(Sorry Friends, for posting educational type of poems, I know Haiku are easier to read & comment! But if you happen to like this true story, kindly recommend it to your other friends! Thanks, -Raj)

STORY OF EUROPEAN RENAISSANCE: PART TWO

THE CITY-STATE OF FLORENCE :
The city of Florence lies in the historic valley of Tuscany ,
Along the banks of the Arno river, surrounded by hills
of scenic beauty !
Here during the first century BC , the conquering Romans
established their ‘Colonia Florentina’,
To settle the war veterans of Caesar’s army in Northern
Italia !
But later after the fall of Rome , it became a battleground
for the Holy Roman Empire and the Pope ;
But the independent nature of its people refused foreign
yolk !
They preferred commune rule led by a powerful leader –
called the Signore ,
Just like the city-states of ancient Greece, in those days of
yore !
But unlike Greece , Florence saw no Democracy ,
Since the Medici family finally usurped power in this
city of Northern Italy !
Unlike Venice , Florence is landlocked and not a port
city ;
Relying on banking and trade to prosper economically .
Their gold coin florin became the standard coinage
throughout Europe ;
While through the export of its quality textile and woolen
goods, great wealth got secured !
But to become patrons of art and letters mere wealth is
not enough ,
One must have a refined taste to become a true lover of
letters and art !
And here the Medici carved out a niche for themselves
under the Florentine sun !
Writers like Francesco Petrarca , Dante, and Boccaccio ;
And artists such as Giotto , Lippi, Dontello, Leonardo ,
and Michelangelo , were all born Florentines !
Even classical Athens couldn’t boast of such a vast
galaxy ,
Of artistic talents within such a limited time frame of
History !
These artists embellished their city with their literary
works, sculptures, architectures and paintings ;
Made Florence to reawaken, dazzle, and shine ;
Carving out a proud moment in history for the
Florentines !

CONTRIBUTION OF MEDICI FAMILY OF
FLORENCE :
Giovanni de Medici (1360-1429) :
This Medici family became the Godfather for the Italian
Renaissance ,
And I feel obliged to narrate their story tracing their
historical source !
In those early days Art was considered a lowly craft ,
There were no art galleries, and one couldn’t make a
living out of Art !
Without patronage the artist and his art couldn’t survive ,
So I speak of the Medics, who had originated from the
Tuscan countryside !
Gaining power through wealth and political astuteness,
And not through military force for dominance !
The founder of family’s fortunes was Giovanni de
Medici ,
An educated man with a simple life style , who
traveled on a donkey !
A humble man who had never aroused any enmity .
He established the Medici Bank with innovations
in ledger accounting system ;
And became a pioneers in tracking credits and debits
through a double entry system !
He opened branches of the Bank in Rome and Northern
Italy ,
Facilitated bills of exchange and credit bills, to multiply
his money !
After the return of the Papacy from Avignon to Rome ,
The Medici Bank was made the official bankers of the
Pope ;
And Giovanni became the wealthiest man in Italy , if
not in entire Europe !
In 1421 Giovanni was made the Chief Executive of his
city ,
And he commissioned its leading architect Brunelleschi , -
to glorify Florence city .
The challenging task for Brunelleschi was to build the dome
of the Cathedral of his city .
This was the first octagonal dome in history , a breakaway
from the earlier Gothic structures ,
And even surpassing the Roman Pantheon as a marvel of
Florentine architecture !
It took sixteen long years to complete this huge dome ,
And stands today as an icon of Renaissance Europe !
Giovanni had taught his son Cosimo to follow a simple
life style ,
To patronize art and letters, and to his people be kind !

COSIMO De MEDICI (1389-1464) :
After Giovanni’s death , Cosimo the Elder built upon
his father’s inherited wealth ;
Absorbed most of the 39 Florentine Banks, operating its
branches in London and Bruges as well !
The greatest rival of the Medici fortunes were the Albizzi ,
They plotted against Cosimo and the Medics ;
And in 1433, exiled Cosimo and his family out of jealousy !
But after a year the Medics were recalled back as heroes ,
Since the Florentine coffers without the Medici Bank , -
had become almost zero !
But both peace and prosperity are needed for flourishing
of art and culture ,
So Cosimo engineered the Peace of Lodi (1454) with Milan
and Venice , -
To prevent future wars and misadventure !
Scholars were made to collect precious manuscripts from
the East, and the churches and vaults of Europe ;
And an ensured period of stability , contributed to Early
Renaissance’s growth !
Sculptor Donatello’s bronze **** David stood up as an
unique art form ,
And with paintings of Fra Angelico, and Filippo Lippi , -
the style of art itself began to reform !
Architect Michalozzo built the famous Medici Palace ,
And Cosimo opened the Medici Library for the spread of
classical knowledge !
After the fall of Constantinople in 1453 , the Greek scholars
with their classical manuscripts fled to Italy .
They flocked to Florence where Cosimo established a
Platonic Academy !
Renowned Humanist Marsilio Ficino became its President ,
And complete works of Plato got translated from Greek
to Latin !
Thus the growth of Early Renaissance owed much to
Cosimo’s patronage ,
And the Florentines inscribed “Pater Patriae” on his tomb , –
(‘Father of His Country’) after his death !

LORENZO THE MAGNIFICENT (1449-1492) :
Cosimo’s son Piero the Gouty died within five years ,
Never achieved anything spectacular worthy of tears !
The Medici Bank had loaned large sums of money to
King Edward IV of England and Charles the Bold of
Burgandy,
Failed to recover getting into bad debts and insolvency !
So when Cosimo’s grandson Lorenzo succeeded at
the age of twenty one ,
He focused on other areas of creativity, and the period
of High Renaissance begun !
Lorenzo , a genuine lover of arts, also wrote poetry in the
dialect of his native Tuscany ;
Following the footsteps of Tuscan born poets Donzella ,
Davanzati , and Dante the author of ‘Divine Comedy’ !
On 26th April 1478 , the Pazzi family in connivance with
the Archbishop of Pisa and backing of Pope Sixtus IV ,
Tried to assassinate the Medics during the High Mass, -
in the Cathedral of Santa Maria del Fiore !
Younger brother Giuliano was fatally stabbed , but they
failed to **** Lorenzo .
All the conspirators were hanged including Pisa’s
Archbishop !
Ecclesiastic censure was issued against Florence ,
And Lorenzo was excommunicated by the Pope !
But Lorenzo worked out a treaty of peace with the King
of Naples ,
And became the undisputed ruler of the Republic of
Florence !
Unfortunately , Lorenzo died young at the age of forty-
three ,
At the dawn of the great Age of Exploration and
adventures by sea !
During his rule Renaissance reached its Golden Age ,
And literature, art, and architecture blossomed with
Lorenzo’s patronage !
It earned him the title of ‘Magnifico’, now know to
us as Lorenzo the Magnificent !
Leonardo da Vinci , Michelangelo , Raphel , Giovanni
Bellini ,Titan, Veronese, Correggio , Tintoretto ;
All became superstars of the Renaissance era ;
Their works are cherished, valued and treasured to
this day of our Modern era !
In the year 1492 with Lorenzo’s death , Italy entered
a period of turmoil and instability,
And the Renaissance saw a period of decline in Italy !
But the flames of the Renaissance spread to other
parts of Northern Europe ,
And in the 16th century reached England’s shores !
The Medici Family had also provided three Popes to
Italy, and three Queens to France ;
Besides patronizing the growth of the famous Italian
Renaissance !
Now dear readers, to do justice to Renaissance art ,
architecture, and literature briefly ,
I propose to narrate its story in Part Three !
-- By Raj Nandy of New Delhi .
*ALL COPY RIGHTS ARE WITH THE AUTHOR

As he walked through the maze of streets from the tube station he wondered just how long it had been since he had last visited this tall red-bricked house. For so many years it had been for him a pied à terre. Those years when the care of infant children dominated his days, when coming up to London for 48 hours seemed such a relief, an escape from the daily round that small people demand. Since his first visits twenty years ago the area bristled with new enterprise. An abandoned Victorian hospital had been turned into expensive apartments; small enterprising businesses had taken over what had been residential property of the pre-war years. Looking up he was conscious of imaginative conversions of roof and loft spaces. What had seemed a wide-ranging community of ages and incomes appeared to have disappeared. Only the Middle Eastern corner shops and restaurants gave back to the area something of its former character: a place where people worked and lived.

It was a tall thin house on four floors. Two rooms at most of each floor, but of a good-size. The ground floor was her London workshop, but as always the blinds were down. In fact, he realised, he’d never been invited into her working space. Over the years she’d come to the door a few times, but like many artists and craftspeople he knew, she fiercely guarded her working space. The door to her studio was never left open as he passed through the hallway to climb the three flights of stairs to her husband’s domain. There was never a chance of the barest peek inside.

Today, she was in New York, and from outside the front door he could hear her husband descend from his fourth floor eyrie. The door was flung open and they greeted each other with the fervour of a long absence of friends. It had been a long time, really too long. Their lives had changed inexplicably. One, living almost permanently in that Italian marvel of waterways and sea-reflected light, the other, still in the drab West Yorkshire city from where their first acquaintance had begun from an email correspondence.

They had far too much to say to one another - on a hundred subjects. Of course the current project dominated, but as coffee (and a bowl of figs and mandarin oranges) was arranged, and they had moved almost immediately he arrived in the attic studio to the minimalist kitchen two floors below, questions were thrown out about partners and children, his activities, and sadly, his recent illness (the stairs had seemed much steeper than he remembered and he was a little breathless when he reached the top). As a guest he answered with a brevity that surprised him. Usually he found such questions needed roundabout answers to feel satisfactory - but he was learning to answer more directly, and being brief, suddenly thought of her and her always-direct questions. She wanted to know something, get something straight, so she asked  - straight - with no ‘going about things’ first. He wanted to get on with the business at hand, the business that preoccupied him, almost to the exclusion of everything else, for the last two days.

When they were settled in what was J’s working space ten years ago now he was immediately conscious that although the custom-made furniture had remained the Yamaha MIDI grand piano and the rack of samplers were elsewhere, along with most of the scores and books. The vast collection of CDs was still there, and so too the pictures and photographs. But there was one painting that was new to this attic room, a Cézanne. He was taken aback for a moment because it looked so like the real thing he’d seen in a museum just weeks before. He thought of the film Notting Hill when William Thacker questions the provenance of the Chagall ‘violin-playing goat’. The size of this Cézanne seemed accurate and it was placed in a similar rather ornate frame to what he knew had framed the museum original. It was placed on right-hand wall as he had entered the room, but some way from the pair of windows that ran almost the length of this studio. The view across the rooftops took in the Tower of London, a mile or so distant. If he turned the office chair in which he was sitting just slightly he could see it easily whilst still paying attention to J. The painting’s play of colours and composition compelled him to stare, as if he had never seen the painting before. But he had, and he remembered that his first sight of it had marked his memory.

He had been alone. He had arrived at the gallery just 15 minutes before it was due to close for the day.  He’d been told about this wonderful must-see octagonal room where around the walls you could view a particularly fine and comprehensive collection of Impressionist paintings. All the great artists were represented. One of Van Gogh’s many Olive Trees, two studies of domestic interiors by Vuillard, some dancing Degas, two magnificent Gaugins, a Seurat field of flowers, a Singer-Sergeant portrait, two Monets - one of a pair of haystacks in a blaze of high-summer light. He had been able to stay in that room just 10 minutes before he was politely asked to leave by an overweight attendant, but afterwards it was as if he knew the contents intimately. But of all these treasures it was Les Grands Arbres by Cézanne that had captured his imagination. He was to find it later and inevitably on the Internet and had it printed and pinned to his notice board. He consulted his own book of Cézanne’s letters and discovered it was a late work and one of several of the same scene. This version, it was said, was unfinished. He disagreed. Those unpainted patches he’d interpreted as pools of dappled light, and no expert was going to convince him otherwise! And here it was again. In an attic studio J. only frequented occasionally when necessity brought him to London.

When the coffee and fruit had been consumed it was time to eat more substantially, for he knew they would work late into the night, despite a whole day tomorrow to be given over to their discussions. J. was full of nervous energy and during the walk to a nearby Iraqi restaurant didn’t waver in his flow of conversation about the project. It was as though he knew he must eat, but no longer had the patience to take the kind of necessary break having a meal offered. His guest, his old friend, his now-being-consulted expert and former associate, was beginning to reel from the overload of ‘difficulties’ that were being put before him. In fact, he was already close to suggesting that it would be in J’s interest if, when they returned to the attic studio, they agreed to draw up an agenda for tomorrow so there could be some semblance of order to their discussions. He found himself wishing for her presence at the meal, her calm lovely smile he knew would charm J. out of his focused self and lighten the rush and tension that infused their current dialogue. But she was elsewhere, at home with her children and her own and many preoccupations, though it was easy to imagine how much, at least for a little while, she might enjoy meeting someone new, someone she’d heard much about, someone really rather exotic and (it must be said) commanding and handsome. He would probably charm her as much as he knew she would charm J.

J. was all and more beyond his guest’s thought-description. He had an intensity and a confidence that came from being in company with intense, confident and, it had to be said, very wealthy individuals. His origins, his beginnings his guest and old friend could only guess at, because they’d never discussed it. The time was probably past for such questions. But his guest had his own ideas, he surmised from a chanced remark that his roots were not amongst the affluent. He had been a free-jazz musician from Poland who’d made waves in the German jazz scene and married the daughter of an arts journalist who happened to be the wife of the CEO of a seriously significant media empire. This happy association enabled him to get off the road and devote himself to educating himself as a composer of avant-garde art music - which he desired and which he had achieved. His guest remembered J’s passion for the music of Luigi Nono (curiously, a former resident of the city in which J. now lived) and Helmut Lachenmann, then hardly known in the UK. J. was already composing, and with an infinite slowness and care that his guest marvelled at. He was painstakingly creating intricate and timbrally experimental string quartets as well as devising music for theatre and experimental film. But over the past fifteen years J. had become increasingly more obsessed with devising software from which his musical ideas might emanate. And it had been to his guest that, all that time ago, J. had turned to find a generous guide into this world of algorithms and complex mathematics, a composer himself who had already been seduced by the promise of new musical fields of possibility that desktop computer technology offered.

In so many ways, when it came to the hard edge of devising solutions to the digital generation of music, J. was now leagues ahead of his former tutor, whose skills in this area were once in the ascendant but had declined in inverse proportion to J’s, as he wished to spend more time composing and less time investigating the means through which he might compose. So the guest was acting now as a kind of Devil’s Advocate, able to ask those awkward disarming questions creative people don’t wish to hear too loudly and too often.

And so it turned out during the next few hours as J. got out some expensive cigars and brandy, which his guest, inhabiting a different body seemingly, now declined in favour of bottled water and dry biscuits. His guest, who had been up since 5.0am, finally suggested that, if he was to be any use on the morrow, bed was necessary. But when he got in amongst the Egyptian cotton sheets and the goose down duvet, sleep was impossible. He tried thinking of her, their last walk together by the sea, breakfast à deux before he left, other things that seemed beautiful and tender by turn . . . But it was no good. He wouldn’t sleep.

The house could have been as silent as the excellent double-glazing allowed. Only the windows of the attic studio next door to his bedroom were open to the night, to clear the room of the smoke of several cigars. He was conscious of that continuous flow of traffic and machine noise that he knew would only subside for a brief hour or so around 4.0am. So he went into the studio and pulled up a chair in front of the painting by Cézanne, in front of this painting of a woodland scene. There were two intertwining arboreal forms, trees of course, but their trunks and branches appeared to suggest the kind of cubist shapes he recognized from Braque. These two forms pulled the viewer towards a single slim and more distant tree backlit by sunlight of a late afternoon. There was a suggestion, in the further distance, of the shapes of the hills and mountains that had so preoccupied the artist. But in the foreground, there on the floor of this woodland glade, were all the colours of autumn set against the still greens of summer. It seemed wholly wrong, yet wholly right. It was as comforting and restful a painting as he could ever remember viewing. Even if he shut his eyes he could wander about the picture in sheer delight. And now he focused on the play of brush strokes of this painting in oils, the way the edge and border of one colour touched against another. Surprisingly, imagined sounds of this woodland scene entered his reverie - a late afternoon in a late summer not yet autumn. He was Olivier Messiaen en vacances with his perpetual notebook recording the magical birdsong in this luminous place. Here, even in this reproduction, lay the joy of entering into a painting. Jeanette Winterson’s plea to look at length at paintings, and then look again passed through his thoughts. How right that seemed. How very difficult to achieve. But that night he sat comfortably in J’s attic and let Cézanne deliver the artist’s promise of a world beyond nature, a world that is not about constant change and tension, but rests in a stillness all its own.

I have so many musings
my hands they are complaining,
cuz I can't get them all right,
an so quickly jot them down,

An I feel that I'm connected,
to all my friends and my dear neighbors
an all that I can hear is just is that sound!

Of sweet snowflakes as they're falling,
in the silence sweet n pure,
an so softly as I hear them,
touch the ground,

An soon I'll imagine,
oh a winter wonderland,
in a covering in all you see around,

Those lovely floating wisps,
are so intricate-amazing
those parachuting sprites,
here they abound!

If you ever catch one close up,
well you really really oughta,
cuz the labyrinthine in sight
it will astound!

They are happy little ships afloat,
with an octagonal shape,
landing on all  life,
once sorely browned,

Every child and adult,
is now looking up in awe,
as there smiles turning up ,
instead of frowned!

I thought that I was lost,
an I'd never get to see,

but in poetry it seems-
that  I am found!

Ma Cherie © 2017

INDEX


                            Foreword

1  Despertación of Etréstles 13

2  Constitución New Government . 22

3  diabolic Intromisión 25

4  Kanti, the Corcel . 28

5  Ante the Council 30

6 Inauguración the Monument to Botsaris . 36

7  Losas abandoned 41

8  Satagénesis and Deidagénesis Four. Five

9   Enviados to Deidagénesis / Lepanto 52

10 Drestnia in Kalidona 56

11 Etréstles returns Lepanto 64

12 And the fourth cemetery 71

13 Top of the flight of Lucifer 79

14 In the crypt of the patriarchs 87

15 Etréstles part Valplacci 98

16 Etréstles fleet in the Ionian Sea 114

17 Near Messolonghi 120

18 A new era begins 123

19 Universal Era breaks 129

20 Goodbye Messolonghi 135

21 At the beginning of a new millennium. 141

Epilogue. 153








FOREWORD






Mi theme concept concerning Cemeteries, has been maintained for many years under a remarkable process falls recoup credibility. Unknown worlds which we do not know what to believe, are usually put into question.

Constantly let the silent fields where lie the dead, but it is not, rather that me thinks so. Undoubtedly, the Quantum Theory indicates a basic unit of the whole universe, showing that it is possible to decompose the world into small units of independent existence. This theory shows that the dynamics in the art is such that, solid objects are in constant motion entramando relations between different parts of a unified whole.

As we believe that matter is inherently sterile, we think the cemetery is in the same condition, and therefore inert bodies are also only turned into a pile of bones scattered.





7

8 Etréstles


My conception of the world of subterranean acting, aims to support the theory of Quantum, because at first glance it seems that under these moles cement there putrefaction and eternal solitude. Well, I, I do not think so, I think there is tremendous activity, above all tends to seek fulfillment in a world that concerns him, and also has the infinite grace of thanks from all lurking diseases that shake us. That is, each inhabitant of the subterranean acting as a Franciscan Noble receives worship existence, and not faints by the destructive effects of all known diseases.

Near the garden of heroes, they are the remains of those who died in this output. It was a legendary struggle for libertarian revolution of 1821 in Greece, exactly Messolonghi. Markos Botsaris's tomb and the statue of Lord Byron great Hellenophile found in this garden.

Once, I was looking for a book, and this was inevadiblemente of oriental trend. I used to remind my teacher, the monk talking Virajánanda Given the processes of time, yesterday, today and tomorrow; all at once were a pure unity. That physical death had to be spiritual satisfaction, so that the spirit can not disconnect your disposable body. Child saw my family to go to leave flowers garden home to their loved ones. But I am noticing that my grandparents were still alive, and then would leave, looking for ways to inhale the smell of the earth to prepare the farewell that someday would come from the dark beyond. It never was painful to see them

Ko umeterium MESSO LO Nghi 9


from, because I've always been with them. In addition always our body, which would be living in a merger with vague spirits, to vague minds that do not hold their interest in spirituality as a way of life, tend to make us climb through dark passages of ignorance.

Etréstles, the protagonist; It has place at a lineage that marks limits warriors of ancient Greece, since fought with neighboring nations. Thus, generation after generation, he meddles in successive reincarnations that are to be transported in time by different spaces.

Its Vitabión and Regma Mother, father and as Staktos and Esaedt, both from different eras. His monogamous romantic company is coyuntada with the presence of Drestnia; woman who had to pull out of her womb, better said from his rib, emulating the biblical account.

While it is noteworthy that the secondary characters are related to Greek mythology such as Eurydice, and real characters like Markos Botsaris, who was a great hero who drove the Turks. The famous Florentine sculptor and architect Lorenzo Ghiberti, is present in the action, so that his image is immortalized in an eternal cemetery. Similarly we should mention Asurbanipal king of Assyria (667-626 C), the Auriga; the coachman and truck driver where he had his Herreros over time to release the Hellenic descent.

Other memorable as Aristotle, Hesiod, Praxiteles, which are knowledge to every reader of Greek literature. The judge presiding over the classroom

10 E tr é stles


sesionaba time to time, trying to revive the rituals and reject the stubborn efforts of Lucifer, who was trying to have a place on earth, then God expelled him from heaven.

In the chapter of the onslaught of Lucifer, he is accompanied by his minions Heosphoros and Phosphoros; they are the ones who brought Lucifer from heaven to Messolonghi. In addition Mesopotamian demons appear hostile world, these were the Annunaki who were the jailers of the dead in hell. The Etimmu, were the ghosts of all those who had died unhappy. The Utukku lived in desolate places or cemeteries; they are all part of malignancy presence as oppressive form and manner of presence to the exuberance of good all-encompassing.

Kanti Botsaris steed, is nothing more than his superconsciousness, wearing it as a link between the different physical and oneiric dimensions. It should be noted that Kanti is a Cretan horse and belongs to the fallen in battle, as Botsaris.

Eulalia and Zultina, both courtesans who spent their lives together with Ghiberti and Botsaris.

And it could not ignore the Menopausal, puerperal and Enamorada, as they like female members suffer alone beyond the earthly life that had consequences that affect the desolate silence of death camps.

And to finish, arrival at Valplacci, where it meets a world and a rare man in an unknown dimension by Etréstles. subsequently arriving at Patmos, where St.

Ko umeterium MESSO LO Nghi eleven


John the Theologian, to regain some of its lost soul by the intrusion of Lucifer. Here manages to discover that there is no need to fight warriors who always talk about physical war, because many of them tend to succumb to the same battlefields. discovering, mind mentor as the best ally to overcome any difficulty, wherever it is that the human race is found, or infra-human.

Finally, Etréstles is discovered in a way that would open a new numeral cycle, to start a new era and a new physical space where the projection Messolonghi be situated; nothing less than Nineveh, Ashurbanipal land where the winds blow, as a priest in his exsufflation it does to remove the demons that inhabit the world.

The "Zero" is the initiator of a new era, from whose base the only means available to the new life that awaits the residents of escombroso Messolonghi, after the invasion of Lucifer appears.

My concept of the cemeteries, while seeking an answer to approximate I think now that enormous efforts are made to understand fully. Cemetery remains for me a scenario of hideousness and terror, seen from the observation point that everyone has it, however, I think that in a strange world where you're not supposed to govern ethics, aesthetics, law , and the professional, economic and social status; It is where more wealth is the multiestimulante vitality, "I think

12 E tr é stles


nowhere inhabited earthly souls, will be able to find more life here in the

Messolonghi cemetery ".


José Luis Carreño Troncoso San Antonio, 1997




1





Wake-up of Etréstles



Dfter sleeping a thousand years fell on my face greater light current Solar. I slept without smiling at the crowds inhumaron smearing me my only bones.

The search of that hubbub, made me celebrate the porous bodies and pelusientos arañosos falling on my fingers, delighting my humble tributes to the beetles that accompanied me to direct my view to the nearby burial vaults me. Some were swollen with a semblance augury despertativa; like starting today, with the ominous words They moved from today, the paddling of my fleshless jaws.

Among gravestones of Floreas esmeraldinas dinosauric, in a clear blue autumn, some birds refregaban on edges of the carved stones. Meanwhile, mustards was riding on dry leaves leaves clavelinas. The white-clad looked up Drestnia slab that closed their senses, remained behind bars with his hands crossed as evolving body


13

14 E tr é stles


to attend a new era of geography and different technology. On his chest he would run the living vertiginante wind up the corporeal hint in the light of Koumeterium Messolonghi; that housed over a thousand years ago, at Etréstles of Kalavrita.

This huge palace and flat, it is nothing more than an asylum, where the worst plague that began with the death of the sentinels of Lucifer, who dropped this place with its beautiful golden layers originated; whose satagénesis emerge the burning soil to ten fossilized cemeteries under the Messolonghi.

He walked slowly dragging my old body, the tenth floor, and that teenage girls pointed stones would break my nails; as such if they were claws of a mammal trapped by lava from a volcano. In each advance I awaken in my armor patriotic my last fight, and his enternecedor observe how parents tilled by the conglomerate caste, fighting in underground elements.

Etréstles awakening ...:

Etréstles ...: Which of all columns erected is able to open all columns built in the pavilion of these moles without form or color ... just vitalizing lung diaphragm Eólico my daydreams, is who I think would ...?

To all who are runaways and trapped underground Messolonghi, I bring you good tidings ... Auriga with its Herreros come from the region of the Dodecanese to loosen the bars you father

Ko umeterium MESSO LO Nghi fifteen


Staktos lucid and my mother Vitabión well that in a thousand years, has been damaged her beautiful body. Since my birth in Ayia Lavra, I was being buried for the ninth time in the Ninth Fossilized Cemetery. Whose archpriest with holy oil trickled down my wall, pretending to be a dance of water generated at the bottom of the Ionian. Between the arches of the temple columns running down my mother Vitabión; outward sacravertebral bathe in the water of my past christenings. My past lives were providing mandated by the Auriga their previous lives. And your mother ... A day tried the weight of my recycle ... ?!

Beyond you., Comrades of wars, pilgrimages sacrosanct, lush gauzy baths civilization in the Olympic and equestrian fields.

To you. That you lie here, as is my death in my last life in the hands of a Spartan soldier. Pcs., Blood of my blood, I feel inside me speak your need ...

And in the postrería Drestnia, which by its sixth rising from here from Messolonghi, between bars sealed thy grave situation for the Hellenic indeterminar.

I had to drink from the Pinosa resin to speak here, with my bony hands to touch the others are like yours ...

... Drestnia, my rib still preserved, I will be reborn placating the domain of collective wishful thinking, which prevents your freedom.

My rib you return to your present life, whose cold, flower seeds esqueletizaron the perimeter of your life ...

16 E tr é stles


Etréstles was with them into the Koumeterium Messolonghi, to about 1800 meters zenith direction.

They were to be the Necromesolongui Council to define the minutes. -while music with winds adorned arrival-. Just at the moment, came the Auriga with its blacksmiths, they came to liberate Drestnia with its multiconciencia. What happiness to Etréstles! He ran through the underground halls, to the oldest Koumeterium, the first fossilized. Where thousands of years ago, with many now extinct species, Etréstles came to them resoundingly good news.

While the Council inveighed promulgating the divine sarmiento spray fields Dodecanese in producing seeds of Markos Botsaris.

Judge…: With my lameness, I have to advocate the reintegration of outstanding Markos Botsaris, that once we free them of the Turkish occupation!

Asurbanipal ...My Sirio reign, full of dynamism, placed on their doorposts the powerful image of South-west wind, in honor of his victorious from Kalidona.

Etréstles brought Drestnia just walking the Council and thousands of harmoniums undermined doubts Manor invoking the hero. They all stand, the Council at its octagonal table with his assistants left empty vine glasses to welcome, to the last surviving female first Koumeterium Messolonghi.

Ko umeterium MESSO LO Nghi 17


Harmoniums, as Apollonian rubies widen the dimensions of the cavernales vaults. She sit and ends the music. Drestnia with some leaves on his shoulders, adorned the new escenáculo, which would sit by the new future.

Asurbanipal ...: To you gifts Oh, the universe, you are welcome to this Council, where one day they brought me to praise my contributions from the entrance of Humanity!

But the issue for today, will await the arrival of Markos Botsaris as you who have reached this border, thanks to the generous Auriga.

Charioteer…: ***** wax Orion; Eternal fuel, donated them strength to my steeds pairs, that were raised over distant lands, to reach my Herreros desoldering the bars of Drestnia.

Blacksmith…: Our eyes closed every hundred kilometers, but Eurydice with your calendar, made the aphelion arrimara us this feat.

Ecos ...: Dust ..., Mito ... Dream ... illusion ... have swirled galloping millennia, wearing gray Borrasca ...!

What dark words illuminate the hopes, just below, it is well known that there is much to do, because there is more activity on the surface ...!

Judge…: Etréstles, Drestnia ... past, present, or future will speak of you.

18 E tr é stles


You Drestnia ... !, how long dream ..., defied your gothic vision, not move my neck to your neighbors, loved ensepulcrados in the first Fossilized Koumeterium.

Vitabión ...: Messolonghi lives up to all cemeteries in the world, where they loved their near them. But they do not know life here is more dynamic than in the world of their own.

Menopausal women ...My husband cry on my slab, because his infidelity caused me a bad venereum, which today has removed me from his life. The cries and cries for me ****** decline, all for being with another woman condemned me.

one curtain rises and leaves Funebrio; concelebrating priest all recent deaths ...

Funebrio ...: Woman when you cry my black clothes, cry black tears ...!

Your husband remains static, no movement, despite many kilometers to their own devices. Forbidden habit becomes, how tempting. But contestataria Mother Nature pours us their punishment.

Staktos ...: Friends kisses you give yourself, Where have posted ideations ...?

O dais to scatter everywhere the osculaciones they meet other mouths.

Ko umeterium MESSO LO Nghi 19


Etréstles ...: Everyone I ask do well to prepare your labors. Even so, his desire to hold my naughty pleas heart in this hour by the arrival of Drestnia.

The judge asks adjourn for the recess could then discuss strategies for future deaths.

Sepulcrero ...Lord Judge at the stepped eastern sector have buried an architect. We could ask your cooperation to Botsaris monument.

Judge…: All in good time. It will be done, does anyone want something narrow ...? -Drestnia raised his hand and asked ...:

Drestnia ...: With Etréstles in the last minutes of our lives, which extortioner once it is finished this monument, where our souls will be destined to remain here temporarily ... Messolonghi?

Judge…: General demented wars, take Etréstles the field of Lepanto, because there are stubborn souls who defy the vanquished souls ...

… and as for you, the benevolent Auriga take your soul colors of the sunset, to divide megatons of the Romantics, who along with Ghiberti, on some trunks of beautiful minerals, will anchor his best poems and hiperestésicas forward to outshine their suicides groups.

After the meeting, the attendees are removed, and Drestnia with Etréstles go to spring the celestial napa

twenty E tr é stles


with its golden glow waiting to sail to Tangier and Morocco. In their ships were concurrent, Etréstles woman carrying her ribcage navigation oriented towards the sound of the oars that were the femurs of a Diplodocus itself.

Drestni

I live in limbo.
Suspended somewhere between towering
Steel Titans and
an ocean of corn.
It's that time of the year again.
I know where I need to go.

I sit in traffic, start and stop.
This line stretches to the main road.
I'll be here awhile.
I close my eyes and I'm there already
My quarter mile square of peace
that shouldn't be peaceful.

A car horn blares behind me,
urging me to scoot up fifty feet
just to stop again for another five minutes.
I just want to get there and away
from this fight,
away from these angry people.

I know they're just anxious
to get home after their
daily nine to five
in the city.
They keep inching West, like me.
But I'm not going home.

Finally at the light.
I turn up the radio.
It's clear the stiff in the three piece suit
in the next lane
is not
a fan of Van Halen.

I return his surly glare
with one of my own.
Past the light and
I keep rolling on.
Past the restaurants and
tanning salons.

I stop at the grocery store
and pick up some orchids for her.
I pick the purple ones
because I think maybe,
she might have liked purple.
But I have no idea, not really.

Breaching suburbia,
where I pass housing developments
that someone had the audacity to brand
with snooty names reminiscent
of high end golf clubs.
Who do they think they are?

As I go, the houses get bigger,
further apart.
The windows down,
I take a cleansing breath.
The air, a little cleaner
than before.

Coasting into rural territory,
I glance at the equestrian farm
and abandoned barns,
ripe with decay,
that might crumble
at the slightest touch.

On and on,
just trying to get
to that place,
where few go but me.
That peaceful place
that really shouldn't be peaceful.

I pull up to that familiar octagonal STOP.
Look right to the llama farm,
Left to the empty bean field,
Straight ahead at the sign: Plain City - Georgesville Rd.
I think maybe they call it Plain because
It all looks quite the same.

Over hills that send my stomach into my lungs,
Past the Canaan Community mobile homes
Which is apparently "A nice place to live."
I know its up here on the left,
That old gravel drive that
no one else sees when they pass.

One more hill and I'm here.
Pulling in under the archway that reads
FOSTER CHAPEL CEMETERY.
I turn down the music,
slow the car,
turn off the engine and listen.

Birds, slight breeze,
the occasional passing car
that sounds like a jet plane out here.
Sinking sun sets this place ablaze.
Wish granting dandelions and silk flower petals
strewn by the whispering wind.

Cars pass by, they don't look this way.
I imagine if they did,
they would marvel that a red Grand Am,
and a living person were there where
hardly anyone ever goes.
This is a place for the dead.

I sit on a cracked stone bench
and watch a monarch
flutter and rest on someone's resting place.
I come here when I can't breathe at home.
And sometimes I'm awed by how
beautiful it is here.

How peaceful it is in this moment.
Then I remember why I came today.
A hundred yards of hundred year old
headstones that have since been
weathered illegible.
A few, I can still make out.

Six feet under,
the bones of people I never knew.
Sometimes I wonder about their stories,
the things they might've done
when they lived.
Bow my head for the ones who died young.

On my way to the back,
I look over one I've read a dozen times.
"Jonathan Alder
First white settler in Madison Co.
Taken by the Indians in 1781,
Returned to his mother in 1805."

So much history here.
People who were buried here
after death.
And of course there's her.
The girl who died here
at the hands of a very bad person.

Incongruously dead among
the dead who belonged here,
she was gone before my birth.
I never knew her,
never knew she was here before
I found this place by accident one summer.

Took the second time I came to notice
the wooden cross wired to the fence in the back.
"KILLED HERE MARCH 17, 1991"
It makes me sick to see it.
But still, I lay down the bit of life
I plucked from a bucket in the store.

I always come a month after
the anniversary of her death.
I imagine it might be sufficiently awkward to run into
her family, who may wonder
why a girl who never knew her
would lay flowers in her memory.

There was some rumor years ago
that she haunted this place.
I don't know about that.
But if her spirit still roamed here,
tormented soul, I'd like to think
that she is glad for the company when I come.

For I come more often not in April,
but when I'm angry
or can't clear my head.
I find peace in the beauty here,
and wonder in the extensive history,
and a reminder.

She reminds me that
she never had the chance at life that I do.
She reminds me to appreciate
the life I was given.
Reminds me it could be taken
from me any day.

Some think it strange to find peace
in a place of death and tragedy.
And I must agree.
But this is also a place of rest.
A quiet place for the dead to sleep,
or maybe wait for company.

I don't always do right.
Don't always say the right thing.
I can be volatile and childish sometimes.
And I come here when I know I need to be humbled.
And I wonder to myself,
Isn't this a strange place for peace?

Everyone has a tell
     an insignificant twitch
     a slight change in demeanor
     a subtle physical distortion

Two dime-sized octagonal flaws
    flushed pink
appear just southeast  of my left eye
after the water ceases to flow
    leaving only a riverbed
    salt
    in its wake

Pulled together
Faking poise
    and doing it well
Those two **** dime-sized octagonal flaws
give me away.

at the cafe on ruby toes and sugar pinch, we consent and reap the valdez of our perpetual cud.
we sip from octagonal spoons. there, we suture the fiend to the deed and the rail
to the runaway train. how else would you explain your dashing about
in the chum of our castanet. we cast our nets in the epibenthic  fumes of our unusual loveliness
and sweat the little things that vanish from the canon our interesting.
hup to it. vie for the offshore drill.
suppose you grow a dead thing and keep it astonished with flashcards
and nobody says a thing ?

After sleeping a thousand years fell on my face greater light current Solar. I slept without smiling at the crowds buried and smearing my only bones.

The search of that hubbub, made me celebrate the porous bodies and spraying smooth falling on my fingers, delighting my humble tributes to the beetles that accompanied me to direct my view to the nearby burial vaults me. Some were swollen with a semblance of augury awakeness; like starting today, with the ominous words They moved from today, the paddling of my fleshless jaws.

Among gravestones of emerald flowers dinosauric, in clear blue autumn, some birds scrub on the edges of the carved stones. Meanwhile, mustards were riding on dry leaves carnations. The white-clad looked up Drestnia slab that closed their senses, remained behind bars with his hands crossed as evolving body To attend a new era of geography and different technology. On his chest he would run the living vertiginous wind up the corporeal hint in the light of Koumeterium Messolonghi; that housed over a thousand years ago, at Etréstles of Kalavrita.

This huge palace and flat, it is nothing more than an asylum, where the worst plague that began with the death of the sentinels of Lucifer, who dropped this place with its beautiful golden layers originated; whose satagénesis emerge the burning soil to ten fossilized cemeteries under the Messolonghi.

He walked slowly dragging my old body, the tenth floor, and that teenage girl's pointed stones would break my nails; as such if they were claws of a mammal trapped by lava from a volcano. In each advance, I awaken in my armor patriotic my last fight, and his tenderness observes how parents tilled by the conglomerate caste, fighting in underground elements.

Etréstles awakening ...:

Etréstles ...: Which of all columns erected is able to open all columns built in the pavilion of these moles without form or color ... just vitalizing lung diaphragm Eólico my daydreams, is who I think would ...?

To all who are runaways and trapped underground Messolonghi, I bring you good tidings ... Auriga with its blacksmiths come from the region of the Dodecanese to loosen the bars you father  Staktos lucid and my mother Vitabión well that in a thousand years, has been damaged her beautiful body. Since my birth in Ayia Lavra, I was being buried for the ninth time in the Ninth Fossilized Cemetery. Whose archpriest with holy oil trickled down my wall, pretending to be a dance of water generated at the bottom of the Ionian. Between the arches of the temple columns running down my mother Vitabión; an outward sacral vertebral bathe in the water of my past christenings. My past lives were providing mandated by the Auriga their previous lives. And your mother ... A day tried the weight of my recycle ... ?!

Beyond you., Comrades of wars, pilgrimages sacrosanct, lush gauzy baths civilization in the Olympic and equestrian fields.

To you. That you lie here, as is my death in my last life in the hands of a Spartan soldier. Pcs., Blood of my blood, I feel inside me speak your need ...

And in the ending Drestnia, which by its sixth rising from here from Messolonghi, between bars sealed thy grave situation for the Hellenic indeterminate.

I had to drink from the Pinosa resin to speak here, with my bony hands to touch the others are like yours ...

... Drestnia, my rib still preserved, I will be reborn placating the domain of collective wishful thinking, which prevents your freedom.

My rib you return to your present life, whose cold, flower seeds skeletonize the perimeter of your life ... Etréstles was with them into the Koumeterium Messolonghi, to about 1800 meters zenith direction.

They were to be the Necromessolonghi Council to define the minutes. -while music with winds adorned arrival-. Just at the moment, came the Auriga with its blacksmiths, they came to liberate Drestnia with its multi conscience. What happiness to Etréstles! He ran through the underground halls, to the oldest Koumeterium, the first fossilized. Where thousands of years ago, with many now-extinct species, Etréstles came to them the resoundingly good news.

While the Council inveighed promulgating the divine Sarmiento spray fields Dodecanese in producing seeds of Markos Botsaris.

Judge…: With my lameness, I have to advocate the reintegration of outstanding Markos Botsaris, that once we free them of the Turkish occupation!

Asurbanipal ...My Sirio reign, full of dynamism, placed on their doorposts the powerful image of South-west wind, in honor of his victorious from Kalidona.

Etréstles brought Drestnia just walking the Council and thousands of harmoniums undermined doubts Manor invoking the hero. They all stand, the Council at its octagonal table with his assistants left empty vine glasses to welcome, to the last surviving female first Koumeterium Messolonghi.

Harmoniums, as Apollonian rubies widen the dimensions of the caverns vaults. She sits and ends the music. Drestnia with some leaves on his shoulders adorned the new scene, which would sit by the new future.

Asurbanipal ...: To you gifts Oh, the universe, you are welcome to this Council, where one day they brought me to praise my contributions from the entrance of Humanity!

But the issue for today will await the arrival of Markos Botsaris as you who have reached this border, thanks to the generous Auriga.

Charioteer…: ***** wax Orion; Eternal fuel, donated them strength to my steeds pairs, that were raised over distant lands, to reach my blacksmiths desoldering the bars of Drestnia.

Blacksmith…: Our eyes closed every hundred kilometers, but Eurydice with your calendar, made the aphelion enclose us this feat.

Echoes ...: Dust ..., Myth ... Dream ... illusion ... have swirled galloping millennia, wearing gray storm...!

What dark words illuminate the hopes, just below, it is well known that there is much to do, because there is more activity on the surface ...!

Judge…: Etréstles, Drestnia ... past, present, or future will speak of you.

You Drestnia ... !, how long dream ..., defied your gothic vision, not move my neck to your neighbors, loved buried in the first Fossilized Koumeterium.

Vitabión ...: Messolonghi lives up to all cemeteries in the world, where they loved theirs near them. But they do not know life here is more dynamic than in the world of their own.

Menopausal women ...My husband cries on my slab because his infidelity caused me a bad venereal, which today has removed me from his life. The cries and cries for my ****** decline, all for being with another woman condemned me.

one curtain rises and leaves Funebrio; concelebrating priest all recent deaths ...

Funebrio ...: Woman when you cry my black clothes, cry black tears ...!

Your husband remains static, with no movement, despite many kilometers to their own devices. Forbidden habit becomes, how tempting. But rebellious Mother Nature pours us their punishment.

Staktos ...: Friends kisses you give yourself, Where have posted ideations ...?

Or yield to scatter everywhere the oscillations they meet other mouths.

Etréstles ...: Everyone I ask do well to prepare your labors. Even so, his desire to hold my naughty please heart in this hour by the arrival of Drestnia.

The judge asks to adjourn for the recess could then discuss strategies for future deaths.

Gravedigger ...Lord Judge at the stepped eastern sector has buried an architect. We could ask your cooperation to Botsaris monument.

Judge…: All in good time. It will be done, does anyone want something narrow ...? -Drestnia raised his hand and asked ...:

Drestnia ...: With Etréstles in the last minutes of our lives, which extortioner once is finished this monument, where our souls will be destined to remain here temporarily ... Messolonghi?

( extract from  Koumeterium Messolonghi, if any want a whole ebook to write joseluisctravel@gmail .com )

www.joseluiscarreniotroncoso.wordpress.com

Twelve to six to three
Twelve to four to two
Divided and separated
Stark white eggs stored cold in fibrous cardboard trays
Warm eggs, just laid, strewn among the damp straw
Twist a plastic tray, it cracks and squeaks releasing ice-cubes
Chunks of ice kicked along a frozen asphalt road
A rusting metal bolt from an unknown car, sits against the curb
A drill-bit bores through metal revealing shining inner steel
Razor sharp shavings curl from the oily machine
Thorny thistles offer velvety wisps of cotton
White drifting seeds float on a warm spring wind
Sticky sap from a tree trunk you touched for balance
Fuses to your skin and tries to stick your fingers together.

Five ten fifteen twenty
Twenty forty sixty eighty
Tiny black seeds like pepper scatter on the snow
From a hard octagonal pod that cracked between your fingers
Black hockey pucks spill out of a bag upon the ice for practice
Players spill out of a gate onto the ice to take their sides
Spectators spill out of the small arena into a parking lot
A new snow during the game has left it covered in a white blanket.

One hundred two hundred five
A thousand a million a billion
Stars pour out across the sky
Clustering sometimes thick as milk
Sometimes scarce and as black as molasses
Thick and deep and going on and on forever.

The garden dwellers are in revolt.


there, a chrysalis on a twig shoot  
and a lorry train of ants dragging that dead body of a beetle
but it is not the body that is dead, it is only a skeleton, a hollow casing
pulled along the highway lines of the octagonal pavement
to the nest that stands like the Dahshur pyramid.
The Queen is carried on the backs of slaves.

Is it dangerous to walk there, down that thorny avenue of roses?


reminiscing over the regret of a lust for death
what is it, absent, another layer of displacement
as you dig beneath,
this garden, this prickly avenue
the soil is drenched with autumn leaves and deepens,
it is dangerous, I am buried in it.

Koumeterium  Messolonghi  - CHAPTER I

After sleeping for a thousand years the current of the major solar star fell on my face. I slept, not smiling at the crowds that buried me smearing my only bones. The search for that shouting made me celebrate the porous and fuzzy bodies that fell on my scratchy fingers, delighting my humble tributes to the beetles that accompanied me to direct my gaze to the sepulchral vaults near me. Some were filled with an augural awakening semblance; like the one that begins today, with the ominous words that moved from today, to the beat of my gaunt jaws. Among tombstones of dinosaur floral emeralds, in an autumn blue glade, birds were rubbing themselves on the edges of the sculpted stones. Meanwhile, I felt the mustard leaves riding on the dried carnation leaves. She looked at them dressed in white, even the slab of Drestnia, which closed her senses, remained behind bars with her hands crossed, as if evolving with her body to attend a new Era of geography and different technology. In her chest the living vertiginous wind would run, until the corporeal appearance in the light of the Koumeterium of Mesolongui; that hosted more than a thousand years ago, Etrestles de Kalavrita.

This immense palace and flat place, is nothing more than an asylum, where the worst plague originated that began the death of Lucifer's sentinels, which he dropped on this place with their beautiful golden cloaks; whose satagenesis the burning ground would rise to the ten fossilized cemeteries, under that of Mesolongui. I walked slowly with my old body dragging me, by the tenth floor, and that the adolescent pointed stones would break my nails; as if they were claws of a mammal trapped by the lava of a volcano. In each advance, the armor of my last patriotic fight would awaken in me, and that of its moving to observe how the parents worked through the conglomerate of castes, fighting in subterranean inclemencies.

Tease them when they wake up...:

Etrestles ...: "Which of all the columns erected is capable of opening all the columns built in the pavilion of these masses without shapes or colors ..., only the diaphragm of the vitalizing Aeolian lung of my reverie, is who I think I would...? To all those who are on the run and trapped under the soil of Mesolongui, I bring you good news ... not in a thousand years has her beautiful body been damaged. Since my birth in Ayia Lavra, he saw me being buried for the ninth time, in the fossilized Ninth Cemetery. Who’s Archpriest with his holy oils slipped across my partition, pretending to be a water dance engendered at the bottom of the Ionic. Between the arcades of the temple my mother Vitabion ran through the columns; to the outside to bathe in the sacra-vertebral water of my baptisms past. They were my past lives providing with the Auriga their entrusted previous lives. And you Mother ..., one day you tested the weight of my recycling ...?! There you, comrades of wars, of sacrosanct pilgrimages, of the enormous steamy baths of civilization in the Olympic and Equestrian fields. To you, who live here, just like my death in my last life at the hands of a Spartan soldier? You, blood of my blood, I feel your need speak within me...? And in the last Drestnia, which for its sixth uprising from here from Mesolonghi, between bars sealed your tomb to indeterminate the Hellenic situation. I have had to drink from the thorn resin, to speak to you from here, with my bony hands to touch the others just as yours are...Drestnia, from my still preserved rib, I will be reborn by appeasing the domain of collective thought and Willful, preventing your freedom. From my rib you will return to your present life, from whose cold, the flower seeds skeletonized the perimeter of your life ..., Etrestles went with all of them towards the interior of the Koumeterium of Mesolongui, towards about eighteen hundred meters in a zenith direction”

They went to constitute the Council of the Necro-Messolonghi, to define the minutes. --- While the music with its winds adorned the arrival ---. Just at the moment, the Auriga arrived with his blacksmiths; they came to free Drestnia, with his multconsciousness. What happiness for Etrestles, he ran through the underground pavilions, until the oldest Koumeterium, the first fossilized. Where thousands of Years, with numerous species now extinct, Etréstles came to give them the good news loudly!  Meanwhile, the Council attacked the promulgation of sprinkling the divine vine of the Dodecanese fields, in the seedling of Markos Botsaris.

Judge ...: With my limp, I have to advocate the reintegration of the outstanding Markos Botsaris, who once freed us from the Turkish occupation!

Ashurbanipal ...: My Syrian reign, full of dynamism, will place on its jambs the powerful image of the South-West Wind, in honor of its victorious exit in Kalidona.

Etrestles was just walking Drestnia to the Council, and thousands of harmoniums undermined doubts of the lordship that invoked the hero. Everyone stands up, the Council at their octagonal table, with their assistants, leaving the vine glasses empty to welcome the last surviving female of the first Koumeterium of Mesolongui.

The harmoniums, like Apollonian rubies, enlarged the dimensions of the cave vaults. --- They sit down and the music ends ---. Drestnia with some leaves on her shoulders adorned the new stage, where she would go to sit for the new becoming.

Asurbanipal ...: To you Oh gifts, of the Universe, you are well received at this Council, where one day they brought me to praise my contributions from the entrance of Humanity! But the topic for today will be awaiting the arrival of Markos Botsaris , just like you who have reached this end, thanks to the generous Auriga.

Auriga ...: The ***** of the wax of Orion; Eternal fuel, gave strength to my peers steeds, to rise above distant lands, to arrive with my Blacksmiths to unsolder the bars of Drestnia.

Blacksmith...: Our eyes were closed every hundred kilometers, but Eurydice with her calendar, made the aphelion bring us closer to this feat.

Echoes ...: Dust ..., Myth ..., Dream ..., Illusion ..., they have swirled the gallop of millennia, dressing the Squall in gray...! What dark words illuminate the hopes, only down here, well known is that there is much to do, since there is more activity than on the surface...!

Judge ...: Etrestles, Drestnia ..., past, present, or future will speak of you. You Drestnia ...!, What a long dream ..., you challenged your gothic vision, so as not to move your neck towards your neighbors , beings embedded in the first fossilized Koumeterium.

Vitabión ...: Mesolongui honors all the cemeteries in the world, where their loved ones go to see them. But they do not know that there is more dynamic life here than in their own world.

Menopausal Woman ...: My husband cries on my slab, because his infidelity caused a venereal disease in me, which today has eliminated me from his life. He cries and cries for my ****** descent, everything for being with another woman condemned me.

A curtain rises and Funebrio comes out; priest who concelebrates all recent deaths...

Funebrio ...: Woman when you cry my black clothes, black tears cry...! Your husband remains static, without movement, despite so many kilometers of his free will. Out of habit, the forbidden, the tempting is done. But the rebellious Mother Nature pours out her punishments on us.

Staktos ...: Friends who kiss each other, where have you deposited the ideations...? Or do you give to scatter everywhere the osculation that satisfies other mouths.

Etrestles ...: I ask you all to prepare yourself to do your job well. So too, with your prayers, I wish you to hold my mischievous heart at this hour, for the arrival of Drestnia.
The Judge asked to adjourn the meeting, so that the recess could later discuss the strategies for future deaths.

Gravedigger ...: Mr. Judge in the step of the eastern sector, they have buried an architect. We could ask for your cooperation, for the Botsaris monument.

Judge ...: All in good time. Way to go, does anyone want something to narrow down...? --- Drestnia raised her hand and asked...:

Drestnia ...: With Etrestles in the last minutes of our lives, who will pass away once said monument is finished, where will our souls who here in Mesolongui remain temporarily ...?

Judge ...: The insane generals of wars will lead to
Etrestles to the field of Lepanto, because there are stubborn souls that defy the defeated souls ..., and as for you, the benevolent Auriga will take your soul of colors of the sunset, to divide the megatons of the Romantics, who together with Ghiberti, on some trunks of beautiful minerals, they will anchor their best verses and hyperesthetic longings to overshadow their collective suicides.

At the end of the session, the attendees leave, and Drestnia and Etrestles go to the dock of the celestial napa that with its golden shine awaited them, to set sail for Tangier and Morocco. In his ships were the concurrent, Etrestles led his ribs wife towards a navigation that guided the sound of the oars that were the femurs of a Diplodocus.

Drestnia ...: When I am next to the liquid lake lord, I see the need for me to grieve ..., I have a sorrow that I want to be part of you.

Etrestles ...: In Kalavrita, when I was an infant for the fifth time, my father would read me tender stories, and I would ask him if they were from a famous writer, to which he replied that they were from an ordinary man.
The stories were about some spells about pain, one very mundane connected with something transcendent. An example is the Toothache Spell ...: “It dates back a thousand years to. c., the Assyrians attributed toothache to beginning in the Universe and ending with a toothache...:

After Anu had created the sky,
and that heaven had created earth,
and that the earth had created the rivers,
and that the rivers had created the canals,
and that the canals had created the quagmire,
and that the quagmire had created the worm,
the Worm came crying to Shamash,
shedding his tears before Ea ...:
"What are you going to give me so I can drink?
"I'll give you a dried fig and an apricot"
“What good will a dried fig and an apricot do me?
Lift me up, and between my teeth and gums allow me to reside ...”

For having said this, Oh Worm, may Ea punish you with the power of his hand!

Treatment ...: You have to mix second grade beer ..., and oil; you have to recite the spell on the medicine three times and then apply it to the tooth.

You see my Drestnia, you will see that it is possible that I have a spell just like my father gave me, and I can heal you of that pain. For you, that day will come when we will part, and the spell will be to bear the pain that will be beneficial for both of us. My rib is my sorrow, hence my last hope with smelly acid gases, I erased the invitality of you behind the bars.

I care so much, I care yet little
It drives me mad, it
drives me mad, it drives me
ten chimps pulling dresses off the walls
of a posh octagonal hall
six taps left open, and
drain holes, four, spurting and
clogged with thickets of hair and
dirt— all ugly and
bold and
alive

alive too, like a screaming, this home I know,
I know
to be carved out of stones—
of stones that silenced the noises of time now
chattering, chattering, alive
alive; dishes scarred
and stained— sleek
with remnants of hungers strange

a fish bowl lonely and
cursed with obsolescence; poked twice
with feathery causality and
now it bleeds, and
wilt the books, the dusty books
Oh!
I have too heard
of the quiet sky, it’s body carved like
a zero— even and smooth— I have too!

In here, but in here

I care—
a glass-jar, its mouth like the mouth of a fish
spilling, twice, spilling alive
and bottles breaking, of young wines,
of cinnamon and salt
four spices that sting and bite like slaughter

I care yet—  a taut-skinned cat
mewling by the greasy kitchen window
and six locks with key-holes
jammed with rust
that comes and comes in crowds like gusts
to chew on metal's ****** sweetness

It is wild—

I stumble around the echoes
of a gathering of chimps

a key grinding and twisting
in eight stubborn walls
yearning for the quick clack
that would open me up
all answers and answers, easy and slow
all simplified
for introspection— and me

and it is choking
frightening
I lurk from doorway to shadow to
the wet rug by the shelf
counting, recounting the bruises of a house untouched
by all but me—

ten then!
on, on—

In a lost paradise where the sea shrinks with feminine conscience, compassionate flashes are ratified in each groove and I calculate footage, this previous present attracts the magnanimous representation of the lightning emission of its speech representing itself where the queen judges the king Consummatum Est, with little difference from culinary art and its very dense genre. Here is the carious aspect of the bluish faskéloma or exasperating of the paws that move the occasional ones in sub-vibrations softening in the shiny mark of the sessile columns in consistency of its weak receptive propagation and masculine science, lacking what prospers with moist regulars of flashes that are cooling from their imbibition. With thousandths of his enchanted parasitizing and prior ego I wonder afterwards not far from a Para-Celestial and sacrilegious lore of Lochnith; Who, what and where would have been able to support such or such, rising on the beams and girders that make a whole for an inaccurate Menthe, going to the arcane of the seventh external love with clear magenta lights, on rounded ultraviolet reliefs, here is where everything lulls from the adverb Eleusis, seething with a consonant flight that suffocates in spite of a Pseudo Vernarthian, where it will go without any exception disrupting the courses of hesitation, leaving no more the divine portent and going back to the loaded Cibatus or barley in northwests that flatten ultra winter, mowed down to its glacial bluish water discharge in unequal thickening of fast secrets with thirds of vox with bordering called in pair of trios, and symbolic of a reborn flashed subsoil of a lifetime swollen in its low course and ministerial occultation that isolates itself on Patmos. The skies were beaten where nothing germinates from dreams waiting for thousands of those like me with acute senses of the Anthesterion, or of March taking me towards an enigma not posed even if it is not clarified yet not resigning from love or smelling in the singular uni-lunar desolate with venerable fulminations and inquinas of the branch of the bakchoi, which was whistled by an Aulós that was remade generic when restarting fasting from a day rebuked and repaid in the emaciated Cibatus. Such light grasses were polarizing prohijadas when recovering from resounding beginnings of the rhizomatous aromatic nuance, and from super life machined from the metallic oscillation of the fires and rites ruined in the aromatic arthrophagous of Lochnith, nauseating at night in flowing enigma and gramineous rictus, intermingling while he longed for the ritual and his graceful plumes in feasts that honored his Canephores transferring mead towards the bakchoi psychic adept revealing himself from the masculine to the feminine in aqueous positive bed and supra negative redemption, which was fading into sharp matter attended while the world was created that they would live with more than forty stratagems, seeing themselves praised before their eminent Truth. Myself…being its own tyranny…, which erects whoever classifies it sacramental, and notices the squalid lack of control of its barbarism flash when I still pursue the darkness of my purge that is falling even without finding where to do it, falling however from its end and of guilty thunderous glances..., what more public decree do I wish, for more rituals that you have close to you when feeling sharp minorities of its aftertaste although in double life and night your memory continues to spy on whoever denatures you from the paganism of Lochnith, more than a proselyte , plus that a lien conceived in dethroned galleys of homeland and fusca haze. Meanwhile, quantities of Omphalos from the ego micro center are distancing themselves from mine, my faded lost throne hallucinates lost knowing that it is a probable sculpted flash subject to the gleaning of the Cibatus in fraction of the cereal ritual, and of sanctified illumination with tableares that have to dwell all the times that they revive from the vivid purple red, and from the debtor clairvoyant mystery sky that is reviving in the revealed luminescence that throws it in ornate nickels and acidic rattles at midnight falling on a positive particle devoid of yours returning to mine, and preparing for the flashing praise that pigeonholes him from his crippled fallacious and previous theory suggested after favors by not being reconverted. Lochnith capitulate capitulation suffers from glare towards her beloved, placing his phalanges on circular and angular waves on the virtual milky river of Eleusis caressing her face and glare from her. “I, Lochnith, was on the cliff with my Canephor Aerse, near his Athenian paternal landlord, I was going to say goodbye to myself and carelessness, not being able to see myself in the reflection of the water separated from my ego, knowing that Aerse would not choose me, much less to my abandoned superior.

In Keri on the Island of Zakynthos, I synchronized the fall of Aeschylus in Leucas, which perhaps without my local would offend me by reputation and snoop on cliffside suicides that only see nascent effigies of the bakchoi as a potion for serials of life and cities of the incongruous dramatic space , where its tragedy and antithesis do not fit in the basket carried by my priestess Aerse. I am flying over the structures of the acropolis, not yielding as a deity who prophesies where there is no room for the world in which she and I can inhabit. Lochnith, jumped after her as she was falling down the frontispiece of the cape..., She watched him as he fell..., forbidding to skew him from his gestures and get close to her so as not to fall where the wind is more docile and free, intervening with pashkein inclination or entangling them of the vipers and rims of the heroic hair in a condition of evanescent reckless touch against her suitor, trapping her from the Omphalus that she had tied to her neck transferred from brilliant didactics before a puerile boxing of vicissitudes, and spring flower shops next to the flayed serpents of Persephone and Kashmar floating on the Lilies of Aerse. Prey to the escarpments and cliffs, she remained possessed among the sedimentary dolomites that emanated near her veins before plunging down the steep side in over cascading prayers for her, always knowing that he would love her on a singular base of enchantments while he looked smiling before fall yielded In the end, forty-one seconds she was thrown off the cliff..., Lochnith passes from one end to the other the Omphalus of her neck by a lofty plume ready for love, imagining herself in the midlands of a ruthless positive affection of the mysterious flashing Eleusino, and by the divided ***** that took them as they fell into a splendid world with serials and images of Aerse, tied to the prehensile sacrifice and the cold hand of Lochnith, together as they fell between their subconscious selves, becoming heaped and vivid as something plunged towards them fleetingly, knowing that he I was going to survive him.

Lochnith's gleam was northwest of Athens once lost in the scrupulousness of a pagan polis and cult that kept docked in the sands to find her on the cliffs of the acropolis, where they had lost each other after two thousand years since they Theodosius abolished by decree the rituals of Eleusis. With revulsion and unprecedented insight, Aerse remained a recluse with excessive eagerness to self-eliminate, possessing for both the due imagination that he had possessed of the devoid neckline of the omphallus causing the inclination of the avalanche and their bodies towards where they supposedly would land on the divine and Dionysian path which leads to the eschatological of Vernarth's Diokitis. Apparently they were leaving as a result of an immortal Vernarthian existential catastrophe or decline, at the same time of a rhythmic alkaloid hemlock with its Achene that carried them for any pretense by being triggered towards the meeting with Persephone without her or he knowing why to fester at Eleusinos as Lochnith and Aerse in a single concentric whole, and quantum beings of the octagonal by the straight or transversal line that slipped into the hypotenuse at the instant that they were conceived implicitly as they took him from relapses when he went towards Aerse, after winding up from his conclave Hypomorphic writing and Magna Mater Misterica. Under the established power of his ministerial, the redemption that went in adjoining the ins and outs was consigned to resurface from the subgenre, and from himself procreating exultation with the analogs of Vernarth that were prolonged in excremental purges and disagreements of the cult of what should be twisted in the ****** of the magnetic genre and of positive tendency that would be eternalized after the cessation of the active decrees by Theodosius. Eminently Aerse suffered on some semi-dead watery slabs next to Vernarth, she remained after the agreement to centralize what irradiated her humanly as semi-Itheoi from a reinforced gender that was cohesive in retrograde worship to achieve pre-flowering in all the springs of the world, where they could be seen together with Persephone in the finnis that was distanced ultra terrestrial towards a dowry of profusion and disproportionate wealth, not being categorized as a mystery rather as an unknown of a super method of rummaging in the lanterns where no reflection of Aerse could to be found by Lochnith after getting lost in the polychrome figures of the acrotera, lying in watery nitrosities on the escarpment of the cliff. Physiology will influence Eleusis with systematic naturalness for the active hydrogenated elements, and of such unknown prebiotics or phyto-estrogens where remnants of the great sepulcher of humanity are manifested, as it is found to rise from the true hecatomb of July with a hundred halters arranged with foreign beings towards the oasis of transition. The little will of the annals will multiply in millennia of obscurantism, taking him in transit to a more exciting late management by harassing the search for Aerse in a clear mystery already in the jaws of a clamoring night by the reefs of Demeter for those who know about Persephone! even being with the inventive fallacy of a addicted spirit in correlation to the rite and its lineage. Every night that he convalesces, he will look sleepless with the servile promise of divinity from a vision that fades from the winepress and the Boedromion party, moving from the born ****** position of a hierophant towards the mold that dies and that does not renew itself from Boedromia itself. The representation of Aerse was reflected with transfused majolica and Eleusinian threads when she was seen walking from the beginning floating remotely in the meadows of the knoll, from which the cyclical anagram of the lost cliff rises when it separates from its Adonis being able to expose them in mythological treachery and transcended from epic truth to be related to the treaty between Zeus, Hades and Demeter for the rescue of Persephone after being dented from the beginning of the arcana that sprouted from a distorted symptomatology. She aerse carried the flayed serpents even on her body as if she should look for them in an omnipotent volatile gray so that it would come out by itself and be unguarded by her gone eyes, witnessing secrets and resting in anarchy from where there is not and will not be. Archon or governor What a mesmerizing problem is improvised from second after third that provoke astonishment to see him in the course that he could not have of his cursed detection! Aerse was beginning as a curious Canephore, he came to meet his ephebes Lochnith after excessive self-inferred hypotheses by following him at her command detailing the Kykeon that paled her psychotropically from a discarded and mineral exhibition, of which she would be devoured by the numinous portent of the Mashiach with his Sunday appearance or concerning the numen manifested with the eternal powers in front of the hieratic presence of the man who looked at her paternally, with a crass profile like a Damian Hessian drawing them in, plotting in a colossal fascinating stealth. Here she wraps him up but does not approach him and falls, lost in love, such a Faustus dilemma, granting herself at the initiation of the portal of the twelve lunar months in Eleusis, with immutable years and origins where they will bounce to meet in childhood that made them known as Aerse and Lochnith . Here in the greatest trance of life, both would begin to overcome all the twists and turns of the gestated gloom that separated them due to the shaken annoyance and confusion still divergent in sediments of runoff and bark oscillations that emerged from the unevenness of the acropolis, until a meeting in the amazing light and divine libertarian of two tendernesses, and martyrdoms that purely push them back towards a new end of the muddy gleam in a found paradise where the sea unfolds by male consciousness and is ratified mercifully in each flash of the striated. They will meet again in similar attachments divided by the fluctuating one who unmasks the one who drives him away with his dominant ******, and ill-advised caudal space seducing the contiguous public and private astral bodies that have never been coarse or dissimilar in ablution or sacraments of gods the pagans, everywhere nor whatever its fragmented remains by the gullies and ravines of the Kêphisos. After the remnants in politics, the desolate serpents of Aerse flowed down the river, as a link section that declared itself from an initial that was an evident flash that enveloped them as a cardinal canon with bucolic politics in all the nearby regions. Athenians, after the vertiginous regressive parapsychology like an Eleusino flahsback or Anadromí sto Parelthón Eleusia, with the visualizations of Aerse and Lochnith when they follow each other through the learned induction of feedback that was arranged in the inclinations of both, refining their morphological bastimento for the purpose of instituting them as articulators of the evocation of the millennia. Prophecies were reported from the 8th century BC. with ends, and interprocesses of the eternal in the unknown mystery that began to be clarified with the reinvented personality of the amendment of Life and Expiration experienced with Lochnith of the month of Boedromia, fleeing from a federated Polis that would be unified to a substantial dimension and of sacred Eleusinian space with brand new warmongering for the culminations of being incorporated into the Hexagonal Primogeniture integrated in this way in the indissoluble ephemeris of foundation and hegemony of the Megaron or Opisthodomos of Patmos. This is thanks to the beaten serpents that were nesting the reanimates of the question with subterfuges that make the widths of inter-pairs prevail, which are consolidated as a reality of session and space, agreeing on the defeated parapsychological memory or future in the economy of two resignation blocks of the repealed Sacred Space, in consensus of the beams of the Vernarth Military Command forging from the beating sacralized ***** that cultly intensified from its mysterious nature and territorial domesticity to come from the attracted Agoras that were repositioning themselves with the metaphysical agents that they will be restored in the polis with the scope of furrowing in a civic action induced towards someone who virtually recognizes him in the purge of the exclaimed strangers. More ardent passion was added to receive them even being wary of further mutations vibrated with the Faskéloma, or exasperating that moves the tint of the occasional vibrations, similar to the tendencies of the Sacred Space of Gethsemane, with the disastrous passing of the aqueous levels of the Kêphisos, which it would mean the presumptive ordinal of unreal historical worlds. The parapsychology of space was absorbed with torched quadrilaterals that were hanging from the invoked meditation, they were lying on futile folders and anodyne Aerse molecules, which were still welcomed by the magical exposed extra-corporeal substances that were deduced as they were experiencing unprecedented transit preserved of the eccentric deconcentrated radio of the refurbished of the spectral chromatic. The precipitated mental field dared to invade boldly towards another unheard-of generator that dissipated between Aerse and Eurydice coming near the Coasts of Patmos, coming from hypothetical planes that flow for their definitive moderated unions. The static refluxes bounced in simultaneity of bilocation of the Eleusinian exordia that were exorbitating each other with the rollers that were uncrossing the corporeal margins that concelebrated the quantum crankshaft, and the fibrous distinction that was teleporting the rescue rituals unforeseen astrological

Lochnith says: “in the proximity of the mortuary reality there will be no hesitation outside of our body and geodesy of our lost zafral or of lives in transit sub or supra quantum, obsessing in the eyes of erudition and unknowns, while our contraption self-obstructs with our electromagnetic sensory interactions paraphrasing in the convoluted distance and residues of related-metaphysical electros that are reconverted into the appearance of a premonition” The ligation of the arteries of Cephisus carried the emanations of Lochnith to love him in a healing act suspended with beings devoid of physicality, on the way to specters and healings of a perverse, to repair his extra-corporeal suffering confined to those who condescend to the androecium and gynoecium as a unit of mental physical motor gender, at the instant of the exacerbated and ectoplasmic world regulated by means of the Vernarth regression that was going lowering your blood pressure, increasing your red blood cells side effect rivers intertwined with Eurydice and Aerse in the opening Othon, directed at Vernarth's outcomes that came in the bow of the super-aqueous ship with some fabrics from the ship's stowage directing the speculative and autonomous advance that was already dispersing in the waves. Dead cells of the right Lynothorax,  A savvy military mancomunal became syncretic with Lochnith, he was determined to continue reinstalling us in his white blood cells that rose when it was already dawn on the shores of independent Skalá, and in the circled cohorts of Phalanxes and Psiloi that accompanied him in minutes that seemed millennia, all succumbing to the physical dismay of the underlying necrosanct and telepathic prayer that took place at the dawn of parapsychology trances cysts of recovery that descended on them in pure novel regenerative membranes, persé of merciful acts that became thick in the flashes when freezing from the weightless rays of the ultraviolet, which was separating between Sóma and Gnómi or corporal opinion that was joining synthetic networks with indefinite emissaries and receptors, subsequent bodies of the Bachkoi chemist, already deficient for a compensatory universe and varieties that were taking shape in a disintegrated emotional quantum world. Each time the bodies were reinserting themselves into the full unknown and subjective material, the concrete material united in the network with each other as a single force was transforming into the greatest passion and sparkle among their own, reinstalling themselves in the Super Egos.

In the Latest Minute Dogmate according to the rictus mortis thesis, the globules would move like a big explosion interacting with everything, so starting everything from the beginning of nothing to the indivisible with optional digits of coincidence or inseparable digitized, such a phenomenon of meekness of aligning times were massified with the probability of finding them in the vestige of real anomalous presences that occurred millions of light years ago. Aerse replies: “My admiration, the sparkle has a measure of astral body in reason of the vigor that underlies reiterated expiation and measurable virtuosity in its perfection of semblance p and corporal providence, inquired of being transformed far from disaffection rather than a continuous healing . The smallest and most coherent in the fabulous Griffins will join my clairvoyant and component with the ballast of his final game, not reflective of another who can measure or predict him for an undivided being. But I am already here, and I am your infinite…, I no longer know of other bad illusions of trying to separate myself from this life of what Eleusis is, perhaps a cosmic coarse that is and was in all time that passes speculatively, for this flash that is reflects whether it pales visible or not, I hope it will be compact on our intertwined attachments”
As living organisms, various life methods will be postulated as an initiative in the announced Big Bang, for the profit of those who are real close and real logotypes of resonant neuroscience as a daring that will influence the progeny, for ****** volumes, exonerations of bearers experiences and evolutionary lives of the emitter outside of an ignored Parthenon, since the gender of the world is also associated with random ambiguities from anode to cathode, positive-negative towards a Hellenic parallelism of roots in life dressed with lasting vernacular inheritances. Much of Lochnith's electro-dermal conglomerate was in full congruence with retrograde Eleusian parapsychology propagating from Vernarth's Invisible Eclectic Portal, which was nebulously teleported down the Kêphisos River with saprophytic living organisms acknowledging it in indigenous originality. of the species of reborn Vernarth, and super regulation of the euphemism and mysterious underworld below their protocols.

Revelations of the mental-material, made reluctance and support of the estrangement of inviolate perceptions, precognitions, telepathies and premonition, which debuted in this intrepid adventure intuiting in perpetuity with the sensory corridors and interferences of a reality of body in an explosive world incontestable. Lochnith, was already in possession of a hypnotic mental reincarnation formula in the form of neuroscience vessels close to scarecrows of expiration, allocating the subsequent locks of an enlightened decency of the ethereal sleepy baggage and the oracular review. The more we experience the laws that explain his prodigies, the more our perspective of media and complete fiction will increase in something that begins to be typical of the laurel of a true slowed-down ******-kinetic process. Within the curvature and the dim light that remained in the Lochtian days, normality returned to them after this long epitome in the parapsychological biosphere, and the intriguing contemplation and even mischievous tenuity of idea that can die suddenly, after self-incubate in the intangible coexisting passage and medication rupture of lived art with alien morbid beings. For a character archetype, it is only known that reaping is consuming capital from the disruption of a non-profit loss and its incontrovertible paranormal, which is paranormal and parapsychological from the plane of posterity of life, which will be an act of peaceful coexistence in playful spirits, compensating for seclusion in the vaults of an involutionary dramatic past, if its material or monad (spiritual) is not dissected in the cosmic train of perception of unfolding, and of the concept of purging energy that goes out of its way in its seventh heaven. The hypnosis of death and purgation to whoever requires it in the convoy of their conscience continues to be a tiny unruly space that transports us physically, reverting to minimums that are neutralized in alien foundlings. From an aedicule depository to an empty body that is neither independent nor from the lord who claims it (V.g. aedicule of José de Arimatea). The impersonal voices that officiated at the ritual of Eleusis were heard far beyond those who could hear them merely with memorable spaced therapies, recording themselves in interspersed layers of sounds and imprecise electroacoustics in the serial of an alarming complex frequency of the regenerative stumble in an organism of Continuous movement. Everything spreads in bends of abstraction that revives those who promote the perfection of marigolds like buttercups that they wear in the clothing of the Canephores like Aerse, but soulful and latent ephemeral of the ethereal alchemical entitative of ignored molecules. Lochnith says: “My submission heals, it no longer maintains being far from who represents it and where it comes from, I know that its remains in me do not reason, clarifying more my journey towards the crown and vilifications of a nascent humanity that mourns me, and that does not recognizes by rebelling in my desires to attract him"
the sky closes in vermilion digression and you inquire that they should answer for the silence of confusion in the parapsychological aqueducts of Athens with Patmos. The organization of the Sacred Space starts with the bizarre totemic quantum by sacred paths, Megarons, fictitious hunting places, double surrounding lunar ring, curves of virtual walls, Propylaea to embrace the Vernarthian enigma and finally the Telesterion that received Vernarth with a naked torso that perched in front of Aerse and Lochnith, looking at them towards the futuristic survival with five digits in a quarter of the waning of his right hand containing the small coat of Betelgeuse and the Pleiades in inklings of the umpteenth apocalyptic Megaron of Patmos. Scrupulosity as an Electro-Eleusian placebo effect, went alone, dismissing itself in the singular of a Templar niche and towards a Megaró-Omega Telesterion for catechized who endowed themselves with super-resident halos and litters of priesthoods that fled in terror from the Aerse-Lochnith fusion, prior to each rudeness and their contours swearing eternal exaltation and idealism, to be reconverted into individuals saved and votive to love each other with third parties, escaping from small frames that still did not hold up from the ecumenical mess.

"Wine is the mirror of the mind."

The cut glass
fluorescence
of sloe gin and *****,
cuffed to my wrist,
scours the tabletop
with self-cruel smiles.

In the convex glass
I'm wearing
a robe of pills.
In the convex glass
my hand's curve
strangles a joy
back down to size
with forced sleep.

Dizzy on the bird's
chop-wing of couch,
half-tapped glasses
lose the day to the
little white discs
laboring to lift me
roughly into the spaces
between the stars.

The octagonal glass
is so empty.

Northwest of Athens, once lost in the polis of religiosity and pagan worship, Lochnith followed the shoulder to find her on the cliffs of the Acropolis, where they had lost each other, after two thousand years since Theodosius would repeal by decree the Eleusinian rituals. Of rejection and unprecedented glimpse, Aerse was reclusive in her excessive desire to eliminate herself, being for both an unreality because he had possessed her by the neck devoid of the omphalos, causing the avalanche of their bodies and souls towards where they would supposedly perch on him. divine and Dionysian eschatological path leading to the Diokitís of Vernarth, supposedly going to the derivation of a catastrophe in existential decline but immortal Vernarthian, being a rhythmic hemlock with his Aquenio, who carried him from his right chest, for any pretense of being triggered to the encounter of Persephone, without her or he knowing why Eleusinus festering with Lochnith and Aerse as a single concentric whole in quantum beings of the dodecahedron and octagonal by straight or transversal line, which slipped away in the hypotenuse where the serpents were implicitly conceived, leading to relapses when they went to Aerse and wound up in his Hypomorphic spelling and Magna Mater conclave Mistérica, under the organizational power of his ministerial redemptive slogan and bordering on the intricacies that arose in sub-genres of himself procreating exultation in Vernarth's analogues, which were prolonged in eschatological purges and disagreements of the cult objective that must twist from the gender womb, but in magnetism of positive polarization and in a plethora of tendency that would eternalize after the cessation of assets decreed by Theodosius.

Aerse eminently half-dead with Vernarth, was after the compromise of repolarizing what was semi-human splendid into semi-gods from a bi-gender, which coalesced in a retrograde regenerative cult, to achieve reflorals in all the springs of the world, where they could be seen with Persephone in a Finnis that distanced himself from the ultra-earthly towards a dowry of profusion and disproportionate wealth, but not categorized as a mystery, rather as an unknown of a super method when poking the lanterns where no luminescent reflection of Aerse could be found by Lochnith, after getting lost in the polychrome figures of the acrotera, lying in the watery nitrosities of their rift and steepness of the acro cliff.

Biotics will influence Systematic Eleusis, of supernaturalness for all hydrogenated active elements, as prebiotics of the unknown remnants of the great sepulcher of humanity, where the true hecatomb of July has to be raised and a hundred oxen arranged in the new beings of the transitional oasis. The meager will of the annals will multiply in millennia of obscurantism, leading Lochnith towards a late, but exciting management of harassing in the search for Aerse, in a clear exo-mystery, already in the jaws of a night shouted by the reefs of Demeter for those who know about Persephone...?, even though it is an inventive fallacy of the addicted spirit in the correlation of rite and lineage. Every night that he convalesces, he will look insomniac in the servile promise of divinity in a visage that is undressed in his winepress and the festival of Boedromion, towards the born corporal position of a hierophant who dies from this mold and in which he does not renew Boedromion himself.

The iconography of Aerse was reflected in majolica transfused in the Eleusinian streams when Aerse was seen walking from afar floating in the meadows of the knoll, where he set himself up as cryptography of the lost cycle of the cliff when he separated from Lochnith, being able to expose his treachery mythologically and truly transcending epic, relating to the treaty between Zeus, Hades, and Demeter, for the rescue of Persephone, and after being dented on the beginning of the arcane that arose from that amorphous symptomatology. Aerse carried the stripped-down serpents still on her body as if a divine wind had to seek her out so that they would come out by themselves and unguarded, through lost eyes and secret testimonies resting from anarchy from where there is and will not be an Archon or governor, who in rapt trouble improvise a second after the third parties that cause amazement to see you in a process that could not have it of cursed detection.

Aerse, beginning as a Canephore intruder, came to meet her Adonis Lochnith, after the excesses of the self-inferred hypotheses by following him at the command of the gnosis consciousness in her detailing the Kikeon that made her psychotropic ally pale, from the closure of mineral light that was devoured by the numinous portent of the Mashiach, in the presence of herself on dominical or relative to the numen manifesting in eternal powers, before the numinous presence in the hieratic, from a man who looked at her fatherly or in the crass profile of Damien Hessiano, plotting in colossal and fascinating stealth. Here she surrounds him but does not come close and falls out of love, as a dilemma and granting herself an initiation towards a portal of twelve lunar months in Eleusis, for cyclical years and births where they bounce back to meet in the childhood of pre-pubescent that made them known as Aerse and Lochnitt. Here in the greatest trance of life in both beginning, it surpassed all the twists of the gestated penumbra that separated them by shaking of pain and confusion, still being divergent remains of leftover and uncooked serpents of the escarpment of the acropolis, until a meeting of the astonishing divine fire, and libertarian in two martyrs' tenderness that is purely re-propelling them back towards a new end, and muddy shine in a found paradise where the sea unfolds by masculine conscience, and pious is ratified in each flash of a striate, and of rediscovered calculometry in pairs of loves divided by the pendulum of the one who will only unmask the one who drives him away in his dominant ******, and in the misguided space of hieratic seducing in molecules of celestial structures, and urban public and private lawsuits that have never been crude, nor in ablution of simile sacraments of pagan gods, nor everywhere or whatever their dismembered remains parading I know through the creeks of Cefiso.

Towering above Alexandria in ancient history,
lighting the way for ships at sea,
three interlocking platforms,
climbing toward the sky

Square, octagonal, and circular
sections made of huge stones
an architectural masterpiece
Ptolemy's tribute to warriors

Raging fire in limestone furnace
glowing, flickering, smoking
showing travelers the way
shining on high in the night

Fallen over time
earthquakes take their toll
no longer visible, submerged
beneath the waves

One of Antipater's seven wonders
now gone the way of the Colossus,
the Mausoleum, the Hanging Gardens,
Zeus's Statue, Artemis's Temple,
only The great Pyramid remains

It offered itself, with it's octagonal section as an item of sinister doings, yet very welcome to the stricken traveller, who had traversed the room to meet with its dark silhouette. He picked it up, the weight giving a sense of potency, the machined edges perfectly formed for destruction. It's grey hue glistened in the nocturnal light, reassuring him of it's metallic nature. He considered it in his hand, the item with which he would commit the untold act of the utmost selfishness and cowardice, oh how he had been reduced. It fell to the floor with a clang, the grey monster returning to its slumber. Silently watching on as the traveller scuttled back to the familiar warmth, yet never had it felt so cold.

a paper mache beehive,

rounded off to octagonal

holes.

spitting out purple honey.

its albino queen bee breaks it

open with her stinger, she

happens to monopolize the

entire space.