,
i do come from a horrid background...
both the mother of my father
and the father of my father
shoved him into the arms
of their parents...

                 salty... ouch...
*******...
   and i'm his breed...
                       oh, and that interlude
"picnic" of 30 minutes...
when you have just entertained
20cl of ms. amber,
and there's still a bottle's worth
of a sinking ship?
that half-drunk / half-sober
interlude...
                    yeah... those are nice...

ideally in love...
it's night-time,
people are asleep...
    i have to caution myself
from bursting out with laughter
reading some of these poetic...
ahem... group therapy sessions...
i know i loved,
and what i loved,
and i am certain i know
what i ******...
                    because:
it being ******,
replied with the adequate
reciprocation answer...

             the more i listen to incels
the more i'm like...
   this... this is the only "problem",
dating?
              i once took to a speed
dating event at edinburgh
university...
              it went...
as it was supposed to go...
    big L on the forehead,
started digging cognitive
trenches...
      
               the ultimate sign of respect
you have for someone?
eating food with them...
that's my starting line of inquiry...
everything else is just
pretending to tame
******* politics...

                      tell that to
latex lucy... for once in my life
i became an old man in
a young man's body...
               heart started speeding...
the unattainable became all
the more: real...
                  
      thank god that i'm not much
to look life,
so i went among the sort
of women where
upon giving them an ******,
there would be an expression
of anguish, and surprise...

         kanalrattebeißen...
but at least not an english politician's
take on the wriggly **** pit
of a maggot...
          when "god" played
bonsai with rats,
as man played bonsai with trees
and tigers to create cats...
came along the mice...

           latex lucy: everything that's
wrong but somehow right
with this world...
                i stopped myself from
****-**** when i "feigned"
    breeze-'ed...
             oh i'm pretty sure
she's the sort,
the mandible sort of beauty...
     but, clearly...
   i was expecting the typical
******* chub and good humour
akin to that puerto rican in
amsterdam...

              born half a monster,
died... eh... somewhere between:
the polacks never receiving either
german reparations...
  (which the jews received)...
or soviet reparations for
Chernobyll...
       the women were told to drink
iodine, if pregnant...
lovely year, that year 1986
when i was a month shy from
birth...

                but now...
                       if they shut me up on
wattpad... back in 2015...
over a comment which ended:
o.k., great, have a great life;

             well?
     surprises surprises...
leaving one ***** colony,
then finding another ***** colony.
trust? nil.
           hope? nil.
                    faith? nil.
         the chance to encounter
plenty of kleindiktatoren?
   what, whittle hitlers?
          all the time:
all, in, the, name, of, "democracy".
god...
if i'm not going to ****
a latex demigod deity...
i might as well write something
in deutsche:

    as the proverb suggests:
if you don't have what you'd like,
well... like what's readily given.
Ashly Kocher Oct 2020
It’s Simple...

B     E

RE  SP  EC  TF  UL  



RES
            PEC
                         TFUL

BE

K
I
N
D

SHOW

L     O   V   E

— The End —